Includes bibliographical references (p. 223-238) and index.
The Scots who had moved to Ulster in Ireland suffered under economic and religious pressures, and many chose to emigrate to the American colonies in the years before the war for independence. In the colonies, they then faced economic, religious and cultural challenges as they adapted to the new land.
Contents
Chapters: 1 The transformation of Ulster society in the wake of the Glorious Revolution / 2. Crisis and community in Ulster / 3. Ulster Presbyterian migration 1718 - 1729 / 4. Settlement and adaptation in a new world / 5. Responding to a changing frontier / 6.Surveying the frontiers of an Atlantic world
Summary
"Drawing on a vast store of archival materials, The People With No Name is the first book to tell this fascinating story in its full, transatlantic context. It explores how these people -whom one visitor to their Pennsylvania enclaves referred to as 'a spurious race of mortals known by the appellation Scotch-Irish'- drew upon both Old and New World experiences to adapt to staggering religious, economic, and cultrual change...The book moves from a vivid depiction of Ulster and its Presbyterian community in and after the Glorious Revolution to a brilliant account of religion and identity in early modern Ireland. Griffin then deftly weaves together religion and economics in the origins of the transatlantic migration, and examines how this traumatic and enlivening experience shaped patterns of settlement and adaptation in colonial America. In the American side of his story, he breaks new critical ground for our understanding of colonial identity formation and the place of the frontier in a larger empire." [book cover]
National Society Daughters of the American Revolution,
Date of Publication
c2008.
Physical Description
vi, 854 p. ill., facsims., maps ; 29 cm.
Notes
Includes bibliography (p. 761-812) and index.
Contents
The northern states -- The South -- Miscellaneous naval and military records -- Foreign allies -- West Indies -- Appendices. Map of the enslaved population, 1790 Census ; Documenting the color of participants in the American Revolution ; Names as clues to finding forgotten patriots ; The numbers of minority participants in the Revolution.
xiv, 386 pages, [16] pages of plates : illustrations ; 24 cm
Notes
Includes bibliographical references (pages 354-372) and index.
Summary
The first narrative history of the Civil War as told by the very people it freed. Historian of nineteenth-century and African-American history Andrew Ward weaves together hundreds of interviews, diaries, letters, and memoirs. Here is the Civil War as seen from slave quarters, kitchens, roadsides, swamps, and fields. Body servants, army cooks and launderers, runaways, teamsters, and gravediggers bring the war to richly detailed life. From slaves' theories about the causes of the Civil War to their frank assessments of major figures; from their searing memories of the carnage of battle to their often startling attitudes toward masters and liberators alike; and from their initial jubilation at the Yankee invasion of the slave South to the crushing disappointment of freedom's promise unfulfilled, this is a transformative vision of America's second revolution.--From publisher description.
Includes bibliographical references (p. [179]-218) and index.
Contents
Theater, nation, and state in early America -- Cato and company : a genealogy of performance -- Free-born poeples : the politics of professional theater in early America -- A school for patriots : colonial college theater -- Bellicose letters : propaganda plays of the Revolution -- Epilogue : Post-revolutionary patriotism and the American theater.
Summary
Performing Patriotism examines the role of theatrical performance and printed drama in the development of early American political culture. Building on the eighteenth-century commonplace that the theater could be a school for public virtue, Jason Shaffer illustrates the connections between the popularity of theatrical performances in eighteenth-century British North America and the British and American national identities that colonial and Revolutionary Americans espoused. The result is a wide-ranging survey of eighteenth-century American theater history and print culture. [from the publisher]
