Publications of the Pennsylvania German Society ; ser. 2, v. 46
Notes
Illustrated lining papers.
Includes bibliographical references (p. 285) and indexes.
Contents
Berks County: the center of it all -- Daniel Schumacher: a Fraktur artist of some note -- Henrich Otto, 1784 -- Friederich Krebs, August 4, 1790 -- Johann Valentin Schuller -- The greatest development of Fraktur writing, 1800-1835 -- Johann Ritter: a century of influence -- Conclusion: The last flickering -- Appendix 1. Fraktur artist who routinely made Taussscheine for Berks County families -- Appendix 2. Scriveners who routinely infilled Taussscheine for Berks County families -- Appendix 3. Berks Couny printers of Taussscheine in order by active dates -- Appendix 4. Translations.
Prologue: the Kutztown Folk Festival -- Reading and the Oley Valley -- Fingers of guilt -- Middling stiff -- When law and humanity had but faint connection -- Twelve honest men -- A distraction from grim tidings -- As innocent as a child -- The last melancholy resource -- Ten o'clock to two o'clock and fifty minutes -- Slinking off anonymously -- A last hope -- Seduced by the devil -- Confession -- I poor wretch -- A final jolt -- Peace be to her -- The printers of Exeter Township -- The sad, sad song of Susanna Cox -- Advice from the dead to the living -- Her exit--infamy -- Epilogue: back to the festival.
Summary
The unfortunate Susanna Cox gained notoriety for killing her illegitimate infant son. The fatal episode led to her hanging in Reading, Pennsylvania, in 1809, the last public execution of a woman in the commonwealth. But was Susanna really the culprit? The legend of her fate, repeated in Pennsylvania German broadsides by the generations that followed, suggests she herself was a victim. Now, in this first full-length investigation into the tragedy, new evidence reveals some startling facts about how indifference, an undeveloped court system, and the inexact science of nineteenth-century forensics combined to determine Susanna's tragic fate. A full look at how Susanna's "sad song" became romanticized through broadside ballads follows, complete with illustrations.
141 pages : illustrations, maps, facsimiles ; 22 cm
Notes
Includes bibliographical references (pages 115-119) and index.
Contents
Foreword by Paula Reed -- Introduction -- The forces behind Scots-Irish migration -- Migration was a family affair -- An ocean crossing and a new life -- The frontier beckons -- Pioneer agriculture -- Terror on the frontier -- Return to the textile business -- Religion's central role in McCullogh's life -- McCullogh the businessman -- Writing in code -- Postscript -- Bibliography/references -- Acknowledgments -- Appendix 1: James McCullogh's travels -- Appendix 2: Petition of McColoch (McCullough).
Summary
A facsimile of McCullogh's journal can be found on our shelves at 973.46 S798a.
256 pages : illustrations, maps, facsimiles ; 22 cm
Notes
Includes index.
Summary
This is the diary of James McCullogh, a Scot-Irish immigrant farmer who settled on the Pennsylvania frontier in the mid-1700s...In its 116 pages, he jots notations from his daily life, from planting to business accounts to the secret places where he hid his tools during bloody Indian raids. The book records life-altering events such as the loss of his brother John and the kidnapping of his two small sons -the younger of which he never saw again- at the hands of Indians. He includes Bible verses and writes some entries in code, somewhat curiously, since he also provides the key. [book jacket]
In this annotated volume, there are facsimiles of the diary's pages, along with a transcription for clarity...and useful commentary providing context and background.
