The following mills are discussed: Martic Forge Mill; Horse Hollow Mill/Pequea Roller Mill/Sickman's Mill; Burnt Mill; Millvale Mill/Baumgardener's Mill; and Goods Mill. "Although the Goods were primarily farmers, they were also involved in milling, lime burning, distilling, and taverns, and were involved in local and county government. John J. Good, known as Squire Good, was a Justice of the Peace. His courtroom was in a tavern he owned."
A good, honest, hard working man : William Christian Paulsen and his family - German immigrants who settled in Lancaster in the mid- to late-nineteenth century
"William Paulsen's story, although unique in its details, is generally typical of the stories of many other middle-class German immigrants in Lancaster. Together, these stories comprise an important part of Lancaster's history that may not be very well known because immigrants in the middle class, although in the great majority, did not leave as many traces in the historical records as did more affluent, well-known immigrants. As a result, the stories of middle-class immigrants are more difficult to piece together. However, in the case of William Paulsen and his family, we are fortunate to have extensive family sources of information to draw on, as well as a substantial number of historical records."
Jonah Davenport, an early eighteenth century Lancaster Indian trader, his son William Davenport, a Carlisle saddler, and grandson, Samuel Davenport, Trader General of the Tribes of Texas
"On the American frontier, there were men who always pushed the edge. These were often the Indian traders, solitary men who purchased great lots of manufactured goods, loaded them on trains of pack horses or mules and set out into the wilderness to trade with the Indians in exchange for skins and furs. Such a man was the Indian trader Jonah Davenport."
"The present work is a substantial revision of our earlier work entitled No Crooked Death, published by the University of Illinois Press in 1991"--Introduction.
Includes bibliographical references (pages 155-158).
Contents
"That quiet sabbath evening" -- "A conspiracy of silence" -- "A disgraceful travesty of justice" -- "To humiliate the administration of justice" -- "An American tragedy."
Summary
"On a warm August night in 1911, Zachariah Walker was lynched--burned alive--by an angry mob on the outskirts of Coatesville, a prosperous Pennsylvania steel town. At the time of his very public murder, Walker, an African American millworker, was under arrest for the shooting and killing of a respected local police officer. Investigated by the NAACP, the horrific incident garnered national and international attention. Despite this scrutiny, a conspiracy of silence shrouded the events, and the accused men and boys were found not guilty at trial. On the 100th anniversary of the lynching and the 20th anniversary of the books original release as No Crooked Death, authors Dennis B. Downey and Raymond M. Hyser bring new insight to events that rocked a community."--Page [4] of cover.
xv, 400 p., [8] p. of plates : ill. (some col.) ; 27 cm.
Series
Early American studies
Notes
Includes bibliographical references (p. [335]-377) and index.
Contents
Painters and patrons -- The village enlightenment -- Cosmopolitan communities -- Itinerants and inventors -- A tale of two chairmaking towns -- Provincial portraits -- Daguerreotypes : the industrial image.
Summary
In the middle of the nineteenth century, middle-class Americans embraced a new culture of domestic consumption, one that centered on chairs and clocks as well as family portraits and books. How did that new world of goods, represented by Victorian parlors filled with overstuffed furniture and daguerreotype portraits, come into being? This work highlights the significant role of provincial artisans in four crafts in the northeastern United States, chairmaking, clockmaking, portrait painting, and book publishing, to explain the shift from preindustrial society to an entirely new configuration of work, commodities, and culture. As a whole, the book proposes an innovative analysis of early nineteenth century industrialization and the development of a middle class consumer culture. It relies on many of the objects beloved by decorative arts scholars and collectors to evoke the vitality of village craft production and culture in the decades after the War of Independence. It grounds its broad narrative of cultural change in case studies of artisans, consumers, and specific artifacts. Each chapter opens with an "object lesson" and weaves an object-based analysis together with the richness of individual lives. The path that such craftspeople and consumers took was not inevitable; on the contrary, as the author, a historian demonstrates, it was strewn with alternative outcomes, such as decentralized production with specialized makers. The book offers a collective biography of the post-Revolutionary generation, gathering together the case studies of producers and consumers who embraced these changes, those who opposed them, or, most significantly, those who fashioned the myriad small changes that coalesced into a new Victorian cultural order that none of them had envisioned or entirely appreciated.
Appendix 1 : Founding members of the High German Church ; Appendix 2 : Members of the High German Church who were arrested for distrubing the peace during the riot on January 17, 1835. Charges were brought by Carl Schaeffer and George Milligsach, elders of the High German Church ; Appendix 3 : Pastors and members of the vestry of Zion Lutheran Church during its peak years in the late nineteenth century.
