Medium-depth bowl end, oviod, thick base, thin edge. Tapered handle, flat on end, curved. Coat-of-arms crescent with double-headed eagle/griffin etched on handle end. Four maker's marks on back of handle near bowl end: 1) ' W ' T C C 2) lion passant 3) c
Greenish-brown glass with kick in bottom. Cork sealed in mouth of bottle with pinkish wax ('Red Seal') and copper wire. Old torn tag around neck 'Dennison Mfg. Co. Tag Mfrs. 25 & 28 Franklin St. Boston'. Label on bottle printed with '1827 Red Seal Madeira'
Silver caster. Elaborate floral decorated with detachable lid. Lid is pierced and topped with a small bud-like knob. Pine cone design. Neck and bulbous body have flower and leaf relief design. Etching at the bottom of the body reads, 'James Buchanan. Whe
Two salt dishes. Diamond-footed with design cut in bottom, flower / starburst diamond pattern cut around below edge. Edge or lip scalloped, oval-shaped, higher at two narrow ends than at sides. Finger molding at bottom of dish.
Length and width dimensions are the measurements for the base.
Object ID
W.89.98.1-2
Notes
Bases and edges chipped. Old numbers were A71.4 (1-2) Had been on loan from Woodlawn since 1958. Given permanently in 1984. Numbers chnaged to reflect this. History of ownership unknown beyond Woodlawn Collection.
Silver serviing spoon with the silver mark for Philadelphia silversmiths Bailey & Kitchen and J.B. engraved on the back of the handle. 136 Chestnut St, Philadelphia
Provenance
Buchanan, James
To Johnston, Harriet Lane
To Lane, John Newton (son of James B. Lane) To Fay, Patty Lane (Daughter of JB Lane)
The silversmiths, Bailey & Kitchen was originally Bailey & Co. The company was founded by Joseph Trowbridge Bailey and Andrew B. Kitchen. It was located at 136 Chestnut Street in Philadelphia, Pennsylvania. In 1840 Joseph’s brother Eli Westcott Bailey, a New York City jeweler and importer hurt financially by the Panic of 1837, came to Philadelphia and entered the firm. The name continued as Bailey & Kitchen. When Joseph died, Eli became the senior partner of Bailey & Co. until he retired in 1867, remaining a special partner until 1889.
Length (cm)
21.59
Length (ft)
0.7083333333
Length (in)
8.5
Condition
Good
Condition Date
2021-10-15
Object ID
W.1998.001.002
Notes
The silversmiths, Bailey & Kitchen was originally Bailey & Co. The company was founded by Joseph Trowbridge Bailey and Andrew B. Kitchen. It was located at 136 Chestnut Street in Philadelphia, Pennsylvania. In 1840 Joseph’s brother Eli Westcott Bailey, a New York City jeweler and importer hurt financially by the Panic of 1837, came to Philadelphia and entered the firm. The name continued as Bailey & Kitchen. When Joseph died, Eli became the senior partner of Bailey & Co. until he retired in 1867, remaining a special partner until 1889.
White porcelain bowl set on a raised foot. Gold motif at center is concentric circles of floral and foliate design; outer ring has 12 elongated flowers radiating outward. Edge has 1/2" wide band of gold that extends to outside. The raised foot is gold. Upper half of outside of bowl painted pink and banded at lower edge with gold.
Although attributed to Feuillet, there is no inscription on bottom. Additional pieces of this set of dishes in collection are 2013.008. Jean-Pierre Feuillet, Decorator (French, 1777-1840). See Notes
Rue de la Paix decorating studio, Paris
Provenance
Descent within Buchanan and Henry family to Pamela Henry (daughter of Frank Anderson Henry, Buck's youngest son) to Louisa Dent (donor).
About one quarter of bowl's side has been broken out in pieces and repaired with 10 staples at outside cracks. Large edge losses have been filled and painted. Additional hairline cracks on inside, opposite large repair.
All gold decoration is worn, esp. at rim.
Object ID
2015.029.8
Notes
Research on E-bay has dealer's statement:
"Feuillet introduced a porcelain decorating studio at the Rue de la Paix, Paris in 1820. The products came chiefly from the Royal Factory Sèvres. His successor was Boyer (1845)."
Another seller writes:
"The Feuillet studio was at 18, Rue de la Paix, advantageously located for the wealthy denizens of the area to come visit and make purchases. The Prince of Conde gave Feuillet his protection, thus assuring a constant flow of high-end clients. Feuillet's design atelier reached its apex in the mid-1820s, lavishly decorating some of the most remarkable plates of the time. The combination of rich paste gilding, saturated border colors and meticulous fruit or floral still life paintings made the factory's output one of the favorite choices, other than Sevres, for purchase by the new French Regime. According to the book "Paris Porcelain" by Regine de Plinval de Guillebon, "Feuillet was one of the best decorators in the Restauration period," (Paris Porcelain, page 244)."
Press-molded pearlware dish with blue transfer printed scene consisting of Colliseum. Pattern name, "Italian Scenery Coliseum," is printed on bottom along with stamp of maker.
