Lignum vitae lead-dressing stick. odd shaped heavy wooden tool has flat bottom, flat front end and long round handle on opposite end. Dark lignum vitae wood, natural finish with white paint at various places on handle.
Lead dressing stick is used to "dress" or shape, flatten, and smooth sheet lead.
Provenance
Maker to daughter Ruth Eppley Ganse and spouse Robert N. Ganse to son
Long, thin length of octagonal bar with striking head at one end and other end with four-fluted, slightly enlarged tip. Known for making holes in masonry by hand.
Marked "BALTIMORE 3/?". along side.
Provenance
Maker to daughter Ruth Eppley Ganse and spouse Robert N. Ganse to son
Long, thin length of octagonal bar with striking head at one end and other end with four-fluted, slightly enlarged tip. Known for making holes in masonry by hand.
Marked "BALTIMORE 3/?". along side.
Provenance
Maker to daughter Ruth Eppley Ganse and spouse Robert N. Ganse to son
Chippendale style miniature blanket chest form. Mahogany-stained softwood, dovetail contruction, Lid with brass butt hinges, four ogee bracket feet. Edge molding on lid; chest bottom extends beyond sides to create look of molding. Interior till at left. All surfaces stained and glossy-varnished. Large brass batwing lock escutcheon; silvered key. Top of lid has central relief-carved cartouche incorporating the monogram of Frances Mayer Hershey "FMH" according to Clarke E. Hess. He believes chest was commissioned by Frances' grandparents Henry M. and Frances Mayer. Pencilled in cursive on bottom is "M. Mayer Rohrerstown." Frances' parents were Harry E. Hershey and Dora E. Mayer.
Attributed to Henry Slough, Sr. workshop.
Provenance
Descent from Frances Mayer Hershey to son Henry R. Outin. Purchased by Heritage Center at estate sale of Henry Outin of 2107 Wood St., Rohrerstown, held by Shaub at Willow Street Fire Hall. According to Clarke E. Hess, Outin died just a few months before the Sept.sale. He was the only child of Frances Mayer Hershey and her French husband, (?) Outin. Clarke recalls this couple lived in Algiers and perhaps other places abroad. Frances M. H. Outin left America with her husband in 1928, putting all her belongings in storage until she returned as a widow in 1967, at wich time Hess Builders built a home for her behind the Rohrerstown Mennonite Church. Mrs. Outin died later at age 92.
Lid is strongly abraded, notably a large oblong outline. Minor wear and abrasions overall. Several small cracks at left front at dovetails and a 2 3/4" long crack at midline. Interior abraded and scarred with accretions.
Object ID
P.00.38.1
Place of Origin
Lancaster
Credit
In memory of Anne Bausman Woodcock by Sally Slaymaker & Caroline S. Nunan
A: Homemade awl or piercing tool with hand-shaped shank with turned up tip set into a crude wooden handle with no finish. L: 5.25"
B: Awl or bodkin with decoratively turned walnut or rosewood handle fitted with a foresection of bone set into handle that tapers to a sharp point. L: 5"
C: Section of cow's horn (thumb protector?) L: 3.25"
D. Section of cow's horn (thumb protector?) L: 3"
Provenance
These four items were designated as basketweaving tools by donor. Unknown origin.
Pen nib of gold. Marked on top is "MABIE / TODD & CO / NEW YORK / 4". This company had roots in the 1840s, but established as Mabie, Todd & Co. in New York around 1907. They were known for their gold nibs, pencils and pens.
Taped to card with "See Minutes" in pencil. Accompanying cut envelope is addressed to LCHS with postmark from Seattle, Washington 26 Sep 1976. In pen is written "Gold Pen Point Box 23." Crossed-out name below is "Ann Hoeck(?)".
World War I medal consists a cast bronze pentagonal medallion suspended from a silk ribbon of green and white, pinned to an oblong buff colored card printed with "WELCOME HOME / BOYS!" at the top and "LANCASTER, PA. / MADE BY J.F.A.Co." at the bottom.
Medallion hangs from ribbon via two brass rings. Raised detail on face is "WELCOME HOME" written in a banner at top. At center is the Lancaster seal flanked by the date "1919". Banner at bottom reads "LANCASTER PA." Ribbon has a safety pin stitched to upper back side, and is mounted by pin onto printed card.
Inscribed in ink on card to right of medallion is "$6.50". Struck on reverse of medallion is "JFACo."
Bronze is very dark with tarnish and soil. Ribbon is in poor condition with losses of green threads at left and broken and separating threads at right side. Card is worn and darkened with bottom right corner missing.
Cast-iron toy tri-motor Fokker aquaplane, painted yellow. Made of multiple castings fitted and securred with screws. Three wire spring cables are fitted to pulleys under plane, allowing the 4 rubber wheels to turn the 3 propellers and activate a noisemaker. Raised letters atop wings spell "FRIENDSHIP". "NX4202" is on tail and "Fokker" is on left side of fuselage. All letters painted blue. Inside hollow fuselage is "HUBLEY." Gold seal on left end of wing reads "It's a Hubley Toy". Profile of Earhart is cast into one of the two rear windows on left side.
The Friendship was flown across the Atlantic from Newfoundland to Wales, on June 17, 1928, with Amelia Earhart aboard. She was only a passenger, but this event won her immense fame, including a ticker tape parade in New York City, and started her career as a major celebrity. (see Notes on why this plane was made.)
Provenance
Plane was given to donor by his friend Charlie Reiger (sp?).
Moderate overal loss of paint; rust on exposed metal; cracking rubber on wheels.
Object ID
G.88.9
Notes
Hubley Mfg. Co. was commissioned by Pittsburgh industrialist Arthur E. Braun (1876-1976) to make 22 yellow aquaplanes modeled on Earhart's Friendship. Earhart signed each one and Braun gave the planes out as gifts at a reception in honor of Earhart, held at his own residence in Pittsburgh in June of 1929. This plane is unsigned, suggesting perhaps that this example may have been a factory extra.
In 1932, Earhart flew solo across the Atlantic, again achieving acclaim as the 2nd person and 1st woman to do so. She received the Distinguished Flying Cross from Congress, the gold medal of the National Geographic Society and the Cross of the Legion of Honor from France.
Place of Origin
Lancaster
Credit
Gift of Samuel S. Snyder, Heritage Center Collection
Flat shaped tool is constructed of two sheet brass sides riveted together at the handle end, allowing a flat triangular iron blade that is sandwiched between to slide out at the other end for cutting. Blade slides via a small riveted guide that slides along a slot in the brass sides. Cutter's brass sides have a fleur-de-lis-shaped handle and scalloped sides and each slot has a measuriing scale numbered from one to ten.
Inscription: The sliding guide on both sides of the slot reads "D.M.CO. / PAT SEPT. 3, 72 / BPT.CONN."
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Button-hole cutter, creaser or marking tool is silver plated ferrous metal.
In form of a miniature spoon with a blade instead of a bowl. Blade is eye-shaped with raised midline extending from tip to tip. Edges of blade are fairly sharp. Handle end has the bust of a crowned femal monarch with long flowing hair and necklace above a decorative base of scrolls surrounding a cabochon. Shaft of tool is similar to an architectural column. Entire handle is made of two identical halves, cast and joined with side seams visible.
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Some tarnish overall. Large dent in one cabochon and small dent in the other.
Object ID
G.05.15.19
Notes
See another example of this ring found on internet in this file. Iguala is a town near the renowned silvermaking town of Taxco (near the west coast of Mexico) where William Spratling, in the 1930s, famously reinstituted the silver industry and craftsmanship that had died centuries before.
Credit
Gift of Susan Garofola in memory of Lillian Kiker (mother), Heritage Center Collection
