Indigo Jacquard coverlet. Natural cotton and indigo wool. Center seam. Inner border of alternating birds and trees. Outer border (3 sides only) a double row of 8-pointed stars. Center field of 20 full floral and star square blocks with 4.5-inch blocks at top. 25 stars between blocks.
Head edge finished with doubled .25-inch brown cotton binding. 3.5-inch self-fringe on sides with tape of fringes applied to foot.
Painted portrait of William Albright (or Albrecht) (1793-1852) by Jacob Eichholtz, c. 1830
William Albright, or Albrecht, was born May 23, 1793 in Lancaster, Pennsylvania to German printer, John Albright (1745-1806). He worked intermittently in Philadelphia as an ornamental painter, lithographic artist, limner, "dancing-master," and teacher of drawing from 1815 to 1845. Albright delineated the color plates for the "Floral Magazine and Botanical Repository" (Philadelphia, 1832-1834).
In 1820, Albright returned to Lancaster at his father's bequest, where until 1836, he published the "Staatsbothe" and continued the publication of the "New and Improved North American Almanac" started by Francis Bailey in 1775. On Christmas Day in 1821 he married Mary Weaver with whom he had one daughter, Anna M. Albright (1822-1855).
Albright returned to Philadelphia ca. 1837, and following a year as a dance master, taught drawing at 21 South Fifth Street until his death in 1852.
William Albright, or Albrecht, was born May 23, 1793 in Lancaster, PA. During his lifetime he worked as a printer, ornamental painter, lithographic artist, limner, dancing-master and teacher of drawing.
Between 1820 and 1836, Albright published a German-language newpaper in Lancaster, the 'Staatsbothe,' as well as the 'New and Improved North Americna Almanac.' Albright moved to Phila. in 1837 where he spent his remaining years teaching art.
On Christmas Day in 1821 William Albirhgt married Mary Weaver. The had one daughter, Anna M. Albright (1822-1855). The birth and death dates of Mary Weaver Albright are unknown.
Birth & baptismal certificate on laid paper. Printed form with central textblock in German within a multiple line border. Infilled and decorated around textblock by Speyer; cross-legged angel at top, pelicans feeding young at sides and flowers at sides and bottom. Watercolors are red, blue, yellow, green and brown.
Infilled for Johannes, son of Valiendein (Valentine) and Eliesabetha (Elisabetha) Bohmer of Brecknock Township in Lancaster Co., born Dec. 13, 1788.
Georg Friederich Speyer (active 1774-1801) used this printed form produced c. 1789 by Barton & Johnson of Reading. See Notes.
General wear with numerous creases and wrinkles; one pronounced vertical centerline crease. Repaired tears, esp at left edge. All edges are ragged and uneven, esp. at right.
Conserved by CCAHA in 1989 (see report in file). Hinged into window mat & back mat. Relaced in its original frame using UF-3 Plexiglas and acid-free cardboard on reverse with a taped mylar dust shield.
Object ID
G.77.50.1
Notes
Printed form by Reading printers Thomas Barton and Benjamin Johnson, circa 1789 (see Klaus Stopp, The Printed Birth & Baptismal Certificates of the Pa. Germans, v. 4, p. 84). Speyer used this printed form for Johannes Bohmer who was born the previous year in1788.
Place of Origin
Lancaster County
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Birth certificate is hand done by artist using design elements from printed fraktur. Multicolor text is enclosed in a central arched arbor w/ flame finials. Text names Christian, a son of Jacob and Barbara (KIndig) Bachman, born 1827 in Lampeter Twp. Two confronting angels flank arbor and 2 additional text blocks of religious verse support arbor. A pavilion at bottom is flanked by blue trees & large colorful pinwheel flowers.
Border at sides and top have colorful, repeating floral/foliate motifs; top is arched. Hearts and flowers fill top corners. Above arbor is a large 4-point stylized star flanked by reclining trees.
Artist uses red, blue, light blue, black, yellow, white, green, orange and brown.
Inscribed on reverse in black ink is "No 4 made by Eli Haverstick 1834."
Provenance
Descent in Bachman family to donor. Two nearly identical birth certificates are known, for older sister Anne, b. 1823 (private owner-Barbara Ann Mable) and younger brother John, b. 1832 (G.96.9.1). Similarity suggests all were made at the same time in 1834.
Bachman family genealogy in file. See info on Christian Bachman in Mennonite Arts, 2002, pp. 56-57.
Conserved by Susan Duhl in 2001. Generally worn and discolored. Repair to edge tears & corner loss. Abrasions & paper fill in top right corner were in-painted with watercolor. Tape at back of top edge is now removed w/ remaining stain. See report in file.
Object ID
G.00.23.1
Notes
Haverstick is believed to be a teacher due to being absent on tax rolls for Conestoga Twp.
Christian Bachman (1827-1901) became a prominent cabinetmaker in eastern Lancaster County, just like his father Jacob Bachman (1798-1867). He married Barbara Buckwalter in 1855. After marriage, he moved to Strasburg where he set up his own shop.
Place of Origin
Conestoga Twp.
Role
Artist
Credit
In memory of Charles Bachman, grandson of Christian Bachman, by his son Charles Bachman, Jr. and family.
White porcelain bowl lid, no bowl. Round, domed lid has a wide pink band at lower section of outer surface with bands of gold edging. At top center is a circle with slightly raised radiating ridges. Rising at center is a one-inch high knopf shaped like a fruit-filled compote with raised decoration on top.
Attributed to Feuillet. Jean-Pierre Feuillet, Decorator (French, 1777-1840). See Notes Additional pieces of this set of dishes in collection are 2013.008.
Rue de la Paix decorating studio, Paris
Provenance
Descent within Buchanan and Henry family to Pamela Henry (daughter of Frank Anderson Henry, Buck's youngest son) to Louisa Dent (donor).
Some wear overall; esp. gold at bottom edge. Edge is unpainted and unglazed with wear.
All gold decoration is worn, esp. at rim.
Object ID
2015.029.9
Notes
Research on E-bay has dealer's statement:
"Feuillet introduced a porcelain decorating studio at the Rue de la Paix, Paris in 1820. The products came chiefly from the Royal Factory Sèvres. His successor was Boyer (1845)."
Another seller writes:
"The Feuillet studio was at 18, Rue de la Paix, advantageously located for the wealthy denizens of the area to come visit and make purchases. The Prince of Conde gave Feuillet his protection, thus assuring a constant flow of high-end clients. Feuillet's design atelier reached its apex in the mid-1820s, lavishly decorating some of the most remarkable plates of the time. The combination of rich paste gilding, saturated border colors and meticulous fruit or floral still life paintings made the factory's output one of the favorite choices, other than Sevres, for purchase by the new French Regime. According to the book "Paris Porcelain" by Regine de Plinval de Guillebon, "Feuillet was one of the best decorators in the Restauration period," (Paris Porcelain, page 244)."
Very unusual German edition of a Birth & Baptismal Certificate (B&BC) printed on wove paper by Lancaster printer Herman William Villee. Infilled in red ink by an unknown, unskilled, illiterate hand for William Craus/Crause of Cocalico Township. Glued onto a mid-20th century printed certificate on thin cardboard & mounted in a modern thin, black frame.
Entitled "Geburts und Tauf Schein." at top. Entire frame around main text consists of one single cut (printing block) with the baptism of Christ at top and Christ blessing the children below. Central text block in German has blanks infilled in English with red ink. William Crouse was born August 10, 1828 to parents William and Sarah Craus(e?). He was baptized by Rev. Frederick Harman and the sponsor was John Koch(?). The birth year is scrawled above text three times and below is written "whas Ritten May 21. 1833." Villee's name and location printed at bottom.
Certificate is H: 16.25" x W: 13" It is heavily colored with dark red, black and yellow throughout.
J.J. Strine records the marriage of a William M. Crouse Esq. of W. Cocalico and Nancy Eberly of Reamstown, 12 Oct. 1858. (If the same Crouse, he was age 30.) 1869 Directory lists both Wm. Crouse Sr. & Jr., combmaking in Reinholdsville, while the Business Directory (p. 408) only lists Wm. Jr. as one of two comb manufacturers in Lanc. Co. William M. Crouse & son were manufacturing combs in Reinhold's Station in W. Cocalico Twp. in 1890 Directory. In 1909, only George W. Crouse continued.
Atlas of 1864 has Wm. Crouse Jr. w/ two bldgs. between Reinholdsville & Berks Co. line. The 1875 Atlas shows W.M. Crouse listed only with the bldg. nearest Berks Co. while the other bldg. is gone. The 1899 Atlas shows property labeled "COMB FACTORY".
Ellis & Evans lists William M. Crouse as a Justice of the Peace in 1855-1860 in W. Cocalico Twp. (p. 722).
Printed N. Queen Street; likely infilled in W. Cocalico Twp.
Provenance
Provenance unknown.
See P.01.60.1 for Heaven & Hell broadside by Villee.
See Klaus Stopp, The Printed B&BC of the German Americans, Vol. III, pp. 136-137.
Heavy damage with moderate staining. Extensive tears, wrinkles and holes, esp. at center. Largest losses are scene of Crist blessing the disciples. Many areas mended with tape. Glue & tape apparently used to mount document. Old cardboard backing. NEEDS CONSERVATION.
Printed taufschein (B&BC) on wove paper by Herman William Villee of North Queen St. in Lancaster, infilled by unknown hand for the Hirsch family and carefully hand-colored. It is one of two German-language editions printed by Villee.
Taufschein has outer border of a stylized floral motif except at bottom which is an entwined, spiraling leaf and flower design. Large text block at center within a border with heading, "Geburts und-Tauf-Schein." Two smaller text blocks at upper corners have religious verse. Two very small blocks with verse are at bottom center. The three Virtues are personified by classically robed females arranged at sides and top of central block. At top is Love holding a heart; at left side is Faith adorned with a cross; at right is Hope leaning on a large anchor. (These 3 images were used by other printers in Reading, Orwigsburg and Pottsville -- see p. 133 in Vol. III of Klaus Stopp). Immediately below central text block is an image of 2 babies reading a book.
At bottom is: "Gedruckt und zu haben bey/ H. W. VILLEE,/ In der Nordlichen Quien Strasse in Lancaster, (Pa.) Allwo alle Arten/ von Dructer Arbeit verfertigt werden." Mounted in a molded softwood frame with an outside bead and slanting face. Painted black with green-painted face.
Certificate made for birth of Anna Hirsch, daughter of Joseph and Magdalena Metz Hirsch, born Dec. 14, 1821 in Rapho Twp. Reverse has two lines of 19th c. script in black ink: "Amey Hersh Died March the 10/ In the year of our Lord 1844."
Printed by Herman William Villee (b. 1789 in France, d. 1842 in Northumberland Co.), North Queen St. Likely the infill by unknown scrivener in Rapho Twp.
Provenance
See this file and P04.48.1(Adam & Eve broadside) for info about Villee. Additional broadside is P01.60.1.
See Klaus Stopp, "The Printed B & BC of the German Americans", Vol. III, pp. 133-134.
Strong horizontal fold line at center with additional creases. Two 1/2 inch tears at top extending downwards. Top edge very ragged and folded back.
Some overall yellowing, small area of foxing at top right, small liquid stains along top. Corrugated cardboard backing replaced with acid-free matboard back within an old molded wood frame, painted green on face and dark brown at sides. Paint has moderate wear.
Object ID
P.04.48.02
Credit
Acquired through the generosity of Irene N. Walsh, Heritage Center Collection
Woven jacquard coverlet with red roses, blue 9-petaled flowers, 8-point stars, red birds, and blue rose trees.
Center field: alternate stripes of blocks of red roses with blue 9-petaled flowers encircled by small 8-point stars with 2 larger stars between flowers.
Outer border: Alternate redbirds and blue rose treets on 3 sides.
Head edge: Bound with commercial red twill tape.
Center seam: Self fringe on 3 edges. Side wool fringes are looped.
Corner blocks: "Made by J. Witmer Manor Township for Hennah Sauder 1839"
Within a twisted foliate border is a central block depicting Adam & Eve flanking a tree with a serpent wound around the trunk offering Eve an apple. This is an engraving executed by Gabriel Miesse of Reading; his name appears at lower right followed by "sc" for "sculpsit", indicating the engraver. Two columns of verse flank the central block, telling the story of "the Fall" in conversational form. At top of broadside is the title in German: "Adam und Eva im Paradies." A subtitle reads: "Mel. Herzlich thut mich Verlangen, etc."
At bottom is: "Gedruckt in der Druckerey des Adlers von H.W. Villee, Lancaster, Pa. allwo alle Sorten Bilder, Bucher,/ Schriebmaterialien und Arzneyen zu haben find." This indicates the broadside was printed in the Lancaster Eagle's printshop (a newspaper started by Villee and Jacob Baab on Oct. 26, 1826). Villee was also selling pictures, books, stationery and even medicines out of his shop on N. Queen St.
See biographical info about Villee from Klaus Stopp's book in this file. He was born in France, served as a captain under Napolean, had to leave France in 1815 and ended up in America in 1820. Villee entered the printing business by working at "the Eagle," a newspaper in Reading. Villee was not successful as a printer in Lancaster, and he left sometime in 1832 or soon after, going to places like Lewisburg, Sunbury and Milton. After moving to Northumberland Co. and becoming a teacher, he finally died in 1842.
The Earnests note that Adam & Eve were popular fraktur subjects, especially among German-language printers of SE PA. They note that there are only about a half dozen Adam & Eve broadsides by Villee known.
Exhibited in Fraktur Exhibit in Masonic Lodge circa 2004 through 2007 (removed spring 2008).
See also P.01.60.1 and P04.48 for examples of a Heaven & Hell broadside by Villee.
North Queen St., Lancaster (printer); Reading, PA (engraver). Villee, Herman W., printer; Gabriel Miesse, engraver; unknown colorist
Paper darkened and soiled overall, wrinkled with fold lines and rough-edged with minor tears and folds. Stains scattered over surface with darkest stains within right text above center. Small hole at center of top foliate border.
Frame is homemade of stained and varnished tiger maple. Acidic cardboard backboard replaced with acid free matboard.
Object ID
P.04.48.1
Credit
Acquired through the generosity of Irene N. Walsh, Heritage Center Collection
