Rockingham style sugar bowl with lid. White china body with underglaze decor consisting of beige ground with scattered large scrolling yellow leaves edged in gold and occasional small branches with white berries and 3-leaf branch tips. Lower edge of beige ground defined with a thin undulating vine. Gilt highlights, flourishes and edging. Applied handles feature finger ring handles and a domed lid.
Asian Design Sugar Bowl Owned by Harriet Lane Johnston
Description
Majolica tin glazed earthenware sugar bowl. Compressed-round bowl with very short neck and low foot ring. Domed fitted lid with finial of inverted acorn shape. Bowl and lid both hand-painted with decoration on pale greenish yellow color, with faint wispy vining branches done with delicate brush strokes and daubs of ochre for leaves. Additional decoration of larger scale flowers or flower clusters and a moth-like insect. Rim painted ochre as well as a band on pedestal with two stripes.
Underside of base has very stylized hand-painted cockerel mark. This bowl has same decoration as 2014.002.17&.18. Attributed to the Cantagalli family pottery factory in Florence, Italy - likely the period when Ulisse Cantagalli succeeded his father in 1878 and started to produce highly decorative Italian ceramics in the Renaissance style. This pottery style was hugely popular at this time in English-speaking countries. Ulisse died in 1901 but his family continued the business.
Provenance: Bowl owned by Harriet Lane, then descent within family to donor.
Provenance
Sugar bowl owned by Harriet Lane Johnston, then descent within family to donor.
Staffordshire transferware sugar bowl in tureen form. Octagonal rounded body (A) sits on a pedestal; two molded applied handles at sides. Conforming domed lid (B) has cutout at one side for spoon and a molded finial on top. Black transfer pattern is a landscape with palatial buildings, trees, vegetation and distant mountains. Border is scroll design with narrow band of quatrefoil flowers and edged with Gothic crockets. Underside marked with pattern name "Missouri" above "B & S." A prominent English registry mark indicates the manufacture date of June 5, 1850.
Glazed soft paste porcelain Gaudy Welsh sugar bowl (A) with lid (B). Handpainted inverted tulips of red and yellow are interspersed with 3 large, dominating deep blue scalloped motifs decorated with copper lustre painted floral decoration. Squat pot-bellied body sits on a low squarish pedestal with scalloped edging. Two molded angular applied handles. Top has round mouth with flared collar extends outward. Domed lid has squarish molded knob finial. Darkened remnant of paper sticker with blurred writing, perhaps "-caster/ --ea set/ --1825."
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
Small molded sugar bowl (A) with fitted lid (B), of white-bodied china. Bulbous pear shaped body has leaf molded exterior and four sagging lobes that bulge at the base. Two applied rustic handles. Decorated with dark blue on upper 1/3 of bowl. Gold-painted highlights on one side only, on handles and embossed leaves at sides. On side of body in stamped, gold lettering is: "Souvenir/ of/ Lancaster/ Pa."
Fitted, domed lid (B) is molded with foliate inspiration with rustic handle/finail.
Stamped underneath in gold is a crown over shield witht the monogram of "TGC"(?) The number "12" also stamped in gold.
Provenance
Donor believes this set was purchased at Woolworth's store in Lancaster.
John Wedg Wood Ironstone in Chapoo pattern. White earthenware with cobalt blue transferware. Sugar bowl (a) with lid (b). Octagonal design with a bulbous octagonal body. Tree/pagoda/nature transfer decor.
Silver sugar tongs. U-shaped, with hollow ends in the shape of acorns. Ornate arms with a dotted and zig-zag design. Diamond shape at bottom with 'R' in script at center.
Provenance
Unknown beyond donors. Mrs. Maguire (Pauline) is the great, great granddaughter of James Buchanan's brother, Edward Buchanan.
Open 'Wicker' work bowl, scalloped edge, interwined vine stem handles; oak leaf and acorn motif along outer rim. White background with gilt on bowl; gilt, bright blue and salmon on open work base. Bowl oval-shaped.
Oval open-design ceramic pedestal dish. White ceramic dish decorated in blue and gold paint. The oval-shaped bowl (about 15 inches from handle to handle and 9.25 inches across) has sides with an open design. The base is outlined in gold and a hole in the center contains a metal flat-topped pin about 4 inches long that extends below the bowl and is held in place by a cork, threaded onto the pin secured by a wing-nut. The ornately decorated base has open spaces with cascading blue leaves detailed in gold with hanging white acorns. 4 curled designs form the feet for the base. Made in France.
John Wedg Wood Ironstone in Chapoo pattern. White earthenware with cobalt blue transferware. Serving bowl with octagonal shape and rectangular length and width. Tree/nature/pagoda scene in center of dish. Flower designs around rim and along outside sides.
Manufacturer of earthenware at Hadderidge Bank, Burslem and then at Woodland Street, Tunstall, Stoke-on-Trent
John Wood either already had or, more probably adopted, a middle name 'Wedg' - this rather conveniently caused his marks to been mistaken for the more famous Josiah Wedgwood
One trade directory (1841 Pigot) lists his second name as 'Wedge' but all others correctly give 'Wedg'. John Wedg Wood died, age 43, in May 1857.
Footed openwork fruit bowl. Round-footed with protruding ring around neck. Bowl has flat bottom with flared-out sides, openwork porcelain. White with gold bands and tracery of openwork on outside. Base held to bowl by iron screw. Lip diameter is 9.063'.
One of 16 glass finger bowls. Frosted glass except where clear shield near the upper rolled edge. Shallow bowl with slightly convex bottom on inside. Shield design is etched with an engraved old English letter 'J'. Eight-point star impressed into center of bowl's exterior base.
Round bowl of glazed hand-painted chinese porcelain; one of a set of three. Thin walled sides curve up sharply to a molded edge with irregular scalloping. Foot ring on bottom with unusual recessed circle at center (1 3/8" dia.).
Inside bowl at center are circular geometric and floral/foliate designs of blue and overpainted red. Sides divided into 6 panels with 2 alternating designs - large winged insect, etc., with red predominating; and stylized floral and foliate designs with blue predominating. Exterior sides have 2 blue alternating motifs: a flower with leaves alternates with a design of two snake-like forms. Blue striped banding at foot ring as well as circumference of center recessed area.
Follows the style of 17th - 18th century Imari decoration, which orginiated in Japan and was copied in China for the European export market in the 18th century. The style was revived in the late 19th century.
China or Japan.
Provenance
Bowl owned by Harriet Lane Johnston, then descent within family to donor.
Minor scratches in bottom. Edge has one significant chip with 1"-long crack descending from it. Upper area of sides have some surface deposits of lime, etc., caused by standing water.
Round bowl of glazed hand-painted chinese porcelain, one of a set of three. Thin walled sides curve up sharply to a molded edge with irregular scalloping. Foot ring on bottom with unusual recessed circle at center (1 3/8" dia.).
Inside bowl at center are circular geometric and floral/foliate designs of blue and overpainted red. Sidesdivided into 6 panels with 2 alternating designs: large winged insect, etc., with red predominating; and stylized floral and foliate designs with blue predominating. Exterior sides have 2 blue alternating motifs: a flower with leaves alternates with a design of two snake-like forms. Blue striped banding at foot ring as well as circumference of center recessed area.
Provenance
Bowl owned by Harriet Lane Johnston, then descent within family to donor.
Round bowl of glazed hand-painted chinese porcelain, one of a set of three. Thin walled sides curve up sharply to a molded edge with irregular scalloping. Foot ring on bottom with unusual recessed circle at center (1 3/8" dia.).
Inside bowl at center are circular geometric and floral/foliate designs of blue and overpainted red. Sides divided into 6 panels with 2 alternating designs - large winged insect, etc., with red predominating; and stylized floral and foliate designs with blue predominating. Exterior sides have 2 blue alternating motifs: a flower with leaves alternates with a design of two snake-like forms. Blue striped banding at foot ring as well as circumference of center recessed area.
Provenance
Bowl owned by Harriet Lane Johnston, then descent within family to donor.
Minor scratches inside bottom. Sides have some surface deposits of lime, etc., caused by standing water. Most significant is a large break at one side with accompanying damage to edge of two large chips. Repaired with four staples affixed to outside of breakout.
Hand-painted porcelain bowl. Chinese export porcelain. Central medallion painted inside bottom. Decorative border around inner edge of boal. Entire exterior of bowl painted in multi-color designs, scenes containing figures, flowers, birds. Similar to 4 saucers.
Provenance
Bowl owned by Harriet Lane Johnston, then descent within family to donor.
Oval-shaped bowl with lid. On 1 inch base or foot with 2 gold-painted handles and indentation for spoon. Lid also has indentation for spoon. Large mushroom shaped gold painted finial. Detailed and multi-colored birds, flowers,a foliage on outer surfaces of bowl and lid. chinese export porcelain.
Provenance
Bowl owned by Harriet Lane Johnston, then descent within family to donor.
Chinese export bowl of high fired porcelain, polychrome decoration under glaze. Thin walled in nearly hemispherical form sitting on a 3/4" raised foot. Gold-painted rim with red edging. Two goldfish inside bottom. Continuous landscape on exterior is the same repeating Roman or Greek scene of a seated half-robed seated man with dog facing three nude women and seated baby. All set against distant mountains and one tree in foreground.
Large redware mixing bowl, with dark red-brown glaze inside. Spout formed at lip. Two applied handles at sides. Glaze splashed and dripped onto other areas of bowl, including sides, handles, and underside of lip.
Large areas of glaze loss, as well as multiple small losses. Scratches and pinpricks in surface. The edge is worn. Some chunks of bottom edge are missing.
Object ID
G.80.123.6
Place of Origin
Southeastern Pennsylvania
Credit
Heritage Center Collection, gift of Mrs. Paul A. Mueller
