Stormy scene; water in foreground, land to center, back and left. Norman Castle is on top of cliffs. Two smaller buildings at shore level below castle. Wrecked ship against cliffs. Four smaller figures on cliff. Sea is rough with high waves.
'Chepstow (Beaufort Arms; George), a town with 2,953 inhabitants, on the west bank of the Wye, is a station on the G.W.R. and a good centre for excursions.
Inscription Type
Paper Tag
Frame
H: 49.50 inches x W: 63.25 inches. Rococo Revival gilt wood and gesso
Object Name
Painting
Material
Paint/Canvas/Wood
Medium
Painting, Oil
Height (in)
49.5
Width (in)
63.25
Condition
Good
Condition Date
2003-10-21
Condition Notes
Paint is cracking in areas
Object ID
W.1950.003.001
Notes
Text Found on Reverse of Painting- 'Chepstow (Beaufort Arms; George), a town with 2,953 inhabitants, on the west bank of the Wye, is a station on the G.W.R. and a good centre for excursions.
Waist-up portrait of James Buchanan, Jr. with brown hair combed back and brushed forward at ear. Wearing dark brown coat, white vest with gold buttons, olive green/aqua tie with gold stick pin with ruby head. The portrait is mounted in a Regency caveto moulded gilt gesso frame with beaded border with projecting corners ornately adorned scrolling foliage patterns with fleur-de-lis patterns. James Buchanan, Jr. was the Private Secretary to the President of the United States.
Provenance
Edward Y. Buchanan
to Maria Buchanan Cassatt
to her granddaughter, Katherine S. de Spoelberch (the donor, Mrs. Eric) grand-niece of James Buchanan, Jr.
A Regency caveto moulded gilt gesso frame with beaded border with projecting corners ornately adorned scrolling foliage patterns with fleur-de-lis patterns.
Object Name
Painting
Material
Paint/Canvas/Wood
Height (in)
36.875
Width (in)
32
Condition
Good
Condition Date
2003-10-20
Object ID
W.1945.002.001
Notes
James Buchanan, Jr. was the first born child to Reverend Edward Young Buchanan and Ann Eliza Foster Buchanan. He served as the Private Secretary to President James Buchanan, his uncle, after his cousin, James Buchanan Henry resigned the position in 1859.
James Buchanan shown from waist up, sitting in red upholstered chair. Wearing black suit, white shirt and white bow tie, high collar. Eyes looking right and body turned to left. Right hands holds document-may be the constitution. See notes for letter rem
Provenance
William McMaster
To - Mrs. C.E. McMaster (wife of)
To - Edward Y. Buchanan (1/1892)
To - Mrs. Eric DelSpoelberch (great-granddaughter of E. Buchanan)
Painting is very dirty; requires cleaning 05/31/2023
Gesso & wood frame is damaged in several areas requires conservation.
Object ID
W.1945.001.001
Notes
The following original letter is in the accession folder. Letter from back of Painting: ' Phila. Jan. 1892 - This is the original portrait of James Buchanan painted by Wm. E. MacMaster of New York in July 1856, by personal sittings given him during his stay at Wheatland.
Left earlobe has broken off. Base is chipped. Various smudge marks all over.
Object ID
W.1960.006.001
Notes
James Buchanan Henry inherited this bust when his Uncle James Buchanan died; his cousin, Harriet Lane Johnston inherited the matching bust, which she later donated to the Corcoran Gallery of Art.
James Buchanan Henry bequeathed this bust to his son, Frank Anderson Henry, who donated it to the James Buchanan Foundation in 1960.
Engraving of James Buchanan. Tinted engraving. James Buchanan stands 3/4 front to his left at center of picture dressed in a black suit with white tie. James Buchanan has left hand resting on upright brown book on table to his left. Table has round top with green baize cloth.
J. C. Buttre, 48 Franklin St., New York, New York.
Color lithograph of Empress Eugenie. The lithograph was created from an original painting by F. Winterhalter. The Empress is standing on a platform, her body facing left, head turned front, her right hand raised over a jewelled crown that sits atop of a gold trimmed brown pillow on a red and gold trimmed table; a gold embroidered arm chair is behind her. The Empress is wearing a a long pearl necklace over her white double flounced evening gown trimmed in lace and enhanced by a green bustle as well as a blue and white sash. She wears a jeweled bracelet on both arms, a pearl tiara with a small pearl crown atop her chignon veil.
On back: stencil "A. Armstrong Artist Lancaster, Pa. Painted 1846"
Pencil #3
July 17, 2017: Oil on canvas portrait has vertical seam. Seated man turned slight right with brown hair, not part. Brown eyes, prominent nose and chin. Black coat. black waistcoat, black neck wear, whit shirt with down-turned collar. Sitter's right arm draped over wooden chair back. Brown background.
July 24, 2017: Painting has extensive craqelure. On lapel just below center of painting has a 1/8 inch hole. A split 1/5" from his index finger and 2 " from bottom edge.
Frame: Back has moisture staining and soil. Front has strong grime. On right side near top is a marred spot. Gesso chips at both lower corners.
Portrait of Ellen Mary Armstrong, by Arthur Armstrong. Seated girl with dog in interior with tall window at back. Young girl with short brown hair parted in center and curls in front. Dark brown eyes. Seated with hands in front and leges extended to right. White off the shoulder chemise with bows and lace at shoulders. Holding small basket of variety of pink flowers. High top footwear with blue foot and white cuff. Right shoe removed and lying on floor. Flowers on floor beside shoe. Seated on large round blue cushion. Folds of peach blanket under left leg and lying on floor at front right. Small spaniel type dog sitting upright on haunches, holding a daisy in mouth. Overal seated on block patterened bedspread or floorcloth. Three at left? Background is mottled brown. Window at right has night scene of street. including 2 prominent church steeples (possibly East Orange looking east toward First Reformed and Presbyterian Church).
painting dimensions are 30.25in High and 25in Wide.
Condition
Good
Condition Date
2017-08-01
Condition Notes
Extensive craquelure. Two rectangular canvs pathces on reverse -- one at hair and above head, second patch below pink peopny on dress (reparied tear?) Frame painted gold excpet for three sections of face molding. Onverall wear with streaking and mottling. Inner gilded edge has multiple hairline cracks across its length; now quite darkened. Back uncovered; painting secured with eye screws. Brass plaque at bottom of frame reads "Ellen Mary Armstrong/1843-1846/Armstrong"
Frame: expected moderate wear to gilding with abrasions and smalll gesso chips. Short dark cracks on inner edges on all four sides.
Oil on canvas portrait of seated man, body facing right, head nearly front. Dark hair, ear length, no part. Brown eyes, prominent nose and chin. Black coat and waistcoat, white shirt with down turned collar. Black neckwear. Both and hold red book seated in red upholstered armchair. Formal garden and sky visible at left behind red curtain with gold fringe and tassel. Portrait of woman with palette and brushes below right. Probable stringed instrument at lower left. Brass plaque reads: "James thomas Armstrong/1828-1848/Armstrong." Frame is 4 in wide molded profile with gilding.
Frame: 4" gold Sully-type, surface dirt and mildew stains throughout, minor losses throughout.
Frame conservation needs: Surface clean, touchup and regild.
(eta, VAP 08/04/2017) Fiar. Canvas detaching from stretcher at right side, especially at bottom corner where canvas is buckled an torn from stretcher. Irregular puncture tear is 2in wide and 3.5in high at upper right of head. Divets at upper right side to left of very center and at edge of coat near shirt, streaks of paint lass at left, top and right, white spot lower left. Overall dark and hazy. Mold spots at lower left. At upper back are moisture stains. Cellophane tape repair at tear. Frame: fair. gilding is darkened with alligatoring and mold spots. Gesso losses and strong chipping at outer edges. Left outer side has moisture stains with mold and stains across bottom.
Amanda Haldeman Armstrong, this is a companion portrait to Elizabeth Groff Armstrong. (Identifications based on names on brass plaques, which were probably added for a 1989 exhibition. At least a few of the identifications are unclear/questionable/contradictory. Aug 1 2017, VAP)
Oil on canvas portrait of seated woman facing slightly left. dark hair, center part, curled at sides and gathered at back of crown. Brown eyes. Pendant earrings have stone. Light colored wide necked dress with pleats over the soulders and center front. Pink rose at center of collar. Hands clasped on lap. Ring and bracelet with stone on left arm. Tan or yellow fringed shawl end held across lap and draping over forearm to bottom right. Another shawl held across lap and draping over right arm. Upholstered reddish chair seen at right. Large reddish drapery with fringe and tassel covers background and is pulled back to reveal window at left wiht outdoor scene. Brass plaque reads "Amanda H. Armstrong/1830-1913/Armstrong." Frame is 4in wide with molded profile and gilding.
Painting: Poor, 3 previous silk patches on back, surface grime, 15" tear lower center, 13" tear left center, 5" tear right center, some minor paint loss throughout.
Frame: Poor/Fair, 4" Sully-type gold frame with plaque on bottom, mildew damage and minor losses throughout.
Frame conservation needs: Surface clean, spot patch and gild.
(eta, VAP, 08/02/2017) Poor. Sagging loose canvas with dark grime overall. Some craquelure in lower half of cnavas. Large 4in irregular hole with extended tears at arm and bracelet. 15in long verrtical tear with 3.5in offshoot tear at left in window area. Irregular tears 3.5in by 1.5in at conter right. Adjacent area of white paint is 8in by 4in. Smaller L-shaped tear at bottom right is approx 1.5in x 1.25in. Back has 3 silk patches. Frame: fair to good. very dark stain under plaque at edge. Multiple gesso chips at all edges. Gilding somewhat darkened overall with scattered dark blotches.
