Jonah Davenport, an early eighteenth century Lancaster Indian trader, his son William Davenport, a Carlisle saddler, and grandson, Samuel Davenport, Trader General of the Tribes of Texas
"On the American frontier, there were men who always pushed the edge. These were often the Indian traders, solitary men who purchased great lots of manufactured goods, loaded them on trains of pack horses or mules and set out into the wilderness to trade with the Indians in exchange for skins and furs. Such a man was the Indian trader Jonah Davenport."
The Ritchey ancestry, 1840-2010 -- The Ritchey family: the move West -- The Ritchey genealogy -- The discovery of Henry Richey, brother of Isaac Ritschy -- Philip Rutschly of the 1727 ship, William & Sarah -- The Cunrath Rutschi family connection -- The Francis Richey family connection -- Final disposition of the Cunrath Rutschi family connection -- The Scotland-Ireland connection -- The genealogy of immigrant Francis Richey Sr -- The Ritchey ancestry, 1700-2010 -- The author's message to his grandchildren.
The Ritchey ancestry, 1840-2010 -- The Ritchey family: the move West -- The Ritchey genealogy -- The discovery of Henry Richey, brother of Isaac Ritschy -- Philip Rutschly of the 1727 ship, William & Sarah -- The Cunrath Rutschi family connection -- The Francis Richey family connection -- Final disposition of the Cunrath Rutschi family connection -- The Scotland-Ireland connection -- The genealogy of immigrant Francis Richey Sr -- The Ritchey ancestry, 1700-2010 -- The author's message to his grandchildren.
Summary
Glenn Arthur Ritchey (1912-1984), son of Arvel Ritchey (1886-1939) and Saloma L. Feathers (1890-1963), married Margaret Luella Burke (1912-1992), daughter of Walter John Burke (1882-1959) and Maude Marie Knee (1883-1947), in 1934 in Altoona, Pennsylvania. Ancestors, descendants and relatives lived mainly in Pennsylvania, Maryland and California.
Pennsylvania History: A journal of Mid-Atlantic studies ; v. 83, no. 4
Summary
Abstract: From 1715 to 1730, Pennsylvania’s provincial legislature passed economic reform that transformed the colony into an enviable commercial center. Provisions enacted included liquor duties, flour inspection laws, and feme sole statutes, but the crowning achievement was a public loan office that issued loans to farmers in the form of paper money. Historians have shown how the Pennsylvania General Loan Office improved business conditions in the colony following an economic depression. Scholars have paid less attention to the implications of financial innovations such as paper money for economic thought and culture conceived broadly in early America. Using Pennsylvania as a case study, this article argues that paper money issued by public land banks in the British colonies not only improved colonial economic conditions, but also formed the basis of a fiscal and constitutional order founded on legislative control over local currencies and an extrinsic notion of value that pegged economic worth to the provincial community.
Publications of the Pennsylvania German Society ; ser. 2, v. 46
Notes
Illustrated lining papers.
Includes bibliographical references (p. 285) and indexes.
Contents
Berks County: the center of it all -- Daniel Schumacher: a Fraktur artist of some note -- Henrich Otto, 1784 -- Friederich Krebs, August 4, 1790 -- Johann Valentin Schuller -- The greatest development of Fraktur writing, 1800-1835 -- Johann Ritter: a century of influence -- Conclusion: The last flickering -- Appendix 1. Fraktur artist who routinely made Taussscheine for Berks County families -- Appendix 2. Scriveners who routinely infilled Taussscheine for Berks County families -- Appendix 3. Berks Couny printers of Taussscheine in order by active dates -- Appendix 4. Translations.
Volunteer badge for the 2015 US Women's Open at the Lancaster Country Club. White plastic badge with grey stripe on left side, offset logo of US Women's Open at top left of white portion. In black text is printed at the bottom center "Volunteer/Spectator Services," a barcode and the number "0770000." The USGA name and logo are at the bottom right. In the grey portion "Volunteer Headquarters" printed on left (with top of text to the left) and "V" is printed in the top left corner. "Rick" written in black ink at the center. Attached to a blue lanyard with white logos of USGA and 2015 US Women's Open.
