Part of a four-piece dress. Blue velvet laced belt; white mesh stiffener; lined in navy satin. 5/8" wide navy woven tape with tubular metal clamps at both ends for lacing belt closed using 10 round hand-stiched edged buttonholes, 3 metal stays, one in back, 2 at front opening. Velvet tab attached to inside folds across lacing hoes in front. Lower edge tapers to a slight "v" in the back and a deeper "V" in front.
Part of a four-piece dress. Jacket: Short sleeves with cuffs. Dark blue velvet fully-lined in cream-colored silk with batting between two fabrics. 2 small leather-lined pockets on left inside. Hand-stiched strip on linging at lower edge right front. 3 hooks and thread-covered eyes at waist front. Parallel lines of sticthing on body at sleeve openings and at waist and on 3 bands around neck as well as front and silk at opening. Blue velvet strips have buttons in back and at tabbed ends on front. 4 tabbed front closure peices have buttons. Machine and hand-stitching.
Part of a four-piece dress. Blue velvet bodice with pointed lower front edges. Raw edges at collar, sleeves, and along waist/ bottom edge. Fronts have two bust darts. Right front has 21 buttonholes finished in buttonhole stitch. Left front has threads where buttons (now missing) had been sewn on. Front has batting between velvet and lining. Finely finished interior with 11 places for contour stays -4 have stays; 2 each front and 1 behind each underarm seam. 4 1/2 inch long brown fabric piece with 5 hooks inside right front; piece with 5 eyes on inside left front, attached at waist to reduce strain of buttons/ buttonholes. Brown twill tape as backing for buttons.
With garment are two lined tabs, tacked together. Metal pieces inside tips. 3-parallel lines of stitching around outline of both tabs. Top edges are raw, unfinished edges, White mesh stiffener between velvet and lining.
Part of four-piece dress. Skirt: Deep royal blue velvet skirt. Machine and hand stiching. Vertical seams are machine-stitched as are parts of satin band/ tape at waist edge.
Closure back: 2 hooks and eyes one waist edge. 5 shaps on pleated placket.
Decortative band (7/8 inches wide) sewn on with 3 parallel rows of stitching. Interiror seams in back of garments have bound edges. Some other seam edges appear to have been overcast. Hem is lined with 20 inch (at rear of skirt) to 8 1/2 inch (at front) of navy satin. Back panel appears to be a different fabric. 2 black tape tabs sewn onto inside waist.
Open scroll work on rectangular music stand; elaborate lyre-shaped pedal support with two pedals. Three massive legs with ten-faceted tapered legs. Sides of keyboard area scrolled with foliate carving. Around bottom is rope-like molding.
Ames, Kenneth L [ed], 'Victorian Furniture: Essays from a Victorian Society Autumn Symposium', Victorian Society in America, 1982.
Height (in)
37.437
Length (in)
98.5
Width (in)
57
Condition
Good
Condition Date
2022-11-17
Condition Notes
adjusted' piano 5/16/1949
Last cleaning & tuning September 2006
Several strings are broken and the sound board no longer holds its tuning.
Object ID
W.1936.001.004
Notes
Jonas Chickering (1798-1853), whose firm made the piano, began his career as a cabinetmaker in Ipswich, New Hampshire. In 1818 at the age of twenty, he went to Boston and apprenticed himself in one of the town's cabinet shops.
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20.
The cup has a painted winter scene of a man and dog with a bridge and house in background. The sides and back are pink with a gilt rim, cup interior, handle and foot trim. Bottom has designer's signature.
Made by the Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. Demitasse saucer has central gold medallion and gilt cavetto below a wide pink band within a gilt edge. On bottom is the decorator's signature.
Made by Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. This service bowl has a floral center painted in a naturalistic palette in shades of yellow, green, blue and tan within a gilt cavetto below a wide pink band within a gilt edge.
Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. This service bowl has a landscape scene with a castle, a waterfall and two people fishing in shades of green, blue and tan within a gilt cavetto below a wide pink band within a gilt edge.
Made by Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. This dessert dish has a floral hand-painted scene in a natural palette in shades of red, orange, yellow, blue and green within a gilt cavetto below a wide pink band within a gilt edge.
Made by Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
