Part of a four-piece dress. Blue velvet laced belt; white mesh stiffener; lined in navy satin. 5/8" wide navy woven tape with tubular metal clamps at both ends for lacing belt closed using 10 round hand-stiched edged buttonholes, 3 metal stays, one in back, 2 at front opening. Velvet tab attached to inside folds across lacing hoes in front. Lower edge tapers to a slight "v" in the back and a deeper "V" in front.
Part of a four-piece dress. Jacket: Short sleeves with cuffs. Dark blue velvet fully-lined in cream-colored silk with batting between two fabrics. 2 small leather-lined pockets on left inside. Hand-stiched strip on linging at lower edge right front. 3 hooks and thread-covered eyes at waist front. Parallel lines of sticthing on body at sleeve openings and at waist and on 3 bands around neck as well as front and silk at opening. Blue velvet strips have buttons in back and at tabbed ends on front. 4 tabbed front closure peices have buttons. Machine and hand-stitching.
Part of a four-piece dress. Blue velvet bodice with pointed lower front edges. Raw edges at collar, sleeves, and along waist/ bottom edge. Fronts have two bust darts. Right front has 21 buttonholes finished in buttonhole stitch. Left front has threads where buttons (now missing) had been sewn on. Front has batting between velvet and lining. Finely finished interior with 11 places for contour stays -4 have stays; 2 each front and 1 behind each underarm seam. 4 1/2 inch long brown fabric piece with 5 hooks inside right front; piece with 5 eyes on inside left front, attached at waist to reduce strain of buttons/ buttonholes. Brown twill tape as backing for buttons.
With garment are two lined tabs, tacked together. Metal pieces inside tips. 3-parallel lines of stitching around outline of both tabs. Top edges are raw, unfinished edges, White mesh stiffener between velvet and lining.
Part of four-piece dress. Skirt: Deep royal blue velvet skirt. Machine and hand stiching. Vertical seams are machine-stitched as are parts of satin band/ tape at waist edge.
Closure back: 2 hooks and eyes one waist edge. 5 shaps on pleated placket.
Decortative band (7/8 inches wide) sewn on with 3 parallel rows of stitching. Interiror seams in back of garments have bound edges. Some other seam edges appear to have been overcast. Hem is lined with 20 inch (at rear of skirt) to 8 1/2 inch (at front) of navy satin. Back panel appears to be a different fabric. 2 black tape tabs sewn onto inside waist.
Open scroll work on rectangular music stand; elaborate lyre-shaped pedal support with two pedals. Three massive legs with ten-faceted tapered legs. Sides of keyboard area scrolled with foliate carving. Around bottom is rope-like molding.
Ames, Kenneth L [ed], 'Victorian Furniture: Essays from a Victorian Society Autumn Symposium', Victorian Society in America, 1982.
Height (in)
37.437
Length (in)
98.5
Width (in)
57
Condition
Good
Condition Date
2022-11-17
Condition Notes
adjusted' piano 5/16/1949
Last cleaning & tuning September 2006
Several strings are broken and the sound board no longer holds its tuning.
Object ID
W.1936.001.004
Notes
Jonas Chickering (1798-1853), whose firm made the piano, began his career as a cabinetmaker in Ipswich, New Hampshire. In 1818 at the age of twenty, he went to Boston and apprenticed himself in one of the town's cabinet shops.
Page 192 of "Gleason's Pictorial Drawing-Room Companion" from 1854. Includes an article on James Buchanan with images of him as Minister to England and of Wheatland. Also includes musings on "What is the hardest mode to die?"
Print of portrait of President James Buchanan. Buchanan stands in center, facing left with his right hand on a small book that rests on a table. Behind him is an upholstered chair with an eagle and shield on the seatback.
Watercolor portrait of James Buchanan in profile, facing left. He wears a black coat and waistcoat, pale tan shirt with high, very white collar, and soft tie or cravat. His white hair is styled high at the crown and combed back on the sides. Very pale blue eye. Delicate grey and tan washes over background. Portrait is an 8.75in x 6.75in oval created by reverse painted glass. The glass is painted black with gold semi ellipses and diamonds arranged to create a sunburst like effect. The glass is 10in x 8in.
The reverse is inscribed "James Buchanan drawn from life at Wheatland February 10th 1866." Inscription is under a 10.75in x 8.75in piece of glass that has been built into the back of the frame. Some damage has occured from nails scratching the back of the frame upon hanging.
The frame is 3in wide, painted gold in alternating bands of shiny cool toned gold and matte or brushed warm toned gold. Losses around the edges reveal plaster, ochre and black or dark grey paint under the gold. Top edge of the frame is black either from paint or dirt.
Provenance
Descended in an Eastern Shore, Maryland family, purchased in 1948.
overall dimensions provided. See description for component dimensions.
Condition
Good
Condition Date
2016-05-11
Condition Notes
loss of gold paint on outer edge of frame. Dents and chips on frame. Discoloration on gold frame, possibly from tape or stickers. Loss of paint on glass at left side and upper right corner.
Gold pocketwatch belonging to James Buchanan. Simply designed, largely unadorned pocketwatch -- with only worn initials of three letters, only the third, "B," is legible on one side. Watch face is white with black Roman numerals . Small inset with seconds. Other side of watch opens to reveal two openings to wind watch. Engraved around openings "No. 16943/ Time Keeper/ Lewis Ladomus & Co/ Philadelphia Pa." On inside of cover "From/ James Buchanan/ May 9th 1865" Stamped E. T. & Co./ 18K/16943." Golden chain clipped to bow at top of stem with Albert or t-bar at other end, to attach to button hole on vest. Chain links are short and thick, giving the appearance of thick golden cord . Lighter, cooler toned gold than the watch.
Provenance
The gold watch was left by James Buchanan to his brother Edward Y. Buchanan through his last will and testament. Edward youngest daughter, Alice Cunningham Buchanan inherited from her father. Alice married Maskell Ewing and they had a total of 6 children; the youngest son, Buchanan Ewing, inherited the gold watch. Buchanan Ewing’s grandson, Edward “Ted” Ewing inherited the watch. Ted visited Wheatland two years ago in late spring. Upon meeting him, Ted was impressed by the high percentage of family artifacts on display. He mentioned that he owned a gold watch that had been handed down through the family from the Reverend Edward Buchanan and he wondered if we would want it. Pat gave him an enthusiastic yes as his answer. Ted called Pat in April 2016 and asked if he was remembered; Pat said “of course.” Ted added that he had found the watch and that he and his siblings were in agreement to donate it to LancasterHistory.org. The youngest sibling in the family would donate it because she lives in Allentown, PA. Jessie Ewing Snyder visited Wheatland on October 1, 2016 and donated the gold watch to the museum.
Sheraton-inspired mahogany veneer night table with satinwood inlay accents that outline the apron, drawer and keyhole, as well as the legs. The table top has eight sides and surmounts four saber legs that also support a lower inward-curved shelf.
