Upholstered wingback commode chair has four turned Sheraton legs. Has replacement of original soiled handsewn homespun linen (remnants in this file), now an orange fabric with potted and vining flower design. Solid pinewood seat under cushion has center hole with fitted removable wooden disc.
This chair was from the Pownall home at Gap, where it was used by Dickinson Gorsuch, Maryland slaveholder, during his recovery from wounds sustained during the Christiana Riot of Sept. 11, 1851. His father and two others were killed during the skirmish at the home of freedman William Parker, and Dickinson was transported to the Pownall home for recovery. William Parker later published his story in the "Atlantic Monthly" in 1866, making it highly publicized.
This incident "is an important example of the struggle over the 1850 Fugitive Slave Act and the escalating tension between the North and the South. This act gave slave owners broad powers to recapture runaway slaves". (ExplorePAhistory.com)
Polaroid photos of chair before re-upholstery, in file.
Likely Lancaster or Chester Co.
Provenance
Provenance: Chair owned by the Pownall family & given in 1973 to the Lancaster County Historical Society by Mrs. Levi Pownall of Lancashire Hall (569-7279).
It was initially loaned to the Heritage Center (# L.77.9 and # 161.64.80) but soon donated to HCLC. Board minutes of Dec. 8, 1975 include Richard F. Smith's Museum Committee report noting a donation of a "Sheraton armed wing chair commode, used by the Pownall home in nursing Dickinson Gorsuch following Christiana Riot in 1851." Later unsigned note (Bruce Shoemaker?) states John Aungst of LCHS was consulted & chair was removed 11/9/84 from list on LCHS loan form, settling an apparent question of ownership.
Pieced quilt of silks, cotton batting, glazed cotton back, cut in 2 halves, made by Quaker Deborah Simmons Coates, wife of Lindley Coates (1794-1856). Has 19 horizontal bands of dress silks (many produced by Harmonist Community) in alternating triangles arranged in Birds in the Air or Flying Geese pattern using the template method. Large triangles of varying patterns alternate with large triangles with 3 smaller appliqued triangles of contrasting patterns. Colors are browns, tans, beiges, electric and royal blue, peach and green. Each quilt half has a green silk binding on the three outside edges, and tan silk on the inner vertical cut edge. Quilting patterns are clamshell, diamond, cross in a square and diagonals.
At quilt center is a cream-colored triangle with an abolitionist stamp depicting a kneeling enslaved Black male in chains over the words: "Deliver me from the oppression/ of man." This stamped triangle was cut in two when quilt was divided; image now hidden by modern binding. According to Cuesta Benberry research, this image of a kneeling enslaved person originated with the English ceramic firm of Wedgwood in the late 1700s. See items 08.242 and 42.76.11 in the collectiosn of Metropolitan Museum of Art for seals with a similar motif. The Wedgwood family were ardent abolitionists, decorating various ceramics with this image, resulting in its rapid adoption by American anti-slavery groups. Used in many forms and media over the years, it remains the logo of the still-existing Pennsylvania Abolition Society and appears on organization's official publications.
Lindley and Deborah Coates, of West Grove, Chester Co., married there on 12/16/1819 but lived near Christiana in Sadsbury Twp., Lancaster Co. They attended Sadsbury Friends Meeting House near Christiana. Ardent abolitionists, their home was what is now designated station #5 on the Underground Railway. Lindley became President of the American Anti-Slavery Society in 1840, before William Lloyd Garrison. Deborah Coates became a Hicksite Quaker minister according to historian Beverly Wilson Palmer. Hicksites were the more radical Quakers, named after leader Elias Hicks.
Provenance
Quilt passed to son Simmons (1821-1862) & wife Emeline Jackson. (Deborah Coates lived w/ widow Emeline on her Chester Co. farm (Evergreen Hall in West Grove) for many years following Simmon's 1862 death. See census records). Descent to their daughter Elizabeth Jackson Coates who married Marriott Brosius, U.S. congressman from Lancaster. The quilt was then divided between their two daughters, donor's maternal grandmother Graceanna Brosius Biddle and her sister Gertrude Coho Reinhartson. The two halves were then reunited when given to donor, Marjorie Ayars Laidman. Deborah S. Coates was donor's great great great grandmother.
Overall good condition. Two halves of quilt (with recent inside binding on cut edges) are "mounted" on cotton muslin, side-by-side. Silks show significant deterioration -- cracking, splitting and abrasion -- with some losses. Binding also has deterioration with some losses. (See 1985-86 condition report by conservator Linnea Davis.)
Documented in Quilt Harvest #448-B (records in Archives).
Object ID
G.86.05
Place of Origin
Sadsbury Twp.
Credit
Gift of Marjorie A. Laidman, Heritage Center Collection
Chippendale high chest, mahogany, ornately carved, Phila-inspired Rococo style. Top section has scrolled broken arch pediment with central cartouche (attrib. to Phila carver, Martin Jugiez) and fully relief-carved vine tympanum, leading down to large central drawer w/ large carved shell & surrounding vines. Two small drawers flank center drawer, under which are 4 full-length, graduated drawers with original Chinoiserie brasses. Fluted corner columns on upper case; vine & leaf-carved corner columns on lower case.
Lower chest has top full-length drawer over 3 small drawers that mirror the 3 drawers at top. Again, the center drawer is fully carved. Below drawers is a fully vine-carved skirt w/ shaped bottom. Has 4 carved fully articulated cabriole legs w/ acanthus knees and ball and claw feet and original brass casters.
Original owner Matthias Slough was a colonel in the Rev. War, a superintendent of the Philadelphia to Lancaster Turnpike, a county coroner and treasurer, and tavernkeeper of the White Swan. Buried in St. James Episcopal Cemetery.
Made by unknown Lancaster Borough workshop.
Provenance
Original owner believed to be Mathias Slough, based on a 1934 letter from Ethel Torrington Davis to Mr.(James?) McCormick. Ms. Davis states her mother received story from her mother Mrs. Beatty. Mathias Slough married Mary Gibson and had three daughters. The oral tradition is that each daughter was given a high chest. These chests then descended in the family, one of which descended through the mother of Ethel T. Davis to James McCormick (in payment of an outstanding debt). This info researched by John J. Snyder.
From a July 1975 letter, donor George J. Finney recalls the highboy in the home of James McCormick of Hbg, his grandfather. After his death in 1917, it stayed with the house & his son Donald McCormick until his death in 1945. It was then put up for sale at auction of household good but failed to sell due to price not meeting expectations of executors. Donor learned of this, and in 1946 he offered to buy it for $2,500 and the estate accepted. Donor has owned highboy since 1946. Upon the death of the donor, it was bequeathed from his estate.
Multiple repairs (e.g. pieced out around drawers); refinished; some losses, most noticeable in some cartouche elements and leaves of rosettes. Finials missing the ball at mid section. Cosmetic conservation done by Cory Berrett April 1992.
Repairs made 12-2-09 by Winterthur conservator in consultation with curator Wendy Cooper (see conservation report in file). Major changes: broken off rosette leaf tips replaced; missing finial balls and top plates of plinths replaced.
Object ID
G.92.06
Notes
John Snyder states that mahogany is unusual for Lancaster Co. high-style pieces. Secondary woods are poplar and pine.
He notes six or fewer high chests of this Lancaster County Chippendale design are known to exist, and that of these six, "this piece is unquestionably the finest example." (Based on artistic evaluation, condition and provenance. Of these other chests, 2 are in private collections, one is in the State Department collection at Yale University, and the others' whereabouts are currently unknown.
Snyder says this high chest is closely related structurally to the famous Chippendale desk and bookcase acquired by the Winterthur Museum from the Withers family, living near Strasburg, Lancaster Co.
OBITUARY
May 14, 2009 FRANCES DAVIS HASSINGER EVERHART, of Lower Allen Township, Mechanicsburg, PA, passed away Thursday, May 14, 2009, in Bethany Village, Mechanicsburg. Frances was born March 1, 1916, in Harrisburg, PA, the daughter of CARL W. AND ETHEL TORRINGTON DAVIS. She was a 1938 graduate of Vassar Co...
Matthias Slough (1733-1812) was the tavernkeeper of the White Swan. The high chest was made at an unknown Lancaster Boro workshop, except for the carved cartouche of Philadelphia.
Place of Origin
Lancaster
Credit
Heritage Center Collection, bequest of George J. Finney Estate
Empire style chest of drawers, mahogany veneer on pine or poplar. Four drawers, each with two pressed glass pulls & keyhole and each with bookmatched veneer of highly figured mahogany. The top drawer overhangs lower drawers and has a curved front (top-to-bottom), while the three lower drawers have flat fronts. Freestanding ionic columns flank drawers with carved plinths. Sunken panel construction at sides. Two extensively carved paw feet in front; two ball feet in back.
In April 1982, the entire case was disassembled and discovered to be signed and dated by Markley, behind the left front stile above the column. (Not seen in 2011. Inscription appears on top of thick drawer divider supporting top drawer.) Also stamped by maker within oval on upper surface of top drawer bottom: "J.F. MARKLEY/ CABINETMAKER/ Locust Street/ COLUMBIA."
According to file, the 1830-1846 Columbia Borough tax records list Markley variously as a doctor, cabinetmaker, contractor or gent.
See also a gentleman's dressing table with mirror, P00.39.01.
Piece of veneer 1.5" x 0.5" is missing from top right above drawer. Small spots and scratches overall, and two large cracks on top: one near front right corner, and one at rear center, partially filled in. The left pull on the second drawer up from the bottom is split in half; held in place with string windings.
Two toes on the right front foot were pieced and recarved by Joseph Molz of Lancaster City. Some veneer was also pieced.
Object ID
P.77.02
Notes
More info in file. There was a discrepancy in the research with two different Jacob Markleys. It appears that the maker of this chest of drawers was Jacob Fry Markley (1800-1854), born in boro of Strasburg to parents Jacob Markley, Sr. (1765-1829) and Barbara Fry Markley. Jacob Sr. was also a cabinetmaker.
Son Jacob is listed with different occupations over the years. He was living in Columbia in 1830 and possibly as late as 1841. He moved to Spring Grove, Philadelphia County by 1850 and is listed as a druggist in the 1850 Census with wife Ann & 5 children. "JACOB F. MARKLEY M.D." is on his tombstone in the Hatboro Cemetery. Thus Jacob Markley claimed to be a cabinetmaker, druggist and doctor (Doctor is perhaps what he called a pharmacist).
Place of Origin
Columbia
Role
Cabinetmaker
Credit
Gift of the James Hale Steinman Foundation, Heritage Center Coll
Framed print of Thaddeus Stevens. Published by J.E. Barr, Lancaster, PA. Engraved by John Sartain, Phila. After a photograph from life by C. W. Eberman. Entered according to act of Congress in the year 1867 by J.E. Barr in the clerk's office of the U.S. for the Eastern
Printed portrait of Thaddeus Stevens with full head of curly hair and stern gaze. Mounted in old molded oak frame with handcut paper window mat.
Under bust is "THADDEUS STEVENS: "OLD COMMONER./ APRIL 4, 1792 - AUGUST 11, 1808/ Chairman Committee of Ways and Means of U.S. House of Representatives during the Civil War./ FEARLESS CHAMPION OF FREEDOM FOR THE OPPRESSED./ His unique service to the Common schools of Pennsylvania lay in retaining upon the Statue Book the Law of 1834 against the will and purpose of the majority of a Legislature elected and pledged to its repeal. In old age he spoke of this stern contest/ with much interest, and seemed to regard the memorable speech of April 11, 1835, in its results to the cause of General Education in the Commonwealth the best work of his life."
At the bottom left is "Engraved by Rea.", at center is "Lincoln Art Series: Copyright 1899, by J.P. McCaskey, Publisher, Lancaster, Pa." and at right is "Photograph by Eberman." Lower section of image has engraver's name "REA Sc."
McCaskey was a lifelong educator, principal & longtime writer of The Pennsylvania School Journal. Bio Annals notes he was a proponent of memory work in literature and he produced and displayed good portraits of notables in education (Thaddeus Stevens, Thomas Burrowes, etc.) appropriate mottoes, vocal and instrumental music, etc. In his later years, McCaskey published at lease 20 engraved images, called the "Lincoln Art Series," for display in homes and schools. He distributed many thousand copies to all parts of the country. Sometime during is long career as educator he was awarded and honorary M.A. degree and later a PhD. degree, both from Franklin and Marshall College (Bio Annals) (Written by Wendell Zercher)
Minor stains with liquid stains at very bottom (sitting in damp area), incipient breaks and creases run horizontally in several areas. Silverfish damage scattered mostly at bottom and around top & sides of image. one spot of damage under tie.
Frame is dark on face with some wear. Framing materials acidic and unprofessional.
Executioner's hood, or cap, of "black Albert twill serge", was made by John C. Dinan and mentioned twice in the June 29 New Era article "MURDERERS PAY PENALTY." It was worn by Lee Furman, convicted murderer, for his hanging on June 29, 1905.
Hood is form-fitted to a round head shape, with a protrusion at the middle of side (for nose?). Hood narrows at the neck and flares strongly out to shoulders and extends to mid-chest in length. Vertical flap extends from bottom to perhaps jaw line, where there is a small, circular opening, likely to accomodate the rope. Flap is secured by 3 cloth-covered buttons. Expertly sewn, likely by a local seamstress or tailor.
Also included with gift is a postal card postmarked Sept. 9, 1905 from H.S. Eckels & Co. in Philadelphia to Mr. J. Fred. Fisher at 128 N. Duke St., Lancaster, PA. message is handwritten in black ink: "Hood use(d) on Lee Furman Hung Thursday June 29, 1905 for the killing of Samuel Ressler "Toll gate Keeper" July 1, 1904." See NOTES on Fisher.
Provenance
Hood was purchased by Mayor Smithgall for $100 from a woman whose father reportedly had acquired it from the mortician. Postal card is unexplained (J. Frederick Fisher was a clerk for the P.R.R. and boarded at 504 N. Queen St. according to the 1890 Directory.
Datestone of carved sandstone from mill of Wendell (Vantil) and Anne Bowman. Thick slab of sandstone with tombstone shape. Face is carved in bas-relief. Within a molded edge is a double-headed eagle perched atop a floral/scrolling motif ending in two double-leafed tulips. Below is an incised text in English: "Built by vantil/ & anne boman/ 1797."
According to Our Present Past, Bowman's Mill was on Penn Grant Rd., south side, east of Pequea Creek. It was a three story, three bay by five bay stone mill, with keystone lintels. At the time of the 1985 survey, the mill was abandoned and deteriorating quickly with no roof. After Bowman, the mill was sold to the Brackbill family in 1805 and then to Henry Neff in 1874. The Ellis & Evans account differs in dates and names (p. 1066).
There was a Wendel Bowman (1670-1735) who was among the first party of about ten Swiss Mennonite families who settled in Lancaster Co. in 1710. He immigrated to Germantown in 1707 before coming to Lancaster (Ellis & Evans, p. 685). He had a son Christian, who had a son Christian II (1724-1790), who had a 3rd son WENDELL (1758-1842) who married ANNE and built the mill. Thus, he was great grandson of the immigrant ancestor. Ellis & Evans note that Wendell Bowman operated a tavern in what is now Strasburg Twp. (p. 23) as well as the mill (p. 1066).
Provenance
Since the mill was in a state of disrepair, the owner hired Benuel King, an Amish demolition contractor, to raze the building, apparently sometime within the past year (2000). The datestone subsequently turned up at the Conestoga sale with no explanation as to origin.
Overall good condition but heavily pitted. Multiple losses, esp. around outside corners. Small fissures/scars, especially from "B" of Built extending to "e" of Anne, as well as a smaller one at top of arch. Significant portions of the right claw of eagle are missing. Remnants of mortar still attached to sides.
Object ID
P.01.17.1
Notes
Copyright photos provided by Frank Heatwole Dec. 2004
Charles Bauman (descendant) of Michigan visited July 2010 and purchased photo of datestone.
Ellis & Evans History of Lancaster County
Our Present Past
The unusally ornate design depicts the mix of cultures prevalent in Lancaster County. The double-headed eagle, the emblem of the Holy Roman Emperor, is not what one would expect from a Mennonite whose family had fled these very lands to escape the sufferings and deprivations of war and religious persecution. The design unexpectedly includes tulips to accompany the eagle. Finally, the Bowmans wanted their datestone written in English instead of their native German, likely an attempt to connect with their English-speaking neighbors whom they hoped would become customers. (Wendell Zercher)
Place of Origin
Strasburg Twp.
Usage
Bowman's Mill
Credit
Gift of John J. Snyder, Jr., in honor of the Krote cousins, Heri
