Scherenschnitte, freehand cutwork on light cream-colored wove paper folded horizontally, vertically, and diagonally, then cut out. Rectangular form is centered with an 8-lobed flower made of four hearts enclosing smaller hearts & a medallion with inscription Surrounded by figures of boys and girls as well as birds and hearts. Colored w/ red and blue paint/gouache and some details in blue ink.
Scotland area, Greene Twp., Franklin Co.
Handwritten in blue at center is: "Margarert [sic] Elizabeth / Farner / A present / By John Farner / March 11th 1854" Made for sister Margaret when John was age 11. Similar one is owned by Jim Gergat, done by Farner in 1854 for Isaac Shetter in Green Twp. in Franklin County. Jim has a photo of recipient Shetter. He owns an additional cutout w/ no written presentation. Gergat states Farner was a Civil War veteran and is buried in Centerville, Cumberland Co. (at intersection of Rt. 174/Walnut Bottom Rd. and Rt. 233 & associated w/ Centerville Lutheran Church, Carlisle).
Provenance
Given by Mr. and Mrs. Richard Flanders Smith to the Lancaster County Historical Society with the understanding that it would become part of the collections of The Heritage Center Museum with the establishment of that institution.
Small brown spots overall, especially in top half. Larger brown stains in top left area and central design; possibly faded brown coloring.
Matted and framed by conservator Brian Howard of Carlisle in 1996
Object ID
G.77.50.3
Notes
Earnest, Fraktur: Folk Art & Family, 1999, p. 118.
Informed 1-9-12 by Jim Gergat, former York Co. H. S. curator, of identity of John Farner. See photocopies of his two Farner cutouts in file. Gergat's phone # is (610) 473-0137.
Slide #27-2-10 and Transparency file under "Fraktur" #18.
Removed from Masonic Lodge Fraktur exhibit early 2008.
Exhibited Landis Valley Museum, scherenschnitte exhibit curated by Irwin Richman, May-Dec. 2008.
Place of Origin
Greene Twp., Franklin County, Pennsylvania
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Spiral labyrinth, watercolor and ink on wove paper, signed by John A. Landis (15 Sep 1777 - 8 Mar 1862) of Lancaster City. Within a line border is a compass-drawn large circle filled with interwoven near-circles (paths of labyrinth) emanating from another center circle that is in turn filled with compass-drawn floral decoration. The near-circle pathways have text written within, beginning at the top with the words, "What is a gentleman?" Leafy vines with flowers fill the corners outside of the large circular labyrinth. Two distelfink-type birds are perched on lower vines. At bottom center is a heart in which vines are anchored. Within heart are 4 lines of neatly printed English: "Made By/ John A. Landis in the/ Year of our Lord 1852/ in the Seventy Fifth/ Year of his/ Age."
Reverse side of frame has two stickers; the top one reads: "MSC/ #135" and the lower one reads: "T76.10.37/ (MSC - 135)."
Unusual -- believed to be the only hand-done Lancaster City fraktur known. Samuel Baumann is the design source for Landis's birds, flowers and hearts. Baumann produced printed fraktur in Ephrata in the early 19th century. See NOTES
Provenance
Provenance: Dealer Hattie Brunner to Dr. & Mrs. Donald A. Shelley. Shelley collection sold at auction (Pook & Pook), Oct. 2004 to Heritage Center.
Paper is darkened overall; watercolored words of labyrinth are blurry and often illegible.
Object ID
P.04.45.1
Notes
According to Landis family genealogy & other sources, Landis operated a museum in Lancaster City at several successive locations. Article in Lancaster Gazette, 1825, lists detailed changes & additions Landis made to the museum.
Landis married twice, leaving no children and is buried in Shreiner's cemetery (tall monument along Mulberry St. side). The 1850 Census records him living, at age 72, with his wife Sarah in a hotel kept by Henry Nauman. He is also listed in the 1860 Census but of course gone by 1870.
Labyrinths have been made in various forms for centuries, traditionally of a spiritual nature. According to Michael Bird, "The labyrinth had pre-Christian roots in the worlds of Crete, Greece and Rome..." Landis's labyrinth is unusual in that it is not rooted in a spiritual or Biblical theme, but instead focuses on moral character. This compass-drawn design is not traditional Pa. German; it is likely Anglo-inspired.
This labyrinth was illustrated in Donald Shelley's "The Fraktur-Writings of Illuminated Manuscripts of the Pa. Germans", figure #223. See Klaus Stopp's The Printed B&BCs of the German Americans, Vol. II, pp. 208-217, for fraktur printed by the Baumanns of Ephrata. These show the source of motifs used in this labyrinth.
Chest is red-painted poplar. Lid has molding pegged to 3 sides, supported by plain iron strap hinges. Brass escutcheon at keyhole. Wrought iron bail handles on a heart-shaped plate, on each end. A till is at left end of interior.
White-painted platter-shaped panels at each end, two on lid and two on front. Above the painted front panels is a thin, long, white-painted cartouche containing a painted inscription along with geometric floral/star motifs. The inscription reads: "17 BARBARA POTZERIN 95."
On the underside of the lid, left side, is pasted a fraktur measuring 6.5" x 8" showing a woman in a red dress and a man in a pink coat and black pants flanking a text block, with red and blue flowers above.
The fraktur is a "baptismal sponsor's letter form" done with ink and watercolor on laid paper for "Maria Barbarra" Potzer, born March 11, 1768 in Warwick Township, Lancaster County. The central text block expresses good wishes for the child (translation in file)and in the upper left and lower right corners are the names of baptismal sponsors, Maria Barbara Fockt [?] and Jakob Zook [?]. This unusual form was used in the Alsace/Palatine areas, according to Pastor Fred Weiser.
Barbara Potzer was original owner. Maker of the chest is unknown. The fraktur is by the Sussel-Washington artist.
Provenance
Chest was purchased at a sale in Harrisburg in approximately June, 1979, by seller, H. William Koch. It
Multiple large marks and stains on lid, including two blotches of a varnish-stain. Edges are worn, and bits of wood are missing in several areas. Base is separating from the front and sides. The iron hinges are rusted. Top has a long split along grain.
A condition report and treatment proposal for the fraktur were done by the Conservation Center for Art and Historic Artifacts in Philadelphia in May 1986, but no treatment was done.
Object ID
G.79.103.1
Notes
This is a twin of the "Anna Nislesin" chest (G.95.29.1) except for paint color and feet.
There is a group of several other similar chests (see file).
Place of Origin
Lancaster County
Role
Artist
Credit
Gift of the James Hale Steinman Foundation, Heritage Center Collection
British Royal Coat of Arms, 1786, attrib. to the "Early Ephrata Artist," (active c. 1780-1786). Manuscript watercolor version of this design is modified to depict the Germanic sentiments of the artist following our overthrow of English rule. As before, the rampant lion (England) is on the left and the rampant unicorn (Scotland) on the right. However, the lion is now chained and uncrowned. Replacing the central shield is a large flowering plant with a typical Pa-German large parrot perched on the lower branch and a crown above. Large flowers are prominently added to this image.
Lettering at bottom center reads: "Phil(i)p[sic] Horning/ hat In ge-macht/ 1786" Recipient Philip Horning's name is followed by the artist's phrase: "Made in 1786." This should not be read that Horning "made this in 1786."
Pa. Germans saw a kinship between the Royal Coat of Arms and the German Hanoverian kings who ruled the United Kingdom throught the 18th century.
Klaus Stopp, Printed B&BC of the Pa. Germans, Vol. II, pp. 108-113
Height (cm)
34.925
Height (ft)
1.1458333333
Height (in)
13.75
Width (cm)
41.275
Width (ft)
1.3541666667
Width (in)
16.25
Dimension Details
Frame is H: 22.25 W: 25.25"
Condition
Good
Condition Date
2017-03-23
Condition Notes
Multiple vertical and horizontal creases overall. Some paint loss, especially on lion's head and face, and flower in upper right corner. Brown stains overall.
A treatment proposal made by Conservation Center for Art and Historic Artifacts, May 1986, and the following treatment was done in 1988-89: consolidated ink and paint, old backing removed, tears mended, cleaned, losses in paper filled, flattened, and matted. Details in file.
Matted and framed by Brian Howard of Carlisle in 1996
Object ID
P.77.51
Notes
This unusual watercolor gives a Germanic spin on the heraldic design. While the lion stands for England and the unicorn for Scotland, replacing the central shield is a large parrot perched on a flowering plant. Large flowers are also prominently introduced into the composition. Painted after the war of independence, the lion is now portrayed uncrowned, with a chain at his neck. This is a strong statement of the artist's Germanic sentiments.
This is one of the last known pieces done by the Early Ephrata Artist." He was given this name since he decorated early Ephrata prints having no bird-panel printed borders. The Earnests note he used heavy color and his motifs were primitive, despite the ambitious decoration and design he attempted such as this fraktur watercolor. He ranks among the earliest fraktur artists to decorated printed forms, along with Otto, Hoevelmann and Speyer.
See:
- Earnests' "Papers for Birth Dayes", pp. 213-214 for info on the Early Ephrata Artist.
- Klaus Stopp, The Printed B&BCs of the German Americans, Vol. II, pp. 108-113.
Place of Origin
Lancaster County
Credit
Gift of James Hale Steinman Foundation, Heritage Center Collection
Reward of merit, elaborately cut out of laid paper, watercolored and inscribed at bottom with the name "Margaretha Lindenmuthin." It is one of four found in a family Bible. Bestowed upon a deserving student by a school teacher, this artwork portrays a variety of stylized flowers, done in the unique style of Jacob Botz.
This symmetrical papercut was created with one vertical center fold. Overall design is a large lacy flower with a stem having additional flowers growing off to the side. The flower rests on an oblong base with the name of the student written with black iron gall ink. Scherenschnitte is decorated with water-based, polychome paints.
The Lindemuth family first settled in the Mount Joy-Maytown area. According to Clarke Hess & Jim Nissley, Margaretha (Margaret) Linde(n)muth was born June 26, 1790 and died Dec. 31, 1875. She was the daughter of George Lindenmuth (1752-1818) and granddaughter of Ludwig Lindenmuth (1716-ca.1777) who immigrated from Germany in 1750.
Provenance: The Earnests served as brokers for these four frakturs. The original owner wished to remain anonymous, but desired that all four remain intact as a group. They were found in the family Bible of this owner and the Bible was given to another party. The Earnests reported that the owner's family has roots in Manor Twp., but it is unknown if the fraktur descended in this family.
Later contact with owner/seller, Jim Nissley of Mount Joy (653-4798) who discovered Lindemuths in his family tree. Margaretha's niece (daughter of her brother Jacob), Sarah Lindemuth (1833-1908) married Daniel B. Nissley (1829-1919). They are Jim's great great grandparents. (See Biog. Annals entry on D.B. Nissley & other records of Jim Nissley in this file.)
Mount Joy area
Provenance
Fraktur was found in a Family Bible of the Lindemuth family. The items were put up for private sale, brokered by Russ & Corinne Earnest, and purchased by the Heritage Center.
Original condition: Elements broken off and missing, especially the large flower extending out from center, but also some elements of lacy perimeter at top. Many tears; the most significant is the nearly-detached daisy & tulip at bottom left. Three old repairs on reverse side using strips of pasted paper. Discoloration around large flower's perimeter as well as at bottom.
Conserved & mounted in a 4-window mat package by Susan Duhl, Sept. 2001. Then framed by Lancaster Galleries in black frame H: 13 1/8" W: 23".
Object ID
P.01.18.1
Notes
Research in: Papers for Birth Dayes (Russ & Corinne Earnest) and The Pa. German Fraktur of the free Library of Phila., Weiser & Heaney, 1976, #221.
Family genealogy provided by Jim Nissley of Mt. Joy, 1/14/05. Research on Jacob Botz by Irene Walsh.
The Lindemuth family first settled in the Mount Joy-Maytown area. According to Clarke Hess & Jim Nissley, Margaretha (Margaret) Linde(n)muth was born June 26, 1790 and died Dec. 31, 1875, a daughter of George Lindenmuth (1752-1818) and granddaughter of Ludwig Lindenmuth (1716-ca.1777) who immigrated from Germany in 1750.
Later contact with owner/seller, Jim Nissley of Mt.Joy (653-4798), who discovered Lindemuths in his family tree. Margaretha's niece (daughter of her brother Jacob), Sarah Lindemuth (1833-1908) married Daniel B. Nissley (1829-1919). They are Jim's great great grandparents. (See Biog. Annals entry on D.B. Nissley & other records of Jim Nissley in this file.)
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Reward of merit, elaborately cut out of laid paper, watercolored. It is one of four found in a family Bible. Bestowed upon a deserving student by a school teacher, this piece portrays a variety of stylized flowers, done in the unique style of Jacob Botz.
This symmetrical papercut was created with one vertical center fold. Overall design is six main flowers; top pair of flowers have human faces. Scherenschnitte is decorated with polychome watercolors.
See NOTES.
Manor Twp. or Mount Joy area
Provenance
This is one of four small Frakturs found in a Family Bible (the Bible was ultimately given to another party). Russ and Corinne Earnest served as brokers for these four frakturs. The owner wished to remain anonymous, but desired that all four remain intact as a group. Total purchase price was $19,800, but reimbursed by Irene N. Walsh.
The Earnests reported that the owner's family has roots in Manor Twp., but it is unknown if the fraktur descended in this family.
Original condition: Small piece broken off stem at right center. Blue-painted petals at center are flaking. Multiple stains around perimeter.
Conserved & mounted in a 4-window mat package by Susan Duhl, Sept. 2001. Then framed by Lancaster Galleries in black frame H: 13 1/8" W: 23".
Object ID
P.01.18.2
Notes
Research in: Papers for Birth Dayes (Russ & Corinne Earnest) and The Pa. German Fraktur of the free Library of Phila., Weiser & Heaney, 1976, #221.
Family genealogy provided by Jim Nissley of Mt. Joy, 1/14/05. Research on Jacob Botz by Irene Walsh.
The Lindemuth family first settled in the Mount Joy-Maytown area. According to Clarke Hess & Jim Nissley, Margaretha (Margaret) Linde(n)muth was born June 26, 1790 and died Dec. 31, 1875, a daughter of George Lindenmuth (1752-1818) and granddaughter of Ludwig Lindenmuth (1716-ca.1777) who immigrated from Germany in 1750.
Later contact with owner/seller, Jim Nissley of Mt.Joy (653-4798), who discovered Lindemuths in his family tree. Margaretha's niece (daughter of her brother Jacob), Sarah Lindemuth (1833-1908) married Daniel B. Nissley (1829-1919). They are Jim's great great grandparents. (See Biog. Annals entry on D.B. Nissley & other records of Jim Nissley in this file.)
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
This is a reward of merit, a fraktur given to a deserving student by a school teacher. This cut-out piece is done on a rectangular piece of laid paper, has a large sunflower-like flower with a face drawn in its center. Extending from the stem is a pair of daisies and a pair of tulips. Has a yellow border edged in red and at bottom is the name of "Margaretha Lindenmuthin" inscribed in the same red. Yellow dominates, followed by red, then lesser use of blue and green. See NOTES.
Manor Twp. or Mount Joy area
Provenance
This is one of four small Frakturs found in a Family Bible (the Bible was ultimately given to another party). Russ and Corinne Earnest served as brokers for these four frakturs. The owner wished to remain anonymous, but desired that all four remain intact as a group. Total purchase price was $19,800, but reimbursed by Irene N. Walsh.
The Earnests reported that the owner's family has roots in Manor Twp., but it is unknown if the fraktur descended in this family.
Original condition: Small broken element still attached, at right of center (stem of tulip). Multiple dark stains around perimeter. Blue-painted petals at center are dessicated with significant losses due to flaking.
Conserved & mounted in a 4-window mat package by Susan Duhl, Sept. 2001. Then framed by Lancaster Galleries in black frame H: 13 1/8" W: 23".
Object ID
P.01.18.4
Notes
Research in: Papers for Birth Dayes (Russ & Corinne Earnest) and The Pa. German Fraktur of the free Library of Phila., Weiser & Heaney, 1976, #221.
Family genealogy provided by Jim Nissley of Mt. Joy, 1/14/05. Research on Jacob Botz by Irene Walsh.
The Lindemuth family first settled in the Mount Joy-Maytown area. According to Clarke Hess & Jim Nissley, Margaretha (Margaret) Linde(n)muth was born June 26, 1790 and died Dec. 31, 1875, a daughter of George Lindenmuth (1752-1818) and granddaughter of Ludwig Lindenmuth (1716-ca.1777) who immigrated from Germany in 1750.
Later contact with owner/seller, Jim Nissley of Mt.Joy (653-4798), who discovered Lindemuths in his family tree. Margaretha's niece (daughter of her brother Jacob), Sarah Lindemuth (1833-1908) married Daniel B. Nissley (1829-1919). They are Jim's great great grandparents. (See Biog. Annals entry on D.B. Nissley & other records of Jim Nissley in this file.)
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
This is a reward of merit, a fraktur given to a deserving student by a school teacher. This piece done on rectangular laid paper, is a watercolored drawing of a large stemmed flower with bird perching on stem. Large red and yellow bloom at top, single beehive-like "berry" at center of stem at bird's beak. Floating striped leaf at center left. Inscribed at bottom is "Margaretha Lindenmuthin", the deserving student. See NOTES.
Manor Twp. or Mount Joy area
Provenance
This is one of four small Frakturs found in a Family Bible (the Bible was ultimately given to another party). Russ and Corinne Earnest served as brokers for these four frakturs. The owner wished to remain anonymous, but desired that all four remain intact as a group. Total purchase price was $19,800, but reimbursed by Irene N. Walsh.
The Earnests reported that the owner's family has roots in Manor Twp., but it is unknown if the fraktur descended in this family.
Original condition: Paper does not lie flat. Multiple dark stains/discolorations, esp. around perimeter. Heavy stain at floating leaf at center. Some paint bleeding.
Conserved & mounted in a 4-window mat package by Susan Duhl, Sept. 2001. Then framed by Lancaster Galleries in black frame H: 13 1/8" W: 23".
Object ID
P.01.18.3
Notes
Research in: Papers for Birth Dayes (Russ & Corinne Earnest) and The Pa. German Fraktur of the free Library of Phila., Weiser & Heaney, 1976, #221.
Family genealogy provided by Jim Nissley of Mt. Joy, 1/14/05. Research on Jacob Botz by Irene Walsh.
The Lindemuth family first settled in the Mount Joy-Maytown area. According to Clarke Hess & Jim Nissley, Margaretha (Margaret) Linde(n)muth was born June 26, 1790 and died Dec. 31, 1875, a daughter of George Lindenmuth (1752-1818) and granddaughter of Ludwig Lindenmuth (1716-ca.1777) who immigrated from Germany in 1750.
Later contact with owner/seller, Jim Nissley of Mt.Joy (653-4798), who discovered Lindemuths in his family tree. Margaretha's niece (daughter of her brother Jacob), Sarah Lindemuth (1833-1908) married Daniel B. Nissley (1829-1919). They are Jim's great great grandparents. (See Biog. Annals entry on D.B. Nissley & other records of Jim Nissley in this file.)
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Bookplate done in German for Anna Herr by the Manor Township Artist (active 1782-1804) on a page detached from a "Leider Buch" (song book).
Fraktur is hand-drawn, lettered and colored with red and brown on laid paper. It is in the style of this artist who had a "small, neat fraktur hand," triangular flowers composed of six dots, and birds with spread tails. At top is a large heart surmounted by a crown, flanked by crowned cherubs/angels with head and wings only. Flowering vine below heart has triangular dot flowers with two birds sucking nectar from flowers. Other vines serve as horizontal borders to separate text below. Flanking the name "Anna Herrin" at center are leafless apple trees with serpents ascending. German text under name is "Geschrieben den 19ten Novem:/ Anno 1788." Branching out of a large inverted tulip at bottom center are two vines with triangular dot flowers. Religious text is interspersed within vining borders.
Attribution to Manor Twp. Artist who was most likely a schoolmaster working among Mennonites in northern Lancaster County, according to Fred Weiser. The Earnests list five known pieces by this artist, from 1768-1788.
Considerable loss around edges, esp. top right and bottom 1/3 of left edge. Ragged where detached from book. Darkened overall. Liquid stains over much of surface, esp. along bottom, top and left edge as well as under date. Paper "eaten through" by iron gall ink at various places, e.g. outline of heart and letters of "Herrin."
Object ID
P.04.51.4
Notes
Earnests, Papers for Birth Dayes, p. 534.
Weiser and Heaney, FLP, #277.
Dr. Donald Herr says he owns four fraktur by this artist (May 14, 2015).
Pastel on paper with double mat in modern frame. Shows an empty canoe-like craft drifting along the bank of the Susquehanna River near Columbia, PA with the sun setting (or rising) on the horizon.
There are various pieces of information written on the back, including the title and date of the painting: "Sundown--Susquehanna River c. 1870 / Columbia, Lancaster County, Pa." The back also lists the provenance: "Presented to John H. Libhart / Family in 1948 by Grace & Loretta Minich, / Inheritors of the Mifflin Estate." This contradicts a notarized statement from the donor in the object file which states the title is "Sunrise".
Provenance
9/07/2012 - Transferred from HC Collections; 12/07/95 - from Mr. Lamar Libhart 4016 Green Street, Harrisburg, PA 17110 717- 2344-7734.
H: 16.75 inches x W: 20.75 inches x D: .675 inches. Modern frame with double mat mounting
Object Name
Painting
Material
Paper
Medium
Painting, Pastel
Height (cm)
42.545
Height (ft)
1.3958333333
Height (in)
16.75
Width (cm)
52.705
Width (ft)
1.7291666667
Width (in)
20.75
Depth (cm)
1.7145
Depth (ft)
0.05625
Depth (in)
0.675
Dimension Details
Height: 16 3/4 In Frame; Width: 20 3/4 in frame; Length: ; Depth 5/8 in frame.
Condition
Good
Condition Date
2016-03-18
Condition Notes
Some small punctures and dents. Buckling over surface, lifting towards the plexi glazing. Particles of color fallen to bottom inside, visible, esp. against mat. A significant semicircular tear is on the left side, about halfway down. Some scratches in the bottom left corner.
Back has tape separating / detaching at numerous points.
Figure of a woman with brown hair wearing an ochre broad-rimmed hat, long-sleeved, full-skirted dress painted blue-green with ochre trim on bodice only, and unpainted pantaloons with black shoes. She is also holding a hankerchief in her right hand and flowers in her left hand. Square plinth with clipped corners is lightly dabbed with tannish-brown. Back side is inpainted.
Inscription inside base is pencilled "PRC".
Provenance
Collected by Harpo and Susan Marx in Pennsylvania during their visits back East from CA. Donation to the Heritage Center.
Moderate soiling and paint loss. Small chips throughout; large loss on back right corner of base. Mended break in the left skirt. Several paint splatters on skirt front.
Object ID
G.98.51.75
Place of Origin
Pennsylvania
Credit
Given in memory of Harpo by Susan Marx, Heritage Center Collection
Large hollow chalkware bird bank has a dove perched on top of a naturalistic base resembling a large block of wood with branch molded in relief at front, painted orange-brown with 2 red berries. This base serves as a coin bank and a large slot if positioned at front between the bird's legs and the branch with berries. Bird and bank base are unpainted except bird has a red and orange beak, red and orange eyes, orange feet and black claws and pupils.
Paper sticker remnant has price written in pencil: "$5.00."
Provenance
Collected by Harpo and Susan Marx in Pennsylvania during visits back East from CA. Donated to Heritage Center.
Large hollow chalkware deer with antlers is in semi reclining position on a base resembling a grassy area. Painted brown overall, now darkened with age and soil. Eye and eyebrow painted black.
Provenance
Collected by Harpo and Susan Marx in Pennsylvania during visits back East from CA. Donated to Heritage Center.
Moderate soil overall with numerous signs of wear due to scratches and abrasions and chips, such as along base, Back of base has large chip with crack. Antlers appear to have some losses at tips. Multiple areas of paint loss with white or grey showing through.
Object ID
G.98.51.41
Place of Origin
Pennsylvania
Credit
Given in memory of Harpo by Susan Marx, Heritage Center Collection
Large hollow chalkware Spaniel in a seated position on an 8 sided base. Painted tan overall with black spots over fur. Brows, dog tag, pupils and nails are all black. Collar, mouth and nostrils are red. Eyes are ochre. This form is the poor man's equivalent of the exprensive Staffordshire spaniels.
Provenance
Collected by Harpo and Susan Marx in Pennsylvania during visits back East from CA. Donated to Heritage Center.
Large hollow chalkware Poodle dog in a standing position on a rectangular base. Unpainted except for black ears, tail, brow and front nails. Also yellow eyes with black pupils and a fed mouth and nostrils. Base painted ochre.
Inscribed inside in pencil is: "$10.00."
Provenance
Collected by Harpo and Susan Marx in Pennsylvania during visits back East from CA. Donated to Heritage Center.
Large hollow chalkware Poodle dog in a standing position on a high, stepped, rectangular base. Poodle's left ear is flattened. Largely unpainted except for brown and tail, yellow eyes, red mouth and nostrils, black pupils, collar of red/orange, blue and yellow as well as dot pattern on shoulder and chest. Base painted green.
Inscribed inside in pencil is: "7.50."
Provenance
Collected by Harpo and Susan Marx in Pennsylvania during visits back East from CA. Donated to Heritage Center.
Heavy soiling, wear and paint loss. Heavy chips and scratches. Small chips along bottom edge of base and two large chipped areas at both front corners and left hind one.
Object ID
G.98.51.62
Place of Origin
Pennsylvania
Credit
Given in memory of Harpo by Susan Marx, Heritage Center Collection
Hollow chalkware Spaniel in a seated position on an irregularly shaped base. Head lacks sharp detail and distinct features. Painted black ears, daubed-on spots, brows, nails, and pupils. Brown base.
Provenance
Collected by Harpo and Susan Marx in Pennsylvania during visits back East from CA. Donated to Heritage Center.
Partially painted recumbent stag of hollow chalkware. Resting on a grass-molded oval base, stag's body is unpainted white. Red collar, ears, mouth and nostrils; eyes outlined in brown. Front of antlers striped with red and green. Base front is painted green with red along top edge. Inscribed inside with indecipherable pencil markings.
Provenance
Collected by Harpo and Susan Marx in Pennsylvania during visits back East from CA. Donated to Heritage Center.
Painted recumbent stag of hollow chalkware. Resting on a grass-molded oval base, stag's body is painted brown overall, with black wavy stripes across back. Eyes are daubed yellow. Antlers are yellow/green with black and red markings on the front.
Paper sticker on back of base is: "20467C." Written on bottom of base is "PR = (?)".
Provenance
Collected by Harpo and Susan Marx in Pennsylvania during visits back East from CA. Donated to Heritage Center.
