Modern "revivalist" fraktur created by Professor H. J. Kauffman's caretaker/nurse, Arlene Harnish. Mounted in handmade wood frame with corner blocks.
Marriage and birth certificate done on tinted laid paper with various colors. Within a border are three panels, the larger central panel has the text: "Henry Ka/uffman/Son of David and Anna/Kauffman was born on/November 14, 1908 in Yo/ork County, Pa. Married/ Elizabeth Zoe Tomer/July 20, 1938." Signed at the bottom "A Harnish" The two side panels are nearly symmetrical, featuring flowering plants growing out of a colorful pitcher resting on a stepped pedestal. A large colorful bird is perched in each of the plants.
Frame was made by HJK in earlier years.
1704 Millersville Pike, Lancaster
Provenance
Made by Arlene Harnish (b. 13 March 1946), caretaker of Henry J. Kauffman. She stated on 30 May 2000, that she learned to make fraktur by taking a class at Landis Valley Museum taught by Jere Kickerman. This piece was only the second fraktur she made, the first being the project for the class, done for her granddaughter.
Harnish made this fraktur for HJK during working hours at his residence when another was pressing. She copied motifs from a book. When completed, HJK told her to look for a frame in the basement. The one she found turned out to be one made by Kauffman himself. Harnish expressed shock and embarrassment upon learning that Kauffman had donated her fraktur to a museum. Arlene is Mrs. R. Edwin Harnish, 1586 Georgetown Rd. Christiana, PA phone: 5292712.
Modern fraktur and frame in excellent condition. The handmade from has small crack in top left corner block where nailed. Wood stain shows brush marks. Brown paper backing.
Object ID
G.96.37.9
Notes
This fraktur is featured in Irwin Richman's book "Pa. German Arts," 2001, page 14.
Place of Origin
Lancaster
Usage
Kauffman's home
Credit
Gift of Henry J. Kauffman, Heritage Center Collection
Supplement, Pennsylvania history/Explorations in early American culture
Explorations in early American culture, Pennsylvania history
Place of Publication
University Park, PA
Publisher
Published by the Pennsylvania Historical Association for the McNeil Center for Early American Studies,
Date of Publication
1997-
Physical Description
v.; 23 cm.
Publication Frequency
Annual
Dates of Publication
[Vol. 1] (1997)-
Notes
At foot of title: Pennsylvania history.
Beginnig with no. 4, the serial published as an annual journal in its own. 1997-1999 (vol. 64-66) supplements to the Pennsylvania history are considering as no. 1-3.--p.2 (vol. 4).
xvii, 474 p., [9] leaves of plates : ill., maps ; 24 cm. + 1 folded map (38 cm. x 58 cm.)
Notes
Reprint. Originally published: Pittsburgh, Pa. : University of Pittsburgh Press, 1958.
This is number 532 of 1000 copies printed.
Includes bibliographical references and index.
Summary
"John Heckewelder was one of the most active and observant American travellers in the eighteenth century. His extensive journeys through our eastern woods in the service of the Moravian Church and, at times, of the government of the United States, have been preserved for us in a number of superb travel journals. Hitherto these either have lain unseen in manuscript collections or, if published, have appeared disconnectedly, so that few readers have suspected how engrossing they are and how illuminative of our early history when read as a continuous narrative." [from the foreward]
Includes bibliographical references (p. 205-240) and index.
Contents
1. Constitutionalism, Capitalism, and Antebellum Society -- 2. Constitutionalism and the Associational Economy -- 3. Taxation and Capitalist Accountability -- 4. Taking Property -- 5. Railroad Accidents and Capitalist Accountability.
Summary
Throughout much of American history the relationship between the Constitution and capitalism has been contentious. Recently, however, consensus has replaced conflict as the framework for understanding capitalism's relationship to constitutional development. Thus the recurrent struggles between producers and capitalists (financiers, speculators, corporations, and the like) over the constitutionality of capitalistic practices have come to be viewed simply as politically manageable tensions within a liberal-capitalist consensus. This study focuses on how antebellum constitutional law and principles responded to and shaped producers' appeals for protection from capitalists' predations. Placing the constitutional system's operation in the context of the nation's profound ideological and social conflicts, Tony A. Freyer suggests that the normative force of constitutional values often enabled pro-producer, protectionist policies to be enacted, despite an emerging corporate and mercantile capitalist consensus. The first chapter sets out a framework for understanding the social basis of constitutionalism and its policymaking impact between 1800 and 1860. Subsequent chapters employ this framework in the setting of the mid-Atlantic states of Delaware, Maryland, New Jersey, and Pennsylvania. They focus on four principal policy areas: debtor-creditor relations, taxation, eminent domain, and railroad accidents. This mid-Atlantic region is intended to serve as a federal system in miniature, offering opportunities for comparative analysis. By illuminating the interplay between social conflict and constitutional institutions, the book reveals a policy-making process which was dynamic, reflecting a multiplicity of values and supporting diverse producer interests, many of which conflicted with those of corporate and mercantile capitalists. Freyer challenges established historical interpretations not only of social-class conflict but also of the Supreme Court under chief justices John Marshall and Roger B. Taney, with particular regard to states' rights versus federal power and the growth of the Constitution's contract, commerce, and judicial clauses. Thus the book will be of interest not only to political scientists and to judges, lawyers, and professors of law but also to historians and general readers.
This is an inventory of WPA artwork for which GSA has background documentation. Under separate cover is "Legal title to art work produced under the Works Progress Administration".