American Fire Company Parade Hat. Leather hat with brim (3" in front tapering to 1 3/8" in rear). Height of central portion of hat is 6" in front and slopes to 1 3/8" at rear. Exterior painted red with 1/4" black borders around rim and base of crown of hat. U.S. emblem/shield in red, white and blue painted on crown beneath a black banner with "American" in 1"-high gold letters. Label inside with "Mr. Jacob Sener." Piece of paper cut and pasted to inside top of hat.
Small oil painting on paper of Mrs. General (Abigail Ann Bailey) John Steele. Head to waist, Mrs. Steele is seated holding a red bound book in her left hand with right hand crossing her left wrist .Fine detail, especially dots on bonnet fabric and designs on sleeve cuffs. Copy of portrait by Jacob Eichholtz.
She and John Steele married on March 4, 1784. She died two weeks after her husband, on March 13, 1827.
On reverse, written in black ink in cursive: "Property of and loaned by/ Mary Steele Slaymaker/ Mrs.. H.E. Slaymaker/ 149 W. Duke St./Lancaster/Pa."
Oil Painting on paper of General John Steele. Gen. Steele is seated with his right arm on the arm of a chair, left hand on his right wrist. He's attired in a black coat high with high back collar. A high white collar around his neck has a bow tied in the front with a ruffled front.
Adam Reigart Jr. (original catalog description was Capt. John Steele)
Description
Oil portrait on canvas of Adam Reigart, Jr. (1765-1844). (Original catalog description was: "Painted portrait of Captain John Steele by Jacob Eichholtz". This ID correction approved by Tom Ryan).
Half-length male figure, faces slightly to left, gray hair brushed forward over forehead in thin wisps, long sideburns, his left ear visible; white turned down collar, light color waistcoat and white stock and frill. Black double-breasted coat. Plain brown background.
Modern wood frame 1.75" wide, painted black with gold beaded inner edge.
See G.86.09.2 for an identical oil on canvas portrait of Reigart by Eichholtz. (On art racks)
Painting has strong tears and needs cleaning. This is the condition in which it was received. Large irregular tear 7.5" x 4/5" across his left chest & shoulder. Small 1" x 1/2" tear above shoulder. Another irregular tear 2" x 1" on right shoulder. Straight line dent w/ some tearing below this. Another straight line dent 3.5" to left of head.and a 1"-long dent with tear above head. Extensive craquelure, esp. in upper 2/3.
Modern wood frame 1.75" wide is painted black with gold beading on inner edge. Round, blue sticker at top back of stretcher reads: "(W)alnut Lan(e) / Art Shop / German(town) / Philad(elphia).
Porcelain china compote with hand-painted landscape scenary on outer body of the bowl. Acquired by James Buchanan while serving as Secretary of State from then outgoing French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt.
Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
Mark applied over glaze, therefore some of the ojects no longer have the designer's signature
Height (cm)
13.97
Height (ft)
0.4583333333
Height (in)
5.5
Diameter (cm)
25.4
Diameter (ft)
0.8333333333
Diameter (in)
10
Condition
Fair
Condition Date
2023-03-31
Condition Notes
Some thinning of decorative paints, chipping, broken.
Object ID
W.1935.010.001
Notes
In 1995 the JBF staff assigned the Object ID W.95.69.2 to this Compote as a FIC probably because original paper records were not found.
In March 2023 the paper file has been found that identifies Lois Cassatt Thayer as the donor in 1935. Mrs. Thayer was the daughter to Alexander Cassatt and his wife, Maria Lois Buchanan Cassatt. Maria Lois Buchanan was the daughter to Rev. Dr. Edward Y. Buchanan, the youngest sibling to President James Buchanan.
The stoneware mug's body is predominantly white surmounted with a wide green band that is outlined with narrow gilt bands. The handle is also white and outlined with similar gilt bands.
J.W. Pankhurst & Company, Charles St. & Old Hall St
This frog doorstop serves as an iconic symbol of James Buchanan's attachment to his favorite spring at his Wheatland farm, and was donated because it was an appropriate piece.
