Needle book of printed heavy paper containing needles, folded to resemble a book. Advertising item lists coal business on inside.
White printed covers have four children in 19th c. clothing on the front and four on the back. They are all involved in sewing activities. Front cover at top reads "SEWING SOCIETY/ NEEDLE BOOK" and at bottom is "Egg shaped eyes/ -And swelled centre."
Verse on back cover reads "In Your Time Of Need-/ It is Needless to look for Any Thing/ BETTER THAN ME." At the bottom is "OUR NEEDLES/ ARE THE BEST."
Inside covers printed in red on brown-colored paper. Paper packet of 1/6 needles affixed to left side; pasted to right side is a swatch of dark loose-weave fabric displaying an arrangement of six variously sized needles (large center on is missing and the 3rd from left is broken).
Near bottom is printed "Manufactured to Order by J.A. COATES & SONS, Limited." and below this is "ORRIN O. WARE./ GENERAL MERCHANDISE."
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Paper slightly buckled with darkening along bottom section or interior. Slight wear at edges with minor dogear damage at bottom corners. Short tear at bottom fold of book. Short fold line extends near top at fold of book. Small dent at middle of right edge of back cover. Center needle missing, one at left of center is broken.
Object ID
G.05.15.12
Credit
Gift of Susan Garofola in memory of Lillian Kiker (mother), Heritage Center Collection
P95.02.01A: Crystal ball is a sphere of clear glass containing tiny interior bubbles and barely perceptible striations on the surface corresponding to lines of latitude.
P95.02.01B: Base for ball is a turned disk of pine with recessed top in which to
Place of origin is unknown.
Provenance
9/07/2012 - Transferred from HC Collections; 12/29/94 - Purchase from Book Haven 146 N. Prince Street, Lancaster, PA 17603
Glass ball has minor surface abrasions or imperfections; some small nicks and scratches in the base, and a 1/2" area of finish loss on the center of the bottom.
Sketch box made of brown alligator skin / leather over wood. Flat rectangular base w/ raised section at right end has two sunken containers. Top one is oval with ornate raised decoration on hinged silver(?) lid; beaded oval trim at base marked "PAT. March. 25.90." Oval well lined with suede. Lower container has alligator-covered round hinged lid leading to another hinged metal lid leading to a small ink jar within.
Place of origin is unknown.
Large part is a padded alligator-covered lid hinged at top. Underside of lid has pouches of light brown leather. Writing/sketching surface has a blue paper blotter secured by leather corners. Leather loop at hinge holds a metal pen decorated with raised beaded rings.
Inscription on underside is pencil script: "From Charles / Xmas 1890". Alongside is a sticker with name and address of donor.
Provenance
Donor acquired this and many other Mifflin pieces from the Mifflin estate and, then donated it to the Heritage Center in 1995.
The alligator skin and leather are cracked, especially along the spine and bottom of the folder. The box with the two compartments is uneven on the top. The lid of the oval shaped compartment is tarnished, and the snap is broken. The ink jar is staine
Object ID
G.95.36.2
Credit
Gift of Mr. and Mrs. Lamar L. Libhart, Heritage Center Collection
Clock wheel cutting machine used by Lancaster clockmaker Martin Shreiner, Sr. Made of steel and brass with turned wood handle knob on crank. Main frame of tool is steel resting on four rounded, downward-curving legs with coin-shaped feet. Many moving parts, arms and cranks/screws, including the swiveling cutting yoke/frame at top (cutter blade with arbor/spindle missing) and the shaped index arm that "reads" the holes on the 13"-diameter brass wheel furnished with concentric circles of surface holes.
The LaFonds call this a very sophisticated machine, incorporating Swiss, German and English ideas/influences. This indicates to them that the machine was made in America, very likely by Shreiner himself. It was imperative for clockmakers to own this tool to practice their trade. Few survive. This machine was first described in the early book or article (LCHS Bulletin) printed in 1917(or 1919) & 1939 by D. McGee who wrote about Lancaster clockmaking. Ed believes this machine to be "the finest American engine in existence" and that it very well may have been made by Shreiner, probably in the 1790s. The cutter blade was used to cut the teeth on the large brass wheels that turn the pinions. There would have been either a slitting cutter or a form cutter used. Carter Harris says form cutters were used by the 1790s.
Attributed to Martin Shreiner (1769-1866).
An 8x10 B&W photo is in picture file under "clocks." Also slide is in slide collection, #14-3-11.
Lancaster Borough, most likely
Provenance
Owned by two brothers, Samuel K. and William L. Fraser, clockmakers who lived in Lincoln (just west of Ephrata) and grandsons of clockmaker William Fraser (1801-1877), then to early collector Earl T. Strickler (FNAWCC) who had it on display at the Columbia Clock and Watch Museum. Upon Strickler's sudden death circa 1974, it was sold by his widow, Mary Jane Strickler, to Edward F., Jr. and Virginia A. LaFond who removed rust and kept it on a window sill. They then traded it to dealer Jamie Price for some clocks. Price had it on sale at the 2004 Philadelphia Antiques Show in mid-April where, as representative for the von Hess Foundation, Tom Cook, purchased it for this museum's collections.
Ed LaFond believes the Fraser family was related to the Gorgas family, thus they were in a position to inherit tools. Due to this, it was believed at first that both the machine and the scribe were from the Gorgas family. However, LaFond believes the Frasers were also related to the Shreiners. Stacy Wood claims this machine was one of Martin Shreiner's tools (Vol. 96, LCHS Journal).
Pitting on steel surfaces, slight discoloration on brass parts, signs of wear overall.
Object ID
G.04.19.1
Notes
Information from: Clockmakers of Lanc. Co., Wood/Kramer, 1977, p. 142. 225 Years of Timepieces (Catalog of 1st Annual Exh. of NAWCCM, 1979), p. 63. Stacy Wood researched origins and provenance of these tools and wrote article in Vol. 96 #4 of LCHS Journal. Conversations with Virginia LaFond ( 5/19/04), Ed LaFond (7/6/04) and Carter Harris (7/7/04).
Place of Origin
Lancaster
Usage
Shreiner, Martin
Credit
Gift of the Richard C. von Hess Foundation, Heritage Center Collection
Tin candle mold with 2 rows of 4, mounted on a raised rectangular base. The 8 molds incline toward each other at their tips and are soldered together for strength. Wire finger ring attached to one side of base and large looped strap handle at other side.
Provenance
Provenance before donor is unknown. Transferred from Heritage Center, December 2012.
Copper pail, cylindrical body, collared neck fitted with a copper wire bail-type handle hooked through side holes. Rolled lip edge. Dove-tailed bottom. Made for holding the glue while inset into larger water-filled gluepot and heated. Inner vessel of the double boiler gluepot.
This gluepot insert was obtained by donor to replace missing original inner component of gluepot P.77.61.
Provenance
Gift of Henry J. Kauffman from unknown source. Transferred from Heritage Center 12/2013
Strainer of glazed redware, but with a lighter brown color than most redware. Resting on three tapered 1-1/8 " long feet. The flat-bottomed dish has straight sides that flare out to a molded, high lip. Applied handles at sides. Large holes in bottom and three rows of smaller holes at sides.
Lead glaze overall with some streaks/runs of a darker brown.
Numerous chips on body overall; some large ones on underside and a large chip on the side; handle edges have suffered the most significant chipping loss. Glaze is crackled overall and has some staining, particularly on the interior. Feet are moderately worn.
Object ID
G.98.12.17
Place of Origin
Pennsylvania
Credit
Gift of Mrs. S.R. Slaymaker II, Heritage Center Collection
Large redware mixing bowl, with dark red-brown glaze inside. Spout formed at lip. Two applied handles at sides. Glaze splashed and dripped onto other areas of bowl, including sides, handles, and underside of lip.
Large areas of glaze loss, as well as multiple small losses. Scratches and pinpricks in surface. The edge is worn. Some chunks of bottom edge are missing.
Object ID
G.80.123.6
Place of Origin
Southeastern Pennsylvania
Credit
Heritage Center Collection, gift of Mrs. Paul A. Mueller
Coffepot (A) and lid (B) of blue transfer-printed pearlware. On a pedestal base is an octagonal pear-shaped body flaring back out at recessed rim. Gooseneck spout with cap at tip. High arching handle of C-scrolls. Domed octagonal lid has an octagonal knop/finial and tiny vent hole.
Transfer decoration is a Chinese scene with people, trees, water and pagoda with bridges. Additional decoration at top and base is a filigree-edged band dominated by 3-leafed vine.
Redware canning jar, ovoid shape with no handle. Pronounced foot ring and rounded flaring lip with recessed interior to receive a fitted lid (missing). Dark brown manganese decoration with some mottling, streaks and dark spatters. Lead glaze overall except for underside.
Very strong wear with losses. Lip has very large chip and one very small chip at outside edge. Strong losses of glaze at lip. Very strong abrasions at salient point of side, with considerable scattered scratches. Foot ring has three large chips and one very large chip. Soil on inside and underside.
Object ID
G.99.22.1
Place of Origin
Pennsylvania
Credit
Gift of Drs. Irwin and M. Susan Richman, Heritage Center Collection
Small molded transferware plate, hand-painted. White-bodied plate has recessed bottom with light green transfer decoration of a woman spinning outdoors near a house, two gentlemen, two small sheep and cow. Surrounding scene is "Fly pleasure and it will follow you. The diligent spinner as a large shift./ Now I have a Sheep & Cow every body bids me good morrow." A flaring rim is slightly hexagonal with scalloped edge painted with red lustre. Raised leafage and swagged beading have underglaze bright paint colors with alternating red, yellow, blue and green.
Provenance
Descent to Sarah Muench from family (likely Aunt Alice Potter Fordney, an antiques dealer).
Eight-day tall case clock w/ cherry case & walnut inlay. White-painted arched dial has Arabic numerals, sweep seconds and calendar hands, exceptionally well painted dial w/ fan-decorated spandrels & rare rope-like border on chapter ring. Signed "Martin Shreiner" over "No. 182". Clock expert Gary Sullivan says dial was made by Samuel Curtis & Knowles of Boston who later operated out of Philadelphia (see Notes).
Bonnet has four free-standing corner columns, broken arch pediment with inlaid fylfot rosettes at terminals and three urn finials (likely replacements) on tall plinths and a central keystone medallion at the tympanum.
Above rectangular thumbnail molded waist door with hollow top corners is an inlaid eagle within an inlaid walnut oval within multi-line inlay. Eagle has wax-infilled shield and banner in his beak that reads, "Bluribus Unum," (without the initial "E" and Pluribus misspelled). Large inlaid oval on door and brass steeple butt hinges on door. Quarter columns have reeded chamfers which extend only 3/4 of the way up, terminating in lambs tongues.
Facade of base is veneered with mitered corners surrounding a large inlaid square with fan corners. At bottom is horizontal double line of string inlay. There is a drop apron and four French feet. The weights, winding key and door lock & key are not original.
Notes: J.J. Snyder has studied eagle inlaid clock cases and notes in 12/5/96 letter to HC Director, "It is virtually certain that the workshop of Emanuel Deyer of Manheim was the source of many of these..." In 12/15/96 letter he notes that two eagle types were used - symmetrical & asymmetrical, as on this clock.
Stacy Wood's 1995 article on Martin Shreiner notes on p. 580 that a Shreiner clockworks numbered #180 is dated 1815. Thus, we can safely say that this clock - #182 - would be dated about the same year.
Lancaster Borough (clockworks) and probably Manheim (case)
Provenance
Donor is great, great, great-grandson of Shreiner. Clock descended through the Cochran family to him.
Case cracked in many places, e.g.across eagle & cove molding above base. Heavily refinished. Urn finials likely replaced. Infill at cracks and separated joints. Strip added to left side of door opening where door locks, and repair at upper left corner. Wood loss at left hollow corner of door; door lock replaced; one-inch-long gouge in veneer of base at left side of front. Chipped at corners and feet; dents on base front. Dial overpainted at many places.
Object ID
G.96.31.1
Notes
See commentary on clock by John J. Snyder, Jr. in his letter of 5 Dec 1996. He notes the clock has "mediocre surface and finish, many repairs and patches, and questionable urn finials."
In 2015, clock expert Gary Sullivan stated that Shreiner used dials made by Samuel Curtis of Boston (commonly have a paper label on reverse, reading "Curtis Manufactory for Patton & Jones, Phila.) Popularity of tall case clocks lasted longer in PA, so Curtis moved to Phila. Abraham Patton & Samuel C. Jones formed a partnership in 1797 called "Patton, Jones & Co." Changed to "Patton & Jones" in 1798. Parnership failed in 1814 when they could no longer get materials from England due to the War of 1812. Tell tale sign is the banner sign spanning the globes under the moon wheel.
Works made by Martin Shreiner, Sr. (1769-1829). Case attributed to Emanuel Deyer.
Credit
Gift of Paul A. Mueller, Jr., Heritage Center Collection
British quart-size pewter tankard, part of the Warwick Congregation's (now known as the Brickerville United Lutheran Church) communion service.
Straight-sided body with raised band below center; molded base. Hinged domed lid with erect thumbpiece and C-scroll handle. Applied to front of tankard is a cast decorated portrait medallion with the profiles of a man and a woman facing each other with a crown above their heads. Encircling the pair are the words: "LONG LIVE PRINCE AND PRINCESS OF ORANGE". The medallion commemorates the Prince of Orange (William III) and his wife Mary Stuart, daughter of Charles I of England. The couple ruled England as joint sovereigns 1689-1702.
Provenance
The entire communion service remained in use over the years until the congregation decided in 1997 to find a safe place for this valuable communion set. Purchased by the Heritage Center of Lancaster County.
Diameter of bottom is listed. Diameter of top is 4".
Condition
Good
Condition Date
2014-08-28
Condition Notes
Overall abrasions and staining. Cracked where handle is attached at top. Inside pitting. Some cracks on inside of lid's rim. Large dent above medallion.
Object ID
P.97.08.4
Place of Origin
England
Credit
Acquired through the generosity of the James Hale Steinman Foundation and Friends of the Heritage Center Museum, Heritage Center Collection
