Leaded wine glass with round foot, thickens near stem. Stem is wide near foot and tapers to a narrow shaped stem before slightly flaring wide near base of bowl. Eight faceted. Facets extend up to the bowl of the glass and ends in scallops. Body has slightl flare.
Leaded wine glass with round foot, thickens near stem. Stem is wide near foot and tapers to a narrow shaped stem before slightly flaring wide near base of bowl. Eight faceted. Facets extend up to the bowl of the glass and ends in scallops. Body has slightl flare.
Leaded wine glass with round foot, Ring and ball stem base surmounted by fluted vase-shape stem flared wide at base of bowl. Eleven facets 2/3 up the body of bowl. Bowl body is round.
Leaded wine glass with round foot, Ring and ball stem base surmounted by fluted vase-shape stem flared wide at base of bowl. Eleven facets 2/3 up the body of bowl. Bowl body is round.
Oblong shaped walnut veneered container with a back-hinged lid, beveled shape raised central flat area carved with egg-bead molding. Brass 8-point star bail handles are on each end; one handle missing. Brass round keyhole escutcheon is centered on the top front façade of the box with egg & bead molding around the base surmounting four flat-bun shaped feet. Interior features two boxes with back hinged lids as storage compartments for tea leaves. In the center is a circular aperture lined with felt holding a star cut glass mixing bowl to blend tea leaves.
Open scroll work on rectangular music stand; elaborate lyre-shaped pedal support with two pedals. Three massive legs with ten-faceted tapered legs. Sides of keyboard area scrolled with foliate carving. Around bottom is rope-like molding.
Ames, Kenneth L [ed], 'Victorian Furniture: Essays from a Victorian Society Autumn Symposium', Victorian Society in America, 1982.
Height (in)
37.437
Length (in)
98.5
Width (in)
57
Condition
Good
Condition Date
2022-11-17
Condition Notes
adjusted' piano 5/16/1949
Last cleaning & tuning September 2006
Several strings are broken and the sound board no longer holds its tuning.
Object ID
W.1936.001.004
Notes
Jonas Chickering (1798-1853), whose firm made the piano, began his career as a cabinetmaker in Ipswich, New Hampshire. In 1818 at the age of twenty, he went to Boston and apprenticed himself in one of the town's cabinet shops.
American Rococo Revival Walnut Sofa. The serpentine back centered by a rose and shell scrolled carved crest, the back joined to closed arms, with a serpentine apron and raised on cabriole legs terminating in casters, silk velvet upholstery.
Bookcase composed of two sections. Cabinet with glass doors at top and cabinet with wooden doors at bottom. Two glass doors have square mullions holding the panes. Doors give access to moveable shelves inside. Two doors at bottom of each have simple rectangular recessed panels.
Thomas Potter - 2nd owner of Wheatland
Sold to William Morris Meredith 3rd owner of Wheatland
Sold to James Buchanan 4th owner of Wheatland
Inherited by Harriet Lane Johnston 5th owner of Wheatland
Bequeathed to John Newton Lane, Harriet Lane Johnston's nephew
Bequeathed to Mrs. Patty Lane Fay daughter of John N. Lane
Bookcases sold to Meredith in 1845 by Potter then Meredith sold them to James Buchanan in 1848. Letter dated 9/27/1848 to Buchanan from Meredith: 'In addition to the $6750 which you mention, I paid Mr. Potter for the bookcases in the library, I think $75.00.'
Left earlobe has broken off. Base is chipped. Various smudge marks all over.
Object ID
W.1960.006.001
Notes
James Buchanan Henry inherited this bust when his Uncle James Buchanan died; his cousin, Harriet Lane Johnston inherited the matching bust, which she later donated to the Corcoran Gallery of Art.
James Buchanan Henry bequeathed this bust to his son, Frank Anderson Henry, who donated it to the James Buchanan Foundation in 1960.
Page 192 of "Gleason's Pictorial Drawing-Room Companion" from 1854. Includes an article on James Buchanan with images of him as Minister to England and of Wheatland. Also includes musings on "What is the hardest mode to die?"
