Easgles Nest completed conservation on the image and frame.
Height (cm)
36.195
Height (ft)
1.1875
Height (in)
14.25
Length (cm)
6.985
Length (ft)
0.2291666667
Length (in)
2.75
Width (cm)
41.275
Width (ft)
1.3541666667
Width (in)
16.25
Dimension Details
Dimensions are for frame
Condition
Good
Condition Date
2022-07-21
Object ID
W.1995.015.001
Notes
Based on the pointed waistline of her bodice, this photograph was likely taken in Washington DC while she was the First Lady and before the year 1860. This style was at the height of fashion in the mid-1850s and quickly disappeared in the year 1860, when the straight waistline came into fashion.
Print of portrait of President James Buchanan. Buchanan stands in center, facing left with his right hand on a small book that rests on a table. Behind him is an upholstered chair with an eagle and shield on the seatback.
Watercolor portrait of James Buchanan in profile, facing left. He wears a black coat and waistcoat, pale tan shirt with high, very white collar, and soft tie or cravat. His white hair is styled high at the crown and combed back on the sides. Very pale blue eye. Delicate grey and tan washes over background. Portrait is an 8.75in x 6.75in oval created by reverse painted glass. The glass is painted black with gold semi ellipses and diamonds arranged to create a sunburst like effect. The glass is 10in x 8in.
The reverse is inscribed "James Buchanan drawn from life at Wheatland February 10th 1866." Inscription is under a 10.75in x 8.75in piece of glass that has been built into the back of the frame. Some damage has occured from nails scratching the back of the frame upon hanging.
The frame is 3in wide, painted gold in alternating bands of shiny cool toned gold and matte or brushed warm toned gold. Losses around the edges reveal plaster, ochre and black or dark grey paint under the gold. Top edge of the frame is black either from paint or dirt.
Provenance
Descended in an Eastern Shore, Maryland family, purchased in 1948.
overall dimensions provided. See description for component dimensions.
Condition
Good
Condition Date
2016-05-11
Condition Notes
loss of gold paint on outer edge of frame. Dents and chips on frame. Discoloration on gold frame, possibly from tape or stickers. Loss of paint on glass at left side and upper right corner.
Waist-up portrait of James Buchanan, Jr. with brown hair combed back and brushed forward at ear. Wearing dark brown coat, white vest with gold buttons, olive green/aqua tie with gold stick pin with ruby head. The portrait is mounted in a Regency caveto moulded gilt gesso frame with beaded border with projecting corners ornately adorned scrolling foliage patterns with fleur-de-lis patterns. James Buchanan, Jr. was the Private Secretary to the President of the United States.
Provenance
Edward Y. Buchanan
to Maria Buchanan Cassatt
to her granddaughter, Katherine S. de Spoelberch (the donor, Mrs. Eric) grand-niece of James Buchanan, Jr.
A Regency caveto moulded gilt gesso frame with beaded border with projecting corners ornately adorned scrolling foliage patterns with fleur-de-lis patterns.
Object Name
Painting
Material
Paint/Canvas/Wood
Height (in)
36.875
Width (in)
32
Condition
Good
Condition Date
2003-10-20
Object ID
W.1945.002.001
Notes
James Buchanan, Jr. was the first born child to Reverend Edward Young Buchanan and Ann Eliza Foster Buchanan. He served as the Private Secretary to President James Buchanan, his uncle, after his cousin, James Buchanan Henry resigned the position in 1859.
Portrait of James Buchanan Henry in oval frame. Elaborate oval frame with light colored dry brushing. Henry faces the viewer; has long mustache, side parted light brown hair, blue eyes. Family history indicates that this was a self portrait by Henry, whose art career was discouraged by his uncle James Buchanan (the 15th US President).
Portrait of James Buchanan, painted by William McMaster. The artist painted this as a copy of his July 1856 Buchanan portrait after the General Election in November 1856. This portrait was commissioned by the Empire Club, which was a powerful political organization in New York during the mid-19th century. Captain Isaiah Rynders was the founder of the Club; his "sluggers" committed voter intimidation and election fraud on behalf of Tammany Hall throughout the 1840s and 1850s. The Empire Club purportedly paid McMaster $1,000 (equal to $28,571 today) to paint a copy of McMaster's July 1856 Buchanan portrait. This copy was hung in the Capitol Rotunda when Buchanan took office; however, at some point during his term, as his popularity began to sink, it was removed. Mounted in a Rococo Revival gilt wood and gesso frame with ornamental projecting corners featuring ornate scrolling foliage patterns with centre repose engraved with sculptural shells & acanthus leaves and fleur-de-lis patterns.
Portrait of Daniel Tyler Willson (1826-1874). Married in 1848 to Anna Esther Bell Bowman. Willson was the principal owner of D. T. Willson, Bros. & Co., iron founders and manufacturers of agricultural machinery in Harrisburg, PA. Willson was the great grandfather of the donor. Painted and signed by J. Augustus Beck.
The Japanese Kimono (has been listed as "Japanese Print")
Description
Large oil on canvas painting of a seated woman wearing a Japanese kimono, according to the title. The subject is Helen Thurlow, a Lancaster/Greenwich Village-based Pa. Academy of Fine Arts-trained artist & illustrator.
On back: Signed at upper right corner; 2 provenance show labels/stickers from Carnegie Institute, Pittsburgh
Survey done by Tom Ryan and Mike Heberlein states:
Painting: Signed upper right A. Traquair Lang, Auction #124 at lower right. Good condition (Note: Found on 06-28-17, a large 2" long puncture tear to right of subject's face.) Surface dirt, discolored varnish, minor cracking of paint (center right, center area of kimono).
Frame: Fair, minor scuffing throughout, painted gold.
Frame conservation needs: Minor touchup throughout.
Object ID
1951.013
Notes
All info via correspondence w/ writer/researcher Eve Kahn
This painting was exhibited in various shows, including the 1915 Panama-Pacific expo in California. It is pictured in a centennial book on p. 24 installed on gallery #65 wall and flanked by two more of her ptgs. See:
See Objects Photos for above image (in 1915 expo).
Subject Helen A. Thurlow (1889- ?) was the daughter of Thomas and Annie Thurlow of Lancaster, Pennsylvania. She studied at the Pennsylvania Academy of Fine Arts, Philadelphia, from 1904-1912, where Thomas Anshutz was head instructor. He painted her portrait, seated sideways, and the portrait is thought to be during Ms. Thurlow's student years. See:
Portrait of Helen Thurlow, pastel on canvas, c. 1910 by Thos. Anschutz
(Portrait sold by Hammer Galleries, NY, NY.)
Annie T. Lang was painted by her mentor William Merritt Chase in 1911. This O/C ptg. is owned by the PMA & has accession # 1928-63-4. The label reads:
"William Merritt Chase was an early pioneer of Impressionist aesthetics in the United States and enjoyed immense popularity during the late nineteenth and early twentieth centuries. A celebrated teacher, Chase likely first met his protégée Annie Lang (1885-1918) in 1901 when she enrolled in one of his annual summer schools on Long Island. Painted in the summer of 1911 outside Florence, Italy, while Chase was on one of his many extended sojourns in Europe, this portrait of Lang suggests the close, perhaps intimate, relationship between the two artists. The painting incorporates the rich fabrics, ornate décor, and elegant attire that characterize Chase's interior scenes".
Painting of Margaret Katherine Armstrong Kerfoot, from the bequest of Elizabeth Armstrong. Oil on canvas of young girl and dog in pastoral setting. Girl at right side is half reclining with extendedright leg. Slightly facing right. Brown hair center part well defined ringlets. large brown eyes. intense gaze. Long white shift with wide low off the shoulder neckline. Leaning on her left arm. Right hand holding blue shawl, inverted hat filled with peonies. Blue, pointed toe slippers and white stockings. At left is reclining long haired dog; white and brown. Background at right is a tree trun and leafed branches. At left is leafy tree and lake in middle distance. Wooded hills in background. Heavily influenced by Sully. Frame: profile projects forward with bold cove. Black and gold striping in cove and black and gold Greek key design on projecting face. Outer surfaces gold painted.
Extensive craquelure. 8.5in from lower left corner is 1.5in long deep scrape. Several small paint chips along left side. Long scratches from ankle to right hand; also scratch from shoulder to knee. Several lifting paint chips; largest is on crown of hat. New canvas on back indicates relining. Glossy varnish over surface. Frame: fair condition. Cove striping is in very good condition. Greek key design good except for beaded edges which have gesso losses. Outer Frame: left side has gesso losses and loose, lifting strips. (Glue!) Lesser losses other three sides. Painted gold.
