James Buchanan's Inaugural Rail Car Window Screen was painted by Philip Kraus to depict the northern façade of Buchanan's Wheatland home. The farm's carriage house is seen in the West meadow; in the foreground the artist painted the east carriage path, trees and meadow grasses.
Philip Kraus was a German artist living in Baltimore, Maryland. The mid-19th century contemporary name for this type of artwork was known as "stained glass". Kraus was commissioned to paint the screen by Robert Magraw, then president of the Northern Central Railroad for James Buchanan's inauguration rail car.
The elaborate, high relief carved stand was made after Buchanan's inauguration for William Magruder, Mayor of Washington, D.C. He purchased the window screen from Robert Magraw.
On March 2, 1857, Buchanan would begin his journey to Washington, D.C. for his inauguration. For the trip from Lancaster to Washington, D.C., Supt. of the Phila. & Columbia Railroad, Joseph B. Baker, had prepared four rail cars for Buchanan that were decorated with patriotic scenes. One decorative touch included the use of window screens that were painted with images of Wheatland. These window screens were composed of painted or "stained" glass that could be placed in the existing window wells.
Buchanan's train traveled to Baltimore and then to Washington, D.C. The increasing affordability of railroad travel not only made Buchanan's inauguration trip possible, it also permitted many other people throughout the nation to attend the events. The crowds in Washington, D.C. for Buchanan's inauguration were the largest in history up to that time. He was sworn into office on March 4, 1857.
Place of Origin
Baltimore, Maryland
Credit
Acquired through the generosity of Andrew Bieber, Michael Birkner and Robin Wagner-Birkner, Margot Brubaker, Tom and Jan Dunlevy, Thomas G. Englert, Jerre and Phyllis Frankhouser, Dr. Wendell L. Funk, Eugene and Bernadette Gardner, Anne and Gene Gardner, Susan and James Volker.
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20.
The cup has a painted winter scene of a man and dog with a bridge and house in background. The sides and back are pink with a gilt rim, cup interior, handle and foot trim. Bottom has designer's signature.
Made by the Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. Demitasse saucer has central gold medallion and gilt cavetto below a wide pink band within a gilt edge. On bottom is the decorator's signature.
Made by Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. This service bowl has a floral center painted in a naturalistic palette in shades of yellow, green, blue and tan within a gilt cavetto below a wide pink band within a gilt edge.
Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. This service bowl has a landscape scene with a castle, a waterfall and two people fishing in shades of green, blue and tan within a gilt cavetto below a wide pink band within a gilt edge.
Made by Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. This dessert dish has a floral hand-painted scene in a natural palette in shades of red, orange, yellow, blue and green within a gilt cavetto below a wide pink band within a gilt edge.
Made by Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. A small oval-shaped platter with a central gold medallion and gilt cavetto below a wide pink band within a gilt edge.
Made by Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. This soup bowl has a central gold medallion and gilt cavetto below a wide pink band with a gilt edge.
Made by Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. This soup bowl has a central gold medallion and gilt cavetto below a wide pink band with a gilt edge.
Made by Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. This soup bowl has a central gold medallion and gilt cavetto below a wide pink band with a gilt edge.
Made by Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. Hand-painted scenes on both sides of this lozenge-shaped tureen and across the cover having a pinnacle gilt knob, in pink and gilt over a white background, the handles on he tureen are shaped as Egyptian cats in gilt terminating in gilt palmetto leaves. The rim is in gilt with a wide pink band following a narrow band of gilt and white background above a gilt foot.
Made by Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. Large oval-shaped platter with a central gold medallion and gilt cavetto below a wide pink band within a gilt edge.
Made by Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
Oblong shaped walnut veneered container with a back-hinged lid, beveled shape raised central flat area carved with egg-bead molding. Brass 8-point star bail handles are on each end; one handle missing. Brass round keyhole escutcheon is centered on the top front façade of the box with egg & bead molding around the base surmounting four flat-bun shaped feet. Interior features two boxes with back hinged lids as storage compartments for tea leaves. In the center is a circular aperture lined with felt holding a star cut glass mixing bowl to blend tea leaves.
Open scroll work on rectangular music stand; elaborate lyre-shaped pedal support with two pedals. Three massive legs with ten-faceted tapered legs. Sides of keyboard area scrolled with foliate carving. Around bottom is rope-like molding.
Ames, Kenneth L [ed], 'Victorian Furniture: Essays from a Victorian Society Autumn Symposium', Victorian Society in America, 1982.
Height (in)
37.437
Length (in)
98.5
Width (in)
57
Condition
Good
Condition Date
2022-11-17
Condition Notes
adjusted' piano 5/16/1949
Last cleaning & tuning September 2006
Several strings are broken and the sound board no longer holds its tuning.
Object ID
W.1936.001.004
Notes
Jonas Chickering (1798-1853), whose firm made the piano, began his career as a cabinetmaker in Ipswich, New Hampshire. In 1818 at the age of twenty, he went to Boston and apprenticed himself in one of the town's cabinet shops.
American Rococo Revival Walnut Sofa. The serpentine back centered by a rose and shell scrolled carved crest, the back joined to closed arms, with a serpentine apron and raised on cabriole legs terminating in casters, silk velvet upholstery.
Bookcase composed of two sections. Cabinet with glass doors at top and cabinet with wooden doors at bottom. Two glass doors have square mullions holding the panes. Doors give access to moveable shelves inside. Two doors at bottom of each have simple rectangular recessed panels.
Thomas Potter - 2nd owner of Wheatland
Sold to William Morris Meredith 3rd owner of Wheatland
Sold to James Buchanan 4th owner of Wheatland
Inherited by Harriet Lane Johnston 5th owner of Wheatland
Bequeathed to John Newton Lane, Harriet Lane Johnston's nephew
Bequeathed to Mrs. Patty Lane Fay daughter of John N. Lane
Bookcases sold to Meredith in 1845 by Potter then Meredith sold them to James Buchanan in 1848. Letter dated 9/27/1848 to Buchanan from Meredith: 'In addition to the $6750 which you mention, I paid Mr. Potter for the bookcases in the library, I think $75.00.'
Left earlobe has broken off. Base is chipped. Various smudge marks all over.
Object ID
W.1960.006.001
Notes
James Buchanan Henry inherited this bust when his Uncle James Buchanan died; his cousin, Harriet Lane Johnston inherited the matching bust, which she later donated to the Corcoran Gallery of Art.
James Buchanan Henry bequeathed this bust to his son, Frank Anderson Henry, who donated it to the James Buchanan Foundation in 1960.