Page 21: "Ye Village Inn, Ephrata, May 1, 1902"; "D. A. R. (small party) Ephrata Monument unveiling, May 1, 1902" - Anna Fondersmith is the small girl at front; "A group of Cloister houses, May 1, 1902"; "Ephrata Monument unveiled, Zion Cemetery, May 1, 1902" - tombstones of Henry and Catharine Miller in foreground.
Provenance
First of two Diffenderfer family albums. Compiled by Frank Reid Diffenderfer, a former member of LCHS and an editor of a Lancaster city newspaper. Album documents his family as well as that of his neighbors on North Duke Street, Lancaster, between 1901 and 1903. Neighbors include Charles Fondersmith, Robert Slaymaker, and his daughter, Ida, who married Frank Fondersmith.
Miss Evans was one of the original members of the National Society of the Daughters of the American Revolution which was organized in Washington Oct. 11, 1890. (Lancaster New Era, Sat., May 8, 1943.
Miss Evans was a member of the D.A.R. having instituted the Donegal Chapter of Lancaster and the Witness Tree Chapter of Columbia and Marietta. She was No. 1 in the Pennsylvania Association and No. 41 in the Nation Association having joined the latter as a young girl. (Intelligencer Journal, Wed., May 5, 1943)
Miss Evans was one of the original members of the National Society of the Daughters of the American Revolution which was organized in Washington Oct. 11, 1890. (Lancaster New Era, Sat., May 8, 1943.
Miss Evans was a member of the D.A.R. having instituted the Donegal Chapter of Lancaster and the Witness Tree Chapter of Columbia and Marietta. She was No. 1 in the Pennsylvania Association and No. 41 in the Nation Association having joined the latter as a young girl. (Intelligencer Journal, Wed., May 5, 1943)
Blue coloring has moved onto the center white stripe.
Object ID
1943.017.17
Notes
Miss Evans was one of the original members of the National Society of the Daughters of the American Revolution which was organized in Washington Oct. 11, 1890. (Lancaster New Era, Sat., May 8, 1943.
Miss Evans was a member of the D.A.R. having instituted the Donegal Chapter of Lancaster and the Witness Tree Chapter of Columbia and Marietta. She was No. 1 in the Pennsylvania Association and No. 41 in the Nation Association having joined the latter as a young girl. (Intelligencer Journal, Wed., May 5, 1943)
Soiling overall especially along top and upper right edges. Some spots, bottom right.
Object ID
1943.017.18
Notes
Miss Evans was one of the original members of the National Society of the Daughters of the American Revolution which was organized in Washington Oct. 11, 1890. (Lancaster New Era, Sat., May 8, 1943.
Miss Evans was a member of the D.A.R. having instituted the Donegal Chapter of Lancaster and the Witness Tree Chapter of Columbia and Marietta. She was No. 1 in the Pennsylvania Association and No. 41 in the Nation Association having joined the latter as a young girl. (Intelligencer Journal, Wed., May 5, 1943)
Miss Evans was one of the original members of the National Society of the Daughters of the American Revolution which was organized in Washington Oct. 11, 1890. (Lancaster New Era, Sat., May 8, 1943.
Miss Evans was a member of the D.A.R. having instituted the Donegal Chapter of Lancaster and the Witness Tree Chapter of Columbia and Marietta. She was No. 1 in the Pennsylvania Association and No. 41 in the Nation Association having joined the latter as a young girl. (Intelligencer Journal, Wed., May 5, 1943)
Miss Evans was one of the original members of the National Society of the Daughters of the American Revolution which was organized in Washington Oct. 11, 1890. (Lancaster New Era, Sat., May 8, 1943.
Miss Evans was a member of the D.A.R. having instituted the Donegal Chapter of Lancaster and the Witness Tree Chapter of Columbia and Marietta. She was No. 1 in the Pennsylvania Association and No. 41 in the Nation Association having joined the latter as a young girl. (Intelligencer Journal, Wed., May 5, 1943)
Chippendale high chest, mahogany, ornately carved, Phila-inspired Rococo style. Top section has scrolled broken arch pediment with central cartouche (attrib. to Phila carver, Martin Jugiez) and fully relief-carved vine tympanum, leading down to large central drawer w/ large carved shell & surrounding vines. Two small drawers flank center drawer, under which are 4 full-length, graduated drawers with original Chinoiserie brasses. Fluted corner columns on upper case; vine & leaf-carved corner columns on lower case.
Lower chest has top full-length drawer over 3 small drawers that mirror the 3 drawers at top. Again, the center drawer is fully carved. Below drawers is a fully vine-carved skirt w/ shaped bottom. Has 4 carved fully articulated cabriole legs w/ acanthus knees and ball and claw feet and original brass casters.
Original owner Matthias Slough was a colonel in the Rev. War, a superintendent of the Philadelphia to Lancaster Turnpike, a county coroner and treasurer, and tavernkeeper of the White Swan. Buried in St. James Episcopal Cemetery.
Made by unknown Lancaster Borough workshop.
Provenance
Original owner believed to be Mathias Slough, based on a 1934 letter from Ethel Torrington Davis to Mr.(James?) McCormick. Ms. Davis states her mother received story from her mother Mrs. Beatty. Mathias Slough married Mary Gibson and had three daughters. The oral tradition is that each daughter was given a high chest. These chests then descended in the family, one of which descended through the mother of Ethel T. Davis to James McCormick (in payment of an outstanding debt). This info researched by John J. Snyder.
From a July 1975 letter, donor George J. Finney recalls the highboy in the home of James McCormick of Hbg, his grandfather. After his death in 1917, it stayed with the house & his son Donald McCormick until his death in 1945. It was then put up for sale at auction of household good but failed to sell due to price not meeting expectations of executors. Donor learned of this, and in 1946 he offered to buy it for $2,500 and the estate accepted. Donor has owned highboy since 1946. Upon the death of the donor, it was bequeathed from his estate.
Multiple repairs (e.g. pieced out around drawers); refinished; some losses, most noticeable in some cartouche elements and leaves of rosettes. Finials missing the ball at mid section. Cosmetic conservation done by Cory Berrett April 1992.
Repairs made 12-2-09 by Winterthur conservator in consultation with curator Wendy Cooper (see conservation report in file). Major changes: broken off rosette leaf tips replaced; missing finial balls and top plates of plinths replaced.
Object ID
G.92.06
Notes
John Snyder states that mahogany is unusual for Lancaster Co. high-style pieces. Secondary woods are poplar and pine.
He notes six or fewer high chests of this Lancaster County Chippendale design are known to exist, and that of these six, "this piece is unquestionably the finest example." (Based on artistic evaluation, condition and provenance. Of these other chests, 2 are in private collections, one is in the State Department collection at Yale University, and the others' whereabouts are currently unknown.
Snyder says this high chest is closely related structurally to the famous Chippendale desk and bookcase acquired by the Winterthur Museum from the Withers family, living near Strasburg, Lancaster Co.
OBITUARY
May 14, 2009 FRANCES DAVIS HASSINGER EVERHART, of Lower Allen Township, Mechanicsburg, PA, passed away Thursday, May 14, 2009, in Bethany Village, Mechanicsburg. Frances was born March 1, 1916, in Harrisburg, PA, the daughter of CARL W. AND ETHEL TORRINGTON DAVIS. She was a 1938 graduate of Vassar Co...
Matthias Slough (1733-1812) was the tavernkeeper of the White Swan. The high chest was made at an unknown Lancaster Boro workshop, except for the carved cartouche of Philadelphia.
Place of Origin
Lancaster
Credit
Heritage Center Collection, bequest of George J. Finney Estate
The Japanese Kimono (has been listed as "Japanese Print")
Description
Large oil on canvas painting of a seated woman wearing a Japanese kimono, according to the title. The subject is Helen Thurlow, a Lancaster/Greenwich Village-based Pa. Academy of Fine Arts-trained artist & illustrator.
On back: Signed at upper right corner; 2 provenance show labels/stickers from Carnegie Institute, Pittsburgh
Survey done by Tom Ryan and Mike Heberlein states:
Painting: Signed upper right A. Traquair Lang, Auction #124 at lower right. Good condition (Note: Found on 06-28-17, a large 2" long puncture tear to right of subject's face.) Surface dirt, discolored varnish, minor cracking of paint (center right, center area of kimono).
Frame: Fair, minor scuffing throughout, painted gold.
Frame conservation needs: Minor touchup throughout.
Object ID
1951.013
Notes
All info via correspondence w/ writer/researcher Eve Kahn
This painting was exhibited in various shows, including the 1915 Panama-Pacific expo in California. It is pictured in a centennial book on p. 24 installed on gallery #65 wall and flanked by two more of her ptgs. See:
See Objects Photos for above image (in 1915 expo).
Subject Helen A. Thurlow (1889- ?) was the daughter of Thomas and Annie Thurlow of Lancaster, Pennsylvania. She studied at the Pennsylvania Academy of Fine Arts, Philadelphia, from 1904-1912, where Thomas Anshutz was head instructor. He painted her portrait, seated sideways, and the portrait is thought to be during Ms. Thurlow's student years. See:
Portrait of Helen Thurlow, pastel on canvas, c. 1910 by Thos. Anschutz
(Portrait sold by Hammer Galleries, NY, NY.)
Annie T. Lang was painted by her mentor William Merritt Chase in 1911. This O/C ptg. is owned by the PMA & has accession # 1928-63-4. The label reads:
"William Merritt Chase was an early pioneer of Impressionist aesthetics in the United States and enjoyed immense popularity during the late nineteenth and early twentieth centuries. A celebrated teacher, Chase likely first met his protégée Annie Lang (1885-1918) in 1901 when she enrolled in one of his annual summer schools on Long Island. Painted in the summer of 1911 outside Florence, Italy, while Chase was on one of his many extended sojourns in Europe, this portrait of Lang suggests the close, perhaps intimate, relationship between the two artists. The painting incorporates the rich fabrics, ornate décor, and elegant attire that characterize Chase's interior scenes".
