This picture was taken in 1913. I paid 7 dollars 34 cents for it. I was 15 years & 3 months old when I enlisted in the year 1864 at which time it was first taken at Carlisle, Penna. John L. Hackman.
Oscar Hackman gave it to me Sarah E. Warner, Nov. 6, 1957. Oscar is 89 years old now [and in] April 1958 he will be 90 years. One son and one daughter of John and Sarah Hackman had. Oscar is John's son, Lizzie Stiner, sister of Oscar, [is] 85 years old 1957.
I was named after John's wife Sarah Elizabeth Neissinger Hackman. My grandma was Sarah's sister, Fiona Neissinger Hollinger. Oscar is the last of [the] family of Hackmans. I am on the Hollinger-Neissinger side of family. Great Aunt Sarah (?), Oscar's mother __ __ is also the discharge of 1865 of John L. Hackman here ___ time 1957.
Oil on wood panel. Profile painting, half length, of a young woman facing left front, hands not showing; medium light reddish hair, center part with comb at top of head. Curls in front of ears, grey eyes; high-waisted white gown with double lace ruffle collar around neck, pink rose at collar opening, gold double chain necklace, red shawl around shoulders covering arms; gold colored chair back right, greenish-grey background. (Beal)
Inscriptions: Ink script at top of frame back is "Elizabeth Cecilia Leman / Born 1814 died 1834." This is repeated in script at board back. At top left in script is "Adelia Leman / 1880."
Recent paper label by previous owner William Shand, at frame bottom is: "Young Woman of Leman Family / Possibly Elizabeth Cecilia Leman / (1814-1834), by Jacob Eichholtz / #459 in 'Jacob Eichholtz' by / Rebecca J. Beal / See Ellis & Evans 'History of / Lancaster County', p. 523 / W.S." Smaller paper sticker alongside reads "Young Woman / of the / Leman Family / by Eichholtz".
The number G.80.130.2 is painted at top right of wood panel. This was a Heritage Center number, due to an ownership dispute. See File.
Provenance
Beal writes on page 136, "Collections: Miss Adelia Leman, Lancaster; Mr. and Mrs. William Shand, Lancaster."
Painting is mounted in reproduction gold frame, held in place with four mending plates at sides. Remnant of old paper dust cover on back along frame. Conserved in 2002.
