compiled by Frederick S. Weiser & Howell J. Heaney ; [photography by William B. Daub & Robert G. Hostetter ; translations by Larry M. Neff & Frederick S. Weiser].
Published in conjunction with an exhibition held at Franklin and Marshall College, Oct. 2-22, 1987.
Includes bibliographical references.
Contents
Fraktur / by Carol E. Faill -- Calligraphy and linguistics : a different look at the F&M Fraktur / by Curtis C. Bentzel -- Religious dimensions / by Robert G. Mickey -- Checklist.
ix, 363 pages : illustrations (chiefly color) ; 32 cm
Notes
"Published on the occasion of the exhibition Drawn with spirit: Pennsylvania German Fraktur from the Joan and Victor Johnson Collection, February 1-April 26, 2015"--Title page verso.
Author signature on title page.
Includes bibliographical references (pages 351-353) and index.
Contents
Foreword / Timothy Rub -- The sixty-year quest: an interview with Joan and Victor Johnson / Ann Percy -- An introduction to pennsylvania German fraktur -- Plates / photography by Graydon Wood.
Summary
Among the most beloved forms of American folk art, fraktur is a Germanic tradition of decorated manuscripts and printed documents noted for its use of bold colors and whimsical motifs. This publication makes a landmark contribution to the study of Pennsylvania German fraktur, and offers the most comprehensive study of the topic in over 50 years. The featured objects, most of which have never been published, accompany significant new information about the artists who made these works and the people who owned them. An introductory essay sets the renowned Johnson Collection within the context of collecting and scholarship on Pennsylvania German folk art and then highlights major new discoveries, including connections between fraktur and related examples of furniture and prints. An interview with the collectors offers valuable insights into the formation of this special group of objects, which includes birth and baptismal certificates, bookplates, religious texts, writing samples, house blessings, cutworks, and printed broadsides. The splendid color illustrations reveal schools of artistic and regional influence, giving a nuanced understanding of how artists took inspiration from one another and how designs were transferred to new locations. Detailed catalogue entries include extensive information about each piece as well as complete translations. Exhibition: Philadelphia Museum of Art, Philadelphia, USA (01.02.-26.04.2015).
Fraktur are colorful documents made by Pennsylvania Germans who lived in rural parts of southeastern Pennsylvania and the surrounding region during the 1700s and 1800s. Most fraktur are personal records, such as birth and baptismal certificates.
Includes bibliographical references (p. 57-65) and index.
Contents
Contents 1. Historical and cultural context. The Pennsylvania German fraktur tradition Pennsylvania German settlement in the York county area Chronology York county-area fraktur Patterns Ltheran and German reformed religion Antecedents and symbolism Recognition of York county-area fraktur 2. Taufscheine as artifacts. Characteristics Content Makers Uses by the Pennsylvania Germans Contemporary uses Preservation. 3. Taufscheine as art. Artists Painters
Publications of the Pennsylvania German Society ; ser. 2, v. 46
Notes
Illustrated lining papers.
Includes bibliographical references (p. 285) and indexes.
Contents
Berks County: the center of it all -- Daniel Schumacher: a Fraktur artist of some note -- Henrich Otto, 1784 -- Friederich Krebs, August 4, 1790 -- Johann Valentin Schuller -- The greatest development of Fraktur writing, 1800-1835 -- Johann Ritter: a century of influence -- Conclusion: The last flickering -- Appendix 1. Fraktur artist who routinely made Taussscheine for Berks County families -- Appendix 2. Scriveners who routinely infilled Taussscheine for Berks County families -- Appendix 3. Berks Couny printers of Taussscheine in order by active dates -- Appendix 4. Translations.
