Presentation sword and scabbard of Civil War officer and Lancaster native, Lieutenant Jacob Pontz (1838-1929). Sword has curving steel blade with ornate, pierced brass hilt. Sword blade is etched with scrolls and foliate decoration and silvered. Scabbard is brass with engraved inscription on one side: "Presented to First Leiut. (sic) JACOB PONTZ / Co. K. 77th Reg. PVVI / at Johnsonville Tenn. June 19, 1865". Scabbard fitted with two brass mounts with strap rings, a molded "cuff" at open end and sheath-like tip (a drag) at other end. Stamped at base of blade is "W CLAUBERG" and "SOLINGEN" with a standing knight.
Provenance
Passed from Jacob Pontz (1838-1929) through his daughter Nelle Audrey Pontz (1880 - 1975), who married Maylin Joseph Pickering (1880-1954), to their son Jack (John M. Pickering 1916-2014). Bequest of the John M. Pickering estate, as stipulated in his will.
Sword blade has areas of corrosion, some heavy. Blade has lost much of its silvering on etched decoration. Copper alloy finish on body of scabbard is heavily worn/lost. Some small dents. Cuff at scabbard's open end is loose with missing small nail or brad. Nail also missing on sheath at other end.
Both sword and scabbard were coated with oil (3-in-1), then wiped down with soft cloth.
Object ID
2015.031.1
Notes
See copies of Pontz records in file. Children of Jacob Pontz and Emma Palmer Pontz are:
1. Minnie Grace Pontz
2. Mary E. Pontz Byerly (1875-1950)
3. Nelle Audrey Pontz Pickering (1880-1975)
4. Ethel Maude Pontz McCown (1884-1947)
Swordmaker Wilhelm Clauberg began operations in 1854 in Solingen, Germany.
WRZ consulted with Steve Hench, long-time antiques dealer specializing in armaments, regarding condition. Since a treatment of the scabbard finish to restore original condition is not desired, he suggested minimal treatment by coating with a fine oil (3-in-1) on both sword and scabbard. Trying to remove blade corrosion would harm etched and silvered decoration. Performed 02/23/2016.
Place of Origin
Solingen, Germany
Credit
Gift of the Estate of John M. Pickering (1916-2014)
Pieced quilt of silks, cotton batting, glazed cotton back, cut in 2 halves, made by Quaker Deborah Simmons Coates, wife of Lindley Coates (1794-1856). Has 19 horizontal bands of dress silks (many produced by Harmonist Community) in alternating triangles arranged in Birds in the Air or Flying Geese pattern using the template method. Large triangles of varying patterns alternate with large triangles with 3 smaller appliqued triangles of contrasting patterns. Colors are browns, tans, beiges, electric and royal blue, peach and green. Each quilt half has a green silk binding on the three outside edges, and tan silk on the inner vertical cut edge. Quilting patterns are clamshell, diamond, cross in a square and diagonals.
At quilt center is a cream-colored triangle with an abolitionist stamp depicting a kneeling enslaved Black male in chains over the words: "Deliver me from the oppression/ of man." This stamped triangle was cut in two when quilt was divided; image now hidden by modern binding. According to Cuesta Benberry research, this image of a kneeling enslaved person originated with the English ceramic firm of Wedgwood in the late 1700s. See items 08.242 and 42.76.11 in the collectiosn of Metropolitan Museum of Art for seals with a similar motif. The Wedgwood family were ardent abolitionists, decorating various ceramics with this image, resulting in its rapid adoption by American anti-slavery groups. Used in many forms and media over the years, it remains the logo of the still-existing Pennsylvania Abolition Society and appears on organization's official publications.
Lindley and Deborah Coates, of West Grove, Chester Co., married there on 12/16/1819 but lived near Christiana in Sadsbury Twp., Lancaster Co. They attended Sadsbury Friends Meeting House near Christiana. Ardent abolitionists, their home was what is now designated station #5 on the Underground Railway. Lindley became President of the American Anti-Slavery Society in 1840, before William Lloyd Garrison. Deborah Coates became a Hicksite Quaker minister according to historian Beverly Wilson Palmer. Hicksites were the more radical Quakers, named after leader Elias Hicks.
Provenance
Quilt passed to son Simmons (1821-1862) & wife Emeline Jackson. (Deborah Coates lived w/ widow Emeline on her Chester Co. farm (Evergreen Hall in West Grove) for many years following Simmon's 1862 death. See census records). Descent to their daughter Elizabeth Jackson Coates who married Marriott Brosius, U.S. congressman from Lancaster. The quilt was then divided between their two daughters, donor's maternal grandmother Graceanna Brosius Biddle and her sister Gertrude Coho Reinhartson. The two halves were then reunited when given to donor, Marjorie Ayars Laidman. Deborah S. Coates was donor's great great great grandmother.
Overall good condition. Two halves of quilt (with recent inside binding on cut edges) are "mounted" on cotton muslin, side-by-side. Silks show significant deterioration -- cracking, splitting and abrasion -- with some losses. Binding also has deterioration with some losses. (See 1985-86 condition report by conservator Linnea Davis.)
Documented in Quilt Harvest #448-B (records in Archives).
Object ID
G.86.05
Place of Origin
Sadsbury Twp.
Credit
Gift of Marjorie A. Laidman, Heritage Center Collection
Circular bronzed copper peace medal. Raised profile of James Buchanan in center. Below his right shoulder: "1857" Around edge: "James Buchanan, President of the United States" The designer's name, S.(alathial) Ellis, is below.
On reverse: "Labor, Virtue, Honor" top center, above flag with field of stars in upper left. A colonial man on left facing a Native American on the right. Ax, handle up, between them. "J.(oseph) Willson" the designer's name is below.
Note: Same medal as W.96.4; donor notes medal cleaned and polished prior to donation.
Cane made of maple owned by James Buchanan. Long, tapered with tip and 2-part handle of ivory. Handle grip is in the shape of a lily or trumpet flower. Lower section is elaborately carved w/ high-relief eagle on a background of leaves, stars and banner w/ "E PLURIBUS UNUM". Inscribed in black on side of handle in script is "James Buchanan / from E.C.L." Believed to be gift of Elizabeth Chapman Lawrence, friend of Buchanan and Harriet Lane.
Provenance
Descent from Buchanan to James B. Lane, grand nephew, then to donor's husband, grandson of J. B. Lane.
Cracks in handle and separation. Stains on wood. Ivory tip scarred.
Object ID
W.89.58
Notes
The cane was owned by James Buchanan and at his death given to James B. Lane, his grand nephew. It was passed down to the donors husband as grandson of James B. Lane.
Political ribbon. Off-white silk framed ribbon, black printing with detailed bust of James Buchanan with his signature below. Maker's mark on ribbon '[Daguerreotype by Brody' 'Engraved by J.C. But[tre]'
Political ribbon. Robin's-egg-blue color silk, possibly faded. Printed bust of James Buchanan with 'For President James Buchanan For Vice-President John C. Breckenridge. We Po'ked 'em in '44, We Pierced 'em in '52, And we'll 'Buck 'em' in '56.' Maker's m
Silk political ribbon. Champagne pink silk, possibly faded. Printed bust of James Buchanan with 'For President James Buchanan For Vice President John C. Breckenridge. We Po'ked 'em in '44, We Pierced 'em in 52, And We'll 'Buck 'em' in '56.' Maker's mark
Hand painted feather fan with pierced bone stays and white feathers. Painted on one side is multicolor spray of flowers with perching bird.
The 20 feathers connect on back with string near midpoint. First and last bone stays are nearly as long as the feathers while remainder of stays are only 3.25" long. Fan spreads open at pivot point at bottom where a stirrup shaped wire is riveted to bottom ends of stays with mother-of-pear washers. Hanging off wire is a double length of braided silk cord, decoratively knotted near midpoint. Cord ends wrap around small beads and unbraided individual threads extend from beads to create tassels. Accompanied by small hand-lettered label: "Fan - mid 19th century."
Front bone stay is cracked and broken at three places along its length. Cellophane tape hold first break from bottom. Soil and stain overall, especially on cord.
Object ID
1980.003.8
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Black beaded purse of rectangular shape. A black silk band trims the mouth at top, enclosing the black twill-weave cotton tape drawstrings. Main body of bag has black beads mounted on a crocheted tan cotton mesh grid through which the off-white muslin interior lining is visible. Fringe at bottom has beaded openwork ending with intertwining loops.
