"May God have mercy on the deeply affected congregation" : the divisive 1825 language dispute at Lancaster's Evangelical Lutheran Church of the Holy Trinity
xv, 400 p., [8] p. of plates : ill. (some col.) ; 27 cm.
Series
Early American studies
Notes
Includes bibliographical references (p. [335]-377) and index.
Contents
Painters and patrons -- The village enlightenment -- Cosmopolitan communities -- Itinerants and inventors -- A tale of two chairmaking towns -- Provincial portraits -- Daguerreotypes : the industrial image.
Summary
In the middle of the nineteenth century, middle-class Americans embraced a new culture of domestic consumption, one that centered on chairs and clocks as well as family portraits and books. How did that new world of goods, represented by Victorian parlors filled with overstuffed furniture and daguerreotype portraits, come into being? This work highlights the significant role of provincial artisans in four crafts in the northeastern United States, chairmaking, clockmaking, portrait painting, and book publishing, to explain the shift from preindustrial society to an entirely new configuration of work, commodities, and culture. As a whole, the book proposes an innovative analysis of early nineteenth century industrialization and the development of a middle class consumer culture. It relies on many of the objects beloved by decorative arts scholars and collectors to evoke the vitality of village craft production and culture in the decades after the War of Independence. It grounds its broad narrative of cultural change in case studies of artisans, consumers, and specific artifacts. Each chapter opens with an "object lesson" and weaves an object-based analysis together with the richness of individual lives. The path that such craftspeople and consumers took was not inevitable; on the contrary, as the author, a historian demonstrates, it was strewn with alternative outcomes, such as decentralized production with specialized makers. The book offers a collective biography of the post-Revolutionary generation, gathering together the case studies of producers and consumers who embraced these changes, those who opposed them, or, most significantly, those who fashioned the myriad small changes that coalesced into a new Victorian cultural order that none of them had envisioned or entirely appreciated.
"By following the story of my great-grandmother Isabella Ford's life, and adding to it with information from available sources, I have been able to get a better understanding of the circumstances of Lancaster's free blacks. Her story provides a sense of life in mid-nineteenth century Lancaster County and shows how free black families held their own, despite an environment that was often unfriendly and that restricted their opportunities by both law and custom."
The following mills are discussed: Martic Forge Mill; Horse Hollow Mill/Pequea Roller Mill/Sickman's Mill; Burnt Mill; Millvale Mill/Baumgardener's Mill; and Goods Mill. "Although the Goods were primarily farmers, they were also involved in milling, lime burning, distilling, and taverns, and were involved in local and county government. John J. Good, known as Squire Good, was a Justice of the Peace. His courtroom was in a tavern he owned."
The Pennsylvania Magazine of History and Biography, v. 136, no. 1, January 2012.Lancaster History Library - Periodical Article905.748 HSP v. 136, no. 1
