Painted portrait of William Albright (or Albrecht) (1793-1852) by Jacob Eichholtz, c. 1830
William Albright, or Albrecht, was born May 23, 1793 in Lancaster, Pennsylvania to German printer, John Albright (1745-1806). He worked intermittently in Philadelphia as an ornamental painter, lithographic artist, limner, "dancing-master," and teacher of drawing from 1815 to 1845. Albright delineated the color plates for the "Floral Magazine and Botanical Repository" (Philadelphia, 1832-1834).
In 1820, Albright returned to Lancaster at his father's bequest, where until 1836, he published the "Staatsbothe" and continued the publication of the "New and Improved North American Almanac" started by Francis Bailey in 1775. On Christmas Day in 1821 he married Mary Weaver with whom he had one daughter, Anna M. Albright (1822-1855).
Albright returned to Philadelphia ca. 1837, and following a year as a dance master, taught drawing at 21 South Fifth Street until his death in 1852.
William Albright, or Albrecht, was born May 23, 1793 in Lancaster, PA. During his lifetime he worked as a printer, ornamental painter, lithographic artist, limner, dancing-master and teacher of drawing.
Between 1820 and 1836, Albright published a German-language newpaper in Lancaster, the 'Staatsbothe,' as well as the 'New and Improved North Americna Almanac.' Albright moved to Phila. in 1837 where he spent his remaining years teaching art.
On Christmas Day in 1821 William Albirhgt married Mary Weaver. The had one daughter, Anna M. Albright (1822-1855). The birth and death dates of Mary Weaver Albright are unknown.
Miniature portrait of Hiram B. Swarr by J. Henry Brown. Oval image of Swarr is surrounded by a red velvet oval contained in a rectangular gold-colored plaster frame. Portrait is held into place by two pins. Portrait is of a man in a white shirt and black coat, with bow tie; curly brown hair, beard with no moustache; eyeglasses. Part of a set with 2021.029.002 (Frances O. Swarr). typed label on back identifies subject and artist. Framed by Wunderly Brothers, Pittsburgh.
John Henry Brown's career began in Philadelphia in 1845, where he painted most of his sitters. Brown often preferred to take daguerreotypes of his sitters and use those as guides for his miniatures, rather than having the person sit for him. He claimed it was easier to work from a small image than from a life-size model. (Smithsonian)
Provenance
Part of a collection of 109 letters, documents and 3 clippings saved by Hiram B. Swarr, Attorney & Co-Executor for the estate of James Buchanan.
Miniature portrait of Frances O. Swarr by J. Henry Brown. Oval image of Swarr is surrounded by a red velvet oval contained in a rectangular gold-colored plaster frame. Portrait is of a woman in a white dress, shoulders exposed; straight dark hair parted in middle. Part of a set with 2021.029.001 (Hiram B. Swarr). typed label on back identifies subject and artist. Framed by Wunderly Brothers, Pittsburgh.
John Henry Brown's career began in Philadelphia in 1845, where he painted most of his sitters. Brown often preferred to take daguerreotypes of his sitters and use those as guides for his miniatures, rather than having the person sit for him. He claimed it was easier to work from a small image than from a life-size model. (Smithsonian)
Provenance
Part of a collection of 109 letters, documents and 3 clippings saved by Hiram B. Swarr, Attorney & Co-Executor for the estate of James Buchanan.
Printed portrait of Thaddeus Stevens with full head of curly hair and stern gaze. Mounted in old molded oak frame with handcut paper window mat.
Under bust is "THADDEUS STEVENS: "OLD COMMONER./ APRIL 4, 1792 - AUGUST 11, 1808/ Chairman Committee of Ways and Means of U.S. House of Representatives during the Civil War./ FEARLESS CHAMPION OF FREEDOM FOR THE OPPRESSED./ His unique service to the Common schools of Pennsylvania lay in retaining upon the Statue Book the Law of 1834 against the will and purpose of the majority of a Legislature elected and pledged to its repeal. In old age he spoke of this stern contest/ with much interest, and seemed to regard the memorable speech of April 11, 1835, in its results to the cause of General Education in the Commonwealth the best work of his life."
At the bottom left is "Engraved by Rea.", at center is "Lincoln Art Series: Copyright 1899, by J.P. McCaskey, Publisher, Lancaster, Pa." and at right is "Photograph by Eberman." Lower section of image has engraver's name "REA Sc."
McCaskey was a lifelong educator, principal & longtime writer of The Pennsylvania School Journal. Bio Annals notes he was a proponent of memory work in literature and he produced and displayed good portraits of notables in education (Thaddeus Stevens, Thomas Burrowes, etc.) appropriate mottoes, vocal and instrumental music, etc. In his later years, McCaskey published at lease 20 engraved images, called the "Lincoln Art Series," for display in homes and schools. He distributed many thousand copies to all parts of the country. Sometime during is long career as educator he was awarded and honorary M.A. degree and later a PhD. degree, both from Franklin and Marshall College (Bio Annals) (Written by Wendell Zercher)
Minor stains with liquid stains at very bottom (sitting in damp area), incipient breaks and creases run horizontally in several areas. Silverfish damage scattered mostly at bottom and around top & sides of image. one spot of damage under tie.
Frame is dark on face with some wear. Framing materials acidic and unprofessional.
