"Col. Thompson's Battalion of Pennsylvania Riflemen" commemorative plate. In center, around rifleman:" Edward Hand, Lieutenant Colonel; Captains James Ross, Lancaster; Robert Cluggage, Bedford; Michael Doudle, York; George Nagel, Berks; James Chambers, Cumberland; John Lowdon, Northumberland; William Hendricks, Cumberland; Abraham Miller, Northampton; Matthew Smith, Lancaster. Lancaster County 1775-1975"
On back, 2 "RWP" seals; + 2 additional seals in ovals. "U.S.A." impressed twice.
This sampler's subject is a vase with flowers and the maker's name in cross-stitching at the bottom: Elizabeth Ann Eberlein's Work Done in 1830. The frame is an American canted pine picture frame with a fruitwood finish. The sewing work is silk thread on tiffany cloth. The footed vase has various flowers - two cabbage roses, two carnations, four rose buds, foliage and intertwined thorn-covered stems. The blossoms and foliage appear in a variety of shades of greens and light browns while the vase stands on an oblong patch of ground represented by brown satin stitches.
Pressed redware plate commemorating 175th anniversary of Mountville. Features incised jubilee emblem and floral decorations. Made by the mayor, Victor Lenox, for celebration.
Copper sculpting/modeling tool hand fashioned to create a flattened, spoon-like handle leading to a rounded shank ending in another flattened end bent at the tip to create a short 1/2" extension bent to nearly a right angle for working in clay or plaster. End is squared off. Crude but effective tool for sculpting bears marks of hammering, especially underside of flattened handle. Used by Lloyd Mifflin. Tool presumed to have been fashioned by Lloyd Mifflin himself from a length of copper. Provenance: Mifflin to the Minnich sisters to the groundskeeper at Norwood to donors.
Lancaster Amish Bars quilt, circa 1920. Deep colors such as these are usually found in early quilts.
Top: Twill-weave wools. Seven-inch wide bars of blue and green with red inner border and blue outer border with green blocks.
Back: Black & white and blue & white chambray, machine joined in four widths. Just one narrow strip is in blue.
Quilting: Although the quilting of fine even stitches is excellent, the patterns are hard to see in dark colors. Outer border has baskets containing a tulip and tiny paired loops a the side of each basket handle. Baskets alternate with 6-point stars. A row of scallops along inner edge. The inside border has a double cable with 6-point star in corners. Centerfield is waffle.
Binding is red, machine sewn to the back, turned and machine sewn to front with black cotton thread.
North of White Horse, Lancaster County (Esprit Book, plate 43)
Provenance
Purchased by Esprit from the Holsteins for $10,000 on 6/12/1986.
Some fading of blue fabric. Some small holes and one tear, now darned, at back of binding in one corner caused by a heavy nylon strap sleeve, removed by conservator Linnea Davis. Other hole repairs made by Davis in binding (see file).
Quaker-made quilt, Star Block pattern of cottons by Ann Mather Ambler. Made before her Jan. 1861 marriage to Quaker farmer Aquilla Bolton Lamborn, after which they settled on a farm near Liberty Square in Drumore Twp.
Made of 16 hand-pieced blocks, each 17" sq., set straight in rows 4 x 4. Each block is a broken star design of red cotton prints and off-white muslin, pieced with diamonds and squares. Red print sashing 3" wide with diamond-in-square cornerstones. Outer border is a red print 5" wide and inner border is white, 3" wide.
Back is a tan and blue cotton print, brought forward to front to create binding. Batting is a very thin-weight cotton. Handquilted in white; outer border has diagonal lines, inner border and sashing have a double-line twisted cable and pieced star blocks have outlined components.
Appraiser notes two names for this quilt: "Carpenter's Wheel" and "Eight-point Broken Star" (Barbara Brackman's book #3810).
Provenance
Maker to daughter Alice Lamborn Long (she and husband James Long moved to Chester Co. in 1915), then to Alice's granddaughter Ruth W. Long (of Toms River, NJ) for safekeeping until finally given to nephew/donor Mitchell K. Long.
Ruth W. Long lived in Toms River, NJ. and recopied the handwritten family history, now laminated. Additional old paper note reads: "Quilt made by Ann M. Lamborn before 1861."
Landscape, The Barns at Norwood, by Lloyd Mifflin, circa 1900. Oil on board with gold-painted floral-and-wheat -decorated flat frame w/ corner blocks.
Reverse is covered with grey-painted linen and is protected by Plexiglas. Central paper sticker reads "RUSSELL'S / CANVAS BOARD / " and "PATENTED MARCH 18, 1879." The number "120" is handwritten in ink in corner of sticker. At upper right is taped a magazine clipping depicting outbuildings and fencing surrounded by grass and trees. Entitled "Farm Scene - Autumn." A few lines follow, noting his (Mifflin?) return from abroad" and the pleasure of enjoying the "sheltered pastoral environment of his choice." A poem follows. Finally, a small paper sticker near top reads "RICHMAN / Bainbridge / Pa. 17502 / (717) 426-1860 / Cat: / P86 / 054-32-1198 / 181-32-7788". Written in marker in large letters at bottom right is "Local Scene / Norwood, Pennsylvania / near / Columbia, Pa. - About 1900 / (1846-1921)." Below this, In pencil, is "Painted by / Lloyd Mifflin / artist. Houston Mifflin, M.D. / Brother."
Provenance
Apparently purchased by Richman from the Minich sisters estate sale.
Flat profile wooden frame with raised corner blocks having gold-painted wheat, daisies and carnations.
Image Size
16 x 22 inches
Object Name
Painting
Material
Paint, Canvas, Wood
Medium
Painting, Oil
Height (in)
21.5
Width (in)
27.5
Dimension Details
Frame dimension is H: 21.5 inches x W: 27.5 inches.
Condition
Good
Condition Date
2016-03-30
Condition Notes
Overall good condition, both painting and frame. On reverse of board are water stains. Glass covers board & secured with primitive wood strips.
Frame has multiple cracks, especially at miter joint at corner blocks.
Object ID
2015.017.1
Notes
The son of John Houston Mifflin, Lloyd followed in his father's footsteps. He also studied at the Pennsylvania Academy of Fine Art, studying under Thomas Moran, and would further his studies with a trip to Europe. He returned to settle in Columbia in 1873. Lloyd has gained greater recognition than his father, primarily due to his landscapes, particularly those of the areas surrounding his home in Columbia and scenes of the Susquhanna River. Lloyd Mifflin died in 1921.
Hardwood Printing Block of irregular shape with scenes near Norwood, depicted in muted colors. Roughly divided into quarters: two scenes appear to be mountainscapes, one sideways, another appears to be a painting on canvas of a river, and the remaining 1 appears to have been crossed out. Written in pencil on back is "Lloyd Mifflin c. 1865".
Dressing table w/ mirror has Sheraton and Empire features, is made of solid mahogany and veneers with secondary woods of poplar and pine. This is a rare form.
Top has veneered half-column mirror frame supported by turned stiles which are set into top with a double tenon set at a backward cant. Mirror corners are blocks with turned bulls-eyes. Inner cove-molded fillet has vestiges of gilding.
Oblong table top comprised of solid 3/8" thick mahogany laminated onto 1/2" thick poplar, and secured to carcase with screws. A rounded molding is applied to front and ends.
Veneered carcase contains five dovetailed drawers faced with mahogany veneers: one long flanked by two short, over two long. The top drawers have a rounded profile while the two bottom drawers are cockbeaded. All drawers have replacement pulls of hollow, rounded brass knobs with a pierced floliate design. The two bottom drawers are fitted with locks; keyholes have brass insets but dark ghosting indicates missing escutcheons.
Baluster-turned legs extend from table top to floor. They support a low shelf 11 1/2" from floor. Shelf is shaped with recessed cutouts at front and ends.
Inscription: Interior of top central drawer has "J.F. MARKLEY/ CABINET MAKER/ Locust St./ COLUMBIA." stamped within an oval laurel wreath.
Also in collections is a J. F. Markley Empire chest of drawers (P77.02).
Provenance
Provenance: This dressing table was previously owned by an acquaintance of John J. Snyder, Michael Stinchcomb of ???, who recently changed his mind about using this piece in his bathroom when he realized the veneers would suffer. He consequently consigned it to sale at Pook and Pook.
Cracking in veneer on mirror. Numerous spots of corrosion on mirror. Moderate cracking in veneer on front and sides. Minor chips and scratches overall. Top has two cracks, one is 2" long at left and one is 6 1/2" long at right side. Bottom shelf has 6 1/2" crack at right side. Nails have been added to secure top to carcase; back of top is not secure due to stripped screws. Top left drawer has significant wood removed with rasp at front of sides.
