Pressed glass with a bluish tint on the bottom. Seam visible on both sides of jar. Words"Whitney Patd 1858" create a circle around the word "Mason." Multiplw areas show where there are bubble in the glass.
Lid is charcoal gray and light gray underneath. 4 rings are visible on the underside with the letter H in the center of the smallest ring. "Boyd's genuine porcelain lined 6 cap" words around outermost ring.
Color sketch of a brown-eyed, brown-haired young girl, with a center part and ringlets at sides of her head. Miss Alice M. Klein blue garb is off the shoulders. Printed on the oval frame with a gold band: "Photographed by JAMIESON & BENSON, No. 80 North Queen St., Lancaster, Pa." The rough edge indicates that the entire piece appears to have been cut from something largeer.
Some spots on background area. A circular stain at bottom looks as if stain from a cup/jar bottom. Back is brown acidifed paper. "Miss Alice M Klein" is written in pencil.
Handmade rectangular grater crudely fashioned with tinned sheet iron and having 14 staggered slits of 1.25" width and raised edges for cutting. All four edges are folded to back, but the two long sides are rolled over wire to stiffen length of tool.
Crudely fashioned tin tool has wear and imperfections at blades and back corners. Abrasions and corrosion scattered overall. Peeling paint or corrosion.
Painted portrait of William Albright (or Albrecht) (1793-1852) by Jacob Eichholtz, c. 1830
William Albright, or Albrecht, was born May 23, 1793 in Lancaster, Pennsylvania to German printer, John Albright (1745-1806). He worked intermittently in Philadelphia as an ornamental painter, lithographic artist, limner, "dancing-master," and teacher of drawing from 1815 to 1845. Albright delineated the color plates for the "Floral Magazine and Botanical Repository" (Philadelphia, 1832-1834).
In 1820, Albright returned to Lancaster at his father's bequest, where until 1836, he published the "Staatsbothe" and continued the publication of the "New and Improved North American Almanac" started by Francis Bailey in 1775. On Christmas Day in 1821 he married Mary Weaver with whom he had one daughter, Anna M. Albright (1822-1855).
Albright returned to Philadelphia ca. 1837, and following a year as a dance master, taught drawing at 21 South Fifth Street until his death in 1852.
William Albright, or Albrecht, was born May 23, 1793 in Lancaster, PA. During his lifetime he worked as a printer, ornamental painter, lithographic artist, limner, dancing-master and teacher of drawing.
Between 1820 and 1836, Albright published a German-language newpaper in Lancaster, the 'Staatsbothe,' as well as the 'New and Improved North Americna Almanac.' Albright moved to Phila. in 1837 where he spent his remaining years teaching art.
On Christmas Day in 1821 William Albirhgt married Mary Weaver. The had one daughter, Anna M. Albright (1822-1855). The birth and death dates of Mary Weaver Albright are unknown.
Original watercolor painting of Amish scene by Florence Starr Taylor, circa 1960, "Gut lewe", framed. Scene is Amish man, woman, and child in the back of a buggy; man and woman are looking out the back of the buggy; produce loaded onto rear of buggy. "Gut lewe" on top of buggy. Signed by artist, as "Florence Taylor," lower right corner.
Original watercolor painting of Amish scene by Florence Starr Taylor, circa 1960, "Seeser Seider", framed. Various pencil notations on reverse. Scene is Amish man and woman standing behind a table, food and beverages on table; man has drink raised in right hand. Keg between man and woman. Sign above keg reads " Seeser Seider." Signed by artist, as "Florence Taylor," lower right corner.
Miniature portrait of Hiram B. Swarr by J. Henry Brown. Oval image of Swarr is surrounded by a red velvet oval contained in a rectangular gold-colored plaster frame. Portrait is held into place by two pins. Portrait is of a man in a white shirt and black coat, with bow tie; curly brown hair, beard with no moustache; eyeglasses. Part of a set with 2021.029.002 (Frances O. Swarr). typed label on back identifies subject and artist. Framed by Wunderly Brothers, Pittsburgh.
John Henry Brown's career began in Philadelphia in 1845, where he painted most of his sitters. Brown often preferred to take daguerreotypes of his sitters and use those as guides for his miniatures, rather than having the person sit for him. He claimed it was easier to work from a small image than from a life-size model. (Smithsonian)
Provenance
Part of a collection of 109 letters, documents and 3 clippings saved by Hiram B. Swarr, Attorney & Co-Executor for the estate of James Buchanan.
Oil painting (portrait) of the upper body of an unidentified Caucasian man with brown hair and brown eyes wearing a white shirt, tie and suit jacket. Dark background and jacket. Second half of 20th century. Faint white barely discernible lettering in lower right corner. Letters look like William Nelson.
Dark brown wood frame with painted gold beveled inner frame.
Fingerprint on lower right of painting, beneath lettering that appears to have been painted over. Original back covering has been removed and replaced with .what appears to be acid-free backer board
Lloyd Mifflin oil painting. Landscape of curving road lined with green shrubs . Large tree arching across road with 2 flying birds and colorful sky of warm tones neared the horizon changing to blues higher in the sky.
Decorative frame painted bronze with a green wash.
