Wrought iron, two-tine meat fork. Long narrow handle of flat bar stock, except for one short round section near tines end. Handle end is rounded, with hanging hole. Heavily decorated with semi-circles along edges of top, like scalloping. Stamped "H. R. EBY" near midpoint.
Two tines are rounded and curved down and back up as viewed from side. Tines have a rectilinear "U" shape configuration with sharp corners at shoulders.
See Notes
Mastersonville, Rapho Twp. and Penn Twp.
Provenance
Dealer purchased form from someone who in turn had purchased the iron collection of an Elizabethtown collector.
Compare with another Eby fork, 18.5" long, pictured on page 50 of J. Lasansky's book "To Draw, Upset and Weld."
Also Jason Miller, "A Directory of Lanc. Co., PA Blacksmiths," 2001, p. 27.
Light corrosion on top surface; heavier corrosion under handle.
Object ID
P.04.05.1
Notes
Eby was raised in Penn Twp. and later moved to Mastersonville, Rapho Twp. for most of his adult life, before retiring to Lebanon Co. He & Lizzie are buried in Penryn Cemetery.
1860 Census- age 4 in Penn Twp.
1870 Census- age 15, a "servant" in home of uncle? Chr. Ruhl, Brickerville
1880 Census - age 28 in Penn Twp.
1900 Census - age 44 in Rapho Twp.
1910 Census - age 54 in Rapho Twp.
1920 Census - age 63 in S. Londonderry Twp., Lebanon Co.
1930 Census - age 73 in S. Londonderry Twp., Lebanon Co. (No occupation listed)
Large round redware revival dish or charger, shaped on a mold with coggled edge. Top is painted with a dirty yellow slip with sgraffito decoration and clear glaze. Around edges are large scallop-like swags bordering a central scene of a bird perched on a vining branch with tulip ends. Leaves and swags are daubed with manganese.
Unglazed bottom is signed with a monogram at top, over "Robesonia, Pa", over a keystone shape flanked by "1972", over "L & B Breininger". Lester Breininger and his wife Barbara ran a thriving pottery at their Robesonia home in Berks Co., producing reproductions of 18th c. redware.
Redware revival sgraffito-decorated charger. Deep molded dish has gently curving bowl rising to a broad, flat rim of 1.5". Bowl covered in yellow with sgraffito design of a large eagle with spread wings and heart-shaped body. Below eagle is "1970". Rim unpainted except for inner border having painted black dots. Entire top daubed with manganese and a clear glaze overall except for underside. Incised initials "JCS" on bottom near rim.
J.C. Seagraves began experimenting with pottery in 1948 and set up a shop on Rte. 222 at Breiningsville in 1951. His preference was for making bowls and plates. He produced colorful glazes through the use of copper oxide. He combined the clean-cut modern 1950s style of pottery with the more traditional type to create his own unique style. (Richard L.T. Orth)
Coffepot (A) and lid (B) of blue transfer-printed pearlware. On a pedestal base is an octagonal pear-shaped body flaring back out at recessed rim. Gooseneck spout with cap at tip. High arching handle of C-scrolls. Domed octagonal lid has an octagonal knop/finial and tiny vent hole.
Transfer decoration is a Chinese scene with people, trees, water and pagoda with bridges. Additional decoration at top and base is a filigree-edged band dominated by 3-leafed vine.
Mug, copper lusterware, glaze overall. Straight sides with molding: cove near base and coggled beads below lip. Applied handle. Sides decorated with center band of apricot color with thin bands of alternating blue and bown, both above and below center. Copper luster at lip, handle and base.
Large redware pitcher, sectioned octagonal form with conforming low pedestal base. Applied handle and pulled pouring spout. Orange-red color dark brown manganese mottling with clear glaze overall.
Impressed mark on underside is "C GAST" for Conrad Gast (1813- after 1880).
Prince and James Sts. Lancaster, PA
Provenance
Heritage Center purchased from Ruth Rogers of School House Farm Antiques, New Holland.
Wear at all salient points of the lower body as well as the outside and tip of handle. Two medium chips at opposite sides of lip and several minor chips at spout and sides of lip. Wear at bottom.
Object ID
P.02.04.1
Place of Origin
Lancaster
Credit
Gift of V. Ronald Smith, Heritage Center Collection
Glazed soft paste porcelain teapot (A) with lid (B). Handpainted "Strawberry" pattern decoration on pale blue body - pearlware. Ovoid shape with neck leading to flared lip. Has molded gooseneck spout and applied handle. Slightly domed lip has flattened knob finial.
Provenance
Collected by Harpo and Susan Marx in Pennsylvania during visits back East from CA. Donated to Heritage Center.
Staffordshire transferware sugar bowl in tureen form. Octagonal rounded body (A) sits on a pedestal; two molded applied handles at sides. Conforming domed lid (B) has cutout at one side for spoon and a molded finial on top. Black transfer pattern is a landscape with palatial buildings, trees, vegetation and distant mountains. Border is scroll design with narrow band of quatrefoil flowers and edged with Gothic crockets. Underside marked with pattern name "Missouri" above "B & S." A prominent English registry mark indicates the manufacture date of June 5, 1850.
Wheel-thrown stoneware pitcher, gray ovoid body with extended neck and pulled spout. Applied handle. Clear salt glaze except for bottom and interior. Brushed cobalt decoration is foliate designs at both sides of spout, graceful leaf and flower design at front side with two pendant branches; both handle terminals highlighted with additional leafage extending from lower terminal. Decorative incised line at top of shoulder.
Badly chipped: 2 at spout, 1 at side of rim, minor ones at base along with one very large chip and one medium size. Rusty discoloration at one side with adjacent imperfections in finish likely from firing. Stained and soiled on bottom and interior.
Object ID
G.96.37.103
Credit
Gift of Henry J. Kauffman, Heritage Center Collection
Ironstone china fish platter; long rectangular white molded specialized dish with a realistic overglaze painting of a large fish filling the recessed center of the platter. Rounded corners and ends of platter. Raised decoration is an identical design of scrolled roping from which hangs a flower and two branches of leaves extending sideways. Bottom has a conforming foot ring and center ridge, both unglazed. Impressed mark on bottom is "B.S." over "M." within a square with clipped corners.
Small molded transferware plate, hand-painted. White-bodied plate has recessed bottom with light green transfer decoration of a woman spinning outdoors near a house, two gentlemen, two small sheep and cow. Surrounding scene is "Fly pleasure and it will follow you. The diligent spinner as a large shift./ Now I have a Sheep & Cow every body bids me good morrow." A flaring rim is slightly hexagonal with scalloped edge painted with red lustre. Raised leafage and swagged beading have underglaze bright paint colors with alternating red, yellow, blue and green.
Provenance
Descent to Sarah Muench from family (likely Aunt Alice Potter Fordney, an antiques dealer).
Glazed soft paste porcelain teapot (A) with lid (B). Handpainted "Adam's Rose" pattern decoration on pale blue body - pearlware. Ovoid body sits on oblong pedestal foot. At neck is an extended collar. Crowned with flaring extension around upper opening. Molded gooseneck spout and applied handle. Domed lid has oblong shape to fit the opening. Topped with knob finial.
Impressed with "GOOD" (?) on bottom and incised "6" or "9". Later inscribed with "C 106" over "17.50". There is a nearby X.
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
Significant paint losses on some green leaves. Various hairline cracks aroung body, visible from interior as well. Bearing point of pedestal bottom is poorly glazed with some wear.
Object ID
G.98.51.30a-b
Place of Origin
England
Credit
Given in memory of Harpo by Susan Marx, Heritage Center Collection
Glazed soft paste porcelain coffeepot (A) with lid (B). Handpainted "King's Rose" pattern decoration on pale blue body - pearlware. Inverted pear-shaped body sits on a pedestal foot. Wide shoulders curve in to form a neck above which is a round, flared mouth on which sits the lid. Leaf molded spout and applied C-scrolled handle both have red striping. High domed lid has acorn finial painted red. Decorated pink bands at neck and bottom or domed lid.
Impressed with "GOOD" (?) on bottom and incised "6" or "9". Later inscribed with "C 106" over "17.50". There is a nearby X.
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
Pedestal bottom is soiled with some wear. Minor soiling and interior staining. Small nicks and scratches to paint as well as significant paint loss at least on one green "leaf".
Object ID
G.98.51.21a-b
Place of Origin
England
Credit
Given in memory of Harpo by Susan Marx, Heritage Center Collection
Glazed soft paste porcelain Gaudy Dutch teapot (A) with lid (B). Handpainted "Butterfly" pattern decoration on pale blue body of pearlware. Squat ovoid body sits on a low footring; body swells most in lower half. Collar extends outward below an oblong mouth fitted with conforming domed lid with oblong knob finial . Spout has minimal molding as does arching applied handle.
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
Overall strong staining, especially at lower spout and base section and interior. Strong hairline cracks throughout base and bottom, with resulting staining. Scratchon butterfly wing. Chip on underside of spout tip. Long split/crack on handle back, perhaps from firing. Coloring is very uneven at multiple places, sometimes creating a mottled effect. Wear and soil under foot ring.
Object ID
G.98.51.03a-b
Place of Origin
England
Credit
Given in memory of Harpo by Susan Marx, Heritage Center Collection
Glazed soft paste porcelain Gaudy Welsh sugar bowl (A) with lid (B). Handpainted inverted tulips of red and yellow are interspersed with 3 large, dominating deep blue scalloped motifs decorated with copper lustre painted floral decoration. Squat pot-bellied body sits on a low squarish pedestal with scalloped edging. Two molded angular applied handles. Top has round mouth with flared collar extends outward. Domed lid has squarish molded knob finial. Darkened remnant of paper sticker with blurred writing, perhaps "-caster/ --ea set/ --1825."
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
Glazed soft paste porcelain handleless teacup (A) and saucer (B), Gaudy Dutch "Butterfly" pattern. Cup has nearly spherical shape and an applied foot ring. Decorated band of dark blue inside lip. Flower inside bottom. Outside as red butterfly set against elaborate floral design. Opposite side has a red flower above a decorated dark blue form.
12/12/2022: only cup
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
Glazed soft paste porcelain handleless teacup (A) and saucer (B), Gaudy Dutch "Butterfly" pattern. Cup has nearly spherical shape and an applied foot ring. Decorated band of dark blue inside lip. Flower inside bottom. Outside as red butterfly set against elaborate floral design. Opposite side has a red flower above a decorated dark blue form.
12/12/2022: Only cup
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
Glazed soft paste porcelain handleless teacup (A) and saucer (B), Gaudy Dutch "Double Rose" pattern. Cup has nearly spherical shape and an applied foot ring. Decorated band of dark blue inside lip. Flower inside bottom. Outside has reddish flowers and dark blue and green leaves. All sides have elaborate floral designs.
12/12/2022: only cup
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
Glazed soft paste porcelain handleless teacup (A) and saucer (B), Gaudy Dutch "Double Rose" pattern. Cup has nearly spherical shape and an applied foot ring. Decorated band of dark blue inside lip. Flower inside bottom. Outside has reddish flowers and dark blue and green leaves. All sides have elaborate floral designs.
Only cup (12/12/2022)
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
Glazed soft paste porcelain handleless teacup (A) and saucer (B), Gaudy Dutch "Adams Rose" pattern dominated by a large red flower as well as other flowers and leaves. Inside lip are two fine lines of rust. Cup has nearly straight sides, and attenuated base on an applied foot ring.
(B) Saucer has offcenter red flower surrounded by other flowers and leaves. Double line border at top of inside.
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
