Floral applique block quilt of cotton. Sixteen 15" floral applique blocks of flowers on white ground. Flowers have blooms of various greens & browns appliqued together to create two different designs that alternate block by block. Flowers branch out in curves with leaves of black & green print and intricate flower buds.
Sashing, 2.5" wide, separates blocks with white strips edged with thin green strips. Inner border of 1-inch wide brown strip encloses blocks. In large outer border of white with mitered corners are graceful grapevines of grape clusters, leaves of the same green & black print as leaves in centerfield,and tendrils of chain stitch embroidery. Wide red binding w/ mitered corners wraps to back and is hand stitched. White cotton back of four panels. Thin cotton batting.
Hand-quilted with a grid in centerfield except for bold cable that is superimposed on sashing and brown inner border. Outer border has slanting parallel lines. One distinctive round flower 2.5" in diameter with 10 petals is found in outer border near one corner, near edge.
Card originally sewn on quilt (handwritten in ink): "Quilt made by Rebecca Rynard of Line Lexington Penna. 90 yrs ago - it has taken many 1st prizes at the State Fairs in both Montgomery Co & Bucks Co - Penna." Below is "Property of M.D.S. Elwell 524 Cedar Lane Swarthmore(?)"
Provenance
Wheatland record states history of ownership is unknown between maker and donor. Research shows most Rynards lived in Cumberland Co.
Soil and multiple scattered stains overall, esp. on back. Significant holes on front. Wide binding is worn at edge and fraying. Many seams deteriorating and separated.
Bisque fired vase with figurine. Unglazed, white bodied ceramic vase with figure. Colored with with pearlescent paint and gold enamel. The bowl of the case is shell like with floiate scrolls on the rim and a rough rock-like component oppposite the figure. The figure is a boy in romantic costume of white shirt, blue waistcoat or vest, pink cravat or tie, salmon breeches, white stockings, gold shoes, and large straw hat with blue bow. On bottom is number 51 in red and number 5 in varnish.
Bisque fired white ceramic bowl-shaped vase with figure of a girl. Colored with pastel, pearlescent paint and gold enamel. Bowl is ornate, shel shped with foliate scrolls on rim and rock-like form opposite of figure. Base is blue, rock-like in texture with foliate scrolls. Girls is in romanticiized dress of white top with full sleeves, green skirt with pink underskirt or flounce, gold shoes, salmon sash, pink vest and large tan hat with salmon feather. Number 40 or Y O painted in gold and number 5 in varnish on bottom.
Small lift-lid desk of walnut, Aesthetic Style, has green baize inset into lid's center panel. Gallery at top rear is missing, leaving only its dark outline and screw holes. Upper section of desk overhangs base, with applied decorative raised panels at front and sides faced with burl veneer. Desk interior has pigeon holes at rear.
Base has 3 drawers and pull-out shelf at right side, and double panel construction on 3 other sides. Base has applied decoration of shaped brackets at top (under overhang) and bottom of sides of front. Applied turned bosses and bulls-eyes. Sits on 4 molded low block feet at corners.
Provenance
Desk reportedly belonged to James Buchanan Henry II (1875-1961).
Desk top finish worn and marred with holes and stains. Baize worn with holes and edge losses. Desk lid warped.
Back right corner of desk top broken off and missing. Top drawer front missing applied edge molding at left side. Left side near front has ten-inch-long crack. Right rear block foot mostly missing, despite nails indicating attempted repair.
Object ID
2013.008.018
Credit
Gift of the Family of Eleanor N. Henry (John D. McNeill Jr., Mary Catherine Henry West, James Buchanan Henry IV, and Elizabeth Henry Richardson)
All cotton quilt, on point blocks have pieced 8-point star blocks that alternate with blocks of a woven pattern blue with a grid of white lines. Stars are small scale floral print of pink with tiny white flowers. White ground is a very loose weave composed of multiple pieced panels. White outside border is 11" wide on one end and 7.5" wide on the other three.
Hand-quilted with white thread in a small scale grid aligned with blocks.
Back is a loose weave arranged with wide strips of white alternating with strips of a large, bold red print of branches and large flowers. Six white strips are 8.5 - 9" wide; 5 printed strips and 7.5" wide. Back is brought forward to front to created binding. Thin battiing.
Inscription: On front quilt corner is "HM6? handwritten in ink.
Overall fading and deterioration, especially in pink floral print which is consistently riddled with small holes where white flowers have deteriorated. Some small holes in blue fabric, 1/8"-1/4" big with fraying. General soil, scattered stains and acid burn, especially at fold lines and borders, as well as sections of back..
Shield-shape with loop at top. Has bright blue ribbon fragment through loop with grey-blue thread. Front has meander design around border with 'Mary' at top. Center picture of Mary Magdalene and Jesus in the cemetery with 'Rabboni' below. Reverse side ha
Locket-like, rounded-corner rectangular box, deep, hinge-lidded, loop at top with link for chain. Front has buckle-like piece with two small screws and cable-like pieces applied. Back is engraved with ivy-leaf-like designs and scrolling: 'Lottie in Remem
Stone brooch. Black bevel-edge square set in gold edge inlaid with tiny multi-color mosaics forming a picture of garland of flowers and buds with two birds. One bird has outstretched wings. Flowers are in blues, pinks, yellow, and orange with green folia
Supposed to have been given to donor's grandmother by Ann Coleman's parents - Mr. Benson managed the Coleman Furnace at Colebrook. Cracked through width and depth.
Hollow, screw-on pendant earrings. Roughly oval with scalloped outline, two-sided, beaded inside edge. Tapers in thickness. Thickest at bottom. Inscription: 'S' inside a small heart. 10K gold.
Oval center table with marble top, rounded on top edge. Elaborate pedestal / leg support. Four arms descend from double layered skirt in curving, flattish, jagged shape to central turned pedestal with top and pendant finial in turnip shape. Four legs des
Part of a four-piece dress. Jacket: Short sleeves with cuffs. Dark blue velvet fully-lined in cream-colored silk with batting between two fabrics. 2 small leather-lined pockets on left inside. Hand-stiched strip on linging at lower edge right front. 3 hooks and thread-covered eyes at waist front. Parallel lines of sticthing on body at sleeve openings and at waist and on 3 bands around neck as well as front and silk at opening. Blue velvet strips have buttons in back and at tabbed ends on front. 4 tabbed front closure peices have buttons. Machine and hand-stitching.
Figurine of a family; a bearded father wearing blue robe seated on upholstered arm chair with scroll carved arm rests. Father holding the hand of infant held by mother wearing bustled bodice and skirt.
Two-piece silk dress with bodice and overskirt. Gray-green fabric with olive trim, yoke, and fringe. Colonial revival style. Bodice has fake jacket with ruching along edge. Thread-covered button closure down front. No collar. Braid and knotted fringe.
beautifully detailed heavy satin top with long sleeves, exquisitly crafted buttons and fringed from short front all along the longer portion in the back. Bulk appear greyish with drab green trim. Fringe is light green and some threads on buttons appear aqua. Sleeves (19.5in long) flare at cuffs that are decorated 5 layers of raduated ruffles on upper portion of cuff. The top of this triangle of ruffles sports a fabric bow. All trim is made of main fabric with drab green trim also used for the triangle faux tab wiht a button at the point that extends from the ruffles to the inside of the sleeve.
Ruffles run the length of the front beneath a band of fabric trim. A front right section of drab green silk from neck to waist contains 12 1in buttonholes. On the left 6 buttons remain (a 7th is pinned to acard) and 1 buttoncover that shows the fine stitching. Two triangular pieces ith trim are seamed at the front armholes with the mitered tip of the handsewn triangles pointing toward the center front. Two bust darts on both sides are stiffened with stays. BOth straight and chain stitch on seams that are hand overcast. Double construction with tan polished cotton on inside of entire garment. Commercially made cord fringe, 3.5in long, are sewn into lower edge around entire top.
Back: Olive green silk piece from neck tapers to a point at center back. Along inside edge, pointing to top, are trimmed ruffles with a 1in wide trimmed border band of main fabric. In addition to side seams there are 2 curved seam fromarm seams to the center back waist where a large bow is attached. The back 13in below the bow is trimmed with sides folded to a center pleat. Outer edges of pleat are trimmed with fringe. Inside of back pane; is lined with drab green silk.
Large trunk (a) with two large shelves (b, c) that lift out, and one smaller shelf (d). Exterior of the trunk has brown-striped canvas with three horizontal wood straps on the front, back, and hinged lid. There are wrought iron straps riveted at the corners of the trunk to reinforce the construction. Iron handles, one each side. Two sides covered with shipping labels.
One of twelve linen napkins. White damask with hunting scenes on outside. Stag hunting with horses and dogs. Scene on inner side of napkin is duck hunting. At one corner, embroidered in white is 'HLJ' with the Johnston crest of an arm and dagger.
One of two clear leaded glass nut dishes. Octagonal and oblong clear glass dishes with flared sides. Laurel wreath border etched 0.50" below the lip around all eight sides. Monogram 'HE' (for Henry Elliott Johnston) etched at the center base.
Glass is 0.125" thick. All 8 sides angle inward to the base at approximately a 45 degree angle. The base measures 4.125" long by 2.50" wide.
Condition
Fair
Condition Date
2022-11-09
Condition Notes
A small chip is missing from the lip one of the short octagonal corners. Some light scatches are visible on the base around the monogram initials 'HE.'
Rectangular top, green baize-covered (thick, felt-like cloth) writing surface. Ogee-molded edge overhangs crotch-grain skirt with sectioned drawer opening on one long side with two wooden turned knobs. Brackets on top of two legs have rounded medallions,
One of 16 glass finger bowls. Frosted glass except where clear shield near the upper rolled edge. Shallow bowl with slightly convex bottom on inside. Shield design is etched with an engraved old English letter 'J'. Eight-point star impressed into center of bowl's exterior base.
Traveling trunk. Large chest-shaped with metal sheet strips at corners. Studded wooden bands at front, back, and top over canvas-covered wood. Two metal catches on lid, remains of leather strap. Lid is rounded. Exterior has remnants of travel destination stickers and one end cap has Henry Elliot Johnston's initials stenciled 'HEJ'.