Pewter basin, part of the Warwick Congregation's (now known as the Brickerville United Lutheran Church) communion service.
High, rounded sides flare out to a flattened rim with rolled edge. Booge appears to be unhammered. Barns struck his large circular mark with an eagle on the inside of bottom. The left portion of the eagle as well as the letters "BAR" on the bottom are discernible, as well as the "HE" above the eagle.
Probably made in Middletown or Wallingford, Connecticut.
Provenance
The entire communion service remained in use over the years until the congregation decided in 1997 to find a safe place for this valuable communion set. Purchased by the Heritage Center of Lancaster County.
Sugar bowl with lid, hard-paste eathenware has white clay body hand-decorated with cobalt blue. Squat, bulbous body sits on foot ring; pot-belly sides have a large beaded shoulder leading to a narrowed neck and finishing with an outward flaring rim w/ coggled edge. Four or five blue bands painted while on the wheel and remainder painted freehand. Bulbous section alternates with two different leaf designs suspended from the blue-painted shoulder bead. Large round dots are spaced between each leaf. Coggled edge is blue and top of rim has a leaf form painted in two rows. The domed lid has a bee skep finial painted blue, a wide blue strip at botom edge of lid and four leaves in mid-section of same two designs as on bulbous body. Clear glaze over all.
Small "S" impressed underneath at side, perhaps signifying the potter.
Good 3/8" long chip at coggled rim edge showing a very white clay which suggest a later date. Wear and soil at bottom and soil scattered over entire piece. Overall crazing.
Object ID
G.81.7
Credit
Gift of Florence Starr Taylor in memory of Annie Mottern Taylor, Heritage Center Collection
Box of mourning pins. Paper matchbox covered in dark gray paper has top, fitted lid with a paper label. Label is priinted with scrolls at corners and a football shaped reserve at center has "80 MOURNING PINS / ASST / Germany." Black head pins with blue shafts within. Less than half this number remain.
Used for securing black clothing such as veils and hats during the time of mourning a death.
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Needle book of printed heavy paper containing 32 needles, folded to resemble a book. Advertising item lists coal business on inside.
White printed covers have four children in 19th c. clothing on the front and four on the back. They are all involved sewing activities. Front cover at top reads "SEWING SOCIETY/ NEEDLE BOOK" and at bottom is "Egg shaped eyes/ -And swelled centre."
Verse on back cover reads "In Your Time Of Need-/ It is Needless to look for Any Thing/ BETTER THAN ME." At the bottom is "OUR NEEDLES/ ARE THE BEST." Donor's sticker with "Kiker" is at bottom corner.
Inside covers printed in red on brown-colored paper. Paper packet of 3/9 needles affixed to left side; pasted to right side is a swatch of dark loose-weave fabric displaying an arrangement of seven variously sized needles.
Near bottom is printed "Manufactured to Order by J.A. COATES & SONS, Limited." and below this is "ORRIN O. WARE./ GENERAL MERCHANDISE."
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Needle book of printed heavy paper containing needles, folded to resemble a book. Advertising item lists coal business on inside.
White printed covers have four children in 19th c. clothing on the front and four on the back. They are all involved in sewing activities. Front cover at top reads "SEWING SOCIETY/ NEEDLE BOOK" and at bottom is "Egg shaped eyes/ -And swelled centre."
Verse on back cover reads "In Your Time Of Need-/ It is Needless to look for Any Thing/ BETTER THAN ME." At the bottom is "OUR NEEDLES/ ARE THE BEST."
Inside covers printed in red on brown-colored paper. Paper packet of 1/6 needles affixed to left side; pasted to right side is a swatch of dark loose-weave fabric displaying an arrangement of six variously sized needles (large center on is missing and the 3rd from left is broken).
Near bottom is printed "Manufactured to Order by J.A. COATES & SONS, Limited." and below this is "ORRIN O. WARE./ GENERAL MERCHANDISE."
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Paper slightly buckled with darkening along bottom section or interior. Slight wear at edges with minor dogear damage at bottom corners. Short tear at bottom fold of book. Short fold line extends near top at fold of book. Small dent at middle of right edge of back cover. Center needle missing, one at left of center is broken.
Object ID
G.05.15.12
Credit
Gift of Susan Garofola in memory of Lillian Kiker (mother), Heritage Center Collection
Butter crock, stoneware, blue-gray ground with cobalt floral decoration. Lip is 7/8 inch high with scored decorative rings below. Applied handle at each side near top.
Clarke Hess says this crock is known "in the trade" as a cake crock.
Several cracks: one extends 2 1/4 inches down from lip to exterior air bubble on surface, one extends down side from top to bottom (especially visible at lip and exterior. Crazing over much of surface. Salts visible at lip, inside and outside
Object ID
G.04.23.07
Credit
Gift of Sarah Muench, Heritage Center Collection, LancasterHistory.org
Miniature cruet set of four bottles and caddy, clear glass and non-ferrous base metal.
Four tall vial-like, clear glass bottles, one with its metal cap. Bottles appear to be mold-blown, cylindrical and have a pronounced ring extending outward at mid point, a long narrowing neck and flared lip. Bottles fit into a rotating metal carrying ring at midpoint of caddy, suspended by their glass protruding ring. An oval ring handle on stem with threaded end fits into female-threaded pedestal base which flares out toward bottom.
A raised letter "W" appears twice underneath base.
Provenance
Descent to Sarah Muench from family, perhaps her Aunt Alice Potter Fordney, an antiques dealer.
Darning egg of hardwood, classic shape, painted black and set on a hollow handle of silver-plated cast metal with the facr of a woman above a cabochon flanked by C-scrolls, all above floral decoration. Both identical halves of handle were joined with a visible seam and plated with silver.
Woman's hair has whiplash curves, denoting Arts Nouveau influence.
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Very good condition with minor scratches on egg. Hndle is breaking at seam where attached to egg; secured with wire. Residue of white silver polish in crevices.
Object ID
G.05.15.2
Credit
Gift of Susan Garofola in memory of Lillian Kiker (mother), Heritage Center Collection
Mold-blown amber glass darning egg with fitted aluminum handle in two pieces. Handle is hollow and tapers to a rounded tip. Where affixed to glass there is a knurled grip-ring, under which is a large threading (like the base of a light bulb). A second slightly larger handle of aluminum, with conforming shape, nests over the first and screws onto the first handle.
Glass egg is embossed with "S.C. FLEXON & CO. / WILLIAMSTOWN, N.J." and "PAT. PENDING." On opposite side of egg is "Ideal" in cursive.
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Wrought iron, two-tine meat fork. Long narrow handle of flat bar stock, except for one short round section near tines end. Handle end is rounded, with hanging hole. Heavily decorated with semi-circles along edges of top, like scalloping. Stamped "H. R. EBY" near midpoint.
Two tines are rounded and curved down and back up as viewed from side. Tines have a rectilinear "U" shape configuration with sharp corners at shoulders.
See Notes
Mastersonville, Rapho Twp. and Penn Twp.
Provenance
Dealer purchased form from someone who in turn had purchased the iron collection of an Elizabethtown collector.
Compare with another Eby fork, 18.5" long, pictured on page 50 of J. Lasansky's book "To Draw, Upset and Weld."
Also Jason Miller, "A Directory of Lanc. Co., PA Blacksmiths," 2001, p. 27.
Light corrosion on top surface; heavier corrosion under handle.
Object ID
P.04.05.1
Notes
Eby was raised in Penn Twp. and later moved to Mastersonville, Rapho Twp. for most of his adult life, before retiring to Lebanon Co. He & Lizzie are buried in Penryn Cemetery.
1860 Census- age 4 in Penn Twp.
1870 Census- age 15, a "servant" in home of uncle? Chr. Ruhl, Brickerville
1880 Census - age 28 in Penn Twp.
1900 Census - age 44 in Rapho Twp.
1910 Census - age 54 in Rapho Twp.
1920 Census - age 63 in S. Londonderry Twp., Lebanon Co.
1930 Census - age 73 in S. Londonderry Twp., Lebanon Co. (No occupation listed)
Small free-blown wine or dram glass, Stiegel type. Conical form. Low profile knop on stem. Round pedestal base with concentric ring created by folded foot. Pontil mark on bottom.
Provenance
Purchased by donor Hampton C. Randolph, Sr., for $65 at the sale of the Henry E. Balmer estate, Lancaster, PA on April 20, 1996, then donated to the Heritage Center of Lancaster County.
Round copper vessel, shaped like a teakettle, but without a spout. A shaped strap handle is attached to each side of the opening at shoulder with riveted brackets. The handle widens near the middle, where the maker's mark is stamped: "P & B. SCHAUM"
Body is dovetailed to base, one dovetailed vertical seam, handle attached to flanges held in place by two rivets each. Pot insert is missing. Another insert (S.13) was purchased as a replacement.
Vessel has multiple dents, creating a general distortion overall. Surface is also tarnished and has drip stains running down the sides. The bottom is very worn and has numerous stains. Blueish-white stains on the inside. Polish residue on handle.
Object ID
P.77.61
Place of Origin
Lancaster
Related Item Notes
See broadside for Benjamin Schaum's hardware store, P.91.02
Credit
Heritage Center Collection. Purchased through the generosity of the James Hale Steinman Foundation
Spool holder/dispenser, turned wooden round box with fitted, slightly domed lid. Container is pill-box shape with thin walls. Three holes of graduated size marked "40" "50" and "60" under each. Hole insets of white glass or bakelite. Vertical spindles/dowels meant to hold spools on bottom of inside are missing. Bottom covered with a dark brown, pebbled finish paper.
Fitted lid has painted and/or woodburned design (shells and sea flora?). Box has lacquered natural finish.
Large round paper label pasted to underside depicts three circular medals at center. Above the center one is "NEW YORK 1853."
At top of label is "JOHN CLARK JUNR. & CO./ MILE-END/ GLASGOW." At bottom of label is "BEST SIX CORD SPOOL COTTON/ ON BLACK SPOOLS/ THOMAS RUSSELL/ SOLE AGENT/ FOR THE UNITED STATES."
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Heavy crazing onlid. Small abrasions overall. Hole inset missing for #40 size hole. Three spindles on interior are broken and missing. Interior dark with oxidation. Paper on bottom has old losses from peeling.
Object ID
G.05.15.5
Place of Origin
Glasgow, Scotland, UK
Credit
Gift of Susan Garofola in memory of Lillian Kiker (mother), Heritage Center Collection
Clock wheel cutting machine used by Lancaster clockmaker Martin Shreiner, Sr. Made of steel and brass with turned wood handle knob on crank. Main frame of tool is steel resting on four rounded, downward-curving legs with coin-shaped feet. Many moving parts, arms and cranks/screws, including the swiveling cutting yoke/frame at top (cutter blade with arbor/spindle missing) and the shaped index arm that "reads" the holes on the 13"-diameter brass wheel furnished with concentric circles of surface holes.
The LaFonds call this a very sophisticated machine, incorporating Swiss, German and English ideas/influences. This indicates to them that the machine was made in America, very likely by Shreiner himself. It was imperative for clockmakers to own this tool to practice their trade. Few survive. This machine was first described in the early book or article (LCHS Bulletin) printed in 1917(or 1919) & 1939 by D. McGee who wrote about Lancaster clockmaking. Ed believes this machine to be "the finest American engine in existence" and that it very well may have been made by Shreiner, probably in the 1790s. The cutter blade was used to cut the teeth on the large brass wheels that turn the pinions. There would have been either a slitting cutter or a form cutter used. Carter Harris says form cutters were used by the 1790s.
Attributed to Martin Shreiner (1769-1866).
An 8x10 B&W photo is in picture file under "clocks." Also slide is in slide collection, #14-3-11.
Lancaster Borough, most likely
Provenance
Owned by two brothers, Samuel K. and William L. Fraser, clockmakers who lived in Lincoln (just west of Ephrata) and grandsons of clockmaker William Fraser (1801-1877), then to early collector Earl T. Strickler (FNAWCC) who had it on display at the Columbia Clock and Watch Museum. Upon Strickler's sudden death circa 1974, it was sold by his widow, Mary Jane Strickler, to Edward F., Jr. and Virginia A. LaFond who removed rust and kept it on a window sill. They then traded it to dealer Jamie Price for some clocks. Price had it on sale at the 2004 Philadelphia Antiques Show in mid-April where, as representative for the von Hess Foundation, Tom Cook, purchased it for this museum's collections.
Ed LaFond believes the Fraser family was related to the Gorgas family, thus they were in a position to inherit tools. Due to this, it was believed at first that both the machine and the scribe were from the Gorgas family. However, LaFond believes the Frasers were also related to the Shreiners. Stacy Wood claims this machine was one of Martin Shreiner's tools (Vol. 96, LCHS Journal).
Pitting on steel surfaces, slight discoloration on brass parts, signs of wear overall.
Object ID
G.04.19.1
Notes
Information from: Clockmakers of Lanc. Co., Wood/Kramer, 1977, p. 142. 225 Years of Timepieces (Catalog of 1st Annual Exh. of NAWCCM, 1979), p. 63. Stacy Wood researched origins and provenance of these tools and wrote article in Vol. 96 #4 of LCHS Journal. Conversations with Virginia LaFond ( 5/19/04), Ed LaFond (7/6/04) and Carter Harris (7/7/04).
Place of Origin
Lancaster
Usage
Shreiner, Martin
Credit
Gift of the Richard C. von Hess Foundation, Heritage Center Collection
Tin candle mold with 2 rows of 4, mounted on a raised rectangular base. The 8 molds incline toward each other at their tips and are soldered together for strength. Wire finger ring attached to one side of base and large looped strap handle at other side.
Provenance
Provenance before donor is unknown. Transferred from Heritage Center, December 2012.
Brass spoon mold of two parts that mate to allow molten metal to be poured into bowl end of spoon mold via its funnel opening. Squared tangs project on top and bottom of mold at midpoint.
Mold will create spoon with moderately large, oval bowl, round stem and flaring, flattened handle with rounded terminal and raised center ridge on top. Rattail support under bowl.
Clear, free-blown leaded glass mug, near barrel shape. Stiegel-type glass has bubbles and other imperfections throughout. Applied threading at rim; ribbed loop handle; engraved design on side is a bird with floral and foliate designs. Pontil mark on bottom has been smoothed around edges with grinding wheel.
Similar to #5, plate 35 in "American Glass" by George and Helen McKearin.
Provenance
Descent within the Nichols family of Lancaster Co. Family history states mug was always kept in a decorated dower chest, dated 1808.
Clear mold-blown Stiegel-type glass mug in cylindrical form. Bottom quarter has 14 fluted ribs that carry through to the bottom and converge on the pontil mark. Rim edged with gold. Side has multicolored fruit and floral paint decoration with a central orange oval cartouche outlined in gold with gold cursive lettering: "Remember me." Applied handle.
Provenance
Descent to Sarah Muench from family, likely her Aunt Alice Potter Fordney, an antiques dealer.
Paperweight or keepsake of carved white marble has a carved reclining sheep, done in bas relief, is lying on a narrow ledge on an inch-thick slab of marble resembling a curved top tombstone. Incised name in block letters below the sheep: "E. M. Howell." Bottom edge below name is relieved with a carved cupid's bow design.
Attributed to Charles M. Howell (4-24-1814 to 4-10-1903).
Provenance
Donor inherited two carvings from her Aunt Annie and Aunt Kate Willson. They were pupils in Charles M. Howell's Sunday School class at First Presbyterian Church and he passed them out as Christmas gifts. Great grandson Dick Witmer states E.M. Howell is certainly Howell's wife Elizabeth Michael who Charles married in 1841. She died 10-22-1877.
Howell was an important in business and civic affairs. He operated a marble yard on N. Queen St. in Lancaster. Other carvings by Howell's employee,
Augustus Beck, are extant. Dick's brother Bob Witmer removed these large carvings (of lions?) that had been at the corner of a Howell residence at East Chestnut and Cherry Sts. to his home outside the city. Additional small carvings are reportedly owned by Lancaster collector Gene Charles.
