Pewter basin, part of the Warwick Congregation's (now known as the Brickerville United Lutheran Church) communion service.
High, rounded sides flare out to a flattened rim with rolled edge. Booge appears to be unhammered. Barns struck his large circular mark with an eagle on the inside of bottom. The left portion of the eagle as well as the letters "BAR" on the bottom are discernible, as well as the "HE" above the eagle.
Probably made in Middletown or Wallingford, Connecticut.
Provenance
The entire communion service remained in use over the years until the congregation decided in 1997 to find a safe place for this valuable communion set. Purchased by the Heritage Center of Lancaster County.
Chinese export bowl of high fired porcelain, polychrome decoration under glaze. Thin walled in nearly hemispherical form sitting on a 3/4" raised foot. Gold-painted rim with red edging. Two goldfish inside bottom. Continuous landscape on exterior is the same repeating Roman or Greek scene of a seated half-robed seated man with dog facing three nude women and seated baby. All set against distant mountains and one tree in foreground.
Glazed soft paste porcelain Gaudy Welsh sugar bowl (A) with lid (B). Handpainted inverted tulips of red and yellow are interspersed with 3 large, dominating deep blue scalloped motifs decorated with copper lustre painted floral decoration. Squat pot-bellied body sits on a low squarish pedestal with scalloped edging. Two molded angular applied handles. Top has round mouth with flared collar extends outward. Domed lid has squarish molded knob finial. Darkened remnant of paper sticker with blurred writing, perhaps "-caster/ --ea set/ --1825."
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
Butter crock, stoneware, blue-gray ground with cobalt floral decoration. Lip is 7/8 inch high with scored decorative rings below. Applied handle at each side near top.
Clarke Hess says this crock is known "in the trade" as a cake crock.
Several cracks: one extends 2 1/4 inches down from lip to exterior air bubble on surface, one extends down side from top to bottom (especially visible at lip and exterior. Crazing over much of surface. Salts visible at lip, inside and outside
Object ID
G.04.23.07
Credit
Gift of Sarah Muench, Heritage Center Collection, LancasterHistory.org
Small free-blown wine or dram glass, Stiegel type. Conical form. Low profile knop on stem. Round pedestal base with concentric ring created by folded foot. Pontil mark on bottom.
Provenance
Purchased by donor Hampton C. Randolph, Sr., for $65 at the sale of the Henry E. Balmer estate, Lancaster, PA on April 20, 1996, then donated to the Heritage Center of Lancaster County.
Diminutive hammer has elongated steel head; tapered cylinder end and thin flattened opposite end. Long hardwood handle mortised into head is wide and flat at head end and swelled to a rounded oval shape before tapering to blunt point at terminal.
Provenance
Donor was given hammer mid 1970s by an acquaintance, Frances Geiger, a "maiden lady from Quarryville." Attribution to Gorgas was stated by Ms. Geiger at that time. (Research indicates Frances was a teacher living in Millersville.)
Handmade sticker on hammer, now removed, had "Circa 1763-1798". These dates relate to Gorgas Sr. rather than Jr. The father appeared on Cocalico tax records by 1763 and died 1798.
Head has some dark tarnish. Handle is smooth and polished with some dark stains. Two small nails driven into handle end as it protrudes at top of head.
Object ID
G.08.19.1
Usage
Gorgas, Jacob, Jr. (b. circa 1763-1828)
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Diminutive hammer has elongated steel or iron head; tapered cylinder end and a tapering, flattened, thin end. Long hardwood handle is square-mortised into head and has a swell near opposite end with a blunt tip.
Provenance
Donor states the hammer was used by clockmaker Martin Shreiner (1769-1866), his great, great, great grandfather. Donor donated a signed statement by Edward D. Glass (1881-1962) that the hammer was purchased by him from the Shreiner estate sale at 136 E. Walnut St. in Lancaster, apparently around 1895 or 1896. (see file) Glass was a paperboy in that district of town and lived with his parents Daniel & Mary at 556 N. Shippen St. He would have been 14 or 15 yrs. old when he bought the hammer.
Head has some considerable corrosion. Moderate wear and soil on handle with some minor loss of wood near terminal. Head is loose on handle and small nail has been driven into handle end as it protrudes at top of head.
Object ID
G.96.31.2
Usage
Shreiner, Martin
Credit
Gift of Paul A. Mueller, Jr., Heritage Center Collection
Spool holder/dispenser, turned wooden round box with fitted, slightly domed lid. Container is pill-box shape with thin walls. Three holes of graduated size marked "40" "50" and "60" under each. Hole insets of white glass or bakelite. Vertical spindles/dowels meant to hold spools on bottom of inside are missing. Bottom covered with a dark brown, pebbled finish paper.
Fitted lid has painted and/or woodburned design (shells and sea flora?). Box has lacquered natural finish.
Large round paper label pasted to underside depicts three circular medals at center. Above the center one is "NEW YORK 1853."
At top of label is "JOHN CLARK JUNR. & CO./ MILE-END/ GLASGOW." At bottom of label is "BEST SIX CORD SPOOL COTTON/ ON BLACK SPOOLS/ THOMAS RUSSELL/ SOLE AGENT/ FOR THE UNITED STATES."
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Heavy crazing onlid. Small abrasions overall. Hole inset missing for #40 size hole. Three spindles on interior are broken and missing. Interior dark with oxidation. Paper on bottom has old losses from peeling.
Object ID
G.05.15.5
Place of Origin
Glasgow, Scotland, UK
Credit
Gift of Susan Garofola in memory of Lillian Kiker (mother), Heritage Center Collection
Redware canning jar, ovoid shape with no handle. Pronounced foot ring and rounded flaring lip with recessed interior to receive a fitted lid (missing). Dark brown manganese decoration with some mottling, streaks and dark spatters. Lead glaze overall except for underside.
Very strong wear with losses. Lip has very large chip and one very small chip at outside edge. Strong losses of glaze at lip. Very strong abrasions at salient point of side, with considerable scattered scratches. Foot ring has three large chips and one very large chip. Soil on inside and underside.
Object ID
G.99.22.1
Place of Origin
Pennsylvania
Credit
Gift of Drs. Irwin and M. Susan Richman, Heritage Center Collection
Clock wheel cutting machine used by Lancaster clockmaker Martin Shreiner, Sr. Made of steel and brass with turned wood handle knob on crank. Main frame of tool is steel resting on four rounded, downward-curving legs with coin-shaped feet. Many moving parts, arms and cranks/screws, including the swiveling cutting yoke/frame at top (cutter blade with arbor/spindle missing) and the shaped index arm that "reads" the holes on the 13"-diameter brass wheel furnished with concentric circles of surface holes.
The LaFonds call this a very sophisticated machine, incorporating Swiss, German and English ideas/influences. This indicates to them that the machine was made in America, very likely by Shreiner himself. It was imperative for clockmakers to own this tool to practice their trade. Few survive. This machine was first described in the early book or article (LCHS Bulletin) printed in 1917(or 1919) & 1939 by D. McGee who wrote about Lancaster clockmaking. Ed believes this machine to be "the finest American engine in existence" and that it very well may have been made by Shreiner, probably in the 1790s. The cutter blade was used to cut the teeth on the large brass wheels that turn the pinions. There would have been either a slitting cutter or a form cutter used. Carter Harris says form cutters were used by the 1790s.
Attributed to Martin Shreiner (1769-1866).
An 8x10 B&W photo is in picture file under "clocks." Also slide is in slide collection, #14-3-11.
Lancaster Borough, most likely
Provenance
Owned by two brothers, Samuel K. and William L. Fraser, clockmakers who lived in Lincoln (just west of Ephrata) and grandsons of clockmaker William Fraser (1801-1877), then to early collector Earl T. Strickler (FNAWCC) who had it on display at the Columbia Clock and Watch Museum. Upon Strickler's sudden death circa 1974, it was sold by his widow, Mary Jane Strickler, to Edward F., Jr. and Virginia A. LaFond who removed rust and kept it on a window sill. They then traded it to dealer Jamie Price for some clocks. Price had it on sale at the 2004 Philadelphia Antiques Show in mid-April where, as representative for the von Hess Foundation, Tom Cook, purchased it for this museum's collections.
Ed LaFond believes the Fraser family was related to the Gorgas family, thus they were in a position to inherit tools. Due to this, it was believed at first that both the machine and the scribe were from the Gorgas family. However, LaFond believes the Frasers were also related to the Shreiners. Stacy Wood claims this machine was one of Martin Shreiner's tools (Vol. 96, LCHS Journal).
Pitting on steel surfaces, slight discoloration on brass parts, signs of wear overall.
Object ID
G.04.19.1
Notes
Information from: Clockmakers of Lanc. Co., Wood/Kramer, 1977, p. 142. 225 Years of Timepieces (Catalog of 1st Annual Exh. of NAWCCM, 1979), p. 63. Stacy Wood researched origins and provenance of these tools and wrote article in Vol. 96 #4 of LCHS Journal. Conversations with Virginia LaFond ( 5/19/04), Ed LaFond (7/6/04) and Carter Harris (7/7/04).
Place of Origin
Lancaster
Usage
Shreiner, Martin
Credit
Gift of the Richard C. von Hess Foundation, Heritage Center Collection
Brass spoon mold of two parts that mate to allow molten metal to be poured into bowl end of spoon mold via its funnel opening. Squared tangs project on top and bottom of mold at midpoint.
Mold will create spoon with moderately large, oval bowl, round stem and flaring, flattened handle with rounded terminal and raised center ridge on top. Rattail support under bowl.
Clear, free-blown leaded glass mug, near barrel shape. Stiegel-type glass has bubbles and other imperfections throughout. Applied threading at rim; ribbed loop handle; engraved design on side is a bird with floral and foliate designs. Pontil mark on bottom has been smoothed around edges with grinding wheel.
Similar to #5, plate 35 in "American Glass" by George and Helen McKearin.
Provenance
Descent within the Nichols family of Lancaster Co. Family history states mug was always kept in a decorated dower chest, dated 1808.
Clear mold-blown Stiegel-type glass mug in cylindrical form. Bottom quarter has 14 fluted ribs that carry through to the bottom and converge on the pontil mark. Rim edged with gold. Side has multicolored fruit and floral paint decoration with a central orange oval cartouche outlined in gold with gold cursive lettering: "Remember me." Applied handle.
Provenance
Descent to Sarah Muench from family, likely her Aunt Alice Potter Fordney, an antiques dealer.
Paperweight or keepsake of carved white marble has a carved reclining sheep, done in bas relief, is lying on a narrow ledge on an inch-thick slab of marble resembling a curved top tombstone. Incised name in block letters below the sheep: "E. M. Howell." Bottom edge below name is relieved with a carved cupid's bow design.
Attributed to Charles M. Howell (4-24-1814 to 4-10-1903).
Provenance
Donor inherited two carvings from her Aunt Annie and Aunt Kate Willson. They were pupils in Charles M. Howell's Sunday School class at First Presbyterian Church and he passed them out as Christmas gifts. Great grandson Dick Witmer states E.M. Howell is certainly Howell's wife Elizabeth Michael who Charles married in 1841. She died 10-22-1877.
Howell was an important in business and civic affairs. He operated a marble yard on N. Queen St. in Lancaster. Other carvings by Howell's employee,
Augustus Beck, are extant. Dick's brother Bob Witmer removed these large carvings (of lions?) that had been at the corner of a Howell residence at East Chestnut and Cherry Sts. to his home outside the city. Additional small carvings are reportedly owned by Lancaster collector Gene Charles.
Paperweight or keepsake of carved white marble has a 3-D carved reclining sheep reclining on a half-inch-thick rectangular base, secured with a screw on underside. Base has chamfered top edges. Thin sheet of red rubber glued to underside of base.
Attributed to Charles M. Howell (4-24-1814 to 4-10-1903).
Provenance
Donor inherited two carvings from her Aunt Annie and Aunt Kate Willson. They were pupils in Charles M. Howell's Sunday School class at First Presbyterian Church and he passed them out as Christmas gifts.
Howell was an important in business and civic affairs. He operated a marble yard on N. Queen St. in Lancaster. Other carvings by Howell's employee,
Augustus Beck, are extant. Dick's brother Bob Witmer removed these large carvings (of lions?) that had been at the corner of a Howell residence at East Chestnut and Cherry Sts. to his home outside the city. Additional small carvings are reportedly owned by Lancaster collector Gene Charles.
Needle cleaner, painted cut velvet and paper, emery sand within. Rectangular box shape; sides slope in to smaller base. Padded top covered with yellow velvet decorated with painted green flowers. Sides and base covered with a glossy tan paper.
Laid paper label pasted onto bottom has handwritten inscription in ink: "Magdelena Andrews (Ressler) received this needel(sic) cleaner in 1825 when three years of age then in 1895 gave it to her granddaughter Clara Aument."
Compare similar needle cleaner 2002.004
Lancaster County, possibly Colerain Twp.
Provenance
Inscription indicates origin as a gift to 3-yr-old Magdalena Andrews (19 Sep 1822 - 24 Nov 1897), daughter of Joseph and Marie (Mary) Andrews. Magdalena married Martin Boehm Ressler, a farmer in Strasburg. Their daughter Annie married H. Elmer Aument and had a daughter Clara P. Aument (1892 - 1974), unmarried & a clerk in Lancaster City. The needle cleaner was given to granddaughter Clara in 1895, two years before Magdalena's death. Finally given to museum by unknown donor.
Wear, soil and fading overall. Small losses of velvet. Paper is cracked, soiled and worn.
Object ID
G.87.08
Notes
Andrews family were early settlers in Colerain Twp., including a Joseph Andrews - see Ellis & Evans pp. 728, 732, 733. Census 1810-1850 show a Joseph Andrews in Colerain Twp. The 1850 Census shows Joseph & Mary in Strasburg, living next to daughter Magdalena family (Martin Ressler).
Place of Origin
Lancaster County
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Pin card is a rectangle of paper-covered rigid material holding 48 colored glass-head pins arranged in clusters ofthree along its edges. On both sides of packet are printed papers: one side is a scene of two young children in 19th c. clothing, the girl looking out the window and a boy in background working with a bird and birdcage. Second side has dark blue paper with gold printing stating "Pin Card" at center. At bottom is "48 Pins Germany."
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Large redware pitcher, sectioned octagonal form with conforming low pedestal base. Applied handle and pulled pouring spout. Orange-red color dark brown manganese mottling with clear glaze overall.
Impressed mark on underside is "C GAST" for Conrad Gast (1813- after 1880).
Prince and James Sts. Lancaster, PA
Provenance
Heritage Center purchased from Ruth Rogers of School House Farm Antiques, New Holland.
Wear at all salient points of the lower body as well as the outside and tip of handle. Two medium chips at opposite sides of lip and several minor chips at spout and sides of lip. Wear at bottom.
Object ID
P.02.04.1
Place of Origin
Lancaster
Credit
Gift of V. Ronald Smith, Heritage Center Collection
Wheel-thrown stoneware pitcher, gray ovoid body with extended neck and pulled spout. Applied handle. Clear salt glaze except for bottom and interior. Brushed cobalt decoration is foliate designs at both sides of spout, graceful leaf and flower design at front side with two pendant branches; both handle terminals highlighted with additional leafage extending from lower terminal. Decorative incised line at top of shoulder.
Badly chipped: 2 at spout, 1 at side of rim, minor ones at base along with one very large chip and one medium size. Rusty discoloration at one side with adjacent imperfections in finish likely from firing. Stained and soiled on bottom and interior.
Object ID
G.96.37.103
Credit
Gift of Henry J. Kauffman, Heritage Center Collection
