Family register for Metzger family, hand-drawn, lettered and watercolored, horizontal orientation on wove paper, attributed to Karl Seybold (arctive c. 1813-1846). Format is the English style of register rather than Pa. German. Framed in molded softwood frame with very dark brown finish.
Within an inked double-line border is a grouping at top of rectangles with text re: parents. Father George Metzger born in Conestoga Twp.(1799-1845) and mother Maria Huber Metzger born in Boro of Strasburg (1804-1890), married 1821. Polychrome flowers surround text blocks. Father was Lutheran, mother (daughter of Abraham and Maria Longenecker Huber), apparently Mennonite (unbaptized as a child).
Below text blocks are 8 circles bordered w/ polychrome stylized flowers. Each circle records birth of a child. Birthplaces indicate pattern of residence:1st child born Lancaster Boro (1824), 2nd & 3rd Lancaster Twp (1827-1829), 4th & 5th in Manheim Twp (1831-1833) and last three in Warwick Twp (1836-1841).
Karl F. T. Seybold came to America in 1806, becoming a school teacher in Northampton Co. by 1813. His desire to join the Harmony Society in Ambridge, Pa. was unfulfilled, so he moved with his wife to Lancaster Co. in the 1830s, reportedly at the urging of his mother-in-law. He taught school and apparently lived in a Menno. community, doing mostly birth records and family registers for them (names like Funk, Hostetter, Herr, Kauffman, Huber, Miller, etc.).
Provenance
Unknown provenance before acquisition from sellers. Earnests do list the source of this fraktur as "Der Kurier" 9/93 p. 4. This is the newsletter of the Mid-Atlantic Germanic Society, published quarterly in March, June, September, and December. It is indexed in the Periodical Source Index by the Allen County Public Library, Ft. Wayne, Indiana and the Genealogical Periodical Annual Index by Heritage Books Inc, Bowie, Maryland
Old cardboard back has mailing label from L.E. Waterman Co. in New York City to W.H. Corey, Jr. of Owego, N.Y. A 12-cent stamp affixed to corner dates from early 20th century.
Paper soiling, foxing and scattered stains overall; significant moisture stains along bottom right border and smaller ones near center as well as along paper edges. Paper has significant spidery, stained cracks extending inwards from both right and left edges, clustered at center. Each side is repaired on reverse with a 2.5" - 3"-wide vertical band of paper tape, causing the dark staining seen at cracks on front. Vertical paper cracks at fold lines extend in from top and bottom. Frame has been recut to current size and has nicks and moderate wear. Corrugated cardboard backing replaced with acid-free board, Dec. 2004..
Birth & Baptismal Certificate for Maria "Temi" (Demmy) printed in German language by "Johann Ritter und Comp." of Reading. Darkened golden oak frame.
Central text within boilerplate border; a putto above, angels standing on clouds at top sides and birds on branches at lower sides. Text infilled by unknown hand states Maria was born Oct. 26, 1806 in Manheim Twp. to Christoph Temi and his wife Catarina, nee Etienne. Maria was baptized May 10, 1807 by Rev. August Miehlenberg and the witnesses were Mathis Wolff and his wife Maria. Infill in printed fraktur hand includes interesting line extensions drawn to fill in gaps
Heavily watercolored with dense reds, blue and green on all images and borders. This version of Ritter's print is one of many variations printed in the early 1820s (see Klaus Stopp, pp. 182-186).
Inscribed "Mary" twice at top of reverse side; once in pencil and once in brown ink with decorative scrolling line surrounding name.
Note: See hand towel (P.04.26.1) done by "Maria Macdallna Damy" in 1836 (Younger sister of Maria). Another nearly identical towel (Plate 14 in This is the Way I Pass My Time) was done by sister Elizabeth Damy in the same year. Both sisters married the following year in 1837, Maria to Henry Fenstermacher, whose initials are on her towel in a central heart. Also included on towel are parents' names "Christopher and Catharine Damy."
Printed by Johann Ritter in Reading, PA; Lancaster County infill by unknown scrivener.
Age darkening & soil overall w/ darkest staining/soiling in upper area. Several small breaks; holes caused by green paint (branch at lower right, upper cornucopia and stalks opposite cornucopia).
Very unusual German edition of a Birth & Baptismal Certificate (B&BC) printed on wove paper by Lancaster printer Herman William Villee. Infilled in red ink by an unknown, unskilled, illiterate hand for William Craus/Crause of Cocalico Township. Glued onto a mid-20th century printed certificate on thin cardboard & mounted in a modern thin, black frame.
Entitled "Geburts und Tauf Schein." at top. Entire frame around main text consists of one single cut (printing block) with the baptism of Christ at top and Christ blessing the children below. Central text block in German has blanks infilled in English with red ink. William Crouse was born August 10, 1828 to parents William and Sarah Craus(e?). He was baptized by Rev. Frederick Harman and the sponsor was John Koch(?). The birth year is scrawled above text three times and below is written "whas Ritten May 21. 1833." Villee's name and location printed at bottom.
Certificate is H: 16.25" x W: 13" It is heavily colored with dark red, black and yellow throughout.
J.J. Strine records the marriage of a William M. Crouse Esq. of W. Cocalico and Nancy Eberly of Reamstown, 12 Oct. 1858. (If the same Crouse, he was age 30.) 1869 Directory lists both Wm. Crouse Sr. & Jr., combmaking in Reinholdsville, while the Business Directory (p. 408) only lists Wm. Jr. as one of two comb manufacturers in Lanc. Co. William M. Crouse & son were manufacturing combs in Reinhold's Station in W. Cocalico Twp. in 1890 Directory. In 1909, only George W. Crouse continued.
Atlas of 1864 has Wm. Crouse Jr. w/ two bldgs. between Reinholdsville & Berks Co. line. The 1875 Atlas shows W.M. Crouse listed only with the bldg. nearest Berks Co. while the other bldg. is gone. The 1899 Atlas shows property labeled "COMB FACTORY".
Ellis & Evans lists William M. Crouse as a Justice of the Peace in 1855-1860 in W. Cocalico Twp. (p. 722).
Printed N. Queen Street; likely infilled in W. Cocalico Twp.
Provenance
Provenance unknown.
See P.01.60.1 for Heaven & Hell broadside by Villee.
See Klaus Stopp, The Printed B&BC of the German Americans, Vol. III, pp. 136-137.
Heavy damage with moderate staining. Extensive tears, wrinkles and holes, esp. at center. Largest losses are scene of Crist blessing the disciples. Many areas mended with tape. Glue & tape apparently used to mount document. Old cardboard backing. NEEDS CONSERVATION.
Modern "revivalist" fraktur created by Professor H. J. Kauffman's caretaker/nurse, Arlene Harnish. Mounted in handmade wood frame with corner blocks.
Marriage and birth certificate done on tinted laid paper with various colors. Within a border are three panels, the larger central panel has the text: "Henry Ka/uffman/Son of David and Anna/Kauffman was born on/November 14, 1908 in Yo/ork County, Pa. Married/ Elizabeth Zoe Tomer/July 20, 1938." Signed at the bottom "A Harnish" The two side panels are nearly symmetrical, featuring flowering plants growing out of a colorful pitcher resting on a stepped pedestal. A large colorful bird is perched in each of the plants.
Frame was made by HJK in earlier years.
1704 Millersville Pike, Lancaster
Provenance
Made by Arlene Harnish (b. 13 March 1946), caretaker of Henry J. Kauffman. She stated on 30 May 2000, that she learned to make fraktur by taking a class at Landis Valley Museum taught by Jere Kickerman. This piece was only the second fraktur she made, the first being the project for the class, done for her granddaughter.
Harnish made this fraktur for HJK during working hours at his residence when another was pressing. She copied motifs from a book. When completed, HJK told her to look for a frame in the basement. The one she found turned out to be one made by Kauffman himself. Harnish expressed shock and embarrassment upon learning that Kauffman had donated her fraktur to a museum. Arlene is Mrs. R. Edwin Harnish, 1586 Georgetown Rd. Christiana, PA phone: 5292712.
Modern fraktur and frame in excellent condition. The handmade from has small crack in top left corner block where nailed. Wood stain shows brush marks. Brown paper backing.
Object ID
G.96.37.9
Notes
This fraktur is featured in Irwin Richman's book "Pa. German Arts," 2001, page 14.
Place of Origin
Lancaster
Usage
Kauffman's home
Credit
Gift of Henry J. Kauffman, Heritage Center Collection
Fraktur, religious text in German by Adam Siegel (died 1809, active c. 1790-1804), done on wove paper in pen & ink for Martin Bar, framed in old dark brown varnished poplar frame (not original to fraktur).
The name "Martin Bar" fills the upper half in large fraktur-style lettering, illuminated with scrolling filigree. Included in the scrolling are two cartoonish heart-shaped faces with stubbled hair and shaded beards. Underneath name are six lines of religious text in German script, ending with the last line: "Geschrieben von mir ADS d(en) 28ten Mertz 1802."
Double-line border at top and left side only. Last word of fourth line of text appears to have been trimmed. Fraktur thus appears to have been trimmed at right and bottom. Reverse has pencil scribbles and one in ink.
Appears to have been trimmed at right side and bottom. Scattered dark stains, pinholes along fold lines, slightly larger holes at "i" in "Martin" and within the "B" of "Bar." Liquid stain of 1/2" size at center and one at right side at text. A tear 3/4"-long at right edge above center.
Replaced heavy paper backing used by vendors with acid-free matboard, 11/05.
Object ID
P.05.04.6
Notes
Papers for Birth Dayes notes that Siegel immigrated to America in 1774 and was a schoolmaster in Lancaster Co, perhaps in the Strasburg area. Although he made fraktur for Mennonites, he was not Mennonite. His work is usually not watercolored.
Paper included with purchase has the text rewritten in German script with an English translation below (see file). This person translates the recipient's name as Martin Biehr, although it is normally seen elsewhere as "Bare" or "Bear". Ellis & Evans gives numerous references to the name Martin Bare, usually found in the townships of Conestoga, East Lampeter and Upper Leacock.
Possible Bar/Bare family connections: See also a birth record for Andreas Bar (Andrew Bear) P.80.136 by an unknown scrivener. This Andreas/Andrew was the youngest son of Andrew Bear and wife Christina Heighley. A desk-and-bookcase P.77.34 has inscription of Adam Bare on its drawer. His father John Bear an older brother of Andreas. Relation of these Bears/Bares to Martin is unknown. Jane Evans Best (see her letter re: Bear family in file P80.136) would be a good source of help.
Place of Origin
Lancaster County
Credit
Gift of Irene N. Walsh, Heritage Center Collection
Large fraktur is both a Vorschrift & Taufschein, done on laid paper, for Johan Philip Grunewalt, born June 17, 1756, in Cocalico Twp. Mounted in modern red-painted frame with window mat. Has watermark of a shield with a fleur-de-lys at top and "GR" at bottom.
Large religious text at top begins: "Dass walt der Trey Einige Ewige un Endliche und Allmachtige gott der gott, Abraham der gott, Isaac der gott, Jacob der heylige In Israel Auser welche..." followed by 2 more lines of in smaller font, then13 lines of German script filling center of fraktur. Below this is a line of large fraktur style alphabet, then numerals, and finally a line of German script.
At bottom is the taufschein section noting Johan's birth and baptism. German script at bottom right Alan Keyser identifies as simply completing the previous sentence due to running out of space. It is "auffer stehung(en)" which ends the thought of eine seelige... "toward a blessed after-life" (or resurrection). Following the mention of holy baptism are sponsors names, Jorg Weber and his wife Ann Eliza. No date of baptism.
Around entire fraktur is a 3-line border of red, yellow and blue, with a religious text dated 1767 between red & yellow lines. Decoration at top, within border, are simple leafy vines with stylized tulips of red, yellow, green and black.
Biographical Encyclopedia of Dauphin Co., p. 300 ff.
Height (in)
19
Width (in)
23.875
Dimension Details
Unframed dimensions. Frame is 25" x 31"
Condition
Good
Condition Date
2016-08-04
Condition Notes
Damp stains mostly at top border and some foxing across surface. Significant damage to paper from multiple tape repairs at fold lines. (Conserved in 1996 by Marilyn Kemp Weidner of Phila. and placed in a sealed Mylar package on acid-free corrugated board).
Object ID
P.94.21.2
Notes
Recipient of Vorschrift, John Philip Greenawalt, was born in Cocalico Twp. to parents Philip Lorentz and Maria (or Margaret?) (Foesser) Greenawalt. He apparently settled in Ephrata where he was a farmer and a hotel keeper.
Son John Philip served as first lieutenant in the Rev. War (and his father served as a colonel with Washington at Brandywine, Germantown, Trenton, Princeton, etc.). The Dauphin Co. Biog. Encyclopedia, p. 300, states Philip became a hotel keeper at Lebanon after the war. He apparently left Cocalico Twp. no later than 1763.
Place of Origin
Cocalico Twp.
Usage
Grunewalt, Johan Philip, 1756-1834
Credit
Heritage Center Collection, gift of James Hale Steinman Foundation
Spiral labyrinth, watercolor and ink on wove paper, signed by John A. Landis (15 Sep 1777 - 8 Mar 1862) of Lancaster City. Within a line border is a compass-drawn large circle filled with interwoven near-circles (paths of labyrinth) emanating from another center circle that is in turn filled with compass-drawn floral decoration. The near-circle pathways have text written within, beginning at the top with the words, "What is a gentleman?" Leafy vines with flowers fill the corners outside of the large circular labyrinth. Two distelfink-type birds are perched on lower vines. At bottom center is a heart in which vines are anchored. Within heart are 4 lines of neatly printed English: "Made By/ John A. Landis in the/ Year of our Lord 1852/ in the Seventy Fifth/ Year of his/ Age."
Reverse side of frame has two stickers; the top one reads: "MSC/ #135" and the lower one reads: "T76.10.37/ (MSC - 135)."
Unusual -- believed to be the only hand-done Lancaster City fraktur known. Samuel Baumann is the design source for Landis's birds, flowers and hearts. Baumann produced printed fraktur in Ephrata in the early 19th century. See NOTES
Provenance
Provenance: Dealer Hattie Brunner to Dr. & Mrs. Donald A. Shelley. Shelley collection sold at auction (Pook & Pook), Oct. 2004 to Heritage Center.
Paper is darkened overall; watercolored words of labyrinth are blurry and often illegible.
Object ID
P.04.45.1
Notes
According to Landis family genealogy & other sources, Landis operated a museum in Lancaster City at several successive locations. Article in Lancaster Gazette, 1825, lists detailed changes & additions Landis made to the museum.
Landis married twice, leaving no children and is buried in Shreiner's cemetery (tall monument along Mulberry St. side). The 1850 Census records him living, at age 72, with his wife Sarah in a hotel kept by Henry Nauman. He is also listed in the 1860 Census but of course gone by 1870.
Labyrinths have been made in various forms for centuries, traditionally of a spiritual nature. According to Michael Bird, "The labyrinth had pre-Christian roots in the worlds of Crete, Greece and Rome..." Landis's labyrinth is unusual in that it is not rooted in a spiritual or Biblical theme, but instead focuses on moral character. This compass-drawn design is not traditional Pa. German; it is likely Anglo-inspired.
This labyrinth was illustrated in Donald Shelley's "The Fraktur-Writings of Illuminated Manuscripts of the Pa. Germans", figure #223. See Klaus Stopp's The Printed B&BCs of the German Americans, Vol. II, pp. 208-217, for fraktur printed by the Baumanns of Ephrata. These show the source of motifs used in this labyrinth.
Birth & baptismal certificate, with printed 3-heart form with text in all three hearts. Blank spaces infilled by hand in thin red ink by Speyer. Fraktur done for Peter Scholl, son of Peter Andreas and his wife Elizabeth Margretha, nee Illick. Son Peter was born September 7, 1772, in Heidelberg Township, Lancaster Co. (Now Berks Co., likely in Stouchsburg area of Marion Twp.)
Infill & decoration Berks Co. (formerly Lancaster Co.) by Georg Friederich Speyer (active c. 1774-1801) and printers Barton & Jungman, Reading.
Densely paint-decorated by Speyer with cross-legged angels in the top corners and bottom center, mermen and winged heads of angels in lower corners, parrots along the sides, a crown at top center, and birds holding flowers in their beaks at the top of the main text block. Dominant colors are red, green, yellow, and blue.
Certificate printed on laid paper with an "FS" watermark, indicating papermaker Frederick Schutz(Scheetz) of Lower Merion Twp. in Montgomery Co. (See American Watermarks). Mounted with window mat in a brown frame
Provenance
Fraktur was given to the Lancaster County Historical Society by donors with the understanding that it would become part of the Heritage Center collection when that institution was established.
Significant horizontal crease across the middle, and three vertical creases. Smaller creases and crinkles appear overall. The paper has browned, and there are stains in the lower half.
A treatment proposal was offered by the Conservation Center for Art and Historic Artifacts in 1986, followed by treatment in 1988-89 -- consolidated pigment, dry and wet cleaned, mended and reinforced, filled losses, flattened, and matted. More details available in the object file.
Object ID
G.77.50.12
Notes
Earnests note that "neatness was of little concern to Speyer, but he did seem concerned about filling white space." He normally infilled with words done in a thin red ink which does not stand up well over time. He worked mostly in northern Lancaster Co.and in southern Berks and Dauphin Counties. Speyer used the 3-heart print more frequently from about 1790 on.
On-line Nissen family genealogy (internet, 2010) states Peter Scholl married Eva Elizabeth Rieth on Apr. 28, 1800 in Reeds Church, Stouchsburg, Berks, Co. He died Feb. 25, 1839. His parents were also married in Stouchsburg.
References:
Klaus Stopp, Printed B&BC of the Pa Germans, Vol. IV, pp.. 81 & 89.
Earnests, "Papers for Birth Dayes", pp 722 ff.
Gravell, Miller & Walsh, American Watermarks, 1690-1835, 2002, pp. 79 & 305.
Slide # 27-1-4 in Archives West
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Birth certificate done in German for "Anna Schenkin" (Schenk), born in "Connostoge Taunschip Langster County", November 20, 1783. Hand drawn, colored and lettered on laid paper with iron gall ink. No baptism indicates a Mennonite family.
The text is enclosed within a heart, surrounded by various vining flowers and four birds, two above and two below. The design conforms with artist's normal pattern of having the vines emanate from a hole at the top center of the heart. This artist made fraktur for mostly Lancaster County Mennonite families. He was almost certainly a schoolmaster. There are about 15 of his fraktur that are documented.
"Johannes Schopf/Schopp Artist" (active c. 1774-1800)
Note written on frame's dust cover by Smith states this fraktur was exhibited in two shows: Allentown Folk Art Show (Nov. 1974) and William Penn Memorial Museum, F/A Show (Jan. 1975).
Slide #27-2-4 in Archives West.
Provenance
Purchased by Richard Flanders Smith at a public sale along Route 222, north of Willow Street. Given to the Lancaster County Historical Society with the understanding that it would become part of the Heritage Center collection with the establishment of that institution.
Foxing or brown spotting over much of surface. Some tears along the edges. Moisture or adhesive stain at bottom center.
A condition report and treatment proposal was done by the Conservation Center for Art and Historic Artifacts in Philadelphia in 1986. Matted and framed by conservator Brian Howard of Carlisle in 1996.
Object ID
G.77.50.11
Place of Origin
Conestoga Twp.
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Framed vorschrift on laid paper with German text penned on both sides with dark iron gall ink. Paper is folded with two strong creases, creating four quarters of the sheet. Half of "front" side contains illuminated vorschrift with four letter styles.
Top line in very large, ornate letters reads, "Wohl dem der..." Initial letter "W" is oversize and decorated with scrolling acanthus leaves. Arching over this line is a horizontal vine with flowers and pomegranate. The religious text in script ends with what appears to be Psalm 112. It ends with a final line in fraktur lettering reading, "Heinrich Miller, in Canastogen Townschip, Anno 1782."
One quarter of same side states, "Vorschrift Vor Heinrich Miller, in Canastogen Townschip, den 5ten Martz, Anno 1782."
Reverse side has a text in German script framed with a lined border. It has ten lines including numbers and alphabet, and it ends with the same line as above, "Heinrich Miller, in Canastogen Townschip, 1782."
Fraktur scholar David Johnson identified this artist as Friedrich Hartman, likely a schoolmaster. Hartman is found on no records but the 1790 Census, in Conestoga Twp., suggesting that he owned no property. Other Hartman pieces were found in the 1986 Fraktur Harvest (see this file).
This vorschrift relates closely to work done in northern Lancaster County near Ephrata Cloister although the artist is not known to have had connections in that community.
Provenance
HC purchased at Scott's sale through Christie's for $1265.00, Jun 11, 1994. This piece was likely collected by Scott in his usual manner, purchase at sale in Lancaster Co. or region.
Mounted in frame folded in half: H: 8.25" W: 13.125"
Frame is H: 16.25 W: 19.25"
Condition
Good
Condition Date
2016-10-24
Condition Notes
Overall soil with many stains. Edges are ragged, a 2-inch-long sections is cut from one corner. There is breaking at creases and losses where heavily inked. Paper loss where crease coincides with lettering as well as tulip-shaped flower.
Matted and framed by Carlisle conservator Brian Howard in 1996.
Object ID
P.94.13.3
Notes
This fraktur is recorded in the Winterthur Library: Decorative Arts Photographic Collection, NEH 475, 17-19 (per Christie's)
Pictured on p.15, of Fraktur: Folk Art & Family by Corinne & Russell Earnest.
Family record by Christian Strenge (1757-1828), done on laid paper for Isaac Kauffman family. Within a yellow border are 17 lines of German text, penned in red with lines of curlicues separating each line. Text fills most of page, giving birth dates & Zodiac signs for Kauffman, his wife and 6 children. To right of text is a large stylized, round flower rising from a yellow heart and having side branches with tulips & other flowers. Serpentine flowering vine fills margin along left side. Reverse has some old, faint pencil inscriptions on right side: "Landis" (?) written twice and a nearby sum (17+4=21).
East Petersburg area
Has 19th c. frame with walnut veneer and flat profile. See NOTES on Kauffman family.
Provenance
Assumed to have descended to donor within Kauffman family.
Soil, foxing and staining overall. Two fold lines intersecting at center are breaking with some holes/losses. Repaired on reverse with various papers & tapes at different times. Holes and losses around perimeter. Pronounced damp stains at center fold line. Significant paint loss in leaves, stems and branches.
Frame is chipped and worn, missing some delaminated veneers. Repairs to veneers. Old acidic back boards of cardboard replaced in 2001 by curator w/ acid free foam board.
Object ID
G.96.37.8
Notes
According to fraktur scholar David Johnson, Isaac Kauffman was a farmer who lived on the south side of Leabrook Road from his parents. His parents, Jacob and Eve Kauffman, built the original nearby mill in 1755 (what is now Flory's Mill) and was operated by the Kauffman family until the late 19th century.
See: David R. Johnson, "Christian Strenge's Fraktur", 1995 and Fred Weiser, "Fraktur: Pa. German Folk Art, Science Press, X-mas 1973, pp. 10-12.
This family record is published in Earnest, Russel and Corinne, "To the Latest Prosperity: Pa-Ger. Family Registers in the Fraktur Tradition", 2004.
Three leaves of family record pages of the Long family Bible have penwork by Francis Blum, David C. Hoke and Thomas J.Stevens.
P.94.15.02 A: Printed on the front side only, this page is dominated by a huge gold wedding ring and other symbols of marriage. Entries made in ink script state that William Long and Ella E. Shimp were married in East Petersburg, on March 4, 1900, by A.S. Hottenstein.
P94.15.02 B: Framed page shows both sides. Front side repeats marriage info of William and Ella (E. Shimp) Long, done in pen work of Francis Blum whose name is written at the bottom of the page. Elaborately decorated "W" initial letter of William Long. This oversize letter dominates the page. Blum uses various styles of lettering for remaining entries. Decoration is done in red and black ink as well as watercolor.
The reverse side lists the births of William and Ella Long and their five children (Norman S., Mary Edna, Raymond S., William S., and C. Earl Long). The first 3 names are by Blum, but the last two children's entries are done in different hands; William is done by David C. Hoke and Earl is done by Thomas J. Stevens. Signed at the bottom "David C. Hoke, Lititz, Pa., June 21, 1910".
P94.15.02 C: Front side has heading "DEATHS", reverse has "MEMORANDUM". No entries on either side.
Pages have ragged edges where torn from Bible; overall acid burn with some dark stains and soiling; reverse side of page C has residue and paper loss at bottom left corner and top right corner.
Page B was mounted and framed by Brian Howard in 1996. It shows both sides of page.
Object ID
P.94.15.02a-c
Notes
P.94.15.01 A-B records have for more work by Blum and Hoke.
The Long and Walborn families were related due to intermarriage by two children (Alverta Walborn and Raymond Long).
Place of Origin
Lancaster County
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Two leaves from the Isaac and Annie (W. Shearer) Walborn family Bible, with pen work by Francis Blum and David C. Hoke
P94.15.01 A: This leaf is the record of marriage. Front side has printed scene of marriage ceremony with entries made with ink in cursive handwriting. Isaac Walborn of Mount Hope and Annie W. Shearer of Mastersonville were married at Manheim, PA, July 14, 1900, by M.E. Bachman, "Minister of the Gospel".
Reverse side has the heading "MARRIAGES" over a scene depicting a flower-festooned gondola with bride and groom under canopy. The single entry of Isaac & Annie Walborn's marriage is made by Francis Blum, whose signature appears at bottom right. Penwork is done in red, green, and blue.
P94.15.02 B: This has the record of "BIRTHS" on the front side and "DEATHS" on the reverse. Under the headings are appropriate images: an infant emerging from a large clam shell under "BIRTHS", and an angel kneeling by a grave under "DEATHS". Birth names of the parents and four children (Viola S., Joseph S., Leona May, and Alverta S. Walborn) as well as the heading "Children" are done in calligraphy by David C. Hoke, in colors of red and blue. Entry at the bottom of the page states "David C. Hoke Lititz Pa. Dec. 10 1912"
The reverse side, on "DEATHS" page, exhibits two more names done by the same hand as the front. Hoke has written the names Viola S. Walborn and Joseph S. Walborn in the same calligraphic style as the front. However, the death entries of Annie and Isaac are entered in cursive at a much later date (after 1945).
Note: In Francis Blum exhibit at Muddy Creek Farm Library 2003-2004. "Guest curator" John Parmer's genealogy research is included in this file.
Both leaves have torn edges where removed from the Bible; acid burn & soiling, especially along edges. Page A has food (or other) stains smeared in several places & tape-repaired 1 1/2" tear at bottom. Page B has four small tears along the edges.
Both leaves were mounted and framed side by side by Brian Howard in 1996.
Object ID
P.94.15.01
Notes
P.94.15.02 A-C records have for more work by Blum and Hoke.
The Long and Walborn families were related due to intermarriage by two children (Alverta Walborn and Raymond Long).
Place of Origin
Lancaster County
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Fraktur is a broadside of a spiritual labyrinth or maze, hand drawn and lettered on laid paper with brown ink, in German. Within a double-line border is a title at top, with a paragraph underneath. Entitled "Geistlicher Irrgarten, / mit vier kandenbrunen", translated Spiritual Labyrinth (or error garden) / with four wells of grace." The remaining 3/4 of the page is a maze with text within the pathway. At the center of each quadrant of the labyrinth is positioned a rectangle (or well) listing several Bible references. Framed in wood frame painted with diamonds.
Drawing is riddled with pin-prick holes. These are apparently a result of the maker's method of plotting out the labyrinth, using an instrument that left a hole at each right-angle turn.
A watermark is positioned sideways in the upper half of the paper. It is a circle surmounted by a crown, a bell below the circle and a rampant lion within the circle. No exact match with any watermark found in American Watermarks 1690-1835, though some are similar, e.g. # 887 & 889. Framed in
Place of origin is unknown.
Provenance
Note: Borneman states the spiritual labyrinth appears in German as early as 1630. In Pennsylvania, broadsides of this title were popular. The reader must keep turning the paper to follow the text, necessitating over 100 turnings. The text eventually leads the reader back to the beginning. Borneman explains the 4 wells of grace (p. 25, Pa. German Illustrated Manuscripts).
Damage at all fold lines; either broken completely or partially. Center fold line mended with tape on reverse. Moderate to heavy stains scattered over surface, especially at middle of right edge and along center horizontal line. Dark heavy stains/accretions (mold?) along horizontal center line. Corners dog-eared with minor losses. Pin-prick holes throughout. Conserved in 2003 by Maria Pukownik; see photos & documentation.
Object ID
G.02.35.1
Credit
Gift of Greg K. Kramer & Co., Heritage Center Collection
Birth and baptismal certificate in German, printed on laid paper by John Bauman of the Ephrata Press; no imprint (name of printer). Infilled w/ German script in red ink and decorated by unknown scrivener for Stephan Weibel, born in Adams County, November 14, 1798.
The text is enclosed in a large heart with a yellow, black and red border. Seven Christian crosses below text, within the heart. Two smaller hearts with text appear in the lower left and right corners. Each of these smaller hearts is flanked by two small birds. Two parrots appear in the upper corners and various flowers and vines fill the rest of the space. All decorated with red, yellow, and blue.
Stephan was the oldest of 6 children born to parents Stephan (1775-1815) and Anna Maria (Troxel) Weibel. He was baptized by Pastor Schroder; witnesses were Andereas Weibel (father's older brother) and his wife. Informant Joe Wible says parents were farmers in Straban Twp. as was son Stephen Wible in later life. Son Stephen married Julian Bender. They had no natural children but adopted a boy, Martin Shealer, whom they raised as a son. Most of the entire Weible clan relocated to western PA.
John Bauman printed from 1800-1809, the year of his death. He began only at age 35 after having worked with his father Christian Bauman in the Ephrata paper mill. Klaus Stopp notes this design with parrots & birds was used 1803-1807, but this imprint with 7 hearts, only c. 1807. (See NOTES)
Printer is John Bauman (1765-1809); Scrivener/decorator unknown. Printed in Ephrata; infilled and decorated possibly in Adams County.
Provenance
Provenance: This piece was given by donors to the Lancaster County Historical Society with the understanding that it would become part of the Heritage Center collection upon the establishment of that institution.
Paper is creased, wrinkled and puckered overall. Paint has flaked off in many places. Treatment proposal presented 1986 by the Conservation Center for Art and Historic Artifacts in Phila. Treatment done 1988-89: Areas of flaking paint were consolidated with adhesive; the support was surface cleaned; paper was washed; tears mended; humidified and flattened; matted and reframed. (See file.)
Object ID
G.77.50.10
Notes
See Klaus Stopp, The Printed B & B Certificates of the German Americans, Vol II, pp. 98, 189 and 202 for info on John Bauman.
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Fraktur on laid paper in polychrome lettering. Within a cross-hatched border is a birth record for Andrew Bare done in five lines of German above a heart containing eleven lines of text. Decorated with vining flowers at top and large flowers around heart.
Accompanying translation at right was written and signed by J. Watson Ellmaker (1840-1921), but undated. It states that the text within the heart is a baptismal prayer for Andrew Bare, born March 9, 1768, and gives an English translation.
Fraktur was originally purchased in a vertical frame with the translation below it, both glued to the same backing. Both pieces were conserved, matted and reframed side-by-side by Elizabeth C. Hollyday, April 1981. See NOTES
Fraktur has significant damage. Multiple losses, staining overall and mended tears and creases.
Translation paper has several light brown stains, esp. at top.
Conserved and reframed by Elizabeth C. Hollyday, April 1981. Edges of fraktur appear to be lifting somewhat. There still remain dark, hazy areas over much of surface.
Object ID
P.80.136
Notes
Published in Fraktur: Folk Art and Family, Russel & Corinne Earnest, 1999, p. 30.
Noted genealogist Jane Evans Best wrote a letter 9/27/84 correcting the genealogical info written by Ellmaker. She states that Andreas was not the father of noted publisher John Bear. This Andrew Bear was born 2/9/1768 and died 6/22/1797. He was baptized June 12, 1768 at Zeltenreich Reformed Church in Earl Twp. Best suggests it may have been the schoolmaster of the nearly Laurel Hill school who created this fraktur. The school was mentioned in a deed dated July 22, 1765 and was one of the earliest on record in Lancaster Co.
Also, Andrew Bear Jr. was not married to Mary Showers, but was married 12/22/1790 at New Holland Lutheran Church to Susanna Mayer, daughter of Abraham Mayer of Leacock Twp. The Bears had two children, John b. 7/31/1791 and Christina, born after 1792. The two children were mentioned in their grandfather Andrew's will dated 9/21/1805.
Place of Origin
Lancaster County
Credit
Gift of the James Hale Steinman Foundation, Heritage Center Collection
Fraktur, hand-made Geburts und Taufschein (B&BC), watercolor over pencil, on ruled wove paper, signed on back in pencil: "Henry Lapp / 1872"
Dominating the page is a large rounded heart, outlined in dark green and red, with an exterior conforming border of green vines (edged in black pen) and pink flowers. Written in Ink within the heart is a Christian exhortation: "Selig sind, die Gottes Wort / horen, bewahren und befolgen! / Christus bleibt Dein treuer Dort / Er wird fur Dich dan(?) sorgen". Crowning the heart at top is a ribbon-like banner in blue w/black highlighted edges with "Geburts // und Tauf // Schein." printed within it. A yellow flower peeks out from behind the banner.
Below the heart, is a horizontal rectangle outlined in blue and red, are 2 lines, poorly executed, written in black ink: "Befolge stets die Schrift, sie sei Dein Gluck auf Erden / Sie Fuhrt Dich auf den Weg das Himelreichzuerben." (It begins, "Always obey Scripture...").
According to the inscription & date on the reverse of this B&BC, Henry Lapp would only have been executed by Lapp at age 10. See a nearly identical B&BC -- P.97.41.2.
Provenance
Purchase at Lloyd C. and Miriam H. Hinden sale at Horst Auction, Nov. 15, 1997
Scherenschnitte, freehand cutwork on light cream-colored wove paper folded horizontally, vertically, and diagonally, then cut out. Rectangular form is centered with an 8-lobed flower made of four hearts enclosing smaller hearts & a medallion with inscription Surrounded by figures of boys and girls as well as birds and hearts. Colored w/ red and blue paint/gouache and some details in blue ink.
Scotland area, Greene Twp., Franklin Co.
Handwritten in blue at center is: "Margarert [sic] Elizabeth / Farner / A present / By John Farner / March 11th 1854" Made for sister Margaret when John was age 11. Similar one is owned by Jim Gergat, done by Farner in 1854 for Isaac Shetter in Green Twp. in Franklin County. Jim has a photo of recipient Shetter. He owns an additional cutout w/ no written presentation. Gergat states Farner was a Civil War veteran and is buried in Centerville, Cumberland Co. (at intersection of Rt. 174/Walnut Bottom Rd. and Rt. 233 & associated w/ Centerville Lutheran Church, Carlisle).
Provenance
Given by Mr. and Mrs. Richard Flanders Smith to the Lancaster County Historical Society with the understanding that it would become part of the collections of The Heritage Center Museum with the establishment of that institution.
Small brown spots overall, especially in top half. Larger brown stains in top left area and central design; possibly faded brown coloring.
Matted and framed by conservator Brian Howard of Carlisle in 1996
Object ID
G.77.50.3
Notes
Earnest, Fraktur: Folk Art & Family, 1999, p. 118.
Informed 1-9-12 by Jim Gergat, former York Co. H. S. curator, of identity of John Farner. See photocopies of his two Farner cutouts in file. Gergat's phone # is (610) 473-0137.
Slide #27-2-10 and Transparency file under "Fraktur" #18.
Removed from Masonic Lodge Fraktur exhibit early 2008.
Exhibited Landis Valley Museum, scherenschnitte exhibit curated by Irwin Richman, May-Dec. 2008.
Place of Origin
Greene Twp., Franklin County, Pennsylvania
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
British Royal Coat of Arms, 1786, attrib. to the "Early Ephrata Artist," (active c. 1780-1786). Manuscript watercolor version of this design is modified to depict the Germanic sentiments of the artist following our overthrow of English rule. As before, the rampant lion (England) is on the left and the rampant unicorn (Scotland) on the right. However, the lion is now chained and uncrowned. Replacing the central shield is a large flowering plant with a typical Pa-German large parrot perched on the lower branch and a crown above. Large flowers are prominently added to this image.
Lettering at bottom center reads: "Phil(i)p[sic] Horning/ hat In ge-macht/ 1786" Recipient Philip Horning's name is followed by the artist's phrase: "Made in 1786." This should not be read that Horning "made this in 1786."
Pa. Germans saw a kinship between the Royal Coat of Arms and the German Hanoverian kings who ruled the United Kingdom throught the 18th century.
Klaus Stopp, Printed B&BC of the Pa. Germans, Vol. II, pp. 108-113
Height (cm)
34.925
Height (ft)
1.1458333333
Height (in)
13.75
Width (cm)
41.275
Width (ft)
1.3541666667
Width (in)
16.25
Dimension Details
Frame is H: 22.25 W: 25.25"
Condition
Good
Condition Date
2017-03-23
Condition Notes
Multiple vertical and horizontal creases overall. Some paint loss, especially on lion's head and face, and flower in upper right corner. Brown stains overall.
A treatment proposal made by Conservation Center for Art and Historic Artifacts, May 1986, and the following treatment was done in 1988-89: consolidated ink and paint, old backing removed, tears mended, cleaned, losses in paper filled, flattened, and matted. Details in file.
Matted and framed by Brian Howard of Carlisle in 1996
Object ID
P.77.51
Notes
This unusual watercolor gives a Germanic spin on the heraldic design. While the lion stands for England and the unicorn for Scotland, replacing the central shield is a large parrot perched on a flowering plant. Large flowers are also prominently introduced into the composition. Painted after the war of independence, the lion is now portrayed uncrowned, with a chain at his neck. This is a strong statement of the artist's Germanic sentiments.
This is one of the last known pieces done by the Early Ephrata Artist." He was given this name since he decorated early Ephrata prints having no bird-panel printed borders. The Earnests note he used heavy color and his motifs were primitive, despite the ambitious decoration and design he attempted such as this fraktur watercolor. He ranks among the earliest fraktur artists to decorated printed forms, along with Otto, Hoevelmann and Speyer.
See:
- Earnests' "Papers for Birth Dayes", pp. 213-214 for info on the Early Ephrata Artist.
- Klaus Stopp, The Printed B&BCs of the German Americans, Vol. II, pp. 108-113.
Place of Origin
Lancaster County
Credit
Gift of James Hale Steinman Foundation, Heritage Center Collection
Birth and baptismal certificate imprinted 1788 at Ephrata Cloister printshop; infill and fanciful hand-decorated borders by Arnold Hoevelmann. Watercolor decoration includes various fantastical flowers on arching vines emanating from huge pumpkin-like flower at the top, with vines arching down to each side ending in large tulips. Additional flowers below. Hunter is in colonial dress with large black hat, firing his rifle at a stag on the far left side. Strongly colored with mostly red, blue, purple, and yellow. Hoevelmann consistently used a flower motif decorated with what some believe to be a capital letter "H" (his monogram). This fraktur is a rare example of human figures being depicted.
Ephrata Cloister 1788 imprint; artwork by Arnold Hoevelmann (1749-1804)
Certificate done for Jacob Stuart, born December 29, 1784. son of Jacob Stuart and wife Maria Catharina (no maiden name). It appears he was born in "Mauntschey" (Mt. Joy) Twp. Pastor Wilhelm Hendel baptized the child but no date is included. Hoevelmann wrote "Witnesses" at the end, but no names. Later ink inscription added at lower right appears to be subject's age (69) at time of death, 2nd Jan. 1854." Pencil calculation of age at top, to left of large orange flower.
Provenance
Ex-Unger collection, Pottsville.
In 1974, Richard F. and Joane Smith entrusted this BBC to the Lancaster County Historical Society with the understanding that it would become part of the Heritage Center collection when established.
Fragile, with overall buckling and pronounced wringling across surface. Areas of foxing.
Conserved by the Conservation Center for Art and Historic Artifacts 1988-89: cleaned, removed paper backing, mended and matted for original frame (report in file). Remounted and framed by Carlisle conservator Brian Howard in 1996.
Object ID
G.77.50.9
Notes
Family tradition says Hoevelmann was born in Prussia in 1749, came to America along with LaFayette and served as a surgeon during the American Revolution. It is likely he and his wife Eva Susanna lived in Lancaster Co. since two sons were baptized at Holy Trinity Lutheran Church (1780 and 1793). He worked in many PA counties, including Washington Co. in MD, and is believed to be buried at Frieden's Church near Shiremanstown, Cumberland Co. Based on the many known B&BC's by Hoevelmann, it appears he used printed forms early in his career and completely hand-done certificates later in life.
Allthough born in Lancaster Co., Jacob Stuart appears to have lived in Lebanon County during much of his adult life. He and his family attended Trinity Tulpehocken Reformed Church, Jackson Twp., Lebanon Co. was where he was married, 31 Dec 1805 and appears to have had at least 7 children according to church records of 1800-1856. Jacob "Stewart", his wife Elizabeth and two daughters (Henrietta & Clementine) are buried in Mt. Hope Cemetery, Myerstown, Lebanon Co. The 1850 Census shows Jacob "Stewert", Elizabeth and Clementine living in Marion Twp, Berks Co. (Marion Twp. borders Jackson Twp., Lebanon Co.)
See:
1. Shelley, Donald A., The Fraktur-Writings or Illuminated Manuscripts of the Pa Germans, Pa. German Folklore Society, 1961, plate #84.
2. Earnest Associates, Papers for Birth Dayes, pp. 399-401.
3. Kline and Weiser, "A Fraktur Fest" in Der Regebogge, Sept-Dec., 1970, Vol. 4, pp. 3-5.
4. Stopp, Klaus, The Printed Birth & Baptismal Certificates of the German Americans, Vol. II, pp. 150-151. (This example is numbered 246.3 by Stopp)
5. Photo on p. 120 of Corinne & Russell Earnests' Fraktur: Folk Art & Family, 1999.
Heritage Center slide collection #27-2-5 (now in Photo Collection)
Place of Origin
Ephrata
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
