Sugar bowl with lid, hard-paste eathenware has white clay body hand-decorated with cobalt blue. Squat, bulbous body sits on foot ring; pot-belly sides have a large beaded shoulder leading to a narrowed neck and finishing with an outward flaring rim w/ coggled edge. Four or five blue bands painted while on the wheel and remainder painted freehand. Bulbous section alternates with two different leaf designs suspended from the blue-painted shoulder bead. Large round dots are spaced between each leaf. Coggled edge is blue and top of rim has a leaf form painted in two rows. The domed lid has a bee skep finial painted blue, a wide blue strip at botom edge of lid and four leaves in mid-section of same two designs as on bulbous body. Clear glaze over all.
Small "S" impressed underneath at side, perhaps signifying the potter.
Good 3/8" long chip at coggled rim edge showing a very white clay which suggest a later date. Wear and soil at bottom and soil scattered over entire piece. Overall crazing.
Object ID
G.81.7
Credit
Gift of Florence Starr Taylor in memory of Annie Mottern Taylor, Heritage Center Collection
Oval tin box (A) with fitted, domed lid (B). Box has two raised bands on sides. Flat bottom of box is soldered to sides. Lid created by soldering a hammered, rounded oval top onto a 1/2" oval band. Interior of both A and B is tinned.
Used as a container for the miniature tea kettle G.00.03.1.
Lancaster County or region
Provenance
Ownership by donor's father, William A. Heitshu. Donor believes oval box was original container for teakettle.
Exterior surface has vestiges of an original finish, now oxidized with areas of corrosion. Abrasions over much of surface. Interior moderately rusted and corroded.
Object ID
G.00.03.2a-b
Credit
Gift of Martha Munster, Heritage Center Collection
Box of mourning pins. Paper matchbox covered in dark gray paper has top, fitted lid with a paper label. Label is priinted with scrolls at corners and a football shaped reserve at center has "80 MOURNING PINS / ASST / Germany." Black head pins with blue shafts within. Less than half this number remain.
Used for securing black clothing such as veils and hats during the time of mourning a death.
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Trinket chest of dovetail construction, hinged lid, turned feet and polychrome decoration. Bottom secured with square nails. Keyhole at front; key missing. On a burnt orange ground are 5 large decals (4 of fruit and 1 of flowers) and one small decal at front center of spread eagle, shield and banner. Chest sides and top have centered line decoration of 3 concentric rectangles with hollow corners (black, ochre, white). Feet are black. Edge moldings of lid and base painted black with yellow-green double line decoration enclosing leafy scrolling vines. Interior and underside unfinished.
Inked # 00.43.1 on bottom. Two old stickers: "65603" on back and "65625" on bottom.
Attributed to Joseph Lehn (1798-1892). South of Clay, Elizabeth Township.
Provenance
Transferred from the James Buchanan Foundation where chest was "found in collection" with history/provenance.
Paint soiled and darkened. Large scar on left end of lid molding. Arc scored into top at right front of lid. Wear/abrasions overall, especially lid and base molding. Loose left front foot and paint loss of right back foot. Pristine interior. One hing screw missing.
Object ID
G.03.35.1
Place of Origin
Elizabeth Twp.
Credit
Gif ot James Buchanan Foundation, Heritage Center Collec
Broadside printed on white wove paper (now darkened) has bold title at top: "Haus-Segen." The smaller subtitle of two lines reads: "Das mogen meine Kinder lesen,/ Wenn ich in der Erde thu' verwesen." (Apparently "These words are something my children should desire to read when I am moldering in the grave".)
Within a variant of the Greek key border is the printed text, done in old German type. Underneath the two titles there are two columns of text, each with 28 lines. Text is a religious theme done in rhyming couplets. The name "David L. Beiler" is printed at bottom right. Beiler is most likely an Old Order Amish printer.
Broadside had been folded back along all four sides to make it fit a wooden frame (not original, since other screw holes indicate a previous use). Old acidic cardboard backing was originally used as a backing for an early 20th century photo of a group of firefighters dressed in full uniform with musical instruments, titled "Junior Fire Company -- Reading, PA." Photocopy of fire company in object file.
Provenance
Seller purchased broadside at Horst Auction, April 16, 2003, a sale of household goods consigned by Ruth E. Stoltzfus (Mrs. Morris A. Stoltzfus). There were a number of Amish items for sale that seller believes the family obviously had in storage for many years. Morris and Ruth Stoltzfus were far removed from Morris' Amish roots and would not have valued or displayed them. Mrs. Stoltzfus has since died (6-25-03). See obit. in object file.
Clarke Hess says David Luthy (Canada) would know who this David L. Beiler was. The 3 candidates in the Fisher book appear to all be too recent.
Darkened, some "bleached" damp-stained corners & edges, minor foxing. Embrittled and fragile; all edges folded over with resulting tears including nearly detached section at center left and upper left. Involved tear extends upward from bottom, 2" from bottom right corner. Another is 1" to left of upper right corner. Several interior tears at "Haus" and as well as several holes (near lower left corner and throughout lower right quadrant. Paper strip 1 1/4" wide pasted along upper edge at fold line. Acidic cardboard backing removed. Later conserved by Maria Pukownik (returned Feb.2004 - CD w/ photos in file). Then framed for 2006 Printed Word Exhibit.
Object ID
P.03.20.2
Notes
David Luthy is an Old Order Amish writer and editor for Pathway Publishers. (Their address: 10380 Carter Road, Aylmer, ON N5H 2R3). Clarke E. Hess suggests contacting him to learn the identity of David L. Beiler.
Place of Origin
Lancaster County
Credit
Gift of V. Ronald Smith, Heritage Center Collection
Broadside commercially printed on wove paper in Pa. German script. Geometric border surrounds text block of 4 long paragraphs. Modern frame.
Title is "Kraftiges Gebet, / Wodurch man sich vor Kugel und Degen, vor sichtbarlichen und un- / sichtbarlichen Feinden, so wie vor allem moglichen / Uebel beschutzen und bewahren konne."
Place of origin is unknown.
Seller's translation: "A Powerful Prayer whereby one can protect himself from shot and sword, of a visible or invisible enemy, just as from all other possible wounds that one need protect against."
Rows of letters at bottom with more text with a title "Vor die fallende Sucht, oder Gicht," which seems to mean "For those who've come down with an ailment (addiction?), or gout."
Needle book of printed heavy paper containing 32 needles, folded to resemble a book. Advertising item lists coal business on inside.
White printed covers have four children in 19th c. clothing on the front and four on the back. They are all involved sewing activities. Front cover at top reads "SEWING SOCIETY/ NEEDLE BOOK" and at bottom is "Egg shaped eyes/ -And swelled centre."
Verse on back cover reads "In Your Time Of Need-/ It is Needless to look for Any Thing/ BETTER THAN ME." At the bottom is "OUR NEEDLES/ ARE THE BEST." Donor's sticker with "Kiker" is at bottom corner.
Inside covers printed in red on brown-colored paper. Paper packet of 3/9 needles affixed to left side; pasted to right side is a swatch of dark loose-weave fabric displaying an arrangement of seven variously sized needles.
Near bottom is printed "Manufactured to Order by J.A. COATES & SONS, Limited." and below this is "ORRIN O. WARE./ GENERAL MERCHANDISE."
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Needle book of printed heavy paper containing needles, folded to resemble a book. Advertising item lists coal business on inside.
White printed covers have four children in 19th c. clothing on the front and four on the back. They are all involved in sewing activities. Front cover at top reads "SEWING SOCIETY/ NEEDLE BOOK" and at bottom is "Egg shaped eyes/ -And swelled centre."
Verse on back cover reads "In Your Time Of Need-/ It is Needless to look for Any Thing/ BETTER THAN ME." At the bottom is "OUR NEEDLES/ ARE THE BEST."
Inside covers printed in red on brown-colored paper. Paper packet of 1/6 needles affixed to left side; pasted to right side is a swatch of dark loose-weave fabric displaying an arrangement of six variously sized needles (large center on is missing and the 3rd from left is broken).
Near bottom is printed "Manufactured to Order by J.A. COATES & SONS, Limited." and below this is "ORRIN O. WARE./ GENERAL MERCHANDISE."
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Paper slightly buckled with darkening along bottom section or interior. Slight wear at edges with minor dogear damage at bottom corners. Short tear at bottom fold of book. Short fold line extends near top at fold of book. Small dent at middle of right edge of back cover. Center needle missing, one at left of center is broken.
Object ID
G.05.15.12
Credit
Gift of Susan Garofola in memory of Lillian Kiker (mother), Heritage Center Collection
Pewter chalice, part of the Warwick Congregation's (now known as the Brickerville United Lutheran Church) communion service.
High straight-sided flaring cup on a stem wih knop created by joining two pewter salt stems. A tankard lid is used for the base. Both the knop and edge of base are beaded. Attributed to William Will (working 1764-1798) .
Engraved on the side of the cup are the initials "HIA/ MWM" within a decorative wreath with bow. Engraved on the bottom of the base is "1799", likely indicating the year the chalice was presented to the church for ceremonial use. Segments of wrigglework are also found nearby.
Provenance
The engraved date of 1799 likely signifies the year the chalice was presented to the church. The two sets of initials on the cup are certainly the individuals who presented it. The entire communion service remained in use over the years until the congregation decided in 1997 to find a safe place for this valuable communion set. Purchased by the Heritage Center of Lancaster County
Bonnet-top high chest, walnut w/ yellow pine and poplar secondary wood. Pegged frame and panel construction. A bonnet top broken arch pediment surrounds the tympanum with a central round, concave shell carving. Large orb finial on plinth centered within broken arch. Upper section has five graduated drawer sections consisting of three small drawers over two drawers over three long single drawers, all cock-beaded with bail brasses and escutcheons. Pulls not original; ghosting visible of original brasses. Quarter columns have wide chamfers with double fluting.
Upper chest rests on stepped-out lower chest having one long drawer flanked by two small ones and two more small drawers below these. Cutout apron at bottom. Very wide chamfered & fluted quarter columns. Cabriole legs with trifid feet and stocking detail.
Make is unknown.
Lancaster County, probably Churchtown area
Provenance
Chest originally belonged to the Old family, prominent ironmasters of Lancaster and Berks Co. It may have been owned first by James Old (1730-1809) or one of his children. The chest later passed from Miss Harriet Old to the Hopkins family at Conowingo Furnace, Drumore Twp., Lancaster County.
Overall abrasions, scars and small losses of wood. 4" crack in pediment, left of finial. Significant grouping of gashes 4"x 3" spanning 2nd & 3rd level drawers, at left. Entire front of top chest detaching from sides. Piece at top of left stile, under cornice, is broken & poorly repaired. Deep horizontal 7" crack on left side of base unit. Vertical crack entire length of right side of top. 1 12" long gouge on stile of right front leg. White flecks on right front leg. Brasses tarnished with some rust.
Object ID
P.78.76
Notes
Exhibit label information:
John J. Snyder, Jr. suggests many points of similarity with a Q.A Phila. highboy owned by diarist Christopher Marshall who brought chest along with him when he moved to Lancaster Co. "on the eve of the Revolutionary War." (Winterthur collections). This chest may have inspired the design of the Old chest.
Wide fluted chamfered corners similar to a Q.A. secretary (G.03.1.1) formerly owned by the Jenkins family of Churchtown. Similar to a case of Geo. Hoff clock w/ brass face, and similar to casework by some Phila. and Maryland cabinetmakers.
Snyder notes that cockbeaded edges on drawers suggest a later date than expected (c. 1770-1790). This type in Phila. was being made c. 1740-1760.
Place of Origin
Lancaster County
Usage
Old family
Credit
Gift of James Hale Steinman Foundation, Heritage Center Collection
Chippendale high chest, mahogany, ornately carved, Phila-inspired Rococo style. Top section has scrolled broken arch pediment with central cartouche (attrib. to Phila carver, Martin Jugiez) and fully relief-carved vine tympanum, leading down to large central drawer w/ large carved shell & surrounding vines. Two small drawers flank center drawer, under which are 4 full-length, graduated drawers with original Chinoiserie brasses. Fluted corner columns on upper case; vine & leaf-carved corner columns on lower case.
Lower chest has top full-length drawer over 3 small drawers that mirror the 3 drawers at top. Again, the center drawer is fully carved. Below drawers is a fully vine-carved skirt w/ shaped bottom. Has 4 carved fully articulated cabriole legs w/ acanthus knees and ball and claw feet and original brass casters.
Original owner Matthias Slough was a colonel in the Rev. War, a superintendent of the Philadelphia to Lancaster Turnpike, a county coroner and treasurer, and tavernkeeper of the White Swan. Buried in St. James Episcopal Cemetery.
Made by unknown Lancaster Borough workshop.
Provenance
Original owner believed to be Mathias Slough, based on a 1934 letter from Ethel Torrington Davis to Mr.(James?) McCormick. Ms. Davis states her mother received story from her mother Mrs. Beatty. Mathias Slough married Mary Gibson and had three daughters. The oral tradition is that each daughter was given a high chest. These chests then descended in the family, one of which descended through the mother of Ethel T. Davis to James McCormick (in payment of an outstanding debt). This info researched by John J. Snyder.
From a July 1975 letter, donor George J. Finney recalls the highboy in the home of James McCormick of Hbg, his grandfather. After his death in 1917, it stayed with the house & his son Donald McCormick until his death in 1945. It was then put up for sale at auction of household good but failed to sell due to price not meeting expectations of executors. Donor learned of this, and in 1946 he offered to buy it for $2,500 and the estate accepted. Donor has owned highboy since 1946. Upon the death of the donor, it was bequeathed from his estate.
Multiple repairs (e.g. pieced out around drawers); refinished; some losses, most noticeable in some cartouche elements and leaves of rosettes. Finials missing the ball at mid section. Cosmetic conservation done by Cory Berrett April 1992.
Repairs made 12-2-09 by Winterthur conservator in consultation with curator Wendy Cooper (see conservation report in file). Major changes: broken off rosette leaf tips replaced; missing finial balls and top plates of plinths replaced.
Object ID
G.92.06
Notes
John Snyder states that mahogany is unusual for Lancaster Co. high-style pieces. Secondary woods are poplar and pine.
He notes six or fewer high chests of this Lancaster County Chippendale design are known to exist, and that of these six, "this piece is unquestionably the finest example." (Based on artistic evaluation, condition and provenance. Of these other chests, 2 are in private collections, one is in the State Department collection at Yale University, and the others' whereabouts are currently unknown.
Snyder says this high chest is closely related structurally to the famous Chippendale desk and bookcase acquired by the Winterthur Museum from the Withers family, living near Strasburg, Lancaster Co.
OBITUARY
May 14, 2009 FRANCES DAVIS HASSINGER EVERHART, of Lower Allen Township, Mechanicsburg, PA, passed away Thursday, May 14, 2009, in Bethany Village, Mechanicsburg. Frances was born March 1, 1916, in Harrisburg, PA, the daughter of CARL W. AND ETHEL TORRINGTON DAVIS. She was a 1938 graduate of Vassar Co...
Matthias Slough (1733-1812) was the tavernkeeper of the White Swan. The high chest was made at an unknown Lancaster Boro workshop, except for the carved cartouche of Philadelphia.
Place of Origin
Lancaster
Credit
Heritage Center Collection, bequest of George J. Finney Estate
8-day musical clockworks by Mennonite Christian Eby (c.1768-1803) of Manheim. Housed in a large, inlaid cherry case attributed to Emanuel Dyer. Case is transitional from Chippendale to Federal, although strongly Federal due to inlay of eagle and floral motifs on tympanum, quarter fan inlays and another floral inlay on waist section, and a patera centered on the base within a cartouche of line inlay.
Notes: Weight, key, and various parts located in box on Unit 52, Bottom Shelf.
Hood has side lights, fluted colonettes at sides, swan's neck scrolls terminating in inlaid paterae, three ball and spire finials (spire missing on center finial). Waist and base have fluted quarter columns. French bracket feet.
White-painted iron dial w/ Roman numerals on chapter ring. Seconds use Arabic numerals. Floral spandrels, lunar dial and inscription "C EBY Manheim under XII. Above lunar dial are ten names of tunes played by the musical works. Dial attributed to Reading area due to a dark moon wheel and the 2 hemispheres for the moon phase are identical (per Gary Sullivan). He also notes that brass-clad weights are very unusual, and usually an English practice.
Provenance
Ex Renner (per Gary Sullivan, clock dealer). Later from estate sale of Pauline Heilman of York, PA by Sotheby's July 17, 1982. The buyer, a private client of Citibank, put clock in storage in Florida, then consigned it Christie's where HCLC purchased Jan. 1992.
John and Carol Pyfer paid $800 for Quentin Johnson to repair the clockworks and get it running in 2004. Clock hands have losses (pieces in a box stored in clock bottom), repaired by Johnson. Case refinished (see early photos in file). Scratch on side to left of pendulum door; nicks & scratches at left side vertical member of opening to pendulum. Marred overall. Split at left side of front section of molding under hood. Pieces of string inlay replaced. Proper left back foot loose; proper left front column loose. See Gary Sullivan condition report (loan to Willard House)
Object ID
P.92.02
Notes
Made by Christian Eby (c.1768-1803), working 1792-1803. Case attributed to Emanuel Deyer.
J.J. Snyder notes, "The clock is significant because it is the only known Lancaster Co. eagle-inlaid clock with a musical movement. Musical movements predating 1840 are quite rare, and fewer than eight Lancaster Co. musical clocks prior to 1840 are known to survive. The inlay is unique in the placement of the eagle in the center of the pediment rather than in an oval medallion above the pendulum door and in the use of floral inlay in addition to the eagle. In summary, the Christian Eby clock is a masterpiece of not only regional but also national importance."
Snyder also states "Unquestionably, this is one of the most elegant and sophisticated pieces of Lancaster County Federal furniture now known." He adds "Of all the known Lancaster County eagle-inlaid clock cases, this one alone has floral inlays. In view of the fact that this case must predate Christian Eby's death in 1803, it stands as the earliest known use of the eagle as a patriotic device in Lancaster County furniture."
Snyder also suggests Manheim cabinetmaker Emanuel Dyer (1760-1836) as the probable casemaker. Working for about a half century starting in the early 1780s, Dyer was the leading Manheim cabinetmaker.
Place of Origin
Manheim
Credit
Gift of members and friends of the Heritage Center, Heritage Center Collection
Document of Pennsylvania serving as a receipt, recording the fact that Andreas Schober (Andrew Shober) of Warwick Twp. furnished a horse to the State for the use of the U.S. Continental Army during the Rev. War.
Printed form, within a boilerplate border, done on laid paper with no watermark. Paper is nearly square with wavy-cut left edge. Heading on top is "Pensylvania" (sic). Nine printed lines have blank spaces filled out in a cursive hand in ink, noting that Schober supplied "one Bay horse branded Right hind side HD 14 years old 14 hands high..." It was appraised by two "Freeholders" for " the Sum of Eighteen pounds in specia(?) on the Exchange of sixty for one in Continental and for which the State is now justly indebted to him in that Sum, with interest." It is date August 21 (?), 1780 and signed by James Bayly and W.M.G. Le(?).
Later inked inscription at top, in cursive, records that Andreas Schober received the amount of 19 pounds., 1 shilling, 6 pence which was a total sum for the value of the horse with interest accrued for one year. Paid out by Jacob Morgan on August 29, 1781. Reverse side has a notation stating payment had been made on this date.
Dresser scarf, patterned linen, commercially woven with selvage at both sides. Rectangular shape with long self-fringe at each end. Woven pattern is a symmetrical border of vining leaf and berry at sides, shields at corners and confronting eagles centered at each end.
At center of scarf, within an inner border of stars, is text separated vertically by a centered spread eagle with arrow and olive branch in talons. Above eagle is "The Independence of the United States of America Declared July 4, 1776." Below eagle is "Washington elected President of the Federal Union March 1789 E Pluribus Unum." (Written by Wendell Zercher)
Provenance
Donor, Mrs. June G. Corotto, purchased this item at a Lancaster County sale in the 1970s or '80s.
Butter crock, stoneware, blue-gray ground with cobalt floral decoration. Lip is 7/8 inch high with scored decorative rings below. Applied handle at each side near top.
Clarke Hess says this crock is known "in the trade" as a cake crock.
Several cracks: one extends 2 1/4 inches down from lip to exterior air bubble on surface, one extends down side from top to bottom (especially visible at lip and exterior. Crazing over much of surface. Salts visible at lip, inside and outside
Object ID
G.04.23.07
Credit
Gift of Sarah Muench, Heritage Center Collection, LancasterHistory.org
Crock w/ handle, redware, wheel-turned with applied strap handle.
Bulbous body is about 5" diameter at base and swells upward, curving back in to create a slight shoulder, capped with a thick, nearly vertical lip of about 3/4" high. Very dark brown manganese glaze on interior only.
Stamped "D.SWOPE & SON./ LANCASTER, PA." Father was Daniel (1812-1892) and son was George A. Swope.
"Lancaster Co. Pa. pottery," by Jeannette Lasansky, Magazine Antiques, Sept. 1982, pp. 538-547. Also her working list from 1982 Heritage Center Museum exhibit. 1869 and 1886 Directories. "The Makers of Pottery in Lancaster Co." by M. Luther Heisey, LCH
Height (in)
5.5
Width (in)
8
Diameter (in)
6.75
Condition
Good
Condition Date
2014-05-16
Condition Notes
Generally sound, but three hairline cracks extend across interior of bottom, two of which extend up the sides for no more than one inch. Several old chips on lip, one is larger and recent (about 2" from handle). Body is very good. Interior glaze has some spalling or chipping, esp. at bottom.
Object ID
P.01.33.1
Notes
Nice example of D. Swope letterhead in D.B. Landis Archive (P.04.14.1) in Metal Cabinet. Copy in this file.
Miniature cruet set of four bottles and caddy, clear glass and non-ferrous base metal.
Four tall vial-like, clear glass bottles, one with its metal cap. Bottles appear to be mold-blown, cylindrical and have a pronounced ring extending outward at mid point, a long narrowing neck and flared lip. Bottles fit into a rotating metal carrying ring at midpoint of caddy, suspended by their glass protruding ring. An oval ring handle on stem with threaded end fits into female-threaded pedestal base which flares out toward bottom.
A raised letter "W" appears twice underneath base.
Provenance
Descent to Sarah Muench from family, perhaps her Aunt Alice Potter Fordney, an antiques dealer.
Copper measure of sheet copper with conical body. Beneath applied handle is a keyed seam. Rolled copper base and lip. Applied strap handle, attached with 2 rivets at top, 1 rivet at bottom. Handle terminates with heart form at bottom and two lobes at top. Interior is tinned.
The name "(E)ICHHOLTZ" is stamped onto top of strap handle. "E" of Eichholtz is hidden where handle is attached at top. Interior is coated with tin.
Jacob Eichholtz worked as a coppersmith/tinsmith with his brother George on East King St. until c. 1815, when he began focusing on portrait painting. 1830 Tax Assessment lists him as a portrait painter.
Research by Pat C. Keller at Historical Society of PA in Jacob Eichholtz's daybook, indicates he made measures, not mugs. Notes in file indicate purchase was contingent on results of an effort to x-ray upper handle for evidence of initial unseen letters of stamped name. No indication this was ever done.
Provenance: Sellers Jackie & Vernon Gunnion purchased measure at Conestoga Auction circa March 1986. Jackie reports Don Fennimore of Winterthur knows only two other signed copper pieces -- by Apple and by Schlosser.
Photos: slides #23-5-1 to 9 and multiple B&W 8x10s
Small to significantly larger dents on sides and bottom Some scratches from general wear. Surface has been polished and lacquered. Some polish residue visible at both the rolled lip and rolled base.
First "H" and "T" of "ichholtz" are very worn. Corrosion and wear to interior tin surface.
Upper terminal of handle has split at left rivet (stable).
Object ID
G.86.03
Notes
See accompanying P86.3 file for research done by Heritage Center Director Pat Keller-Connor to determine authenticity of the touchmark. There was a possibility of the first initial being "J" for Jacob or "G" for George, a brother. On Feb. 17, 1802 Jacob advertised with his brother George as "tin-plate workers". Pat K-C intensively did research to settle the matter before finalizing the purchase of the measure
studied Vol. 1 & 2
See Henry Kauffman, American Copper and Brass, p. 119.
Place of Origin
Lancaster
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Ink drawing done over pencil sketch of the "Sawbuck House", done on a small lined piece of paper. The house is of brick and half timber construction. The side facing out to the right has two windows with fifteen panes each and twin shutters; above these two windows, closer to the peak of the roof, is a smaller, partially open window with nine panes showing.
The adjacent side, facing out to the left, has three windows and a door; one of these windows is similar to the first two, although with only twelve panes; the other two windows have their shutters closed. Below these two windows, almost at street level, is a much smaller window, probably looking into the basement. The door is set in from its frame, and has steps leading up to it, flanked by two low walls acting as railings. There is a chimney in the center of the roof.
The entire "Sawbuck House" is flush up against another, slightly larger building on its left side, also with a chimney in the center of the roof. To the right and slightly behind the "Sawbuck House" is yet another building, mostly obscured, but with another chimney and a high fence. A tree is shown growing at the side of this building. A sidewalk runs in front of all three buildings.
Written along the bottom of the drawing in ink is the following: '"Saw-buck" House--S.E. cor. Lime + Middle Sts--/Lancaster Pa--.'
Additional notes have been made in pencil: "S.E. cor. Lime + Middle Sts--." just above the curb of the sidewalk; "Brick" just above the basement window; and "Filled with stone." in the upper right corner above the tree. The number "25" also appears in upper right corner, and a circled "30" in the lower right corner.
Middle Street is now Howard Avenue. The Sawbuck House, also called the Powell House, was demolished before 1900.
The paper has become slightly worn and browned around the edges. The extreme lower left corner is creased, and the upper right corner has a small nick taken out, and a small hole below the number "25". There is also a 1/4" tear at the upper right corner, below the hole and extending to the edge of the paper.
This piece has been float-mounted in hinged window matting.
Object ID
P.77.31.01
Place of Origin
Lancaster
Role
Artist
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Pencil drawing of Dr. Atlee's house is mounted in hinged window mat. The front, facing out to the left, has a door with a small stoop and three shuttered windows, as well as four shuttered windows on the second floor, and two gabled windows above. The side facing out to the right is in two sections: one section under the peaked roof with three rows of two windows each, and a two-story section with a flat roof, also with three rows of two windows each. In both of these sections, the top two windows are much smaller than the rest, and also without shutters. Two basement windows can barely be seen on the front and side of the house.
NOT FOUND IN BOX 0066, July 2023
There are three chimneys of various designs; one at either end of the peaked roof, and a third at the extreme right of the house.
There are two smaller sections coming off either side of the house. These can only be seen in part, and are not drawn in much detail. Fences extend off of both these sections, with a tree growing behind each section of fence. An ambiguous shape has been drawn behind the tree on the left, possibly another building. The bottom of the drawing is also ambiguous, with the sidewalk following the same lines as the house.
A hand-written caption at the bottom reads "Dr. Atlee's House". There are two bordered emblems at the upper corners of the drawing, also done in pencil. The one at upper left reads "Georg/Burckh---[?]/Anna Margari-/ta B. 1764", encircled by a floral pattern. The one at upper right reads "I.G.B./A.M.B/1764" and is encircled by two flowers.
This building was erected on the northwest corner of E. Orange and N. Duke Streets in 1764 by George Burkhart, the richest joiner of pre-Revolutionary Lancaster, as his own residence. It was one of the most highly developed stone houses with a four bay facade in Lancaster. During the 19th century, it became the residence of the Atlee family. It was demolished in 1902.
Note: P77.31.68 shows the same building.
Additional notes have been made in pencil: "S.E. cor. Lime + Middle Sts--." just above the curb of the sidewalk; "Brick" just above the basement window; and "Filled with stone." in the upper right corner above the tree. The number "25" also appears in upper right corner, and a circled "30" in the lower right corner.
Middle Street is now Howard Avenue. The Sawbuck House, also called the Powell House, was demolished before 1900.
Yellowed around the edges; the side edges and right side of the bottom edge are ragged, with small nicks all along the right side. There is a crease extending from the top edge, about 3" from the right, down to about 3/4" from the upper right corner. There is a dark brown spot about 2 1/2" up on the right side, just outside the border. Now mounted in hinged window mat.
Object ID
P.77.31.02
Place of Origin
Lancaster County
Role
Artist
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
