Framed Center white cotton quilt has pieced work as well as appliqued cut-out images from an English block-printed cotton chintz that dates from the 1780s. This applique technique (here using colorful birds and branches) is known as "broderie perse" or Persian embroidery.
Center medallion has two birds of prey and flowering branches. Inner border is defined by sawtooth applique of chintz. Outer border continues with broderie perse applique of flowering branches and smaller exotic birds resembling peacocks with long trailing tails.
Quilting patterns: undulating feather in outside border with filled-in areas of waffle and vine-and-berry. Center has vine-and-berry with waffle. Inner border has a rope pattern.
Quilt has white cotton back and cotton batting.
Possibly Northeastern Lancaster County.
Provenance
Quilt was purchased by the Dykes in East or West Cocalico Twp.
Very good overall. Light brown liquid stains, especially in right center area. sprinking of small light brown stains overall.
Object ID
P.77.35.1
Notes
See "Quilts in America" by P. & B. Orlofsky (cover and p.225) for a c. 1803 quilt with this appliqued print. Label states this chintz print was "cut out of a 1780s English block-printed chintz of the type favored in England and France at that time and very popular in American quilts in the late 18th and early 19th centuries."
See also Weissman and Lavitt, "Labors of Love", p. 42.
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Quilt, pieced top of silk octagons, cotton batting, dark green velvet backing, tied (not quilted) with green yarns. Pieced top only was made by Marianna Gibbons while living at her farm, Beechdale, just north of Bird-in-Hand. Octagonal patches made Dec. 18, 1893 to March 17, 1894, except for final embroidered center patch. Quilt top likely completed soon after, during 1894. but definitely before her 1902 marriage to Oram David Brubaker (1862-1929), since she used intials MG instead of MGB.
Top has 25 blocks, each with 25 octagons. Each 8 1/2-inch block uses different silk fabrics; solids, prints and velvets. The 25 blocks are separated by an inner sash of dark green ribbed fabric, 1 1/2" wide. Only the squares at the intersections of the sashes are different, a midnight blue velvet (although many are worn off to show a black fabric backing). Outer border is dark green silk 4 1/2" wide and mitered at the corners. Center block containing alternating yellow and black octagons has the embroidered initials "MG" in center and the remaining yellow ones are embroidered with flowers.
Provenance
Provenance: Descent in Brubaker family to step-granddaughter Margaret Thompson Herr (donor's cousin). When Margaret died, donor acquired the quilt at the circa 1980 estate sale in Quarryville for ten dollars. Donor is also a step-granddaughter of maker.
Donor states that at some point before she bought the quilt, "church ladies" had put a pale green, quilted backing on it and secured it with ties. It had not been finished by Marianna Gibbons. Donor eventually replaced it during the 1980s with something more to her taste -- the present backing of dark green polyester velvet. It is secured at the corners of each of the 25 blocks with ties knotted at the back.
History: Donor reports that the Dr. Joseph and Phebe Earle Gibbons family were Quakers and their farm, Beechdale, was a primary station on the Underground Railroad. (The house itself is now gone, and the farm is now a horse farm.) Jack Brubaker (the Scribbler) owns the diaries of Marianna and her mother. The donor has worked on transcribing the diaries for years. Both women were well educated and accomplished. Marianna earned two degrees at Millersville Normal School in 1871 and 1872, was a writer, was well travelled and lectured with the temperance movement (W.C.T.U.). After Marianna completed the quilt, she married in 1902 a widower who was 14 years her junior, with 9 children aged 6 - 19. Oram David Brubaker & children came to live on his new wife's farm since she had a large farm and greater wealth. With trees and water, the 56-acre farm became a duck farm.
Generally very good. Some silk octagons are deteriorating and some velvet has lost its nap. The quilt had been finished by "church ladies" at some time while owned by Margaret T. Herr. Donor disliked it so replaced it with a polyester velvet in the 1980s. Small bleach spot on outer border.
Object ID
G.03.18.1
Place of Origin
Bird-in-Hand, East Lampeter Twp.
Role
Quiltmaker
Credit
Gift of Marian Brubaker, Heritage Center Collection
Signature quilt presumably made for the marriage of John L. Shot / Ghot (unknown) and Fannie Gish (24 January 1835 - 26 February 1916), by friends and family in Rapho and Mount Joy Twp. area. The Gish family were Mennonite farmers & are buried in Keener Cemetery, Manheim -- including "Fannie M. Gish" (name not changed to Shot). Marriage apparently did not occur and she continued to live in parents' home through old age, always listed as single.
Pieced top of printed cottons in red, green and yellow, except for white signature blocks. There are 25 blocks of varying prints pieced into a geometric floral design. At center of each is a 3.75" square of white cotton with a name in cursive done in running stitch with red thread. At top left, the square reads: "John. L. Shot (or Ghot) / Fannie Gish/ was made in/ the year/ 1854." Outer border and sashing are the same printed fabric of green and yellow.
Back is a red and pink cotton print, wrapped to front to create a self-binding. Cotton batting.
Provenance
Purchased by Herrs Antiques (Trish) in 1990 from the estate of John Getz (1901-1986), Pitt St., in Manheim. Family members believed his wife, Sue Gish Ober Getz, was the granddaughter of Fannie Gish, but research instead identifies Peter and Mary Nissley Gish as Sue's grandparents. Quilt recipient Fannie Gish remained single with no known issue. Quilt likely descended within the Gish family to John and Sue Getz and due to its excellent condition, seems to have never been used.
Very good condition; used little if at all. White squares show light brown staining.
Object ID
P.90.02
Notes
A John Schott was found who was born in France on 1 Aug 1793 and died in Marietta 10 Oct 1860. He is buried in the Marietta Union Meeting House Cemetery.
Place of Origin
Mount Joy Twp. and Rapho Twp.
Credit
Generosity of the James Hale Steinman Foundation, Heritage Center Collection
Lone Star quilt of cotton prints. Large star of hand pieced diamonds (2" x 4") using 5 prints of pink, blue, red, green and yellow. Set on a ground of a blue print with white & dark blue flecks.
Extensive and elaborate hand quilting includes an undulating corded feather vine at all four sides, a small feather wreath in each corner and large feather wreaths with diamond grid centers fill in around star. Diagonal lines through each diamond of star.
Back is pieced w/ 2 blue calicoes, a floral and a foliate design over stripes.The pink calico binding,1/2" wide, is a print over narrow stripe background. Cotton batting.
Donor claimed maker was Amanda Metzger Rider (21 Jan 1860 - 21 Dec 1961) of Londonderry Twp., Dauphin County, a Mennonite woman who married John Brinser Rider (1885-1921), a farmer and butcher. Donor has since conceded this is doubtful. See Notes
Unknown -- Doubtful Amanda Metzger Rider was maker
Provenance
Quilt passed from Amanda M. Rider to daughter Fannie Metzger Rider Noll (1888-1973) to her daughter Ethel Rider Noll Albright (b.1910 - still living at St. John's Home in Columbia in 2003) to her daughter, donor Phyllis Ann Albright Hertz (1935- ).
Small cabinet photo of Amanda included with donation, depicts her as a young woman before she joined the Mennonite Church and dressed plain. Photo by Le Rue Lemer of Harrisburg. The Miller family genealogy owned by donor notes Amanda died of a stroke and was buried in Geyers Church Cemetery.
Generally very good but with several brown stains: a cluster of 3 about 15-18" from corner border and binding, one very dark. Another light brown stain in same border near opposite corner. One-inch-long dark liquid stain in one green diamond of inner circl. Blue background print has a regular pattern of light areas caused by original print run. Back has some small dark liquid stains and darkening along fold lines.
Object ID
G.03.32.01
Notes
Cousin of donor, Arlene Huss (Lititz, 717 569 3482) was surprised to see her grandmother's quilt during a quilt presentation 9 Nov 2017. Arlene confided later that her mother, Emma Rider Huss, told her that her mother, Amanda Metzger Rider, only made conforters with scraps of material. She did NOT make fancy quilt like this Lone Star. Arlene has another quilt that used the same fabrics as the Lone Star, but it was given by Amands to daughter Emma but not made by her. This information puts the identity of the maker in serious doubt, with the conclusion that the maker is unknown. She later called her cousin Phyllis, the donor, who conceded she was not certain Amanda made the Lone Star.
Four-block squares alternate with squares of whole white print. Four blocks composed of two red squares of a red print and two squares of a white print. Perhaps ten different red prints are used alternately. All framed by three narrow borders using a red print for two and a blue print for the middle one.
Quilted shell patterns are used throughout along with a rope pattern at border, all stitched in an uneven hand. Roberta would likely have been around 65 years of age when the quilt was made.
Both the Penrose and the Carrigan families were Quaker and attended the Drumore Meeting (12 mi. south of Liberty Square). However, Enos Carrigan converted to Presbyterian, and after Roberta Penrose married him, they attended the Chestnut Level Presbyterian Church. Enos Carrigan was a farmer (did not follow blacksmith trade of his father) who also helped found and was one of the directors of the Farmers National Bank in Quarryville as well as the director of the Southern Mutual Insurance Co. also in Quarryville. In addition, he was Drumore Twp. school director at time of his death. Enos & Roberta are both buried in the Drumore Friends Meeting House cemetery.
Provenance
Donor believes the Penrose & Carrigan families were Scots-Irish, as were so many of the early settlers of Drumore Twp. She & her genealogist cousin are unaware of any Welsh ancestors. Ellis & Evans states (p. 969) that the Penroses emigrated from Bucks to Lancaster Co. in 1827.
Donor recalls as a little girl seeing her grandmother Roberta and her unmarried sister Sarah Jane (who was then in a wheelchair & living with Enos Carrigan family) both setting up the quilting frame in the living room during the winter months. It was likely during these years that this quilt was made.
Quaker-made quilt, Star Block pattern of cottons by Ann Mather Ambler. Made before her Jan. 1861 marriage to Quaker farmer Aquilla Bolton Lamborn, after which they settled on a farm near Liberty Square in Drumore Twp.
Made of 16 hand-pieced blocks, each 17" sq., set straight in rows 4 x 4. Each block is a broken star design of red cotton prints and off-white muslin, pieced with diamonds and squares. Red print sashing 3" wide with diamond-in-square cornerstones. Outer border is a red print 5" wide and inner border is white, 3" wide.
Back is a tan and blue cotton print, brought forward to front to create binding. Batting is a very thin-weight cotton. Handquilted in white; outer border has diagonal lines, inner border and sashing have a double-line twisted cable and pieced star blocks have outlined components.
Appraiser notes two names for this quilt: "Carpenter's Wheel" and "Eight-point Broken Star" (Barbara Brackman's book #3810).
Provenance
Maker to daughter Alice Lamborn Long (she and husband James Long moved to Chester Co. in 1915), then to Alice's granddaughter Ruth W. Long (of Toms River, NJ) for safekeeping until finally given to nephew/donor Mitchell K. Long.
Ruth W. Long lived in Toms River, NJ. and recopied the handwritten family history, now laminated. Additional old paper note reads: "Quilt made by Ann M. Lamborn before 1861."
Quaker-made quilt, silk block pattern called Square-in-Square or Economy Patch. Made by professional seamstress Addie Lamborn. Comprised of 25 pieced blocks 10" square, set straight in rows, 5 x 5. The silk dress fabrics are tan, blue and light yellow and are prints, solids and weaves.. Tan 3-inch sashing and dark blue cornerstones.
Handquilted inexpertly in dark thread with an overall large-scale grid. Stitches are large and uneven with crooked lines - not in keeping with the otherwise excellent workmanship. Perhaps the old note in file: "Hemstitched by Alice C. Lamborn Long Feb 1931" refers to this quilt?
Backing is a red, solid cotton and is brought to front to form binding. Thin-weight wool (cotton?) batting.
Appraiser notes the name of this quilt is Square-in-Square or Economy Patch
Little Brittain Twp. Lanc. Co until 1915, then West Grove, Chester County
Made by Addie (Ada) S. Lamborn (4-29-1875 to 1-30-1926)
Provenance
Addie S. Lamborn made this quilt for her grandnephew Howard Michener Long (b. circa 1922). Although made by Addie, quilt was apparently given as a gift by her sister Alice C. Long who was Howard's grandmother. Addie had a spinal deformity and lived with her sister's family working as a dressmaker/seamstress.
Pieced quilt of silks, cotton batting, glazed cotton back, cut in 2 halves, made by Quaker Deborah Simmons Coates, wife of Lindley Coates (1794-1856). Has 19 horizontal bands of dress silks (many produced by Harmonist Community) in alternating triangles arranged in Birds in the Air or Flying Geese pattern using the template method. Large triangles of varying patterns alternate with large triangles with 3 smaller appliqued triangles of contrasting patterns. Colors are browns, tans, beiges, electric and royal blue, peach and green. Each quilt half has a green silk binding on the three outside edges, and tan silk on the inner vertical cut edge. Quilting patterns are clamshell, diamond, cross in a square and diagonals.
At quilt center is a cream-colored triangle with an abolitionist stamp depicting a kneeling enslaved Black male in chains over the words: "Deliver me from the oppression/ of man." This stamped triangle was cut in two when quilt was divided; image now hidden by modern binding. According to Cuesta Benberry research, this image of a kneeling enslaved person originated with the English ceramic firm of Wedgwood in the late 1700s. See items 08.242 and 42.76.11 in the collectiosn of Metropolitan Museum of Art for seals with a similar motif. The Wedgwood family were ardent abolitionists, decorating various ceramics with this image, resulting in its rapid adoption by American anti-slavery groups. Used in many forms and media over the years, it remains the logo of the still-existing Pennsylvania Abolition Society and appears on organization's official publications.
Lindley and Deborah Coates, of West Grove, Chester Co., married there on 12/16/1819 but lived near Christiana in Sadsbury Twp., Lancaster Co. They attended Sadsbury Friends Meeting House near Christiana. Ardent abolitionists, their home was what is now designated station #5 on the Underground Railway. Lindley became President of the American Anti-Slavery Society in 1840, before William Lloyd Garrison. Deborah Coates became a Hicksite Quaker minister according to historian Beverly Wilson Palmer. Hicksites were the more radical Quakers, named after leader Elias Hicks.
Provenance
Quilt passed to son Simmons (1821-1862) & wife Emeline Jackson. (Deborah Coates lived w/ widow Emeline on her Chester Co. farm (Evergreen Hall in West Grove) for many years following Simmon's 1862 death. See census records). Descent to their daughter Elizabeth Jackson Coates who married Marriott Brosius, U.S. congressman from Lancaster. The quilt was then divided between their two daughters, donor's maternal grandmother Graceanna Brosius Biddle and her sister Gertrude Coho Reinhartson. The two halves were then reunited when given to donor, Marjorie Ayars Laidman. Deborah S. Coates was donor's great great great grandmother.
Overall good condition. Two halves of quilt (with recent inside binding on cut edges) are "mounted" on cotton muslin, side-by-side. Silks show significant deterioration -- cracking, splitting and abrasion -- with some losses. Binding also has deterioration with some losses. (See 1985-86 condition report by conservator Linnea Davis.)
Documented in Quilt Harvest #448-B (records in Archives).
Object ID
G.86.05
Place of Origin
Sadsbury Twp.
Credit
Gift of Marjorie A. Laidman, Heritage Center Collection
Papercut applique quilt, printed cottons circa 1860, made by Eliza (Lizzie) Weidler Rudy (14 Sep 1839 - 18 Mar 1919) of Oregon, Lancaster Co. for her hope chest.
Nine block design with leaf and heart variant appliqued with in a red calicao print on blue ground. Inner sash of dark green print and inner border of a pieced sawtooth pattern in red and blue of blocks. Wide outer border of another red print with mitered corners.
Hand-quilted with a cotton running stitch. The quilt edges are self-finished (back turned to front). Back is a cotton print and the batting is cotton.
Inscription: Signed in ink at both bottom corners, "L.W. Rudy" apparently after marriage since quilt was made before her 4 July 1861 marriage, while in her teens (per granddaughter).
Provenance
Passed from maker to daughter Anna Rudy Keller (Mrs. Harry Lane) to daughter Florence K. Lane who sold it at sale in Lititz while living at Luther Acres, Lititz. Purchased by Trish Herr who then sold to Heritage Center.
Florence Lane reported that her grandmother Eliza Weidler Rudy married Isaac B. Keller, a Church of the Brethren minister and farmer from Springville (north of Lincoln). Eliza was in her late teens when she stitched this quilt for her hope chest. (Eliza was 20 yrs old in 1859, so made no later than this).
Princess Feather quilt, hand pieced and appliqued cotton top with chain stitch embroidery. Four-square design of large Princess Feathers of brown and green appliqued on a yellow ground. Inner borders defined by brown triangles in single file arrangement. At center of quilt is a brown square embroidered in wool yarn with maker's name and date: "Mary Brubaker/ 1869."
Mary would have been 25 years old when she made this quilt.
Hammer Creek area, Elizabeth Twp., Lancaster Co.
Backing is a small scale cotton print of brown and cream flowers on a red ground. Brown cotton binding.
Made by Mary Brubaker (7/14/1844 - 6/5/1911) before her 23 Dec 1869 marriage to Richard Henry Rickert (1841-1907). Made in the home of her parents John and Kitty Hackman Brubaker who lived two doors away from Joseph Lehn. When Mary Brubaker Rickert moved to a room on Cedar St. in Lititz, quilt passed to Olive Sturgis Rickert, wife of son David James Rickert. Herma Rickert Losensky, daughter of Olive and David, moved to family farm when Olive died. Herma and her sister then divided their mother's things. When Herma's father died in 1967, she took ownership of the quilt. Donor recalls the quilt being used on her bed as a little girl.
Princess Feather paper template used to make this quilt is G.99.12.1. (Quilt Harvest #21-H-I).
Provenance
Maker to son David James Rickert and his wife Olive Sturgis Rickert. Then to daughter Herma, donor.
Very worn and faded with multiple stains and accretions, some fabrics shredded with losses. Loss of some embroidery in inscription. A tear of about 4" is near center of right edge. Back extremely worn.
Donor recalls this quilt being on her own bed and medicine being spilled on it.
Object ID
G.91.08.1
Place of Origin
Elizabeth Twp.
Role
Quiltmaker
Credit
In memory of Mary Brubaker Rickert by her granddaughter Herma Rickert Losensky, Heritage Center Collection
Large white cotton Framed Center quilt, with extensive applique and stuffed work. The applique technique is called "broderie perse" (of cut-out chintz elements) with fruit surrounding the center medallion. Also appliqued are two types of pieced 8-point stars, and 9-patches. Extensive stuffed & corded work executed in vines, flowers, grapes, melon-like fruit and leaves. Center medallion has stuffed initials "MG" above "1810". Main quilted designs are waffle, wedding ring, shell and parallel lines. Cotton batting and white cotton back. No binding; turned edges sewn together.
Inscriptions: "JNS" (J. Nevin Schroeder) stamped on back of top right corner and "331" written in ink on back of top left corner.
Made by Ann Margaret Gundaker, daughter of wealthy Lutheran merchant Michael (1753-1815) and Barbara Walter Gundaker, residing at S.E. corner of East King & Lime Sts., before her 1816 marriage to Robert Evans (c. 1791-1831). She had been a student at the Moravian School for Girls in Lititz (now Linden Hall) in 1805-06 where she certainly received instruction in needlework. This quilt is the earliest known dated Lancaster County quilt and has descended through five generations of Evans, Locher, and Schroeder families. Trish Herr notes this quilt illustrates the English influence on quilts made in prosperous Pa.German households.
Provenance
Descent in family from Gundaker to Evans to Locher to donor (see letter from Pat K. Conner to Mrs. Shroeder). Donor received quilt from her mother-in-law Mira Locher Schroeder.
1. Documented in Quilt Harvest #419A.
2. See G.01.51.1-.6 for other signed Gundaker textiles.
3. Pat Keller wrote 2009 article in Chester Co. H.S. book LAYERS, noting similarities in stuffed work between this quilt & a Chester Co. quilt, suggesting communication via a network of sanguinity or friendship. (See copy this file)
Generally moderate wear overall with many small yellow-brown scattered stains. Torn along top edge, 13" from left corner. Chintz appliques are deterioration with somoe losses.
Object ID
G.93.08.1
Place of Origin
Lancaster
Role
Quiltmaker
Credit
Gift of Mrs. J. Nevin Schroeder in memory of Mira Loche
All cotton quilt of pieced blocks in pinwheel pattern, using early 19th c. dress fabrics. Within a wide border of yellow print -- three sides only -- is a field of blocks set on point. Pieced blocks have a pinwheel pattern composed of four solid white triangles and four red floral print triangles. Alternate blocks are a print of blue stripes alternating with stripes of brown & blue flowers with white ground. Half-blocks in large triangle form use the same striped print to surround the center field on three sides. The triangles at top are a plaid print of blue, tan and brown.
Quilting patterns are feathers in wide yellow border, waffle in striped blocks and clam shell in triangles. The bordering large triangles have repeating chevrons. An inscription in running stitch in upper right corner block is "Catharine/ Myers the rose/ is read (sic) the leaves/ green here is my/ name when I/ am dead in/ the year/ 1816."
Backing is a red foliate print on white ground. It is brought forward to create binding.
Provenance
Descent through family to Mary E. Walter Ziegler who believed it came from her mother's maternal line (Brubakers and Kempers). Mary Ziegler brought quilt to a Quilt Harvest for documentation in 1992 and considered donating to Heritage Center. In need of funds, she instead sold the family quilt in 1996 to dealer Frances Woods who then sold to Heritage Center.
Extensive research indicates descent from the Walter ancestors of Mary Ziegler's father, one of whom, Peter Walter, was married to a Kathryn Myers (although she was certainly born after the 1816 quilt date). Likely made by another Catherine Myers from the preceeding generation. (See file)
Very good for its age. Some minor wear at edges of binding. Soil visible especially on solid white fabric.
Object ID
P.96.05.1
Notes
Trish Herr notes in Quilting Traditions of Lancaster County, 2000, p. 27, that Catharine was the daughter of Henry (b. 1830) and Barbara Brenner Myers of East Donegal Twp. Catharine later married Peter Walter, also a farmer from the same neighborhood. This CANNOT BY CORRECT since this Catharine was born after the quilt was made. This Catharine Myers Walter is buried in the Cross Roads Church Cemetery.
Place of Origin
Lancaster County
Role
Quiltmaker
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
