Communion altar from Brickerville United Lutheran Church (originally Emanuel Evangelical Lutheran Church). Rectangular altar of painted softwood, panelled construction all four sides with pegged mortise and tenon joints. Small panels over large. Door in the back with a recessed panel and knob handle. Molding around base, the edge of the top, and framing the recessed panels.
Modification to altar in 1947 by Bob Helman (signature underneath when removed 10-17-00) was a long platform shelf covering the back 2/5 of the top, with holes at the back, including an electrical outlet. Entire altar has been given a new coat of paint, a light chocolate brown on top and white on the sides. The unpainted interior has one shelf with a vertical divider.
Altar has been used since circa 1800 to serve communion, using the Brickerville United Lutheran Church's ten-piece pewter communion service which is also in collections (P97.08.01-10).
Large crack on top, approx. 4" from front, running halfway across top. Recently painted. Some separation at moldings. Large hole bored in altar top (for electric wire) underneath the added platform, now removed. The modern base molding also removed. Repainted top with brown and attached molding at ends of top to secure plexi top. Paint removed on door.
Accession Number
P.00.34
Object ID
P.00.34.1
Location
LHO
Room
Groff Gallery
Place of Origin
Lancaster County
Credit
Heritage Center Collection, acquired through generosity of James Hale Steinman Foundation and V. Ronald Smith
Mennonite apron of bleached, plain-weave cotton and black two-ply silk embroidery. Apron is gathered at the top and sewn onto a waist band with a commercial tape string at each end.
At top center is a dark brown cross-stitched design of a central star flower on triangle base, surrounded by seven stars or crosses. The separated initials "M S" flank this design and large crosses flank initials. Three different embroidered borders of black silk combine with drawnwork at bottom above a one-inch self-fringe secured with black stitches.
Provenance
Purchased by donor from the Fred Weiser in 1997. Weiser notes there are about 15 aprons known; see article in Der Regebogge written "some years ago".
Staining around embroidered design and initials from bleeding embroidery, near top. Age discoloration with small stains overall. Stains along sides. Several thread "pulls". Areas of missing embroidery on three crosses at bottom. Small hole at lower right of design.
Conserved Nov. 1997 by Dorothy McCoach of Bethlehem, PA
Accession Number
G.97.39
Object ID
G.97.39.9
Location
LHO
Room
DAC
Wall
Island 2
Cabinet
Unit 13
Container
Box # 59
Place of Origin
Lancaster County
Credit
Gift of Hampton Randolph, Sr., Heritage Center Collection
Cast iron ashtray in rectangular form, sloping sides, sunken top with raised sides having a textured surface with two corner indentations for cigarettes. Opposite end of indentation is a grouping of four geese, fully formed, attached to top surface with screws. Entire surface is bronzed with a pattern of oblique stripes on sides.
Marked "144" on bottom. The Hubley catalog "Metal Art Goods" lists this ashtray as #144 and named "Goosie Goosie Gander." The description notes it has "an unusual bronze finish".
Provenance
Owned by J. Roland Gilbert (1888-1940) and inherited by his daughter the donor (1916-1992). Donor writes: "acquired in the late '20s or early '30s and 'possibly' a gift from Mr. Joseph Breneman, a Hubley Exec." J. Roland Gilbert was president of Lancaster Press Inc. and general manager of the New Era Publishing Co.
Pewter basin, part of the Warwick Congregation's (now known as the Brickerville United Lutheran Church) communion service.
High, rounded sides flare out to a flattened rim with rolled edge. Booge appears to be unhammered. Barns struck his large circular mark with an eagle on the inside of bottom. The left portion of the eagle as well as the letters "BAR" on the bottom are discernible, as well as the "HE" above the eagle.
Provenance
The entire communion service remained in use over the years until the congregation decided in 1997 to find a safe place for this valuable communion set. Purchased by the Heritage Center of Lancaster County.
Pewter beaker or handleless cup. Part of the Warwick Congregation's (now known as the Brickerville United Lutheran Church) communion service.
Cylinder form flares out slightly at bottom as well as top. Banded at base.
Engraved on the exterior, near top, are the small initials "M.W."
Provenance
The entire communion service remained in use over the years until the congregation decided in 1997 to find a safe place for this valuable communion set. Purchased by the Heritage Center of Lancaster County.
Diameter of bottom is listed. Diameter of top is 2.5".
Condition
Good
Condition Date
2014-08-28
Condition Notes
Overall abrasions, pitting, small dents and staining. Rim has multiple small dents and abrasions. Bottom interior is pitted. Wear underneath with some areas slightly cracked. Dent at base.
Accession Number
P.97.08
Object ID
P.97.08.5
Location
LHO
Room
Groff Gallery
Wall
East
Place of Origin
Hartford, Connecticut
Credit
Acquired through the generosity of the James Hale Steinman Foundation and Friends of the Heritage Center Museum, Heritage Center Collection
White cotton candlewick bedcover. Candlewicking is a whitework technique using thick cotton thread on white or unbleached muslin. Some examples are loom-woven, with loops creating the motifs. Handmade candlwick pieces use various embroidery and knotting techniques around various implements to create the characteristic loops.
Object Name
Bedcover
Length (cm)
254
Length (ft)
8.3333333333
Length (in)
100
Width (cm)
220.98
Width (ft)
7.25
Width (in)
87
Condition
Poor-Good
Condition Date
2020-01-24
Condition Notes
Spots on one edge; browning, especially along a fold line. Separation of threads. Three along edges (one 8 inches long) occur on unbound edges. Some within piece.
Accession Number
G.04.23
Object ID
G.04.23.39
Location
LHO
Room
DAC
Cabinet
Unit 12
Shelf
Shelf 6
Container
Box 1010
Credit
Gift of Sarah Muench, Heritage Center Collection, LancasterHistory.org
Ribbon threader or bodkin is a blade of nickel-plated non-ferrous metal, in a torpedo shape, wide and rounded at one end and tapering to a point at other end. Two slots are cut in wide end for stringing ribbon that needs to be threaded through casings in waistbands, wristbands, etc.
Stamped inscriptions: On one side of tool is "RIBBON THEADER", "REGISTERED", "No. 3", AND "K.B.C.".
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Bodkin of bone is a flattened needle with one rounded end and one end with a blunt point. Slot of 5/8" in length is cut into body near rounded end. This tool is used for threading ribbons, etc. through casings, fabric tubes or loops.
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Bodkin of steel is a blunt needle used for threading ribbons or other fabric through casings, loops, etc.
Two thin pieces of tapered steel are laminated together through half their length at narrow end. Two pieces at wider end are separated, allowing a ribbon or other material to be fitted into "jaws" and clamped in place via a sliding mechanism fitted into slot that extends lenthwise toward jaws. Inside of jaw ends have 3 pairs of raised barbs or teeth that enable the jaws to hold material without slipping.
Stamped on one side at midsection is "THE DOT." This likely refers to the rounded sliding mechanism fitted in the slot.
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Bodkin of steel is a blunt needle used for threading ribbons, tape or other fabric through casings, loops, etc.
Bodkin is two thin pieces of tapered steel that are laminated together through half their length at narrow end. Two pieces at wider end are separated, allowing a ribbon or other material to be fitted into "jaws" and clamped in place via a sliding mechanism fitted into slot that extends lenthwise toward jaws. Jaws are enabled to hold material without slipping via two raised beads stamped into one side and two matching holes on other side.
Stamped onto one side of tool at midsection is "PATD. MAR. 29. 92."
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Quaker bonnet owned and worn by Mercy Moore Carter Wood. Black silk shell on both brim and back. Back is lined with loose-weave linen scrim, pleated, and back is gathered on the top where attached to the brim. Linen tape and lining connect brim to back inside. 5"-deep brim lined in white silk.
On bonnet back at bottom is a black silk ruffled skirting trimmed above with a prominent bow. Wide black silk ties attached to base of brim, approx. 23" long, have unfinished, fraying ends.
Mercy Moore Carter Wood (b. Nov. 29, 1822 and d. Sept. 14, 1911) married James Wood in 1845, lived on a farm in Little Britain Twp. near Kirk Mills and raised 8 children. James Wood was a farmer and bank director. The Woods were members of the Eastland Friends Meeting, located in Little Britain Twp. between Wrightsdale and Kirks Mills.
Photo of Mercy Wood in file, with inscription on reverse side of frame (now discarded) is: "Mercy Moore Carter Wood/ Taken on her 80th/ Birthday 1902/ on the Wood farm at family reunion." Photo is mounted on board imprinted "C.W. Thomas/ Electric Block/ Oxford, PA."
See also G09.2.2 -- cap belonging to same owner.
Provenance
Descended in family to donor who is the great granddaughter of Mercy Wood.
Brown mildewed spotting on brim lining. Overall darkening of linen lining, especially at neck. Outer shell of bonnet has sprinkling of light mildew spots.
Accession Number
G.09.02
Object ID
G.09.02.1
Location
LHO
Room
DAC
Wall
Island 3
Cabinet
Unit 14
Container
Box #113
Place of Origin
Little Britain Twp
Credit
Heritage Center Collection, gift of Ruth C. Wodock
Bookplate on a page from a Martyrs Mirror, done in the style of Ephrata Cloister with a flowing hand using strong, bold letters. Letters are black with green and orange infill. Bookplate simply reads: "Carl/ Christo/ phel." One flower is at top right and a sylized pot with plant having 3 flowers is at lower left. Page is float-mounted in a window mat with a handmade cherry frame.
Removed from Martyrs Mirror by a previous owner (Evelyn Good) due to water damage to the book which was then discarded. The opposing page was also saved and is mounted in Mylar on reverse side of frame. It carries a ghost image of the bookplate; string from binding is visible.
Acquired with typewritten inscription mounted on back of frame states: "BOOKPLATE MADE FOR CARL CHRISTOPHEL FOR/ HIS COPY OF THE EPHRATA MARTYR'S MIRROR-1748./ WORK OF SISTER ANASTASIA THE PEN-ARTIST OF THE CLOISTER ABC PATTERN BOOK OF LETTERS."
According to Clarke Hess, the penwork is by an unknown Ephrata Cloister artist. Clarke notes that Carl Christophel was a deacon at New Danville Mennonite Church in Conestoga Twp.(now Pequea Twp.) He died in 1767.
In Masonic Lodge Fraktur exhibit for several years. Removed circa 2008.
On short-term exhibit at Historical Society of Cocalico Valley, 2010.
Provenance
Dr. Robbins purchased framed pages from Evelyn Yingst Good's sale, Sat., May 11, 1991, lot #152, for $3,800. Evelyn Good was an Ephrata librarian. Valued at $5000, Robbins sold to museum for $2,500, donating the other half. Irene Walsh then reimbursed museum for the $2,500.
Acid burned edges are brown; soiled along outside edges; stains and foxing. Moisture stain at top left. Remains of binding still attached at left. Moisture staining at upper left corner. Two minor tears at top center, with ragged edges overall. Paper losses within black ink.
Conserved by Marilyn Kemp Weidner of Phila.
Accession Number
P.98.52
Object ID
P.98.52.1
Location
LHO
Room
DAC
Wall
Island 5
Cabinet
Unit 43
Shelf
Upper
Place of Origin
Ephrata Cloister, Lancaster Co.
Credit
Acquired through the generosity of Irene Walsh and Dr. Warren Robbins, Heritage Center Collection
Pewter dram bottle, canteen or flask. Flattened round body with flat bottom having a thin oval foot. Seam at center of rounded sides. Very short, tapered, threaded neck has a fitted and threaded 3/4" high thimble-shaped cap. Decorative concentric circles incised on flattened sides.
Touchmark stamped on bottom is "I.C H/ LANCASTER" in lettering with serifs. Mark is a Laughlin touch #532, 533.
Provenance
Bottle was in the attic of Samuel R. Haldeman's home until he died and Harry, the youngest son, surreptitiously took it along with other belongings to Buffy's Auction in Lebanon where the bottle was sold in a box lot to Mahlon Keith for 30 cents. Keith later sold it to friend William Snyder of Bleak House in Paradise for about $400. Snyder then sold it at the Bleak House sale through A.R. Cox Antiques of Kinzer on May 4, 1965 to donor Dr. Scott, who purchased it for $5,000. Heritage Center purchased at Scott sale (Christie's) for $18,400 on June 10, 1994.
Chinese export bowl of high fired porcelain, polychrome decoration under glaze. Thin walled in nearly hemispherical form sitting on a 3/4" raised foot. Gold-painted rim with red edging. Two goldfish inside bottom. Continuous landscape on exterior is the same repeating Roman or Greek scene of a seated half-robed seated man with dog facing three nude women and seated baby. All set against distant mountains and one tree in foreground.
Large redware mixing bowl, with dark red-brown glaze inside. Spout formed at lip. Two applied handles at sides. Glaze splashed and dripped onto other areas of bowl, including sides, handles, and underside of lip.
Large areas of glaze loss, as well as multiple small losses. Scratches and pinpricks in surface. The edge is worn. Some chunks of bottom edge are missing.
Accession Number
G.80.123
Object ID
G.80.123.6
Location
LHO
Room
DAC
Wall
West
Cabinet
Unit 36
Place of Origin
Southeastern PA
Credit
Heritage Center Collection, gift of Mrs. Paul A. Mueller
Staffordshire transferware sugar bowl in tureen form. Octagonal rounded body (A) sits on a pedestal; two molded applied handles at sides. Conforming domed lid (B) has cutout at one side for spoon and a molded finial on top. Black transfer pattern is a landscape with palatial buildings, trees, vegetation and distant mountains. Border is scroll design with narrow band of quatrefoil flowers and edged with Gothic crockets. Underside marked with pattern name "Missouri" above "B & S." A prominent English registry mark indicates the manufacture date of June 5, 1850.
Glazed soft paste porcelain Gaudy Welsh sugar bowl (A) with lid (B). Handpainted inverted tulips of red and yellow are interspersed with 3 large, dominating deep blue scalloped motifs decorated with copper lustre painted floral decoration. Squat pot-bellied body sits on a low squarish pedestal with scalloped edging. Two molded angular applied handles. Top has round mouth with flared collar extends outward. Domed lid has squarish molded knob finial. Darkened remnant of paper sticker with blurred writing, perhaps "-caster/ --ea set/ --1825."
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
Small molded sugar bowl (A) with fitted lid (B), of white-bodied china. Bulbous pear shaped body has leaf molded exterior and four sagging lobes that bulge at the base. Two applied rustic handles. Decorated with dark blue on upper 1/3 of bowl. Gold-painted highlights on one side only, on handles and embossed leaves at sides. On side of body in stamped, gold lettering is: "Souvenir/ of/ Lancaster/ Pa."
Fitted, domed lid (B) is molded with foliate inspiration with rustic handle/finail.
Stamped underneath in gold is a crown over shield witht the monogram of "TGC"(?) The number "12" also stamped in gold.
Provenance
Donor believes this set was purchased at Woolworth's store in Lancaster.
Sugar bowl with lid, hard-paste eathenware has white clay body hand-decorated with cobalt blue. Squat, bulbous body sits on foot ring; pot-belly sides have a large beaded shoulder leading to a narrowed neck and finishing with an outward flaring rim w/ coggled edge. Four or five blue bands painted while on the wheel and remainder painted freehand. Bulbous section alternates with two different leaf designs suspended from the blue-painted shoulder bead. Large round dots are spaced between each leaf. Coggled edge is blue and top of rim has a leaf form painted in two rows. The domed lid has a bee skep finial painted blue, a wide blue strip at botom edge of lid and four leaves in mid-section of same two designs as on bulbous body. Clear glaze over all.
Small "S" impressed underneath at side, perhaps signifying the potter.
Good 3/8" long chip at coggled rim edge showing a very white clay which suggest a later date. Wear and soil at bottom and soil scattered over entire piece. Overall crazing.
Accession Number
G.81
Object ID
G.81.7
Location
LHO
Room
DAC
Wall
West Wall
Cabinet
Unit #35
Place of Origin
Continental Europe, perhaps Spain or Italy
Credit
Gift of Florence Starr Taylor in memory of Annie Mottern Taylor, Heritage Center Collection
Oval tin box (A) with fitted, domed lid (B). Box has two raised bands on sides. Flat bottom of box is soldered to sides. Lid created by soldering a hammered, rounded oval top onto a 1/2" oval band. Interior of both A and B is tinned.
Used as a container for the miniature tea kettle G.00.03.1.
Provenance
Ownership by donor's father, William A. Heitshu. Donor believes oval box was original container for teakettle.
Exterior surface has vestiges of an original finish, now oxidized with areas of corrosion. Abrasions over much of surface. Interior moderately rusted and corroded.
Accession Number
G.00.03
Object ID
G.00.3.2A-B
Location
LHO
Room
DAC
Wall
West
Cabinet
Unit 37
Place of Origin
Lancaster Co. or region
Credit
Gift of Martha Munster, Heritage Center Collection
