Woman's cotton lawn headcovering. Crown is two separate pieces of fabric, with additional small pieces at the lower front corners. Plain ruffle around front and bottom. Two hemmed cotton ribbons attached at lower front corners; narrow where they attach, widening at the bottom. (Written by Scott Sager.)
Provenance
This pieces was owned and worn by Elizabeth Schneider Mann (1780-1870), the wife of Johannes Mann (1774-1843). She was the great-great grandmother of the donor'ssabalo husband, Rich Hess Mann. Elizabeth Schneider Mann's son, George Snyder Mann, gave the piece to his granddaughter-in-law, Anna Huber Hess, who gave it to her daughter-in-law, the donor Mary Jane Mann.
Year Range From
1820
Year Range To
1840
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
DAC
Storage Wall
Island 2
Storage Cabinet
Unit 13
Storage Shelf
Shelf 3
Storage Container
Box 0059
Object Name
Bonnet
Height (cm)
22.86
Height (ft)
0.75
Height (in)
9
Width (cm)
24.13
Width (ft)
0.7916666667
Width (in)
9.5
Condition
Good
Condition Date
2001-05-23
Condition Notes
Roughly rectangular outline of brown stains at the back; several lighter brown marks on public right side.
Woman's headcovering with a 'dotted Swiss' pattern. Netted ruffle around front and bottom. Black silk ribbons attached at bottom front with metal hooks.
This piece was owned and worn by Elizabeth Schneider Mann (1780-1870), the wife of Johannes Mann (1774-1843). She was the great-great-grandmother of the donor's husband, Richard Hess Mann. Elizabeth Schneider Mann's son, George Snyder Mann, gave the piece to his grand-daughter-in-law, Ann Huber Hess, who gave it to her daughter-in-law, the donor, Mary Jane Mann.
(Written by Wendell Zercher)
Provenance
Donor, Mrs. Richard (Mary Jane) H. Mann. Given in memory of Dr. Richard H. Mann.
Year Range From
1820
Year Range To
1840
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
DAC
Storage Wall
Island 2
Storage Cabinet
Unit 13
Storage Shelf
Shelf 3
Storage Container
Box 0059
Object Name
Bonnet
Height (cm)
25.4
Height (ft)
0.8333333333
Height (in)
10
Width (cm)
22.86
Width (ft)
0.75
Width (in)
9
Condition
Fair
Condition Date
2001-05-23
Condition Notes
Brown stains on both sides and around ruffle. Black silk ribbons are very worn and frayed, especially the one on the proper left side.
Bookplate on a page from a Martyrs Mirror, done in the style of Ephrata Cloister with a flowing hand using strong, bold letters. Letters are black with green and orange infill. Bookplate simply reads: "Carl/ Christo/ phel." One flower is at top right and a stylized pot with plant having 3 flowers is at lower left. Page is float-mounted in a window mat with a handmade cherry frame.
Ephrata Cloister, Lancaster Co.
Removed from Martyrs Mirror by a previous owner (Evelyn Good) due to water damage to the book which was then discarded. The opposing page was also saved and is mounted in Mylar on reverse side of frame. It carries a ghost image of the bookplate; string from binding is visible.
Acquired with typewritten inscription mounted on back of frame states: "BOOKPLATE MADE FOR CARL CHRISTOPHEL FOR/ HIS COPY OF THE EPHRATA MARTYR'S MIRROR-1748./ WORK OF SISTER ANASTASIA THE PEN-ARTIST OF THE CLOISTER ABC PATTERN BOOK OF LETTERS."
According to Clarke Hess, the penwork is by an unknown Ephrata Cloister artist. Clarke notes that Carl Christophel was a deacon at New Danville Mennonite Church in Conestoga Twp.(now Pequea Twp.) He died in 1767.
In Masonic Lodge Fraktur exhibit for several years. Removed circa 2008.
On short-term exhibit at Historical Society of Cocalico Valley, 2010.
Unknown Ephrata Cloister artist
Provenance
Dr. Robbins purchased framed pages from Evelyn Yingst Good's sale, Sat., May 11, 1991, lot #152, for $3,800. Evelyn Good was an Ephrata librarian. Valued at $5000, Robbins sold to museum for $2,500, donating the other half. Irene Walsh then reimbursed museum for the $2,500.
Acid burned edges are brown; soiled along outside edges; stains and foxing. Moisture stain at top left. Remains of binding still attached at left. Moisture staining at upper left corner. Two minor tears at top center, with ragged edges overall. Paper losses within black ink.
Conserved by Marilyn Kemp Weidner of Phila.
Object ID
P.98.52.1
Place of Origin
Ephrata
Credit
Acquired through the generosity of Irene Walsh and Dr. Warren Robbins, Heritage Center Collection
Chinese export bowl of high fired porcelain, polychrome decoration under glaze. Thin walled in nearly hemispherical form sitting on a 3/4" raised foot. Gold-painted rim with red edging. Two goldfish inside bottom. Continuous landscape on exterior is the same repeating Roman or Greek scene of a seated half-robed seated man with dog facing three nude women and seated baby. All set against distant mountains and one tree in foreground.
Glazed soft paste porcelain Gaudy Welsh sugar bowl (A) with lid (B). Handpainted inverted tulips of red and yellow are interspersed with 3 large, dominating deep blue scalloped motifs decorated with copper lustre painted floral decoration. Squat pot-bellied body sits on a low squarish pedestal with scalloped edging. Two molded angular applied handles. Top has round mouth with flared collar extends outward. Domed lid has squarish molded knob finial. Darkened remnant of paper sticker with blurred writing, perhaps "-caster/ --ea set/ --1825."
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
Roughly fashioned polychromed softwood miniature trinket box of rectangular form. Domed lid hollowed out underneath and ends fitted with conforming caps. Wire hinges and wire loop at front with missing tin hasp. Corresponding wire loop for hasp on box front. Box sides constructed of rabbet joints secured by two wood pegs at front and two at back. Beveled bottom board attached with two pegs and extends beyond box sides. Top and four sides each have a floral motif of dark green, cream, ochre and red all on a tan ground. Glossy varnish overall except for bottom and interior. Indecipherable initials painted on bottom.
Probably Lancaster County
Provenance
Purchased by donor at Lancaster County sale. At least four other examples known. See example in collection #1973.003.2
Possible maker is Peter Brubacher (1816-1898), shoemaker and woodworker in Clay Township.
Trinket box of softwood constuction covered by German newsprint outside and a coarse blue-green paper inside. Glued over the newsprint are strips of straw of various tones arranged in geometrical designs on domed lid and sides in a technique very similar to marquetry. Newsprint visible on underside as well as where straw pieces are missing. Lid has hinge of coarse linen under laminate. Bent wire hook on lid fits into wire loop on box front.
Provenance
Collected by donor in Lancaster Co. According authority Clarke Hess, these boxes are plentiful, but not usually with newspaper lining. Clarke owns two of these boxes, both with Lancaster German language newsprint, and believes these boxes were made 1820-1840 in PA.
John Tannehill, expert in iron, reports someone told him these boxes were made in prisons.
Within a twisted foliate border is a central block depicting Adam & Eve flanking a tree with a serpent wound around the trunk offering Eve an apple. This is an engraving executed by Gabriel Miesse of Reading; his name appears at lower right followed by "sc" for "sculpsit", indicating the engraver. Two columns of verse flank the central block, telling the story of "the Fall" in conversational form. At top of broadside is the title in German: "Adam und Eva im Paradies." A subtitle reads: "Mel. Herzlich thut mich Verlangen, etc."
At bottom is: "Gedruckt in der Druckerey des Adlers von H.W. Villee, Lancaster, Pa. allwo alle Sorten Bilder, Bucher,/ Schriebmaterialien und Arzneyen zu haben find." This indicates the broadside was printed in the Lancaster Eagle's printshop (a newspaper started by Villee and Jacob Baab on Oct. 26, 1826). Villee was also selling pictures, books, stationery and even medicines out of his shop on N. Queen St.
See biographical info about Villee from Klaus Stopp's book in this file. He was born in France, served as a captain under Napolean, had to leave France in 1815 and ended up in America in 1820. Villee entered the printing business by working at "the Eagle," a newspaper in Reading. Villee was not successful as a printer in Lancaster, and he left sometime in 1832 or soon after, going to places like Lewisburg, Sunbury and Milton. After moving to Northumberland Co. and becoming a teacher, he finally died in 1842.
The Earnests note that Adam & Eve were popular fraktur subjects, especially among German-language printers of SE PA. They note that there are only about a half dozen Adam & Eve broadsides by Villee known.
Exhibited in Fraktur Exhibit in Masonic Lodge circa 2004 through 2007 (removed spring 2008).
See also P.01.60.1 and P04.48 for examples of a Heaven & Hell broadside by Villee.
North Queen St., Lancaster (printer); Reading, PA (engraver). Villee, Herman W., printer; Gabriel Miesse, engraver; unknown colorist
Paper darkened and soiled overall, wrinkled with fold lines and rough-edged with minor tears and folds. Stains scattered over surface with darkest stains within right text above center. Small hole at center of top foliate border.
Frame is homemade of stained and varnished tiger maple. Acidic cardboard backboard replaced with acid free matboard.
Object ID
P.04.48.1
Credit
Acquired through the generosity of Irene N. Walsh, Heritage Center Collection
Profile of man in a high collar uniform, believed to be Napoleon Bonaparte, cast in chalkware as a framed representation under glass. Rectangular frame has conforming recessed area with cast profile in relief. Old glazing on frame covers image. Chalkware frame is painted dark green with a wire hanging ring imbedded at top center. Profile has black-painted, forward-swept hair with sideburns and pink-rouged cheek. Uniform is of red and black with high red collar and gold epaulette. Created as a memento and sold likely via peddler.
Inscriptions on back in pencil are faint. It appears to be "John M. Snavely/ picked April the 19/ A.D. 1863/ John S(nave)ly." Research reveals a John M. Snavely born 12/17/1843 and died 9/22/1883. 1880 census records him living at home with his farmer parents, Michael and Fannie, and working as a laborer. Obit notes funeral held at Denlinger's Mennonite Meeting House.
Interior profile appears in good condition due to glazing. Outside frame suffers the most with extensive paint loss and significant wear to frame corners. Strong soil on back and other unpainted area.
Object ID
G.04.23.16
Place of Origin
Eastern US
Credit
Gift of Sarah Muench, Heritage Center Collection, LancasterHistory.org
Printed document is a naturalization certificate infilled for "Jacob Dickart" (sic), a prolific gunmaker of Lancaster. Printed on now-brown laid paper, it is a printed form for naturalizing foreigners who did not swear oaths. Now mounted in a modern black frame.
The certificate was designed for non-Quakers who had resided in the Commonwealth for seven years and who had never taken an oath of allegiance to King George II because of conscience, eg. Mennonites, Moravians & other sectarians who believe the Bible prohibits the swearing of oaths. Although Jacob is believed to have been raised in a Lutheran home, he later followed the Moravian faith.
Edward Shippen, Jr., Prothonotary of the Supreme Court of the Province of PA filled out this form for Dickert, who appeared before Judges William Atlin, William Coleman, and Alexander Stedman, in Phila. on Sept 24, 1765. An embossed seal is created out of a small square of paper and affixed to the upper left corner of the document.
HJ Kauffman notes that Dickert was born in Mainz, Germany in 1740, came to America with his parents in 1748. Family settled in Berks Co. and later, son Jacob moved to Lancaster in 1756, where he likely apprenticed with the gunmaker Matthias Roessor (as did Wm. Henry). Dickert worked c. 1760-1820. In 1764, he married Johanetta Hofer of York, PA, and the following year he travelled to Phila. to obtain this document. Kauffman states he was active in the Moravian church.
He died 1822.
See G90.7.1 file on Dickert rifle with family info. Transparency of a document with
General signs of age: soiling, minor foxing, dog eared corners with some minor losses. Fold line 3" from top, small holes along bottom. There is a backing of acidic paper which is attached with adhesive.
Mounted in a modern black frame by Lancaster Galleries for 2006 exhibit.
Walnut side chair, wainscoat type, frame construction with pinned mortise and tenon joints. Shaped crest rail secured with one pin. Baluster-shaped center splat secured with a double pinned mortise and tenon joint and rests on rail above seat level; rail has molded lower edge. Rail at seat back is raisedabove seat level & has same molding as above rail. Plank seat (replaced) of two boards is pinned to chair rails. Bottom edges of all 4 chair rails have molded lower edge. Front legs are baluster-shaped; back legs are square, although they taper in thickness from seat level to top. Back legs also have a backcut front face from stretcher to floor, and curve back. Box stretchers have the same molding as rails above, but are molded on both upper and lower edges.
Probably Lancaster Boro
Provenance
Probably owned by Anthony Schneider (1725-1774) due to the belief that this chair was in his inventory after death. His 1774 Inventory lists a set of 4 walnut chairs. At his death he was living on the site of the Kirk Johnson Building on W. King Street. Anthony Schneider was the father of Gov. Simon Snyder(1759-1819) who was born in Lancaster Borough.
Chair descended through the Fisher and Mertz families. Chair believed to have been purchased by antiques dealer Dick Jones of Muncy, PA, at the "Fisher family sale" at the Isle of Que (section of Selinsgrove), circa mid-1960s. Purchased by restorer Peter Deen, who replaced the seat. Deen sold to Vonnie Haynes, a "minor dealer & major character in Adamstown" who sold it to Neil Kamil, then to museum. (See letter of 18 Apr 1991 from N. Kamil in file.)
Moderate wear overall. Front stretcher very worn. Previous chair owner and furniture conservator, Peter Deen, of Nottingham, PA, replaced seat. Metal corner braces & screws removed. Scratches on left chair rail.
Object ID
P.92.01
Notes
Patricia J. Keller states "a similar side chair is in a private collection outside Pittsburgh, PA, and another is in the collections of the Philadelphia Museum of Art (#'28-10-99, see photo in file).
Peter Seibert notes this chair relates closely to the furniture made in rural northern England during the 1600s and 1700s. It combines elements of different styles, William & Mary and Queen Anne.
Gov. Simon Snyder (1759-1819) served three terms from Dec. 20, 1808 - Dec. 16, 1817 as the first of many Penna. German governors of Pennsylvania. After his election of 1808, he was reelected a few years later by a landslide.
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Pewter chalice, part of the Warwick Congregation's (now known as the Brickerville United Lutheran Church) communion service.
High straight-sided flaring cup on a stem wih knop created by joining two pewter salt stems. A tankard lid is used for the base. Both the knop and edge of base are beaded. Attributed to William Will (working 1764-1798) .
Engraved on the side of the cup are the initials "HIA/ MWM" within a decorative wreath with bow. Engraved on the bottom of the base is "1799", likely indicating the year the chalice was presented to the church for ceremonial use. Segments of wrigglework are also found nearby.
Provenance
The engraved date of 1799 likely signifies the year the chalice was presented to the church. The two sets of initials on the cup are certainly the individuals who presented it. The entire communion service remained in use over the years until the congregation decided in 1997 to find a safe place for this valuable communion set. Purchased by the Heritage Center of Lancaster County
8-day musical clockworks by Mennonite Christian Eby (c.1768-1803) of Manheim. Housed in a large, inlaid cherry case attributed to Emanuel Dyer. Case is transitional from Chippendale to Federal, although strongly Federal due to inlay of eagle and floral motifs on tympanum, quarter fan inlays and another floral inlay on waist section, and a patera centered on the base within a cartouche of line inlay.
Notes: Weight, key, and various parts located in box on Unit 52, Bottom Shelf.
Hood has side lights, fluted colonettes at sides, swan's neck scrolls terminating in inlaid paterae, three ball and spire finials (spire missing on center finial). Waist and base have fluted quarter columns. French bracket feet.
White-painted iron dial w/ Roman numerals on chapter ring. Seconds use Arabic numerals. Floral spandrels, lunar dial and inscription "C EBY Manheim under XII. Above lunar dial are ten names of tunes played by the musical works. Dial attributed to Reading area due to a dark moon wheel and the 2 hemispheres for the moon phase are identical (per Gary Sullivan). He also notes that brass-clad weights are very unusual, and usually an English practice.
Provenance
Ex Renner (per Gary Sullivan, clock dealer). Later from estate sale of Pauline Heilman of York, PA by Sotheby's July 17, 1982. The buyer, a private client of Citibank, put clock in storage in Florida, then consigned it Christie's where HCLC purchased Jan. 1992.
John and Carol Pyfer paid $800 for Quentin Johnson to repair the clockworks and get it running in 2004. Clock hands have losses (pieces in a box stored in clock bottom), repaired by Johnson. Case refinished (see early photos in file). Scratch on side to left of pendulum door; nicks & scratches at left side vertical member of opening to pendulum. Marred overall. Split at left side of front section of molding under hood. Pieces of string inlay replaced. Proper left back foot loose; proper left front column loose. See Gary Sullivan condition report (loan to Willard House)
Object ID
P.92.02
Notes
Made by Christian Eby (c.1768-1803), working 1792-1803. Case attributed to Emanuel Deyer.
J.J. Snyder notes, "The clock is significant because it is the only known Lancaster Co. eagle-inlaid clock with a musical movement. Musical movements predating 1840 are quite rare, and fewer than eight Lancaster Co. musical clocks prior to 1840 are known to survive. The inlay is unique in the placement of the eagle in the center of the pediment rather than in an oval medallion above the pendulum door and in the use of floral inlay in addition to the eagle. In summary, the Christian Eby clock is a masterpiece of not only regional but also national importance."
Snyder also states "Unquestionably, this is one of the most elegant and sophisticated pieces of Lancaster County Federal furniture now known." He adds "Of all the known Lancaster County eagle-inlaid clock cases, this one alone has floral inlays. In view of the fact that this case must predate Christian Eby's death in 1803, it stands as the earliest known use of the eagle as a patriotic device in Lancaster County furniture."
Snyder also suggests Manheim cabinetmaker Emanuel Dyer (1760-1836) as the probable casemaker. Working for about a half century starting in the early 1780s, Dyer was the leading Manheim cabinetmaker.
Place of Origin
Manheim
Credit
Gift of members and friends of the Heritage Center, Heritage Center Collection
Eight-day tall case clock signed by Daniel Forrer of Lampeter and dated 1814. Clockworks housed in a c. 1760s walnut sarcophagus top case by unknown maker.
Clock has 12" solid brass arched dial, matted dial-plate center, pewter chapter ring and cast brass spandrels. Above center arbor is seconds chapter ring of pewter and below arbor is calendar window. Engraved pewter medallion in arch reads "Daniel Forrer/ Lampeter." Above calendar window is a small plate engraved "1814." (Dial is very similar to one by brother Christian Forrer pictured on page 97 of "Clockmakers of Lancaster Co...").
Sarcophagus bonnet top has 3 urn finials on plinths (corner plinths are plain; center one is fluted). Thin crestboards extend to sides of central finial. Bonnet has 3/4 colonnettes in front and 1/4 in back, all plain & tapered. Arched sidelights.
Body of case is pegged construction w/ front having mitered half-lap joinery at top & through-tenon joints at bottom. Front corners are stop-chamfered between joinery. Tombstone pendulum door (replaced). Cove molding leads to plain base section with chamfered corners. Feet and base moldings replaced (see condition notes). Now rests on reeded board base only.
1814 date plate likely mounted on dial when the Sheraton style details (reeded base, turned feet, urn finials) were added. Changes were evidently prompted by moisture & worm deterioration of original feet & base moldings.
Clock has winding key and door key (in clock key box). See NOTES.
Clockmakers of Lancaster County and Their Clocks by S.B.C. Wood, Jr., S. Kramer, & J.J. Snyder, 1977, pp. 19, 97.
Mennonite Arts by Clarke Hess, 2002, p. 80 (nearly identical Christian Forrer dial).
Photocopies of Warfel documents & previous contacts (in file). MESDA has photo of a c.1770 clock w/ "D.Forrer/ FrdkTown."
Height (cm)
238.76
Height (ft)
7.8333333333
Height (in)
94
Width (cm)
53.975
Width (ft)
1.7708333333
Width (in)
21.25
Depth (cm)
30.48
Depth (ft)
1
Depth (in)
12
Condition
Good
Condition Date
2017-06-19
Condition Notes
Case refinished & restored with Sheraton feet, reeded base molding & urn finials. Pendulum door & hardware are replaced. Bonnet door loose from "hinge" column at top (nail failing). Multiple gouges, chips & scratches. Heavy loss at left front corner of bonnet cornice. Pieced-out repair at back edge of left side of waist. Backboard at bottom shows significant rot & worm damage, explaining the replaced base that now is reeded-edge boards to which turned Sheraton feet were nailed (now removed). On seatboard of works is old sticker of Joseph R. Bates, clock restoration in Vermont. In 1968, he performed "complete restoration & overhaul including extensive repairs" to clockworks & resilvering of dial.
Object ID
G.08.16.1
Notes
Swiss-born brothers Daniel & Christian Forrer both apprenticed w/ same clockmaker in the Jura region of Switz., following their father's death, then emigrated to America with their sister in 1754, settling in Lampeter where they each made clocks. It is claimed there were clocks jointly signed "C & D Forrer", denoting a partnership. Clarke Hess notes that Daniel sold his Lampeter Twp. lands to his brother in 1762 at which time he likely moved to Frederick, Maryland.
Ed LaFond believes there may be about a dozen clocks by Christian but only two clocks by Daniel were previously known, both privately owned and one signed Fredericktown. Ed believes Forrer eventually ended up in Virginia.
Woven coverlet. Red and green horizontal wool bands with floral pattern ("The Double Roses") of natural cotton threads. Red and green 3-inch loop fringes on three sides. Top edge is rolled and stitched with green yarn running stitch. Bands of red roses alternated with bands of green leaves. Side edge blocks alternate red birds and green rose bushes. Weaver's blocks on both bottom corners: "J.R. Gebhart/ Maytown/ Lancaster/ Co./1839" with "A. Musser" below. "A. Musser" also on both ends of top border.
Finely crafted woven coverlet. Full loom width, seamless. Red, navy blue and green horizontal wool bands with lengthwise blue cotton strands as background. Designs include roses, floral medallions and leaves.
Weaver's blocks on all 4 corners: "Emanuel/ Grube/ Warwick/ T.L.A.C.P./ 1844/ P. Rudisill" (T: Township; LA: Lancaster; C:County; P: Pennsylvania)
Top and bottom edges folded over and stitched. A woven tape with wool fringes is stitched to the lower edge of the coverlet.
Woven coverlet. Two 40-inch panels/widths sewn together. Red, light blue and navy blue wool horizontal bands with lengthwise natural cotton fiber ground. 3-inch wool fringes on sides; 4-inch cotton fringes at foot. Hem at head of coverlet is rolled and hand-stitched. Design of large plume medallions atlernating with smaller designs. Side borders of buildings. Weaver's block, lower left corner: "Property of/ ???/ 1836/ woven.by./ I + Myer" Myer wove near Millersville, Lancaster Co., PA.
Date Range
1836
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
DAC
Storage Wall
Island 2
Storage Cabinet
Unit 13
Storage Shelf
Shelf 6
Storage Container
Box 1011
Object Name
Coverlet
Length (cm)
251.46
Length (ft)
8.25
Length (in)
99
Width (cm)
218.44
Width (ft)
7.1666666667
Width (in)
86
Dimension Details
Woven piece length is 95 inches plus 4-inch fringe
width is 80 inches plus 3-inch finges on both sides
Condition
Good
Condition Date
2020-01-30
Condition Notes
Name of owner unreadable; top of central seam restitches at head; .5-inch separation/opening along central seam at bottom/foot.
Object ID
G.03.23.3
Notes
Weaver I. Myer also cited in :
1. Heisey, John W., compiler. A Checklist of American Coverlet Weavers. Williamsburg, VA: The Colonial Wmsbrg. Foundation, 1978. pp. 91-92
2. Anderson, Clarita. American Coverlets and Their Weavers. Wmsburg, VA, 2002. p. 197
Woven coverlet. Two 40-inch panels hand stitched together. Red, blue and green wool horizontal bands with lengthwise natural cotton ground. Edge at head end of coverlet rolled and hand stitched. Side edges are self-fringes with a woven tape with fringe hand-sewn along foot edge. Weaver's blocks in corners at foot of coverlet: "Isaac/ Bruba/ +ker/ 1835/ C Bear".
Vivid colors in designs of eagles, trees, roses and various octagonal stars.
2 panels, each 40 inches wide plus 4-inch fringes on both sides = 88 ins. wide
90.5 inches long with 4-inch fringe on foot end = 94.5 ins. long
Condition
Very Good
Condition Date
2020-02-27
Condition Notes
Vivid colors. Edges and fringes in very good condition. A few stains. Some open spots in hand stitching along center seam.
Object ID
G.09.01.1
Notes
This coverlet was woven by Isaac Brubaker for C. Bear and date 1835. Issac Brubaker of New Holland, Lanc. Co., Pa. born circa 1806; d. 1887. Brubaker is cited in:
1. Heisey, John W., compiler. A Checklist of American Coverlet Weavers. Williamsburg, VA: The Colonial Wmsbrg. Foundation, 1978. p. 41
2. Anderson, Clarita. American Coverlets and Their Weavers. Wmsburg, VA, 2002. p. 139
Woven coverlet. Two 41.5-inch widths seamed in center. Red and blue wool horizontal bands with natural cotton ground. 3-inch wool fringes on sides. Band of wool fringes sewn onto foot end. Top edge rolled and hemmed. Bands of eagles and double rows of octagonal stars/flowers border 3 sides. Roses, leaves and large star patterns in center. Weaver's blocks in corners at foot: "John/ Bro/ sey/ Man/ heim/ 1836". John Brosey (probably Sr.)
