Communion altar from Brickerville United Lutheran Church (originally Emanuel Evangelical Lutheran Church). Rectangular altar of painted softwood, panelled construction all four sides with pegged mortise and tenon joints. Small panels over large. Door in the back with a recessed panel and knob handle. Molding around base, the edge of the top, and framing the recessed panels.
Modification to altar in 1947 by Bob Helman (signature underneath when removed 10-17-00) was a long platform shelf covering the back 2/5 of the top, with holes at the back, including an electrical outlet. Entire altar has been given a new coat of paint, a light chocolate brown on top and white on the sides. The unpainted interior has one shelf with a vertical divider.
Altar has been used since circa 1800 to serve communion, using the Brickerville United Lutheran Church's ten-piece pewter communion service which is also in collections (P97.08.01-10).
Perhaps made by Emanuel Dyer of Manheim or Mr. Zartman of Brickerville.
Large crack on top, approx. 4" from front, running halfway across top. Recently painted. Some separation at moldings. Large hole bored in altar top (for electric wire) underneath the added platform, now removed. The modern base molding also removed. Repainted top with brown and attached molding at ends of top to secure plexi top. Paint removed on door.
Object ID
P.00.34.1
Place of Origin
Lancaster County
Credit
Heritage Center Collection, acquired through generosity of James Hale Steinman Foundation and V. Ronald Smith
Mennonite apron of bleached, plain-weave cotton and black two-ply silk embroidery. Apron is gathered at the top and sewn onto a waist band with a commercial tape string at each end.
At top center is a dark brown cross-stitched design of a central star flower on triangle base, surrounded by seven stars or crosses. The separated initials "M S" flank this design and large crosses flank initials. Three different embroidered borders of black silk combine with drawnwork at bottom above a one-inch self-fringe secured with black stitches.
Provenance
Purchased by donor from the Rev. Fred Weiser in 1997. Weiser notes there are about 15 aprons known; see article in Der Regebogge written "some years ago."
Staining around embroidered design and initials from bleeding embroidery, near top. Age discoloration with small stains overall. Stains along sides. Several thread "pulls". Areas of missing embroidery on three crosses at bottom. Small hole at lower right of design.
Conserved Nov. 1997 by Dorothy McCoach of Bethlehem, PA
Object ID
G.97.39.9
Place of Origin
Lancaster County
Credit
Gift of Hampton Randolph, Sr., Heritage Center Collection
Pewter basin, part of the Warwick Congregation's (now known as the Brickerville United Lutheran Church) communion service.
High, rounded sides flare out to a flattened rim with rolled edge. Booge appears to be unhammered. Barns struck his large circular mark with an eagle on the inside of bottom. The left portion of the eagle as well as the letters "BAR" on the bottom are discernible, as well as the "HE" above the eagle.
Probably made in Middletown or Wallingford, Connecticut.
Provenance
The entire communion service remained in use over the years until the congregation decided in 1997 to find a safe place for this valuable communion set. Purchased by the Heritage Center of Lancaster County.
Silver beaker or handless cup; flared form with double lip.
Engraved "J C M" in script lettering on the side; engraved "C. MAYER" in block letters on the underside of the base. The base also has maker's mark in the center, "W H" in a small rectangle with a scrolled serif on the bottom of the left stroke of the "H".
According to John J. Snyder, Jr, "C. Mayer" is Christopher Bartholomew Mayer (c. 1756 - Aug. 11,1815 and son of George Ludwig Mayer), a wealthy Lancaster hardware merchant who lived in the elegant stone house built by his father-in-law, George Burkhard (c. 1721-1783), a prominent Lancaster joiner, in 1764, at the NW corner of Orange and Duke Sts. Christopher B. Mayer married Jan. 2, 1783, to Susannah Burkhard(t) (1761-1848), later producing 8 children. Mayer was prominent in politics, and twice represented Lancaster in the state Senate."
Snyder continues: "The "JCM" of the monogram may be identified, tentatively, as Juliana (Julia) Catherine Mayer (1806-1857), later the wife of George May Keim of Reading." They married in 1827. Keim was a US Congressman, representing the 9th District in the U.S. House of Representatives (1838-1843) He also served as Mayor of Reading in 1852. They are buried in the Charles Evans Cemetery in Reading. Juliana (Julia) was apparently a daughter of Christopher & Susannah Mayer.
At time of acquisition,this beaker was believed to be the only piece of Wm. Haverstick hollow ware then known. With its history of early ownership by a very prominent Lancaster family, it adds a valuable historical dimension.
Provenance
Purchase from dealer Harry Hartman. Previous history unknown.
Chippendale cabinet on chest, walnut. Cabinet is set back on chest. It has a scroll-top broken arch pediment, carved rosettes, applied central carved shell and three urn finials on fluted plinths. Two arched doors have 10 lights each with exposed hinges. Interior has 3 shelves, each furnished with wood strips for supporting plates. Inset fluted quarter columns flank doors.
Base is a chest of drawers with three small ones over three long graduated drawers, thumb molded edges, bail type brasses and oval lock escutcheons. Flanked by inset fluted quarter columns. Four ogee bracket feet.
Provenance
Family states this piece made in Ono, Lebanon Co., what was then Lancaster County. There is also the family tradition that it was made by ancestor John Bachman II, which donor Herbert Bachman Weaver states he cannot confirm or deny. Early museum labels seem to support the Ono origin.
Multiple scrapes, gouges and small holes. Two scrapes halfway up right side of cabinet. Top right molding separating from cabinet. Cracks in glass: bottom row, 2nd pane from left; third row up, 2nd pane from right; and bottom right pane of fan. Crack at top center of cabinet (from doors through the shell carving). Key hole escutcheon missing on door. Damage around door hinges. Traces of red paint on top of chest, under cabinet. Dark drip-burn marks down center of chest. Wood losses at top corners of long drawers. Back is unfinished.
Object ID
G.79.102.1
Place of Origin
Ono, Lebanon County, Pennsylvania
Credit
Gift of Herbert B. Weaver in memory of his father Isaac Hoover Weaver, Heritage Center Collection
Pewter chalice, part of the Warwick Congregation's (now known as the Brickerville United Lutheran Church) communion service.
High straight-sided flaring cup on a stem wih knop created by joining two pewter salt stems. A tankard lid is used for the base. Both the knop and edge of base are beaded. Attributed to William Will (working 1764-1798) .
Engraved on the side of the cup are the initials "HIA/ MWM" within a decorative wreath with bow. Engraved on the bottom of the base is "1799", likely indicating the year the chalice was presented to the church for ceremonial use. Segments of wrigglework are also found nearby.
Provenance
The engraved date of 1799 likely signifies the year the chalice was presented to the church. The two sets of initials on the cup are certainly the individuals who presented it. The entire communion service remained in use over the years until the congregation decided in 1997 to find a safe place for this valuable communion set. Purchased by the Heritage Center of Lancaster County
Chest of polar stands on four blue-green ogee bracket feet, fitted with casters. Lid has molding pegged to 3 sides and supported by strap hinges. Keyhole at front center has only the ghost of its original oval escutcheon. Grab lock with key. Wrought iron handles on a heart-shaped plate are located at each end. Interior of chest has a till on the left.
Red-painted platter-shaped panels are positioned at each end, two on lid and two on front. Above these front panels is a very thin, long, white-painted reserve containing a painted inscription "17 ANNA NISLESIN 95." This is flanked by geometric floral/star rosettes.
This is a 'sister' chest to the Potzer chest (P.79.103) varying only in paint decoration and feet. Similar chest sold in Geo Scott sale in 1994. (Written by Scott Sagar.)
Provenance
Provenance indicated by inscription and handwritten note: "This chest is for Eli" is penciled on the underside of the lid. Paper pasted to till reads: "This is the property of Ella R. Peterson (with contents) Jan. 1960, Anna B. Rohrer. Formerly was your Great Grandmother"s Maria Hershey Haverstick."
Donor states chest descended to her through the Haverstick family of the Wabank area of Lancaster Twp. It was used in a farmhouse on Rice Road, near the west bank of the Conestoga River. Peterson states the Haverstick property was later sold to a Mr. Rice who owned it until he died circa 1985. There is reportedly a Haverstick cemetery nearby.
The chest was donated by Mrs. Ella R. Peterson of Willow Valley Square in Nov. 1995. Value: $7,500.
Significant wear to wood, esp. where dog chewed on feet; right front foot has piece broken off. Paint is worn and faded overall, with scratches and chips in many places. Lock escutcheon missing.
Chest is red-painted poplar. Lid has molding pegged to 3 sides, supported by plain iron strap hinges. Brass escutcheon at keyhole. Wrought iron bail handles on a heart-shaped plate, on each end. A till is at left end of interior.
White-painted platter-shaped panels at each end, two on lid and two on front. Above the painted front panels is a thin, long, white-painted cartouche containing a painted inscription along with geometric floral/star motifs. The inscription reads: "17 BARBARA POTZERIN 95."
On the underside of the lid, left side, is pasted a fraktur measuring 6.5" x 8" showing a woman in a red dress and a man in a pink coat and black pants flanking a text block, with red and blue flowers above.
The fraktur is a "baptismal sponsor's letter form" done with ink and watercolor on laid paper for "Maria Barbarra" Potzer, born March 11, 1768 in Warwick Township, Lancaster County. The central text block expresses good wishes for the child (translation in file)and in the upper left and lower right corners are the names of baptismal sponsors, Maria Barbara Fockt [?] and Jakob Zook [?]. This unusual form was used in the Alsace/Palatine areas, according to Pastor Fred Weiser.
Barbara Potzer was original owner. Maker of the chest is unknown. The fraktur is by the Sussel-Washington artist.
Provenance
Chest was purchased at a sale in Harrisburg in approximately June, 1979, by seller, H. William Koch. It
Multiple large marks and stains on lid, including two blotches of a varnish-stain. Edges are worn, and bits of wood are missing in several areas. Base is separating from the front and sides. The iron hinges are rusted. Top has a long split along grain.
A condition report and treatment proposal for the fraktur were done by the Conservation Center for Art and Historic Artifacts in Philadelphia in May 1986, but no treatment was done.
Object ID
G.79.103.1
Notes
This is a twin of the "Anna Nislesin" chest (G.95.29.1) except for paint color and feet.
There is a group of several other similar chests (see file).
Place of Origin
Lancaster County
Role
Artist
Credit
Gift of the James Hale Steinman Foundation, Heritage Center Collection
Chest, red-painted poplar on four straight bracket feet. Lid with molding pegged to 3 sides, supported by strap hinges. Brass escutcheon at keyhole. Wrought iron bail handles on a heart-shaped plate at each end. Till at left end of interior.
White-painted platter-shaped panels at each end, two on lid and two on front. Above the painted front panels is a very thin, long, white-painted cartouche containing a painted inscription with geometric floral/star motifs. Inscription: "17 BARBARA POTZERIN 95."
On underside of the lid, left side, is a pasted-on fraktur (6.5" x 8"), hand-drawn, hand-colored, hand-lettered, on laid paper. Text within a rectangular frame at center of document, flanked by two people: at left is a woman wearing a red gown and bonnet, and on right is a man wearing a red coat, knee breeches and tricorn hat. Red and blue flowers above.
Fraktur has a "sponsor's letter" text done for "Maria Barbarra" Potzer, born March 11, 1768 in Warwick Township, Lancaster Co. Document was given to Barbara by the godparents / sponsors, whose names appear at upper left and lower right corners: Maria Barbara Fockt [?] and Jakob Zook [?]. Central text block expresses good wishes for the child (translation in file). This form was used in the Alsace/Palatine areas according to Pastor Weiser.
The maker of the chest is unknown. The fraktur was done by Sussel-Washington artist (active c.1760-1779).
Provenance
Chest was purchased by seller, H. William Koch, in approximately June, 1979, at a sale near Harrisburg. It is a twin of the "Anna Nislesin" chest (G.95.29.1) except for paint color and feet. Several other similar chests (see file).
Multiple large marks and stains on lid, including two blotches of a varnish-stain. The edges are worn, and bits of wood are missing in several areas. Base is separating from the front and sides. The iron hinges are rusted. Top has a long split along grain.
A condition report and treatment proposal for the fraktur were done by the Conservation Center for Art and Historic Artifacts in Philadelphia in May 1986, but no treatment was done.
Object ID
P.79.103.1
Notes
Pictured on p. 180 of Corinne & Russell Earnests' Fraktur: Folk Art & Family, 1999.
Place of Origin
Lancaster County
Role
Artist
Credit
Gift of James Hale Steinman Foundation, Heritage Center Collection
Bonnet-top high chest, walnut w/ yellow pine and poplar secondary wood. Pegged frame and panel construction. A bonnet top broken arch pediment surrounds the tympanum with a central round, concave shell carving. Large orb finial on plinth centered within broken arch. Upper section has five graduated drawer sections consisting of three small drawers over two drawers over three long single drawers, all cock-beaded with bail brasses and escutcheons. Pulls not original; ghosting visible of original brasses. Quarter columns have wide chamfers with double fluting.
Upper chest rests on stepped-out lower chest having one long drawer flanked by two small ones and two more small drawers below these. Cutout apron at bottom. Very wide chamfered & fluted quarter columns. Cabriole legs with trifid feet and stocking detail.
Make is unknown.
Lancaster County, probably Churchtown area
Provenance
Chest originally belonged to the Old family, prominent ironmasters of Lancaster and Berks Co. It may have been owned first by James Old (1730-1809) or one of his children. The chest later passed from Miss Harriet Old to the Hopkins family at Conowingo Furnace, Drumore Twp., Lancaster County.
Overall abrasions, scars and small losses of wood. 4" crack in pediment, left of finial. Significant grouping of gashes 4"x 3" spanning 2nd & 3rd level drawers, at left. Entire front of top chest detaching from sides. Piece at top of left stile, under cornice, is broken & poorly repaired. Deep horizontal 7" crack on left side of base unit. Vertical crack entire length of right side of top. 1 12" long gouge on stile of right front leg. White flecks on right front leg. Brasses tarnished with some rust.
Object ID
P.78.76
Notes
Exhibit label information:
John J. Snyder, Jr. suggests many points of similarity with a Q.A Phila. highboy owned by diarist Christopher Marshall who brought chest along with him when he moved to Lancaster Co. "on the eve of the Revolutionary War." (Winterthur collections). This chest may have inspired the design of the Old chest.
Wide fluted chamfered corners similar to a Q.A. secretary (G.03.1.1) formerly owned by the Jenkins family of Churchtown. Similar to a case of Geo. Hoff clock w/ brass face, and similar to casework by some Phila. and Maryland cabinetmakers.
Snyder notes that cockbeaded edges on drawers suggest a later date than expected (c. 1770-1790). This type in Phila. was being made c. 1740-1760.
Place of Origin
Lancaster County
Usage
Old family
Credit
Gift of James Hale Steinman Foundation, Heritage Center Collection
Tall case clock has 30-hour brass movement, two-chain pull-up, painted metal dial signed "John Heinselman/Manheim" above center. Dial locally made. Calendar window above VI. Moon wheel
Case is primarily cherry, Chippendale style, by unknown Manheim cabinetmaker. Base has ogee feet, fluted quarter columns and a raised base panel with hollow upper corners. Waist has fluted quarter columns and a pendulum door with cyma curve at top. Bonnet has three heavy flame finials; and carved rosettes terminate the steeply rising scrolls of the pediment. Scroll pediment has Wall-of-Troy dentil-like detailing. Center of tympanum has an applied shell carving flanked by undulating vines that terminate with tulip-like flowers.Quarter-columns are fluted in front with brass plinths and capitals; back columns are plain.
Provenance
Provenance: Purchased from Maine dealers Kenneth and Paulette Tuttle. They had acquired clock from the family of Edward Hergelroth of Manheim, PA who had moved to Maine about 1900.
Works overhauled by Carter Harris in Feb. 1982. Case has minor wear; front edge of left side of bonnet is splintering 4" above base. Dial has brownish stains. Moon wheel has only vestiges of painted image remaining. Vertical split at center of base panel.
Object ID
P.81.15
Place of Origin
Manheim
Credit
Gift of James Hale Steinman Foundation, Heritage Center Collection
Tall case clock, Chippendale case with eight-day movement. Dial is painted white with rose spandrels, moon wheel, and is signed very faintly, "Peter Spycker/ Williamsburg." John Peter Spyck(h)er's clocks are rare.
Walnut case with poplar backboards is highly carved. Three flame finials rest on reeded plinths atop scroll pediment with dentils and 12-point rosettes. Tympanum is relief-carved with a central flower flanked by vining. Waist and base have vine-carved quarter columns with smooth lamb's tongues. Arched waist door accented by a deeply incised shell carving near top. Base has raised base panel with corner volutes and central shell. Ogee replacement feet.
Made by Peter Spycker (1756?-1830). Case attributed to Peter or John Rank or Daniel Arndt.
Jonestown (formerly Williamsburg), PA (almost certainly)
See Notes
Provenance
1783-1883 White Horse Tavern near Jonestown; 1883-1914 Bross family of Brosstown (near Rt 72 & 22); 1914-1963 Harry Lesher of Jonestown; 1963-1979 Donald L. Mohn, Jonestown; 1979-1981 William DuPont, Wilmington, DE; 1981 to donor. (Info from Donald L. Mohn)
Jonestown's White Horse Tavern was kept by John Rank (Peter Rank's brother) in the early years of the 19th c. (Clock is based on design sketch from Peter Rank's account book.)
Reported by Carter Harris: a #1 is scratched on front plate of movement and front of seatboard.
Inscription Type
Inscription
Object Name
Clock, Tall Case
Material
Wood, Glass, Brass
Height (cm)
256.54
Height (ft)
8.4166666667
Height (in)
101
Width (cm)
61.595
Width (ft)
2.0208333333
Width (in)
24.25
Depth (cm)
29.5275
Depth (ft)
0.96875
Depth (in)
11.625
Condition Notes
Flame finials replaced recently (copied from similar Heinselman clock at York Bank in York); ogee feet replace bracket feet which replaced earlier feet; door escutcheon replaced; severe crack in base with loss of wood; dentil molding on front replaced. Movement overhauled by Carter Harris, 1982.
Object ID
G.81.20
Notes
JJ Snyder research (in file) identifies maker as Peter Spycker, Jr., the clockmaker recorded on Tax Lists for Tulpehocken Twp, Berks Co., in 1789 as "Peter Spycker Junr. - Clock Maker". In June 1803, Spycker purchased property in Jonestown(Williamsburg) & he may have rented before this date. An 1829 deed mentions "Peter Spyker of Swatara Twp. in the Co. of Lebanon...Clock Maker..." Williamsburg (Jonestown), when founded about 1761 by William Jones, was part of Lancaster Co., then Dauphin Co. in 1785 and part of Lebanon Co. in 1816.
Snyder states "all major elements of the design of this case are virtually identical to a design sketch for a clock case in the account book of a Jonestown joiner, Peter Rank (1770-1851). This account book is in the Joseph Downs Manuscript and Microfilm Collection of the Winterthur Museum." Snyder also notes that the handwriting of this sketch's label is not Rank's. It is possible that these sketches may have been done by joiner Daniel Arndt, whose name also appears in the manuscript."
See "Jonestown School" in Cooper & Minardi, Paint, Pattern & People, pp. 89-91.
Snyder notes it is likely that this clock case illustrates the closest relationship to a design sketch known for any American Chippendale furniture.
The white dial precludes a date earlier than the 1780s.
Place of Origin
Jonestown, Lebanon County, Pennsylvania
Related Item Notes
Very similar carving to a Heinselman tall case clock in York Bank & Trust Co., York, PA.
Usage
White Horse Tavern, Jonestown
Credit
Gift of Herbert B. Weaver in memory of father Isaac Hoover Weaver (1864-1920), Heritage Center Collection
8-day musical clockworks by Mennonite Christian Eby (c.1768-1803) of Manheim. Housed in a large, inlaid cherry case attributed to Emanuel Dyer. Case is transitional from Chippendale to Federal, although strongly Federal due to inlay of eagle and floral motifs on tympanum, quarter fan inlays and another floral inlay on waist section, and a patera centered on the base within a cartouche of line inlay.
Notes: Weight, key, and various parts located in box on Unit 52, Bottom Shelf.
Hood has side lights, fluted colonettes at sides, swan's neck scrolls terminating in inlaid paterae, three ball and spire finials (spire missing on center finial). Waist and base have fluted quarter columns. French bracket feet.
White-painted iron dial w/ Roman numerals on chapter ring. Seconds use Arabic numerals. Floral spandrels, lunar dial and inscription "C EBY Manheim under XII. Above lunar dial are ten names of tunes played by the musical works. Dial attributed to Reading area due to a dark moon wheel and the 2 hemispheres for the moon phase are identical (per Gary Sullivan). He also notes that brass-clad weights are very unusual, and usually an English practice.
Provenance
Ex Renner (per Gary Sullivan, clock dealer). Later from estate sale of Pauline Heilman of York, PA by Sotheby's July 17, 1982. The buyer, a private client of Citibank, put clock in storage in Florida, then consigned it Christie's where HCLC purchased Jan. 1992.
John and Carol Pyfer paid $800 for Quentin Johnson to repair the clockworks and get it running in 2004. Clock hands have losses (pieces in a box stored in clock bottom), repaired by Johnson. Case refinished (see early photos in file). Scratch on side to left of pendulum door; nicks & scratches at left side vertical member of opening to pendulum. Marred overall. Split at left side of front section of molding under hood. Pieces of string inlay replaced. Proper left back foot loose; proper left front column loose. See Gary Sullivan condition report (loan to Willard House)
Object ID
P.92.02
Notes
Made by Christian Eby (c.1768-1803), working 1792-1803. Case attributed to Emanuel Deyer.
J.J. Snyder notes, "The clock is significant because it is the only known Lancaster Co. eagle-inlaid clock with a musical movement. Musical movements predating 1840 are quite rare, and fewer than eight Lancaster Co. musical clocks prior to 1840 are known to survive. The inlay is unique in the placement of the eagle in the center of the pediment rather than in an oval medallion above the pendulum door and in the use of floral inlay in addition to the eagle. In summary, the Christian Eby clock is a masterpiece of not only regional but also national importance."
Snyder also states "Unquestionably, this is one of the most elegant and sophisticated pieces of Lancaster County Federal furniture now known." He adds "Of all the known Lancaster County eagle-inlaid clock cases, this one alone has floral inlays. In view of the fact that this case must predate Christian Eby's death in 1803, it stands as the earliest known use of the eagle as a patriotic device in Lancaster County furniture."
Snyder also suggests Manheim cabinetmaker Emanuel Dyer (1760-1836) as the probable casemaker. Working for about a half century starting in the early 1780s, Dyer was the leading Manheim cabinetmaker.
Place of Origin
Manheim
Credit
Gift of members and friends of the Heritage Center, Heritage Center Collection
Birth & baptismal certificate on laid paper. Printed form with central textblock in German within a multiple line border. Infilled and decorated around textblock by Speyer; cross-legged angel at top, pelicans feeding young at sides and flowers at sides and bottom. Watercolors are red, blue, yellow, green and brown.
Infilled for Johannes, son of Valiendein (Valentine) and Eliesabetha (Elisabetha) Bohmer of Brecknock Township in Lancaster Co., born Dec. 13, 1788.
Georg Friederich Speyer (active 1774-1801) used this printed form produced c. 1789 by Barton & Johnson of Reading. See Notes.
General wear with numerous creases and wrinkles; one pronounced vertical centerline crease. Repaired tears, esp at left edge. All edges are ragged and uneven, esp. at right.
Conserved by CCAHA in 1989 (see report in file). Hinged into window mat & back mat. Relaced in its original frame using UF-3 Plexiglas and acid-free cardboard on reverse with a taped mylar dust shield.
Object ID
G.77.50.1
Notes
Printed form by Reading printers Thomas Barton and Benjamin Johnson, circa 1789 (see Klaus Stopp, The Printed Birth & Baptismal Certificates of the Pa. Germans, v. 4, p. 84). Speyer used this printed form for Johannes Bohmer who was born the previous year in1788.
Place of Origin
Lancaster County
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Birth & baptismal certificate, with printed 3-heart form with text in all three hearts. Blank spaces infilled by hand in thin red ink by Speyer. Fraktur done for Peter Scholl, son of Peter Andreas and his wife Elizabeth Margretha, nee Illick. Son Peter was born September 7, 1772, in Heidelberg Township, Lancaster Co. (Now Berks Co., likely in Stouchsburg area of Marion Twp.)
Infill & decoration Berks Co. (formerly Lancaster Co.) by Georg Friederich Speyer (active c. 1774-1801) and printers Barton & Jungman, Reading.
Densely paint-decorated by Speyer with cross-legged angels in the top corners and bottom center, mermen and winged heads of angels in lower corners, parrots along the sides, a crown at top center, and birds holding flowers in their beaks at the top of the main text block. Dominant colors are red, green, yellow, and blue.
Certificate printed on laid paper with an "FS" watermark, indicating papermaker Frederick Schutz(Scheetz) of Lower Merion Twp. in Montgomery Co. (See American Watermarks). Mounted with window mat in a brown frame
Provenance
Fraktur was given to the Lancaster County Historical Society by donors with the understanding that it would become part of the Heritage Center collection when that institution was established.
Significant horizontal crease across the middle, and three vertical creases. Smaller creases and crinkles appear overall. The paper has browned, and there are stains in the lower half.
A treatment proposal was offered by the Conservation Center for Art and Historic Artifacts in 1986, followed by treatment in 1988-89 -- consolidated pigment, dry and wet cleaned, mended and reinforced, filled losses, flattened, and matted. More details available in the object file.
Object ID
G.77.50.12
Notes
Earnests note that "neatness was of little concern to Speyer, but he did seem concerned about filling white space." He normally infilled with words done in a thin red ink which does not stand up well over time. He worked mostly in northern Lancaster Co.and in southern Berks and Dauphin Counties. Speyer used the 3-heart print more frequently from about 1790 on.
On-line Nissen family genealogy (internet, 2010) states Peter Scholl married Eva Elizabeth Rieth on Apr. 28, 1800 in Reeds Church, Stouchsburg, Berks, Co. He died Feb. 25, 1839. His parents were also married in Stouchsburg.
References:
Klaus Stopp, Printed B&BC of the Pa Germans, Vol. IV, pp.. 81 & 89.
Earnests, "Papers for Birth Dayes", pp 722 ff.
Gravell, Miller & Walsh, American Watermarks, 1690-1835, 2002, pp. 79 & 305.
Slide # 27-1-4 in Archives West
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Birth certificate done in German for "Anna Schenkin" (Schenk), born in "Connostoge Taunschip Langster County", November 20, 1783. Hand drawn, colored and lettered on laid paper with iron gall ink. No baptism indicates a Mennonite family.
The text is enclosed within a heart, surrounded by various vining flowers and four birds, two above and two below. The design conforms with artist's normal pattern of having the vines emanate from a hole at the top center of the heart. This artist made fraktur for mostly Lancaster County Mennonite families. He was almost certainly a schoolmaster. There are about 15 of his fraktur that are documented.
"Johannes Schopf/Schopp Artist" (active c. 1774-1800)
Note written on frame's dust cover by Smith states this fraktur was exhibited in two shows: Allentown Folk Art Show (Nov. 1974) and William Penn Memorial Museum, F/A Show (Jan. 1975).
Slide #27-2-4 in Archives West.
Provenance
Purchased by Richard Flanders Smith at a public sale along Route 222, north of Willow Street. Given to the Lancaster County Historical Society with the understanding that it would become part of the Heritage Center collection with the establishment of that institution.
Foxing or brown spotting over much of surface. Some tears along the edges. Moisture or adhesive stain at bottom center.
A condition report and treatment proposal was done by the Conservation Center for Art and Historic Artifacts in Philadelphia in 1986. Matted and framed by conservator Brian Howard of Carlisle in 1996.
Object ID
G.77.50.11
Place of Origin
Conestoga Twp.
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Family record by Christian Strenge (1757-1828), done on laid paper for Isaac Kauffman family. Within a yellow border are 17 lines of German text, penned in red with lines of curlicues separating each line. Text fills most of page, giving birth dates & Zodiac signs for Kauffman, his wife and 6 children. To right of text is a large stylized, round flower rising from a yellow heart and having side branches with tulips & other flowers. Serpentine flowering vine fills margin along left side. Reverse has some old, faint pencil inscriptions on right side: "Landis" (?) written twice and a nearby sum (17+4=21).
East Petersburg area
Has 19th c. frame with walnut veneer and flat profile. See NOTES on Kauffman family.
Provenance
Assumed to have descended to donor within Kauffman family.
Soil, foxing and staining overall. Two fold lines intersecting at center are breaking with some holes/losses. Repaired on reverse with various papers & tapes at different times. Holes and losses around perimeter. Pronounced damp stains at center fold line. Significant paint loss in leaves, stems and branches.
Frame is chipped and worn, missing some delaminated veneers. Repairs to veneers. Old acidic back boards of cardboard replaced in 2001 by curator w/ acid free foam board.
Object ID
G.96.37.8
Notes
According to fraktur scholar David Johnson, Isaac Kauffman was a farmer who lived on the south side of Leabrook Road from his parents. His parents, Jacob and Eve Kauffman, built the original nearby mill in 1755 (what is now Flory's Mill) and was operated by the Kauffman family until the late 19th century.
See: David R. Johnson, "Christian Strenge's Fraktur", 1995 and Fred Weiser, "Fraktur: Pa. German Folk Art, Science Press, X-mas 1973, pp. 10-12.
This family record is published in Earnest, Russel and Corinne, "To the Latest Prosperity: Pa-Ger. Family Registers in the Fraktur Tradition", 2004.
Fraktur is a broadside of a spiritual labyrinth or maze, hand drawn and lettered on laid paper with brown ink, in German. Within a double-line border is a title at top, with a paragraph underneath. Entitled "Geistlicher Irrgarten, / mit vier kandenbrunen", translated Spiritual Labyrinth (or error garden) / with four wells of grace." The remaining 3/4 of the page is a maze with text within the pathway. At the center of each quadrant of the labyrinth is positioned a rectangle (or well) listing several Bible references. Framed in wood frame painted with diamonds.
Drawing is riddled with pin-prick holes. These are apparently a result of the maker's method of plotting out the labyrinth, using an instrument that left a hole at each right-angle turn.
A watermark is positioned sideways in the upper half of the paper. It is a circle surmounted by a crown, a bell below the circle and a rampant lion within the circle. No exact match with any watermark found in American Watermarks 1690-1835, though some are similar, e.g. # 887 & 889. Framed in
Place of origin is unknown.
Provenance
Note: Borneman states the spiritual labyrinth appears in German as early as 1630. In Pennsylvania, broadsides of this title were popular. The reader must keep turning the paper to follow the text, necessitating over 100 turnings. The text eventually leads the reader back to the beginning. Borneman explains the 4 wells of grace (p. 25, Pa. German Illustrated Manuscripts).
Damage at all fold lines; either broken completely or partially. Center fold line mended with tape on reverse. Moderate to heavy stains scattered over surface, especially at middle of right edge and along center horizontal line. Dark heavy stains/accretions (mold?) along horizontal center line. Corners dog-eared with minor losses. Pin-prick holes throughout. Conserved in 2003 by Maria Pukownik; see photos & documentation.
Object ID
G.02.35.1
Credit
Gift of Greg K. Kramer & Co., Heritage Center Collection
Birth and baptismal certificate imprinted 1788 at Ephrata Cloister printshop; infill and fanciful hand-decorated borders by Arnold Hoevelmann. Watercolor decoration includes various fantastical flowers on arching vines emanating from huge pumpkin-like flower at the top, with vines arching down to each side ending in large tulips. Additional flowers below. Hunter is in colonial dress with large black hat, firing his rifle at a stag on the far left side. Strongly colored with mostly red, blue, purple, and yellow. Hoevelmann consistently used a flower motif decorated with what some believe to be a capital letter "H" (his monogram). This fraktur is a rare example of human figures being depicted.
Ephrata Cloister 1788 imprint; artwork by Arnold Hoevelmann (1749-1804)
Certificate done for Jacob Stuart, born December 29, 1784. son of Jacob Stuart and wife Maria Catharina (no maiden name). It appears he was born in "Mauntschey" (Mt. Joy) Twp. Pastor Wilhelm Hendel baptized the child but no date is included. Hoevelmann wrote "Witnesses" at the end, but no names. Later ink inscription added at lower right appears to be subject's age (69) at time of death, 2nd Jan. 1854." Pencil calculation of age at top, to left of large orange flower.
Provenance
Ex-Unger collection, Pottsville.
In 1974, Richard F. and Joane Smith entrusted this BBC to the Lancaster County Historical Society with the understanding that it would become part of the Heritage Center collection when established.
Fragile, with overall buckling and pronounced wringling across surface. Areas of foxing.
Conserved by the Conservation Center for Art and Historic Artifacts 1988-89: cleaned, removed paper backing, mended and matted for original frame (report in file). Remounted and framed by Carlisle conservator Brian Howard in 1996.
Object ID
G.77.50.9
Notes
Family tradition says Hoevelmann was born in Prussia in 1749, came to America along with LaFayette and served as a surgeon during the American Revolution. It is likely he and his wife Eva Susanna lived in Lancaster Co. since two sons were baptized at Holy Trinity Lutheran Church (1780 and 1793). He worked in many PA counties, including Washington Co. in MD, and is believed to be buried at Frieden's Church near Shiremanstown, Cumberland Co. Based on the many known B&BC's by Hoevelmann, it appears he used printed forms early in his career and completely hand-done certificates later in life.
Allthough born in Lancaster Co., Jacob Stuart appears to have lived in Lebanon County during much of his adult life. He and his family attended Trinity Tulpehocken Reformed Church, Jackson Twp., Lebanon Co. was where he was married, 31 Dec 1805 and appears to have had at least 7 children according to church records of 1800-1856. Jacob "Stewart", his wife Elizabeth and two daughters (Henrietta & Clementine) are buried in Mt. Hope Cemetery, Myerstown, Lebanon Co. The 1850 Census shows Jacob "Stewert", Elizabeth and Clementine living in Marion Twp, Berks Co. (Marion Twp. borders Jackson Twp., Lebanon Co.)
See:
1. Shelley, Donald A., The Fraktur-Writings or Illuminated Manuscripts of the Pa Germans, Pa. German Folklore Society, 1961, plate #84.
2. Earnest Associates, Papers for Birth Dayes, pp. 399-401.
3. Kline and Weiser, "A Fraktur Fest" in Der Regebogge, Sept-Dec., 1970, Vol. 4, pp. 3-5.
4. Stopp, Klaus, The Printed Birth & Baptismal Certificates of the German Americans, Vol. II, pp. 150-151. (This example is numbered 246.3 by Stopp)
5. Photo on p. 120 of Corinne & Russell Earnests' Fraktur: Folk Art & Family, 1999.
Heritage Center slide collection #27-2-5 (now in Photo Collection)
Place of Origin
Ephrata
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Birth and baptismal certificate for Jacob Weydmann, printed on laid paper at the Ephrata Cloister at the request of Henrich Otto (c.1733-99), who also decorated this fraktur. Infill attributed to Henrich Dulheuer (active c.1780-86);
Center text block with textile border below was printed with the date of 1784 (lower right). Klaus Stopp believes the bird-panels at top and sides were printed later (1785-87) (See Notes). Dulheuer later infilled the family information in red. Otto decorated with green, red, yellow, and blue.
B & BC is for Jacob Weydmann, born Oct. 28, 1762 in Cocalico Twp., a son of Jacob and Barbara (Huber) Weydmann. By the time the taufschein was completely printed and finally infilled and decorated, Jacob Weydmann would have been at least in his mid-20s.
Much of the edges is missing, esp. the top corners. Significant vertical crease down the center, various other creases and wrinkles. Large brown stains in lower half. The piece has been mounted on a brown backing, and missing areas of the design have been filled in.
A treatment proposal done by the Conservation Center for Art and Historic Artifacts in 1986 mentioned filling in the design, but there is no record of when it was actually done. Matted and framed by conservator Brian Howard of Carlisle in 1996.
Object ID
G.77.50.8
Notes
Dulheuer was one of the first scriveners to fill out printed forms (Earnests). Pictured in Corinne & Russell Earnests' book, Fraktur: Folk Art & Family on p. 34.
See Bookplate in New Testament (G.77.50.5) of family member Margaret Weidman. See also Paul Flack Sale of Oct 2012 at Pook & Pook for nearly identical printed Birth Certificate of sister Catharina, born 1768 (in object file).
The Elser, Weidman/Weydmann, and Wachter families were intermarried.
Place of Origin
Lancaster County
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
