Communion altar from Brickerville United Lutheran Church (originally Emanuel Evangelical Lutheran Church). Rectangular altar of painted softwood, panelled construction all four sides with pegged mortise and tenon joints. Small panels over large. Door in the back with a recessed panel and knob handle. Molding around base, the edge of the top, and framing the recessed panels.
Modification to altar in 1947 by Bob Helman (signature underneath when removed 10-17-00) was a long platform shelf covering the back 2/5 of the top, with holes at the back, including an electrical outlet. Entire altar has been given a new coat of paint, a light chocolate brown on top and white on the sides. The unpainted interior has one shelf with a vertical divider.
Altar has been used since circa 1800 to serve communion, using the Brickerville United Lutheran Church's ten-piece pewter communion service which is also in collections (P97.08.01-10).
Perhaps made by Emanuel Dyer of Manheim or Mr. Zartman of Brickerville.
Large crack on top, approx. 4" from front, running halfway across top. Recently painted. Some separation at moldings. Large hole bored in altar top (for electric wire) underneath the added platform, now removed. The modern base molding also removed. Repainted top with brown and attached molding at ends of top to secure plexi top. Paint removed on door.
Object ID
P.00.34.1
Place of Origin
Lancaster County
Credit
Heritage Center Collection, acquired through generosity of James Hale Steinman Foundation and V. Ronald Smith
Mennonite apron of bleached, plain-weave cotton and black two-ply silk embroidery. Apron is gathered at the top and sewn onto a waist band with a commercial tape string at each end.
At top center is a dark brown cross-stitched design of a central star flower on triangle base, surrounded by seven stars or crosses. The separated initials "M S" flank this design and large crosses flank initials. Three different embroidered borders of black silk combine with drawnwork at bottom above a one-inch self-fringe secured with black stitches.
Provenance
Purchased by donor from the Rev. Fred Weiser in 1997. Weiser notes there are about 15 aprons known; see article in Der Regebogge written "some years ago."
Staining around embroidered design and initials from bleeding embroidery, near top. Age discoloration with small stains overall. Stains along sides. Several thread "pulls". Areas of missing embroidery on three crosses at bottom. Small hole at lower right of design.
Conserved Nov. 1997 by Dorothy McCoach of Bethlehem, PA
Object ID
G.97.39.9
Place of Origin
Lancaster County
Credit
Gift of Hampton Randolph, Sr., Heritage Center Collection
Pewter basin, part of the Warwick Congregation's (now known as the Brickerville United Lutheran Church) communion service.
High, rounded sides flare out to a flattened rim with rolled edge. Booge appears to be unhammered. Barns struck his large circular mark with an eagle on the inside of bottom. The left portion of the eagle as well as the letters "BAR" on the bottom are discernible, as well as the "HE" above the eagle.
Probably made in Middletown or Wallingford, Connecticut.
Provenance
The entire communion service remained in use over the years until the congregation decided in 1997 to find a safe place for this valuable communion set. Purchased by the Heritage Center of Lancaster County.
Chinese export bowl of high fired porcelain, polychrome decoration under glaze. Thin walled in nearly hemispherical form sitting on a 3/4" raised foot. Gold-painted rim with red edging. Two goldfish inside bottom. Continuous landscape on exterior is the same repeating Roman or Greek scene of a seated half-robed seated man with dog facing three nude women and seated baby. All set against distant mountains and one tree in foreground.
Glazed soft paste porcelain Gaudy Welsh sugar bowl (A) with lid (B). Handpainted inverted tulips of red and yellow are interspersed with 3 large, dominating deep blue scalloped motifs decorated with copper lustre painted floral decoration. Squat pot-bellied body sits on a low squarish pedestal with scalloped edging. Two molded angular applied handles. Top has round mouth with flared collar extends outward. Domed lid has squarish molded knob finial. Darkened remnant of paper sticker with blurred writing, perhaps "-caster/ --ea set/ --1825."
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
Low rectangular softwood box with top and bottom boards extending beyond sides. Constructed with glued butt joints and square head nails. Painted black with large tulips of yellow, red, white and green decorated top and sides. Hinged lid attached with wire hinges and secured at front with handmade tin hasp. The initials "I R" are painted at upper center of lid. The unpainted bottom is inscribed in pencil, "Jacob H. Reist 1800." Interior unfinished.
Border of Lancaster and Berks counties.
Paper inside: "This box attributed to Heinrich Bucher 1770-1800/Reading, Berks Co."
Provenance
Unknown. Presumed to have been collected by donor at a sale in this region. Heinrich Bucher is now believed to have only been an early owner of this box type, not the maker.
Nov. 15, 2002 - Peter Seibert and Susan Kleckner compared about ten Bucher-type boxes & observed that this box is painted with larger flowers and also there is repetition in the use of flowers, unlike the other nine boxes. Perhaps this box was done later in the maker's career.
Chippendale cabinet on chest, walnut. Cabinet is set back on chest. It has a scroll-top broken arch pediment, carved rosettes, applied central carved shell and three urn finials on fluted plinths. Two arched doors have 10 lights each with exposed hinges. Interior has 3 shelves, each furnished with wood strips for supporting plates. Inset fluted quarter columns flank doors.
Base is a chest of drawers with three small ones over three long graduated drawers, thumb molded edges, bail type brasses and oval lock escutcheons. Flanked by inset fluted quarter columns. Four ogee bracket feet.
Provenance
Family states this piece made in Ono, Lebanon Co., what was then Lancaster County. There is also the family tradition that it was made by ancestor John Bachman II, which donor Herbert Bachman Weaver states he cannot confirm or deny. Early museum labels seem to support the Ono origin.
Multiple scrapes, gouges and small holes. Two scrapes halfway up right side of cabinet. Top right molding separating from cabinet. Cracks in glass: bottom row, 2nd pane from left; third row up, 2nd pane from right; and bottom right pane of fan. Crack at top center of cabinet (from doors through the shell carving). Key hole escutcheon missing on door. Damage around door hinges. Traces of red paint on top of chest, under cabinet. Dark drip-burn marks down center of chest. Wood losses at top corners of long drawers. Back is unfinished.
Object ID
G.79.102.1
Place of Origin
Ono, Lebanon County, Pennsylvania
Credit
Gift of Herbert B. Weaver in memory of his father Isaac Hoover Weaver, Heritage Center Collection
One of a pair of push-up candlesticks: G99.40.1&.2. Stepped, round base supports a hollow cylindrical shaft topped by a candle cup above a decorative ring. Candlestick shaft is fitted with an inner cylinder with attached knob that raises and lowers candle. Thumb screw knob slides via a slot on side of candlestick and screws tight to secure position.
Upholstered wingback commode chair has four turned Sheraton legs. Has replacement of original soiled handsewn homespun linen (remnants in this file), now an orange fabric with potted and vining flower design. Solid pinewood seat under cushion has center hole with fitted removable wooden disc.
This chair was from the Pownall home at Gap, where it was used by Dickinson Gorsuch, Maryland slaveholder, during his recovery from wounds sustained during the Christiana Riot of Sept. 11, 1851. His father and two others were killed during the skirmish at the home of freedman William Parker, and Dickinson was transported to the Pownall home for recovery. William Parker later published his story in the "Atlantic Monthly" in 1866, making it highly publicized.
This incident "is an important example of the struggle over the 1850 Fugitive Slave Act and the escalating tension between the North and the South. This act gave slave owners broad powers to recapture runaway slaves". (ExplorePAhistory.com)
Polaroid photos of chair before re-upholstery, in file.
Likely Lancaster or Chester Co.
Provenance
Provenance: Chair owned by the Pownall family & given in 1973 to the Lancaster County Historical Society by Mrs. Levi Pownall of Lancashire Hall (569-7279).
It was initially loaned to the Heritage Center (# L.77.9 and # 161.64.80) but soon donated to HCLC. Board minutes of Dec. 8, 1975 include Richard F. Smith's Museum Committee report noting a donation of a "Sheraton armed wing chair commode, used by the Pownall home in nursing Dickinson Gorsuch following Christiana Riot in 1851." Later unsigned note (Bruce Shoemaker?) states John Aungst of LCHS was consulted & chair was removed 11/9/84 from list on LCHS loan form, settling an apparent question of ownership.
Hepplewhite blanket chest of walnut with dovetail construction. Hinged lid with centered inlaid eagle in flight and applied molding on three sides. Eagle is heavy in form, without shields, banners or stars. Front and sides undecorated except for hollow corner rectanglular cartouches of string inlay; one on each side and two on front.
Two drawers below the mid-line molding have the same inlay rectangles as well as bail handles and oval lock escutcheons. The left drawer has a "1" on the bottom in red chalk and an illegible pencil inscription. The right drawer has a "2" in the same place and in red chalk. Applied base molding and supported by French feet.
Cannot open chest due to missing key. John Snyder reports that "Fianna Bitzer" is written on the inside of the chest lid. She was born in 1861, the daughter of Martin and Annie Royer Bitzer of Ephrata Twp. Although Bitzer was a later owner, Snyder believes that the chest was originally in the Bitzer or Royer families.
Note: John Snyder states that there is a small group of Lancaster County chests and a desk with eagle inlays like this one. This is the best documented piece of the group.
Northern Lancaster County, likely Ephrata area
Provenance
Chest was purchased by John Snyder from Greg Kramer at the York Antiques Show in May 1993. Kramer had just purchased it at Alderfer Auction Co. May 20, 1993. Snyder then sold it to his mother Evelyn Snyder who donated it to the museum.
Has significant cracks, especially on front side where a midline crack extends entire length of chest. Front has inlay losses; in unstable condition; reglued in Jan. 1996 by Clifford Clayton, as well as repair to damaged feet. Dark stains and marring on lid with molding loss at front right. Water spots and worn finiah across lower section of front and feet. Strong wear overall. Old refinishing. Hardware appears to be replaced. No key for opening chest.
On 10/11, discovered extreme detaching of proper right front foot, partially on front left foot and minimally on back left. Reseated all nails but replaced one short rose-head nail at front section of proper right foot w/ modern box nail. It will not penetrate farther, however, and is not properly seated) Old nail placed in envelope in drawer.
Object ID
G.94.19.1
Place of Origin
Lancaster County
Credit
Gift of Evelyn R.G. Snyder, Heritage Center Collection
Tall case clock has 30-hour brass movement, two-chain pull-up, painted metal dial signed "John Heinselman/Manheim" above center. Dial locally made. Calendar window above VI. Moon wheel
Case is primarily cherry, Chippendale style, by unknown Manheim cabinetmaker. Base has ogee feet, fluted quarter columns and a raised base panel with hollow upper corners. Waist has fluted quarter columns and a pendulum door with cyma curve at top. Bonnet has three heavy flame finials; and carved rosettes terminate the steeply rising scrolls of the pediment. Scroll pediment has Wall-of-Troy dentil-like detailing. Center of tympanum has an applied shell carving flanked by undulating vines that terminate with tulip-like flowers.Quarter-columns are fluted in front with brass plinths and capitals; back columns are plain.
Provenance
Provenance: Purchased from Maine dealers Kenneth and Paulette Tuttle. They had acquired clock from the family of Edward Hergelroth of Manheim, PA who had moved to Maine about 1900.
Works overhauled by Carter Harris in Feb. 1982. Case has minor wear; front edge of left side of bonnet is splintering 4" above base. Dial has brownish stains. Moon wheel has only vestiges of painted image remaining. Vertical split at center of base panel.
Object ID
P.81.15
Place of Origin
Manheim
Credit
Gift of James Hale Steinman Foundation, Heritage Center Collection
Tall case clock, Chippendale case with eight-day movement. Dial is painted white with rose spandrels, moon wheel, and is signed very faintly, "Peter Spycker/ Williamsburg." John Peter Spyck(h)er's clocks are rare.
Walnut case with poplar backboards is highly carved. Three flame finials rest on reeded plinths atop scroll pediment with dentils and 12-point rosettes. Tympanum is relief-carved with a central flower flanked by vining. Waist and base have vine-carved quarter columns with smooth lamb's tongues. Arched waist door accented by a deeply incised shell carving near top. Base has raised base panel with corner volutes and central shell. Ogee replacement feet.
Made by Peter Spycker (1756?-1830). Case attributed to Peter or John Rank or Daniel Arndt.
Jonestown (formerly Williamsburg), PA (almost certainly)
See Notes
Provenance
1783-1883 White Horse Tavern near Jonestown; 1883-1914 Bross family of Brosstown (near Rt 72 & 22); 1914-1963 Harry Lesher of Jonestown; 1963-1979 Donald L. Mohn, Jonestown; 1979-1981 William DuPont, Wilmington, DE; 1981 to donor. (Info from Donald L. Mohn)
Jonestown's White Horse Tavern was kept by John Rank (Peter Rank's brother) in the early years of the 19th c. (Clock is based on design sketch from Peter Rank's account book.)
Reported by Carter Harris: a #1 is scratched on front plate of movement and front of seatboard.
Inscription Type
Inscription
Object Name
Clock, Tall Case
Material
Wood, Glass, Brass
Height (cm)
256.54
Height (ft)
8.4166666667
Height (in)
101
Width (cm)
61.595
Width (ft)
2.0208333333
Width (in)
24.25
Depth (cm)
29.5275
Depth (ft)
0.96875
Depth (in)
11.625
Condition Notes
Flame finials replaced recently (copied from similar Heinselman clock at York Bank in York); ogee feet replace bracket feet which replaced earlier feet; door escutcheon replaced; severe crack in base with loss of wood; dentil molding on front replaced. Movement overhauled by Carter Harris, 1982.
Object ID
G.81.20
Notes
JJ Snyder research (in file) identifies maker as Peter Spycker, Jr., the clockmaker recorded on Tax Lists for Tulpehocken Twp, Berks Co., in 1789 as "Peter Spycker Junr. - Clock Maker". In June 1803, Spycker purchased property in Jonestown(Williamsburg) & he may have rented before this date. An 1829 deed mentions "Peter Spyker of Swatara Twp. in the Co. of Lebanon...Clock Maker..." Williamsburg (Jonestown), when founded about 1761 by William Jones, was part of Lancaster Co., then Dauphin Co. in 1785 and part of Lebanon Co. in 1816.
Snyder states "all major elements of the design of this case are virtually identical to a design sketch for a clock case in the account book of a Jonestown joiner, Peter Rank (1770-1851). This account book is in the Joseph Downs Manuscript and Microfilm Collection of the Winterthur Museum." Snyder also notes that the handwriting of this sketch's label is not Rank's. It is possible that these sketches may have been done by joiner Daniel Arndt, whose name also appears in the manuscript."
See "Jonestown School" in Cooper & Minardi, Paint, Pattern & People, pp. 89-91.
Snyder notes it is likely that this clock case illustrates the closest relationship to a design sketch known for any American Chippendale furniture.
The white dial precludes a date earlier than the 1780s.
Place of Origin
Jonestown, Lebanon County, Pennsylvania
Related Item Notes
Very similar carving to a Heinselman tall case clock in York Bank & Trust Co., York, PA.
Usage
White Horse Tavern, Jonestown
Credit
Gift of Herbert B. Weaver in memory of father Isaac Hoover Weaver (1864-1920), Heritage Center Collection
8-day musical clockworks by Mennonite Christian Eby (c.1768-1803) of Manheim. Housed in a large, inlaid cherry case attributed to Emanuel Dyer. Case is transitional from Chippendale to Federal, although strongly Federal due to inlay of eagle and floral motifs on tympanum, quarter fan inlays and another floral inlay on waist section, and a patera centered on the base within a cartouche of line inlay.
Notes: Weight, key, and various parts located in box on Unit 52, Bottom Shelf.
Hood has side lights, fluted colonettes at sides, swan's neck scrolls terminating in inlaid paterae, three ball and spire finials (spire missing on center finial). Waist and base have fluted quarter columns. French bracket feet.
White-painted iron dial w/ Roman numerals on chapter ring. Seconds use Arabic numerals. Floral spandrels, lunar dial and inscription "C EBY Manheim under XII. Above lunar dial are ten names of tunes played by the musical works. Dial attributed to Reading area due to a dark moon wheel and the 2 hemispheres for the moon phase are identical (per Gary Sullivan). He also notes that brass-clad weights are very unusual, and usually an English practice.
Provenance
Ex Renner (per Gary Sullivan, clock dealer). Later from estate sale of Pauline Heilman of York, PA by Sotheby's July 17, 1982. The buyer, a private client of Citibank, put clock in storage in Florida, then consigned it Christie's where HCLC purchased Jan. 1992.
John and Carol Pyfer paid $800 for Quentin Johnson to repair the clockworks and get it running in 2004. Clock hands have losses (pieces in a box stored in clock bottom), repaired by Johnson. Case refinished (see early photos in file). Scratch on side to left of pendulum door; nicks & scratches at left side vertical member of opening to pendulum. Marred overall. Split at left side of front section of molding under hood. Pieces of string inlay replaced. Proper left back foot loose; proper left front column loose. See Gary Sullivan condition report (loan to Willard House)
Object ID
P.92.02
Notes
Made by Christian Eby (c.1768-1803), working 1792-1803. Case attributed to Emanuel Deyer.
J.J. Snyder notes, "The clock is significant because it is the only known Lancaster Co. eagle-inlaid clock with a musical movement. Musical movements predating 1840 are quite rare, and fewer than eight Lancaster Co. musical clocks prior to 1840 are known to survive. The inlay is unique in the placement of the eagle in the center of the pediment rather than in an oval medallion above the pendulum door and in the use of floral inlay in addition to the eagle. In summary, the Christian Eby clock is a masterpiece of not only regional but also national importance."
Snyder also states "Unquestionably, this is one of the most elegant and sophisticated pieces of Lancaster County Federal furniture now known." He adds "Of all the known Lancaster County eagle-inlaid clock cases, this one alone has floral inlays. In view of the fact that this case must predate Christian Eby's death in 1803, it stands as the earliest known use of the eagle as a patriotic device in Lancaster County furniture."
Snyder also suggests Manheim cabinetmaker Emanuel Dyer (1760-1836) as the probable casemaker. Working for about a half century starting in the early 1780s, Dyer was the leading Manheim cabinetmaker.
Place of Origin
Manheim
Credit
Gift of members and friends of the Heritage Center, Heritage Center Collection
Two-piece corner cupboard, white pine, painted with brown glaze over yellow (possibly a mid-19th century repainting). Bold cornice over a band of thin reeding in staggered blocks on fascia. Pilasters of thin reeding flank door sections. Upper section has large door with 12 lights (7.5" x 6.5") of old glass, hand-cut tin lock escutcheon and latch with brass pendant ring handle. with; staggered fluting on fascia. The bottom section has bracket feet with below carved sunbursts. Double doors with triple-raised panels and latch with brass pendant ring handle. The interior is painted off-white, and has four shelves furnished with plate moldings along back.
Pencil inscriptions at top inside rail of each bottom door. Left door appears to have "John Rentschler" or similar name, likely an owner. Rentschler name is found in Berks County in mid-19th c.
Lancaster County, possibly Strasburg area
Provenance
Purchased from Park Edwards at a Strasburg, PA sale in April, 1969. It was then purchased from a Walter Himmelreich sale in October, 1971 by Harry Hartman Antiques. Purchased by Museum Sept. 1979.
Scattered losses overall, with chipping and gouges. Evidence of most wear and damage is at cornice, mid-line molding and feet. Existing finish likely a late 19th c. repaint. Strong paint losses on molding at base of upper section. Large area of wood loss in lower left door adjacent to latch. Upper cupboard has wood losses along back edge of right side and reeding at fascia.
Object ID
P.79.101.1
Place of Origin
Lancaster County
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Copper measure of sheet copper with conical body. Beneath applied handle is a keyed seam. Rolled copper base and lip. Applied strap handle, attached with 2 rivets at top, 1 rivet at bottom. Handle terminates with heart form at bottom and two lobes at top. Interior is tinned.
The name "(E)ICHHOLTZ" is stamped onto top of strap handle. "E" of Eichholtz is hidden where handle is attached at top. Interior is coated with tin.
Jacob Eichholtz worked as a coppersmith/tinsmith with his brother George on East King St. until c. 1815, when he began focusing on portrait painting. 1830 Tax Assessment lists him as a portrait painter.
Research by Pat C. Keller at Historical Society of PA in Jacob Eichholtz's daybook, indicates he made measures, not mugs. Notes in file indicate purchase was contingent on results of an effort to x-ray upper handle for evidence of initial unseen letters of stamped name. No indication this was ever done.
Provenance: Sellers Jackie & Vernon Gunnion purchased measure at Conestoga Auction circa March 1986. Jackie reports Don Fennimore of Winterthur knows only two other signed copper pieces -- by Apple and by Schlosser.
Photos: slides #23-5-1 to 9 and multiple B&W 8x10s
Small to significantly larger dents on sides and bottom Some scratches from general wear. Surface has been polished and lacquered. Some polish residue visible at both the rolled lip and rolled base.
First "H" and "T" of "ichholtz" are very worn. Corrosion and wear to interior tin surface.
Upper terminal of handle has split at left rivet (stable).
Object ID
G.86.03
Notes
See accompanying P86.3 file for research done by Heritage Center Director Pat Keller-Connor to determine authenticity of the touchmark. There was a possibility of the first initial being "J" for Jacob or "G" for George, a brother. On Feb. 17, 1802 Jacob advertised with his brother George as "tin-plate workers". Pat K-C intensively did research to settle the matter before finalizing the purchase of the measure
studied Vol. 1 & 2
See Henry Kauffman, American Copper and Brass, p. 119.
Place of Origin
Lancaster
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Reward of merit, elaborately cut out of laid paper, watercolored. It is one of four found in a family Bible. Bestowed upon a deserving student by a school teacher, this piece portrays a variety of stylized flowers, done in the unique style of Jacob Botz.
This symmetrical papercut was created with one vertical center fold. Overall design is six main flowers; top pair of flowers have human faces. Scherenschnitte is decorated with polychome watercolors.
See NOTES.
Manor Twp. or Mount Joy area
Provenance
This is one of four small Frakturs found in a Family Bible (the Bible was ultimately given to another party). Russ and Corinne Earnest served as brokers for these four frakturs. The owner wished to remain anonymous, but desired that all four remain intact as a group. Total purchase price was $19,800, but reimbursed by Irene N. Walsh.
The Earnests reported that the owner's family has roots in Manor Twp., but it is unknown if the fraktur descended in this family.
Original condition: Small piece broken off stem at right center. Blue-painted petals at center are flaking. Multiple stains around perimeter.
Conserved & mounted in a 4-window mat package by Susan Duhl, Sept. 2001. Then framed by Lancaster Galleries in black frame H: 13 1/8" W: 23".
Object ID
P.01.18.2
Notes
Research in: Papers for Birth Dayes (Russ & Corinne Earnest) and The Pa. German Fraktur of the free Library of Phila., Weiser & Heaney, 1976, #221.
Family genealogy provided by Jim Nissley of Mt. Joy, 1/14/05. Research on Jacob Botz by Irene Walsh.
The Lindemuth family first settled in the Mount Joy-Maytown area. According to Clarke Hess & Jim Nissley, Margaretha (Margaret) Linde(n)muth was born June 26, 1790 and died Dec. 31, 1875, a daughter of George Lindenmuth (1752-1818) and granddaughter of Ludwig Lindenmuth (1716-ca.1777) who immigrated from Germany in 1750.
Later contact with owner/seller, Jim Nissley of Mt.Joy (653-4798), who discovered Lindemuths in his family tree. Margaretha's niece (daughter of her brother Jacob), Sarah Lindemuth (1833-1908) married Daniel B. Nissley (1829-1919). They are Jim's great great grandparents. (See Biog. Annals entry on D.B. Nissley & other records of Jim Nissley in this file.)
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
This is a reward of merit, a fraktur given to a deserving student by a school teacher. This cut-out piece is done on a rectangular piece of laid paper, has a large sunflower-like flower with a face drawn in its center. Extending from the stem is a pair of daisies and a pair of tulips. Has a yellow border edged in red and at bottom is the name of "Margaretha Lindenmuthin" inscribed in the same red. Yellow dominates, followed by red, then lesser use of blue and green. See NOTES.
Manor Twp. or Mount Joy area
Provenance
This is one of four small Frakturs found in a Family Bible (the Bible was ultimately given to another party). Russ and Corinne Earnest served as brokers for these four frakturs. The owner wished to remain anonymous, but desired that all four remain intact as a group. Total purchase price was $19,800, but reimbursed by Irene N. Walsh.
The Earnests reported that the owner's family has roots in Manor Twp., but it is unknown if the fraktur descended in this family.
Original condition: Small broken element still attached, at right of center (stem of tulip). Multiple dark stains around perimeter. Blue-painted petals at center are dessicated with significant losses due to flaking.
Conserved & mounted in a 4-window mat package by Susan Duhl, Sept. 2001. Then framed by Lancaster Galleries in black frame H: 13 1/8" W: 23".
Object ID
P.01.18.4
Notes
Research in: Papers for Birth Dayes (Russ & Corinne Earnest) and The Pa. German Fraktur of the free Library of Phila., Weiser & Heaney, 1976, #221.
Family genealogy provided by Jim Nissley of Mt. Joy, 1/14/05. Research on Jacob Botz by Irene Walsh.
The Lindemuth family first settled in the Mount Joy-Maytown area. According to Clarke Hess & Jim Nissley, Margaretha (Margaret) Linde(n)muth was born June 26, 1790 and died Dec. 31, 1875, a daughter of George Lindenmuth (1752-1818) and granddaughter of Ludwig Lindenmuth (1716-ca.1777) who immigrated from Germany in 1750.
Later contact with owner/seller, Jim Nissley of Mt.Joy (653-4798), who discovered Lindemuths in his family tree. Margaretha's niece (daughter of her brother Jacob), Sarah Lindemuth (1833-1908) married Daniel B. Nissley (1829-1919). They are Jim's great great grandparents. (See Biog. Annals entry on D.B. Nissley & other records of Jim Nissley in this file.)
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
This is a reward of merit, a fraktur given to a deserving student by a school teacher. This piece done on rectangular laid paper, is a watercolored drawing of a large stemmed flower with bird perching on stem. Large red and yellow bloom at top, single beehive-like "berry" at center of stem at bird's beak. Floating striped leaf at center left. Inscribed at bottom is "Margaretha Lindenmuthin", the deserving student. See NOTES.
Manor Twp. or Mount Joy area
Provenance
This is one of four small Frakturs found in a Family Bible (the Bible was ultimately given to another party). Russ and Corinne Earnest served as brokers for these four frakturs. The owner wished to remain anonymous, but desired that all four remain intact as a group. Total purchase price was $19,800, but reimbursed by Irene N. Walsh.
The Earnests reported that the owner's family has roots in Manor Twp., but it is unknown if the fraktur descended in this family.
Original condition: Paper does not lie flat. Multiple dark stains/discolorations, esp. around perimeter. Heavy stain at floating leaf at center. Some paint bleeding.
Conserved & mounted in a 4-window mat package by Susan Duhl, Sept. 2001. Then framed by Lancaster Galleries in black frame H: 13 1/8" W: 23".
Object ID
P.01.18.3
Notes
Research in: Papers for Birth Dayes (Russ & Corinne Earnest) and The Pa. German Fraktur of the free Library of Phila., Weiser & Heaney, 1976, #221.
Family genealogy provided by Jim Nissley of Mt. Joy, 1/14/05. Research on Jacob Botz by Irene Walsh.
The Lindemuth family first settled in the Mount Joy-Maytown area. According to Clarke Hess & Jim Nissley, Margaretha (Margaret) Linde(n)muth was born June 26, 1790 and died Dec. 31, 1875, a daughter of George Lindenmuth (1752-1818) and granddaughter of Ludwig Lindenmuth (1716-ca.1777) who immigrated from Germany in 1750.
Later contact with owner/seller, Jim Nissley of Mt.Joy (653-4798), who discovered Lindemuths in his family tree. Margaretha's niece (daughter of her brother Jacob), Sarah Lindemuth (1833-1908) married Daniel B. Nissley (1829-1919). They are Jim's great great grandparents. (See Biog. Annals entry on D.B. Nissley & other records of Jim Nissley in this file.)
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Birth & baptismal certificate on laid paper. Printed form with central textblock in German within a multiple line border. Infilled and decorated around textblock by Speyer; cross-legged angel at top, pelicans feeding young at sides and flowers at sides and bottom. Watercolors are red, blue, yellow, green and brown.
Infilled for Johannes, son of Valiendein (Valentine) and Eliesabetha (Elisabetha) Bohmer of Brecknock Township in Lancaster Co., born Dec. 13, 1788.
Georg Friederich Speyer (active 1774-1801) used this printed form produced c. 1789 by Barton & Johnson of Reading. See Notes.
General wear with numerous creases and wrinkles; one pronounced vertical centerline crease. Repaired tears, esp at left edge. All edges are ragged and uneven, esp. at right.
Conserved by CCAHA in 1989 (see report in file). Hinged into window mat & back mat. Relaced in its original frame using UF-3 Plexiglas and acid-free cardboard on reverse with a taped mylar dust shield.
Object ID
G.77.50.1
Notes
Printed form by Reading printers Thomas Barton and Benjamin Johnson, circa 1789 (see Klaus Stopp, The Printed Birth & Baptismal Certificates of the Pa. Germans, v. 4, p. 84). Speyer used this printed form for Johannes Bohmer who was born the previous year in1788.
Place of Origin
Lancaster County
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Fraktur, religious text in German by Adam Siegel (died 1809, active c. 1790-1804), done on wove paper in pen & ink for Martin Bar, framed in old dark brown varnished poplar frame (not original to fraktur).
The name "Martin Bar" fills the upper half in large fraktur-style lettering, illuminated with scrolling filigree. Included in the scrolling are two cartoonish heart-shaped faces with stubbled hair and shaded beards. Underneath name are six lines of religious text in German script, ending with the last line: "Geschrieben von mir ADS d(en) 28ten Mertz 1802."
Double-line border at top and left side only. Last word of fourth line of text appears to have been trimmed. Fraktur thus appears to have been trimmed at right and bottom. Reverse has pencil scribbles and one in ink.
Appears to have been trimmed at right side and bottom. Scattered dark stains, pinholes along fold lines, slightly larger holes at "i" in "Martin" and within the "B" of "Bar." Liquid stain of 1/2" size at center and one at right side at text. A tear 3/4"-long at right edge above center.
Replaced heavy paper backing used by vendors with acid-free matboard, 11/05.
Object ID
P.05.04.6
Notes
Papers for Birth Dayes notes that Siegel immigrated to America in 1774 and was a schoolmaster in Lancaster Co, perhaps in the Strasburg area. Although he made fraktur for Mennonites, he was not Mennonite. His work is usually not watercolored.
Paper included with purchase has the text rewritten in German script with an English translation below (see file). This person translates the recipient's name as Martin Biehr, although it is normally seen elsewhere as "Bare" or "Bear". Ellis & Evans gives numerous references to the name Martin Bare, usually found in the townships of Conestoga, East Lampeter and Upper Leacock.
Possible Bar/Bare family connections: See also a birth record for Andreas Bar (Andrew Bear) P.80.136 by an unknown scrivener. This Andreas/Andrew was the youngest son of Andrew Bear and wife Christina Heighley. A desk-and-bookcase P.77.34 has inscription of Adam Bare on its drawer. His father John Bear an older brother of Andreas. Relation of these Bears/Bares to Martin is unknown. Jane Evans Best (see her letter re: Bear family in file P80.136) would be a good source of help.
Place of Origin
Lancaster County
Credit
Gift of Irene N. Walsh, Heritage Center Collection
