Red fancy painted child's size rocking chair. Foliate painted design with bright green leaves, peaches, and white flowers. Thick black lines and thin gold lines on edges and in depressions of turnings.
Modern "revivalist" fraktur created by Professor H. J. Kauffman's caretaker/nurse, Arlene Harnish. Mounted in handmade wood frame with corner blocks.
Marriage and birth certificate done on tinted laid paper with various colors. Within a border are three panels, the larger central panel has the text: "Henry Ka/uffman/Son of David and Anna/Kauffman was born on/November 14, 1908 in Yo/ork County, Pa. Married/ Elizabeth Zoe Tomer/July 20, 1938." Signed at the bottom "A Harnish" The two side panels are nearly symmetrical, featuring flowering plants growing out of a colorful pitcher resting on a stepped pedestal. A large colorful bird is perched in each of the plants.
Frame was made by HJK in earlier years.
1704 Millersville Pike, Lancaster
Provenance
Made by Arlene Harnish (b. 13 March 1946), caretaker of Henry J. Kauffman. She stated on 30 May 2000, that she learned to make fraktur by taking a class at Landis Valley Museum taught by Jere Kickerman. This piece was only the second fraktur she made, the first being the project for the class, done for her granddaughter.
Harnish made this fraktur for HJK during working hours at his residence when another was pressing. She copied motifs from a book. When completed, HJK told her to look for a frame in the basement. The one she found turned out to be one made by Kauffman himself. Harnish expressed shock and embarrassment upon learning that Kauffman had donated her fraktur to a museum. Arlene is Mrs. R. Edwin Harnish, 1586 Georgetown Rd. Christiana, PA phone: 5292712.
Modern fraktur and frame in excellent condition. The handmade from has small crack in top left corner block where nailed. Wood stain shows brush marks. Brown paper backing.
Object ID
G.96.37.9
Notes
This fraktur is featured in Irwin Richman's book "Pa. German Arts," 2001, page 14.
Place of Origin
Lancaster
Usage
Kauffman's home
Credit
Gift of Henry J. Kauffman, Heritage Center Collection
Fraktur family record of Amish family of Stephen and Hannah Miller Mast and ten children, done with ink and paint on heavy white paper in oak frame. Executed in the style of scrivener David C. Hoke by Old Order Amish Bishop John F. Glick (1912-Aug 30, 2003).
A contemporary scrivener who learned his craft by copying David Hoke, Glick records the family of his great grandmother Mary Mast (1832-1924). Fraktur has a wavy ribbon border with flowers at top and bottom. Heading at top is "Family Record" and 1/3 of the way down is "Children," both done in heavy red lettering with silver highlights. Three heads of wheat flank each side of "Children."
Parents' birth dates and marriage date are recorded, followed by ten children with birth dates. The sixth child, Mary, is underlined to indicate her significance as Glick's great grandmother. All 12 family members have a death date written in cursive under their birth date, mimicking a common practice of descendants who added this information years later.
At bottom center, Glick draws a scroll and pen and inscribes his name and the date (1997). At right he adds: "Mary Mast was my great grandmother."
Framed in a new oak frame with glazing, made by Glick's son, a woodworker, who has a woodshop on the Glick farm property, Cut Road, Salisbury Twp.
Group of three fraktur (P97.22.1-.3) was commissioned and purchased from Glick by HCLC as a result of visiting him in his farmhouse Jan 1997 to discuss his penwork. (The two other fraktur, based on the Stoltzfus family record, were specifically purchased for use in the 1997 Exhibit on fraktur.)
Fraktur-style family record of Amish family (Henry and Annie Stoltzfus) done with ink and paint on heavy white paper, framed.
Executed by contemporary Amish scrivener, Old Order Amish Bishop John F. Glick (1912 - Aug 30, 2003), in the style of scrivener David C. Hoke, using the names from a FR by Hoke (see 96.1.1). Fraktur has a vine with blue berries forming a border. Heading at top is "Family Record," done in pink, red, black and gold and heading 1/3 of the way down is "Children," done in pink, mustard, gold and black. Three heads of wheat, tied together, flank each side of "Children" and are used under the names, next to the inscription.
Parents' birth dates are recorded, followed by ten children with birth dates. The father and the son, Levi, have a death date written under their birth date, mimicking a common practice of descendants who added this information years later.
At bottom center, under the wheat decoration, Glick inscribes his name and the date (1997). At right he adds: "David C. Hoke Pattern/ back in the 20's."
Framed in a new oak frame with glazing, made by Glick's son, a woodworker, who has a woodshop right there on the Glick farm property, Cut Road, Gap, PA.
Group of three fraktur (P97.22.1-.3) was commissioned and purchased from Glick by HCLC for use in the 1997 Exhibit on fraktur.
Fraktur family record of Amish family of Henry and Annie Stoltzfus and ten children, done with ink and paint on heavy white paper in oak frame. Executed in the style of scrivener and artist David C. Hoke by Old Order Amish Bishop John F. Glick (1912-Aug 30, 2003).
A contemporary scrivener/artist who learned his craft by copying David Hoke, Glick records this family record in his own style. Here Glick uses the names from a Stoltzfus family record done by Hoke (see P.96.01.1). Glick has a wavy blue ribbon border with flowers at top and bottom. Heading at top is "Family Record" and 1/3 of the way down is "Children," both done in heavy blue lettering with silver highlights. Three heads of wheat flank each side of "Children."
Parents' birth dates are recorded, followed by ten children with birth dates. The father and son, Levi, have a death date written in cursive under their birth dates, following the practice of many descendants who added this information years later.
At bottom center, Glick draws a scroll and pen and inscribes his name and the date (1997).
Framed in a new oak frame with glazing, made by Glick's son, a woodworker, who has a woodshop on the Glick farm property, Cut Road, Gap, PA.
Group of three fraktur (P97.22.1-.3) was commissioned and purchased from Glick by HCLC as a result of visiting him in his farmhouse Jan 1997 to discuss his penwork. This fraktur was purchased for use in the 1997 Exhibit on fraktur.)
All-cotton quilt with appliqued Tulip pattern; has 35 center blocks, 12" square, 18 of which have appliqued tulips. All done on white cotton ground. Appliqued blocks are straight set with solid white blocks as alternates. Quilt is machine pieced, hand appliqued and hand quilted. White solid border is 14 3/4" wide at sides and bottom, 7" wide at top, with mitered corners.
Tulip pattern done in solids and prints of green, blue, yellow and red.
Moderate amount of quilting follows applique and piecing designs. Floral or snowflake in plain blocks and border. Pieced by Edna Spangler Keefer (3/30/1912 - 6/6/1997). Quilting was done by a sheltered workshop and is not of high quality with some uneven stitches. Pencil lines still visible.
White cotton solid binding. Batting is mid-weight cotton. Backing is pieced white cotton.
Provenance
Provenance: Top made by donor's mother, Edna Spangler Keefer, and quilting done by a sheltered workshop. Edna was raised in York Springs area although the quilt was made while Edna and husband Dale were living in Sharon, Mercer Co. Inherited by donor.
Family Album pattern quilt is a personalized commercial pattern made of all cottons. Top has 20 12-inch appliqued blocks of solid colors and prints on white ground. Appliqued blocks are set straight with 2.5" blue sashing and 8.5" white mitered borders all four sides. Machine pieced, with hand applique and hand quilting.
Six center blocks are personalized to portray Keefer family history. Two central blocks have maker and husband's names, "DALE" and "EDNA". Center blocks above have house and standing couple. House does represent actual house, according to donor. Lower center blocks are a cradle with daughter Betsy's name and birthdate, and the other block has the church with 1938 marriage date. Donor does not believe her parents were married in a church. Remaining 14 blocks provide a frame for the central six. All 20 blocks portray very Dutchy floral and bird motifs. Vivid colors are blue, red, yellow, green and black.
Batting is mid-weight cotton. Backing is a white cotton. Binding of white cotton on bias is 3/8" wide. Hand quilting has good even stitches and follows the applique designs while sashing has a chain pattern. Borders have parallel lines in which pencil marks are still visible.
Top four inches of quilt were folded back and stitched to create a sleeve for hanging. Stitches now removed.
Provenance
Made by donor's mother, Edna Spangler Keefer (3/30/1912 - 6/6/1997), while living in Sharon, Mercer Co. Inherited by donor who was their only child.
Paint and herringbone, chain, buttonhole, stem, and running stitches on commercial cotton fabric, with commercial synthetic fringe. Machine-pieced top in Diamond in a Square type pattern on white background. Sashing to make diamond and square forms are pieced with blue and white cotton. Blue pieces are outlined in blue running stitch on their short sides. Points of square and diamond are white fabric, with blue running stitch in square form.
Painted floral wreath in center diamond, with an embroidered bow in blue buttonhole. Wreath includes five roses in pink and red; greenery; blue, pink, yellow, purple, and orange flowers; and red berried sprigs.
Triangular areas, outside of diamond, each contain 4 painted flowers. One blue flower in each outside corner, with orange center. Three flowers along diamond edge. One five-lobed yellow flower, with orange center. One large pink and red rose, with greenery. One purple five-lobed flower, with orange center. Floral vine and leaf outer border. Five-lobed pink flowers worked in blanket stitch, with stem stitch highlights. Vine worked in green herringbone stitch. Leaves in green blanket stitch, with chain and stem highlights. Machine-applied commercial synthetic twisted fringe on four sides.
Back is machine-pieced white cotton. Shows evidence of embroidered green leaves, blue running stitch and ribbon, and pink highlights.
Original inventory number--630.
Provenance
Collected by George Lyster in Lancaster Co. Intended as a gift, entire collection remains on loan.
Thimble of Mexican sterling silver (925) in classic shape but unusual construction. Sides have a vertical seam and top is capped with a domed and dimpled top. This horizontal joint is then wrapped with a band of silver.
Heavy applied decoration: upper 3/5 of sides have three flowering plants growing out of S-scrolls below and C-scrolls arranged in the lower 2/5. The scrolled decoration is applied like quilled paper. This raised decoration stands out against a black painted body.
Struck along inside of rim is "MEXICO" and "IGU---" over "92-". Other marks unclear. (See Notes) A "2" is struck on outside of body creating a circular depression.
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Dark overall with what appears to be black paint. All salient surfaces are worn and there are paint losses. Distortion of body and multiple places where maker has struck lettering or designs.
Object ID
G.05.15.37
Notes
See another example of this ring found on internet in this file. Iguala is a town near the renowned silvermaking town of Taxco (near the west coast of Mexico) where William Spratling, in the 1930s, famously reinstituted the silver industry and craftsmanship that had died centuries before.
Place of Origin
Iguala de la Independencia, Guerrero, Mexico
Credit
Gift of Susan Garofola in memory of Lillian Kiker (mother), Heritage Center Collection
Thimble of "Alpaca Silver" (see Notes). Similar to G.05.15.38, the sides have a vertical seam and are capped by a domed top with a waffle pattern produced by a machine. Upper half of sides have vertical rows of hand-punched dimples. Plain bottom half. Bottom edge has a raised, applied band with 10 hand-set pieces of vari-colored abalone. Solder points quite visible.
Struck inside rim is "-LPACA". Most likely made in Mexico
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Dents/distortion at sides as well as significant tarnish.
Object ID
G.05.15.39
Notes
Nickel silver, German silver, Argentan, new silver, nickel brass, albata, alpacca, or electrum is a copper alloy with nickel and often zinc. The usual formulation is 60% copper, 20% nickel and 20% zinc. Nickel silver is named for its silvery appearance, but it contains no elemental silver unless plated. The name "German silver" refers to its development by 19th-century German metalworkers in imitation of the Chinese alloy known as paktong (cupronickel). All modern, commercially important nickel silvers (such as those standardized under ASTM B122) contain significant amounts of zinc, and are sometimes considered a subset of brass.
Place of Origin
Mexico
Credit
Gift of Susan Garofola in memory of Lillian Kiker (mother), Heritage Center Collection
