P95.02.01A: Crystal ball is a sphere of clear glass containing tiny interior bubbles and barely perceptible striations on the surface corresponding to lines of latitude.
P95.02.01B: Base for ball is a turned disk of pine with recessed top in which to
Place of origin is unknown.
Provenance
9/07/2012 - Transferred from HC Collections; 12/29/94 - Purchase from Book Haven 146 N. Prince Street, Lancaster, PA 17603
Glass ball has minor surface abrasions or imperfections; some small nicks and scratches in the base, and a 1/2" area of finish loss on the center of the bottom.
Pewter basin, part of the Warwick Congregation's (now known as the Brickerville United Lutheran Church) communion service.
High, rounded sides flare out to a flattened rim with rolled edge. Booge appears to be unhammered. Barns struck his large circular mark with an eagle on the inside of bottom. The left portion of the eagle as well as the letters "BAR" on the bottom are discernible, as well as the "HE" above the eagle.
Probably made in Middletown or Wallingford, Connecticut.
Provenance
The entire communion service remained in use over the years until the congregation decided in 1997 to find a safe place for this valuable communion set. Purchased by the Heritage Center of Lancaster County.
Chinese export bowl of high fired porcelain, polychrome decoration under glaze. Thin walled in nearly hemispherical form sitting on a 3/4" raised foot. Gold-painted rim with red edging. Two goldfish inside bottom. Continuous landscape on exterior is the same repeating Roman or Greek scene of a seated half-robed seated man with dog facing three nude women and seated baby. All set against distant mountains and one tree in foreground.
Staffordshire transferware sugar bowl in tureen form. Octagonal rounded body (A) sits on a pedestal; two molded applied handles at sides. Conforming domed lid (B) has cutout at one side for spoon and a molded finial on top. Black transfer pattern is a landscape with palatial buildings, trees, vegetation and distant mountains. Border is scroll design with narrow band of quatrefoil flowers and edged with Gothic crockets. Underside marked with pattern name "Missouri" above "B & S." A prominent English registry mark indicates the manufacture date of June 5, 1850.
Glazed soft paste porcelain Gaudy Welsh sugar bowl (A) with lid (B). Handpainted inverted tulips of red and yellow are interspersed with 3 large, dominating deep blue scalloped motifs decorated with copper lustre painted floral decoration. Squat pot-bellied body sits on a low squarish pedestal with scalloped edging. Two molded angular applied handles. Top has round mouth with flared collar extends outward. Domed lid has squarish molded knob finial. Darkened remnant of paper sticker with blurred writing, perhaps "-caster/ --ea set/ --1825."
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
Small molded sugar bowl (A) with fitted lid (B), of white-bodied china. Bulbous pear shaped body has leaf molded exterior and four sagging lobes that bulge at the base. Two applied rustic handles. Decorated with dark blue on upper 1/3 of bowl. Gold-painted highlights on one side only, on handles and embossed leaves at sides. On side of body in stamped, gold lettering is: "Souvenir/ of/ Lancaster/ Pa."
Fitted, domed lid (B) is molded with foliate inspiration with rustic handle/finail.
Stamped underneath in gold is a crown over shield witht the monogram of "TGC"(?) The number "12" also stamped in gold.
Provenance
Donor believes this set was purchased at Woolworth's store in Lancaster.
Sugar bowl with lid, hard-paste eathenware has white clay body hand-decorated with cobalt blue. Squat, bulbous body sits on foot ring; pot-belly sides have a large beaded shoulder leading to a narrowed neck and finishing with an outward flaring rim w/ coggled edge. Four or five blue bands painted while on the wheel and remainder painted freehand. Bulbous section alternates with two different leaf designs suspended from the blue-painted shoulder bead. Large round dots are spaced between each leaf. Coggled edge is blue and top of rim has a leaf form painted in two rows. The domed lid has a bee skep finial painted blue, a wide blue strip at botom edge of lid and four leaves in mid-section of same two designs as on bulbous body. Clear glaze over all.
Small "S" impressed underneath at side, perhaps signifying the potter.
Good 3/8" long chip at coggled rim edge showing a very white clay which suggest a later date. Wear and soil at bottom and soil scattered over entire piece. Overall crazing.
Object ID
G.81.7
Credit
Gift of Florence Starr Taylor in memory of Annie Mottern Taylor, Heritage Center Collection
Coffepot (A) and lid (B) of blue transfer-printed pearlware. On a pedestal base is an octagonal pear-shaped body flaring back out at recessed rim. Gooseneck spout with cap at tip. High arching handle of C-scrolls. Domed octagonal lid has an octagonal knop/finial and tiny vent hole.
Transfer decoration is a Chinese scene with people, trees, water and pagoda with bridges. Additional decoration at top and base is a filigree-edged band dominated by 3-leafed vine.
Glazed soft paste porcelain coffeepot (A) with lid (B). Handpainted "King's Rose" pattern decoration on pale blue body - pearlware. Inverted pear-shaped body sits on a pedestal foot. Wide shoulders curve in to form a neck above which is a round, flared mouth on which sits the lid. Leaf molded spout and applied C-scrolled handle both have red striping. High domed lid has acorn finial painted red. Decorated pink bands at neck and bottom or domed lid.
Impressed with "GOOD" (?) on bottom and incised "6" or "9". Later inscribed with "C 106" over "17.50". There is a nearby X.
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
Pedestal bottom is soiled with some wear. Minor soiling and interior staining. Small nicks and scratches to paint as well as significant paint loss at least on one green "leaf".
Object ID
G.98.51.21a-b
Place of Origin
England
Credit
Given in memory of Harpo by Susan Marx, Heritage Center Collection
Miniature cruet set of four bottles and caddy, clear glass and non-ferrous base metal.
Four tall vial-like, clear glass bottles, one with its metal cap. Bottles appear to be mold-blown, cylindrical and have a pronounced ring extending outward at mid point, a long narrowing neck and flared lip. Bottles fit into a rotating metal carrying ring at midpoint of caddy, suspended by their glass protruding ring. An oval ring handle on stem with threaded end fits into female-threaded pedestal base which flares out toward bottom.
A raised letter "W" appears twice underneath base.
Provenance
Descent to Sarah Muench from family, perhaps her Aunt Alice Potter Fordney, an antiques dealer.
Straight sided child's maxim cup with applied handle and recessed bottom. Cream-colored body has a red transfer-printed scene on the side depicting a hay wagon drawn by four oxen. Three males are working with the hay. House, trees and mountains in background beneath shining sun. Underneath printed scene is the saying "MAKE HAY WHILE THE SUN SHINES."
Tiny straight sided child's cup with applied arched handle and recessed bottom. Covered overall with yellow slip and decorated with luster painted stripes at rim, base and handle. Red transfer-printed decoration consists of "A Present/ for Eliza" printed on a large angular cartouche, which in turn is superimposed over a stylized floral or foliate design largely obscured.
Provenance
Small handwritten note on rolled paper inside cup reads: "Bought from/ Kathryn Grabill/ East Petersburg" and at bottom is "XX . 7." Note now in object file.
Red earthenware loaf dish, oval/oblong shape, drape molded, yellow slip-trail decoration, clear lead glaze, coggled upper corner of edge. Slip-trail decoration along both long sides and in from each end of the bowl, and within flattened center area are 4 stylized floral motifs.
Large chip along exterior, length edge. 2 small incised scratches along same edge (looks like the Roman numeral II). Other small nicks and chips present overall. One large chip and several small chips along inside if edge. Scratches and darkening at bottom. with crazing of glaze.
Object ID
G.86.6.1
Place of Origin
Southeastern Pennsylvania
Credit
Gift of Henry J. Kauffman, Heritage Center Collection
Large round redware revival dish or charger, shaped on a mold with coggled edge. Top is painted with a dirty yellow slip with sgraffito decoration and clear glaze. Around edges are large scallop-like swags bordering a central scene of a bird perched on a vining branch with tulip ends. Leaves and swags are daubed with manganese.
Unglazed bottom is signed with a monogram at top, over "Robesonia, Pa", over a keystone shape flanked by "1972", over "L & B Breininger". Lester Breininger and his wife Barbara ran a thriving pottery at their Robesonia home in Berks Co., producing reproductions of 18th c. redware.
Redware revival sgraffito-decorated charger. Deep molded dish has gently curving bowl rising to a broad, flat rim of 1.5". Bowl covered in yellow with sgraffito design of a large eagle with spread wings and heart-shaped body. Below eagle is "1970". Rim unpainted except for inner border having painted black dots. Entire top daubed with manganese and a clear glaze overall except for underside. Incised initials "JCS" on bottom near rim.
J.C. Seagraves began experimenting with pottery in 1948 and set up a shop on Rte. 222 at Breiningsville in 1951. His preference was for making bowls and plates. He produced colorful glazes through the use of copper oxide. He combined the clean-cut modern 1950s style of pottery with the more traditional type to create his own unique style. (Richard L.T. Orth)
Pewter flagon, one of a pair, made by Heyne and presented to the Warwick Congregation (now the Brickerville United Lutheran Church) for use as part of a communion service. Cylindrical tankard form of top half joins a bottom section that begins to swell until it flares out dramatically at bottom. Has three applied cherub's head feet bordered with wrigglework. Applied spout. Heyne then innovated by departing from German forms by using three English features: an applied hollow handle, a double-domed lid and an erect chairback thumbpiece.
At midline below three raised bands is an engraved two-lobed crown above large initials "MH" filled with wrigglework. Underside is stamped with Heyne's mark, a crown over the initials "ICH", and "LANCASTER" below. Undated, although the other flagon of this pair is marked "1776" on bottom.
Johann Christoph Heyne was working on West King Street in Lancaster Borough, 1752-1781.
Provenance
Possibly commissioned from Heyne by William and Mary Huber of this congregation and presented to the church with their initials.
Pewter flagon, one of a pair, made by Heyne and presented to the Warwick Congregation (now known as the Brickerville United Lutheran Church) for use as part of a communion service. Cylindrical tankard form of top half joins a bottom section that begins to swell until it flares out dramatically at bottom. Has three applied cherub's head feet bordered with wrigglework. Applied spout. Heyne then innovated by departing from German practice by using three English features: an applied hollow handle, a double-domed lid and an erect chairback thumbpiece.
At midline below three raised bands is engraved a two-lobed crown above large Roman initials "WH" filled with wrigglework. The underside of flagon is stamped with a crown over the initials "ICH". Below this is stamped "LANCASTER" and to the right is engraved "1766".
Johann Christoph Heyne was working on West King Street in Lancaster Borough, 1752-1781.
Provenance
Pair of flagons possibly commissioned from Heyne by William and Mary Huber of this congregation and presented to the church with their initials. Remained in use over the years until the congregation decided in 1997 to find a safe place for this valuable communion set.
Note: Another pair of flagons was ordered from Heyne in 1766 by Trinity Lutheran Church. Heyne also used the English round, hollow handle on those. However, that pair differs from ours, and all other later Heyne flagons, in that he incorporated the English style double domed lid and erect thumbpiece.
Overall wear: abrasions, nicks and dents. Dents on lid top. Large scratch at lower right of "H" Dark stains and small pinhole in thumbpiece. Interior has several small areas of deep scratches.
Object ID
P.97.08.2
Place of Origin
Lancaster
Credit
Acquired through the generosity of the James Hale Steinman Foundation and Friends of the Heritage Center Museum, Heritage Center Collection
Wrought iron, two-tine meat fork. Long narrow handle of flat bar stock, except for one short round section near tines end. Handle end is rounded, with hanging hole. Heavily decorated with semi-circles along edges of top, like scalloping. Stamped "H. R. EBY" near midpoint.
Two tines are rounded and curved down and back up as viewed from side. Tines have a rectilinear "U" shape configuration with sharp corners at shoulders.
See Notes
Mastersonville, Rapho Twp. and Penn Twp.
Provenance
Dealer purchased form from someone who in turn had purchased the iron collection of an Elizabethtown collector.
Compare with another Eby fork, 18.5" long, pictured on page 50 of J. Lasansky's book "To Draw, Upset and Weld."
Also Jason Miller, "A Directory of Lanc. Co., PA Blacksmiths," 2001, p. 27.
Light corrosion on top surface; heavier corrosion under handle.
Object ID
P.04.05.1
Notes
Eby was raised in Penn Twp. and later moved to Mastersonville, Rapho Twp. for most of his adult life, before retiring to Lebanon Co. He & Lizzie are buried in Penryn Cemetery.
1860 Census- age 4 in Penn Twp.
1870 Census- age 15, a "servant" in home of uncle? Chr. Ruhl, Brickerville
1880 Census - age 28 in Penn Twp.
1900 Census - age 44 in Rapho Twp.
1910 Census - age 54 in Rapho Twp.
1920 Census - age 63 in S. Londonderry Twp., Lebanon Co.
1930 Census - age 73 in S. Londonderry Twp., Lebanon Co. (No occupation listed)