Mennonite apron of bleached, plain-weave cotton and black two-ply silk embroidery. Apron is gathered at the top and sewn onto a waist band with a commercial tape string at each end.
At top center is a dark brown cross-stitched design of a central star flower on triangle base, surrounded by seven stars or crosses. The separated initials "M S" flank this design and large crosses flank initials. Three different embroidered borders of black silk combine with drawnwork at bottom above a one-inch self-fringe secured with black stitches.
Provenance
Purchased by donor from the Rev. Fred Weiser in 1997. Weiser notes there are about 15 aprons known; see article in Der Regebogge written "some years ago."
Staining around embroidered design and initials from bleeding embroidery, near top. Age discoloration with small stains overall. Stains along sides. Several thread "pulls". Areas of missing embroidery on three crosses at bottom. Small hole at lower right of design.
Conserved Nov. 1997 by Dorothy McCoach of Bethlehem, PA
Object ID
G.97.39.9
Place of Origin
Lancaster County
Credit
Gift of Hampton Randolph, Sr., Heritage Center Collection
Glazed soft paste porcelain Gaudy Welsh sugar bowl (A) with lid (B). Handpainted inverted tulips of red and yellow are interspersed with 3 large, dominating deep blue scalloped motifs decorated with copper lustre painted floral decoration. Squat pot-bellied body sits on a low squarish pedestal with scalloped edging. Two molded angular applied handles. Top has round mouth with flared collar extends outward. Domed lid has squarish molded knob finial. Darkened remnant of paper sticker with blurred writing, perhaps "-caster/ --ea set/ --1825."
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
Upholstered wingback commode chair has four turned Sheraton legs. Has replacement of original soiled handsewn homespun linen (remnants in this file), now an orange fabric with potted and vining flower design. Solid pinewood seat under cushion has center hole with fitted removable wooden disc.
This chair was from the Pownall home at Gap, where it was used by Dickinson Gorsuch, Maryland slaveholder, during his recovery from wounds sustained during the Christiana Riot of Sept. 11, 1851. His father and two others were killed during the skirmish at the home of freedman William Parker, and Dickinson was transported to the Pownall home for recovery. William Parker later published his story in the "Atlantic Monthly" in 1866, making it highly publicized.
This incident "is an important example of the struggle over the 1850 Fugitive Slave Act and the escalating tension between the North and the South. This act gave slave owners broad powers to recapture runaway slaves". (ExplorePAhistory.com)
Polaroid photos of chair before re-upholstery, in file.
Likely Lancaster or Chester Co.
Provenance
Provenance: Chair owned by the Pownall family & given in 1973 to the Lancaster County Historical Society by Mrs. Levi Pownall of Lancashire Hall (569-7279).
It was initially loaned to the Heritage Center (# L.77.9 and # 161.64.80) but soon donated to HCLC. Board minutes of Dec. 8, 1975 include Richard F. Smith's Museum Committee report noting a donation of a "Sheraton armed wing chair commode, used by the Pownall home in nursing Dickinson Gorsuch following Christiana Riot in 1851." Later unsigned note (Bruce Shoemaker?) states John Aungst of LCHS was consulted & chair was removed 11/9/84 from list on LCHS loan form, settling an apparent question of ownership.
Tall case clock, Chippendale case with eight-day movement. Dial is painted white with rose spandrels, moon wheel, and is signed very faintly, "Peter Spycker/ Williamsburg." John Peter Spyck(h)er's clocks are rare.
Walnut case with poplar backboards is highly carved. Three flame finials rest on reeded plinths atop scroll pediment with dentils and 12-point rosettes. Tympanum is relief-carved with a central flower flanked by vining. Waist and base have vine-carved quarter columns with smooth lamb's tongues. Arched waist door accented by a deeply incised shell carving near top. Base has raised base panel with corner volutes and central shell. Ogee replacement feet.
Made by Peter Spycker (1756?-1830). Case attributed to Peter or John Rank or Daniel Arndt.
Jonestown (formerly Williamsburg), PA (almost certainly)
See Notes
Provenance
1783-1883 White Horse Tavern near Jonestown; 1883-1914 Bross family of Brosstown (near Rt 72 & 22); 1914-1963 Harry Lesher of Jonestown; 1963-1979 Donald L. Mohn, Jonestown; 1979-1981 William DuPont, Wilmington, DE; 1981 to donor. (Info from Donald L. Mohn)
Jonestown's White Horse Tavern was kept by John Rank (Peter Rank's brother) in the early years of the 19th c. (Clock is based on design sketch from Peter Rank's account book.)
Reported by Carter Harris: a #1 is scratched on front plate of movement and front of seatboard.
Inscription Type
Inscription
Object Name
Clock, Tall Case
Material
Wood, Glass, Brass
Height (cm)
256.54
Height (ft)
8.4166666667
Height (in)
101
Width (cm)
61.595
Width (ft)
2.0208333333
Width (in)
24.25
Depth (cm)
29.5275
Depth (ft)
0.96875
Depth (in)
11.625
Condition Notes
Flame finials replaced recently (copied from similar Heinselman clock at York Bank in York); ogee feet replace bracket feet which replaced earlier feet; door escutcheon replaced; severe crack in base with loss of wood; dentil molding on front replaced. Movement overhauled by Carter Harris, 1982.
Object ID
G.81.20
Notes
JJ Snyder research (in file) identifies maker as Peter Spycker, Jr., the clockmaker recorded on Tax Lists for Tulpehocken Twp, Berks Co., in 1789 as "Peter Spycker Junr. - Clock Maker". In June 1803, Spycker purchased property in Jonestown(Williamsburg) & he may have rented before this date. An 1829 deed mentions "Peter Spyker of Swatara Twp. in the Co. of Lebanon...Clock Maker..." Williamsburg (Jonestown), when founded about 1761 by William Jones, was part of Lancaster Co., then Dauphin Co. in 1785 and part of Lebanon Co. in 1816.
Snyder states "all major elements of the design of this case are virtually identical to a design sketch for a clock case in the account book of a Jonestown joiner, Peter Rank (1770-1851). This account book is in the Joseph Downs Manuscript and Microfilm Collection of the Winterthur Museum." Snyder also notes that the handwriting of this sketch's label is not Rank's. It is possible that these sketches may have been done by joiner Daniel Arndt, whose name also appears in the manuscript."
See "Jonestown School" in Cooper & Minardi, Paint, Pattern & People, pp. 89-91.
Snyder notes it is likely that this clock case illustrates the closest relationship to a design sketch known for any American Chippendale furniture.
The white dial precludes a date earlier than the 1780s.
Place of Origin
Jonestown, Lebanon County, Pennsylvania
Related Item Notes
Very similar carving to a Heinselman tall case clock in York Bank & Trust Co., York, PA.
Usage
White Horse Tavern, Jonestown
Credit
Gift of Herbert B. Weaver in memory of father Isaac Hoover Weaver (1864-1920), Heritage Center Collection
8-day musical clockworks by Mennonite Christian Eby (c.1768-1803) of Manheim. Housed in a large, inlaid cherry case attributed to Emanuel Dyer. Case is transitional from Chippendale to Federal, although strongly Federal due to inlay of eagle and floral motifs on tympanum, quarter fan inlays and another floral inlay on waist section, and a patera centered on the base within a cartouche of line inlay.
Notes: Weight, key, and various parts located in box on Unit 52, Bottom Shelf.
Hood has side lights, fluted colonettes at sides, swan's neck scrolls terminating in inlaid paterae, three ball and spire finials (spire missing on center finial). Waist and base have fluted quarter columns. French bracket feet.
White-painted iron dial w/ Roman numerals on chapter ring. Seconds use Arabic numerals. Floral spandrels, lunar dial and inscription "C EBY Manheim under XII. Above lunar dial are ten names of tunes played by the musical works. Dial attributed to Reading area due to a dark moon wheel and the 2 hemispheres for the moon phase are identical (per Gary Sullivan). He also notes that brass-clad weights are very unusual, and usually an English practice.
Provenance
Ex Renner (per Gary Sullivan, clock dealer). Later from estate sale of Pauline Heilman of York, PA by Sotheby's July 17, 1982. The buyer, a private client of Citibank, put clock in storage in Florida, then consigned it Christie's where HCLC purchased Jan. 1992.
John and Carol Pyfer paid $800 for Quentin Johnson to repair the clockworks and get it running in 2004. Clock hands have losses (pieces in a box stored in clock bottom), repaired by Johnson. Case refinished (see early photos in file). Scratch on side to left of pendulum door; nicks & scratches at left side vertical member of opening to pendulum. Marred overall. Split at left side of front section of molding under hood. Pieces of string inlay replaced. Proper left back foot loose; proper left front column loose. See Gary Sullivan condition report (loan to Willard House)
Object ID
P.92.02
Notes
Made by Christian Eby (c.1768-1803), working 1792-1803. Case attributed to Emanuel Deyer.
J.J. Snyder notes, "The clock is significant because it is the only known Lancaster Co. eagle-inlaid clock with a musical movement. Musical movements predating 1840 are quite rare, and fewer than eight Lancaster Co. musical clocks prior to 1840 are known to survive. The inlay is unique in the placement of the eagle in the center of the pediment rather than in an oval medallion above the pendulum door and in the use of floral inlay in addition to the eagle. In summary, the Christian Eby clock is a masterpiece of not only regional but also national importance."
Snyder also states "Unquestionably, this is one of the most elegant and sophisticated pieces of Lancaster County Federal furniture now known." He adds "Of all the known Lancaster County eagle-inlaid clock cases, this one alone has floral inlays. In view of the fact that this case must predate Christian Eby's death in 1803, it stands as the earliest known use of the eagle as a patriotic device in Lancaster County furniture."
Snyder also suggests Manheim cabinetmaker Emanuel Dyer (1760-1836) as the probable casemaker. Working for about a half century starting in the early 1780s, Dyer was the leading Manheim cabinetmaker.
Place of Origin
Manheim
Credit
Gift of members and friends of the Heritage Center, Heritage Center Collection
Copper measure of sheet copper with conical body. Beneath applied handle is a keyed seam. Rolled copper base and lip. Applied strap handle, attached with 2 rivets at top, 1 rivet at bottom. Handle terminates with heart form at bottom and two lobes at top. Interior is tinned.
The name "(E)ICHHOLTZ" is stamped onto top of strap handle. "E" of Eichholtz is hidden where handle is attached at top. Interior is coated with tin.
Jacob Eichholtz worked as a coppersmith/tinsmith with his brother George on East King St. until c. 1815, when he began focusing on portrait painting. 1830 Tax Assessment lists him as a portrait painter.
Research by Pat C. Keller at Historical Society of PA in Jacob Eichholtz's daybook, indicates he made measures, not mugs. Notes in file indicate purchase was contingent on results of an effort to x-ray upper handle for evidence of initial unseen letters of stamped name. No indication this was ever done.
Provenance: Sellers Jackie & Vernon Gunnion purchased measure at Conestoga Auction circa March 1986. Jackie reports Don Fennimore of Winterthur knows only two other signed copper pieces -- by Apple and by Schlosser.
Photos: slides #23-5-1 to 9 and multiple B&W 8x10s
Small to significantly larger dents on sides and bottom Some scratches from general wear. Surface has been polished and lacquered. Some polish residue visible at both the rolled lip and rolled base.
First "H" and "T" of "ichholtz" are very worn. Corrosion and wear to interior tin surface.
Upper terminal of handle has split at left rivet (stable).
Object ID
G.86.03
Notes
See accompanying P86.3 file for research done by Heritage Center Director Pat Keller-Connor to determine authenticity of the touchmark. There was a possibility of the first initial being "J" for Jacob or "G" for George, a brother. On Feb. 17, 1802 Jacob advertised with his brother George as "tin-plate workers". Pat K-C intensively did research to settle the matter before finalizing the purchase of the measure
studied Vol. 1 & 2
See Henry Kauffman, American Copper and Brass, p. 119.
Place of Origin
Lancaster
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Birth & baptismal certificate on laid paper. Printed form with central textblock in German within a multiple line border. Infilled and decorated around textblock by Speyer; cross-legged angel at top, pelicans feeding young at sides and flowers at sides and bottom. Watercolors are red, blue, yellow, green and brown.
Infilled for Johannes, son of Valiendein (Valentine) and Eliesabetha (Elisabetha) Bohmer of Brecknock Township in Lancaster Co., born Dec. 13, 1788.
Georg Friederich Speyer (active 1774-1801) used this printed form produced c. 1789 by Barton & Johnson of Reading. See Notes.
General wear with numerous creases and wrinkles; one pronounced vertical centerline crease. Repaired tears, esp at left edge. All edges are ragged and uneven, esp. at right.
Conserved by CCAHA in 1989 (see report in file). Hinged into window mat & back mat. Relaced in its original frame using UF-3 Plexiglas and acid-free cardboard on reverse with a taped mylar dust shield.
Object ID
G.77.50.1
Notes
Printed form by Reading printers Thomas Barton and Benjamin Johnson, circa 1789 (see Klaus Stopp, The Printed Birth & Baptismal Certificates of the Pa. Germans, v. 4, p. 84). Speyer used this printed form for Johannes Bohmer who was born the previous year in1788.
Place of Origin
Lancaster County
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Fraktur, religious text in German by Adam Siegel (died 1809, active c. 1790-1804), done on wove paper in pen & ink for Martin Bar, framed in old dark brown varnished poplar frame (not original to fraktur).
The name "Martin Bar" fills the upper half in large fraktur-style lettering, illuminated with scrolling filigree. Included in the scrolling are two cartoonish heart-shaped faces with stubbled hair and shaded beards. Underneath name are six lines of religious text in German script, ending with the last line: "Geschrieben von mir ADS d(en) 28ten Mertz 1802."
Double-line border at top and left side only. Last word of fourth line of text appears to have been trimmed. Fraktur thus appears to have been trimmed at right and bottom. Reverse has pencil scribbles and one in ink.
Appears to have been trimmed at right side and bottom. Scattered dark stains, pinholes along fold lines, slightly larger holes at "i" in "Martin" and within the "B" of "Bar." Liquid stain of 1/2" size at center and one at right side at text. A tear 3/4"-long at right edge above center.
Replaced heavy paper backing used by vendors with acid-free matboard, 11/05.
Object ID
P.05.04.6
Notes
Papers for Birth Dayes notes that Siegel immigrated to America in 1774 and was a schoolmaster in Lancaster Co, perhaps in the Strasburg area. Although he made fraktur for Mennonites, he was not Mennonite. His work is usually not watercolored.
Paper included with purchase has the text rewritten in German script with an English translation below (see file). This person translates the recipient's name as Martin Biehr, although it is normally seen elsewhere as "Bare" or "Bear". Ellis & Evans gives numerous references to the name Martin Bare, usually found in the townships of Conestoga, East Lampeter and Upper Leacock.
Possible Bar/Bare family connections: See also a birth record for Andreas Bar (Andrew Bear) P.80.136 by an unknown scrivener. This Andreas/Andrew was the youngest son of Andrew Bear and wife Christina Heighley. A desk-and-bookcase P.77.34 has inscription of Adam Bare on its drawer. His father John Bear an older brother of Andreas. Relation of these Bears/Bares to Martin is unknown. Jane Evans Best (see her letter re: Bear family in file P80.136) would be a good source of help.
Place of Origin
Lancaster County
Credit
Gift of Irene N. Walsh, Heritage Center Collection
Birth & baptismal certificate, with printed 3-heart form with text in all three hearts. Blank spaces infilled by hand in thin red ink by Speyer. Fraktur done for Peter Scholl, son of Peter Andreas and his wife Elizabeth Margretha, nee Illick. Son Peter was born September 7, 1772, in Heidelberg Township, Lancaster Co. (Now Berks Co., likely in Stouchsburg area of Marion Twp.)
Infill & decoration Berks Co. (formerly Lancaster Co.) by Georg Friederich Speyer (active c. 1774-1801) and printers Barton & Jungman, Reading.
Densely paint-decorated by Speyer with cross-legged angels in the top corners and bottom center, mermen and winged heads of angels in lower corners, parrots along the sides, a crown at top center, and birds holding flowers in their beaks at the top of the main text block. Dominant colors are red, green, yellow, and blue.
Certificate printed on laid paper with an "FS" watermark, indicating papermaker Frederick Schutz(Scheetz) of Lower Merion Twp. in Montgomery Co. (See American Watermarks). Mounted with window mat in a brown frame
Provenance
Fraktur was given to the Lancaster County Historical Society by donors with the understanding that it would become part of the Heritage Center collection when that institution was established.
Significant horizontal crease across the middle, and three vertical creases. Smaller creases and crinkles appear overall. The paper has browned, and there are stains in the lower half.
A treatment proposal was offered by the Conservation Center for Art and Historic Artifacts in 1986, followed by treatment in 1988-89 -- consolidated pigment, dry and wet cleaned, mended and reinforced, filled losses, flattened, and matted. More details available in the object file.
Object ID
G.77.50.12
Notes
Earnests note that "neatness was of little concern to Speyer, but he did seem concerned about filling white space." He normally infilled with words done in a thin red ink which does not stand up well over time. He worked mostly in northern Lancaster Co.and in southern Berks and Dauphin Counties. Speyer used the 3-heart print more frequently from about 1790 on.
On-line Nissen family genealogy (internet, 2010) states Peter Scholl married Eva Elizabeth Rieth on Apr. 28, 1800 in Reeds Church, Stouchsburg, Berks, Co. He died Feb. 25, 1839. His parents were also married in Stouchsburg.
References:
Klaus Stopp, Printed B&BC of the Pa Germans, Vol. IV, pp.. 81 & 89.
Earnests, "Papers for Birth Dayes", pp 722 ff.
Gravell, Miller & Walsh, American Watermarks, 1690-1835, 2002, pp. 79 & 305.
Slide # 27-1-4 in Archives West
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Fraktur is a broadside of a spiritual labyrinth or maze, hand drawn and lettered on laid paper with brown ink, in German. Within a double-line border is a title at top, with a paragraph underneath. Entitled "Geistlicher Irrgarten, / mit vier kandenbrunen", translated Spiritual Labyrinth (or error garden) / with four wells of grace." The remaining 3/4 of the page is a maze with text within the pathway. At the center of each quadrant of the labyrinth is positioned a rectangle (or well) listing several Bible references. Framed in wood frame painted with diamonds.
Drawing is riddled with pin-prick holes. These are apparently a result of the maker's method of plotting out the labyrinth, using an instrument that left a hole at each right-angle turn.
A watermark is positioned sideways in the upper half of the paper. It is a circle surmounted by a crown, a bell below the circle and a rampant lion within the circle. No exact match with any watermark found in American Watermarks 1690-1835, though some are similar, e.g. # 887 & 889. Framed in
Place of origin is unknown.
Provenance
Note: Borneman states the spiritual labyrinth appears in German as early as 1630. In Pennsylvania, broadsides of this title were popular. The reader must keep turning the paper to follow the text, necessitating over 100 turnings. The text eventually leads the reader back to the beginning. Borneman explains the 4 wells of grace (p. 25, Pa. German Illustrated Manuscripts).
Damage at all fold lines; either broken completely or partially. Center fold line mended with tape on reverse. Moderate to heavy stains scattered over surface, especially at middle of right edge and along center horizontal line. Dark heavy stains/accretions (mold?) along horizontal center line. Corners dog-eared with minor losses. Pin-prick holes throughout. Conserved in 2003 by Maria Pukownik; see photos & documentation.
Object ID
G.02.35.1
Credit
Gift of Greg K. Kramer & Co., Heritage Center Collection
Birth and baptismal certificate in German, printed on laid paper by John Bauman of the Ephrata Press; no imprint (name of printer). Infilled w/ German script in red ink and decorated by unknown scrivener for Stephan Weibel, born in Adams County, November 14, 1798.
The text is enclosed in a large heart with a yellow, black and red border. Seven Christian crosses below text, within the heart. Two smaller hearts with text appear in the lower left and right corners. Each of these smaller hearts is flanked by two small birds. Two parrots appear in the upper corners and various flowers and vines fill the rest of the space. All decorated with red, yellow, and blue.
Stephan was the oldest of 6 children born to parents Stephan (1775-1815) and Anna Maria (Troxel) Weibel. He was baptized by Pastor Schroder; witnesses were Andereas Weibel (father's older brother) and his wife. Informant Joe Wible says parents were farmers in Straban Twp. as was son Stephen Wible in later life. Son Stephen married Julian Bender. They had no natural children but adopted a boy, Martin Shealer, whom they raised as a son. Most of the entire Weible clan relocated to western PA.
John Bauman printed from 1800-1809, the year of his death. He began only at age 35 after having worked with his father Christian Bauman in the Ephrata paper mill. Klaus Stopp notes this design with parrots & birds was used 1803-1807, but this imprint with 7 hearts, only c. 1807. (See NOTES)
Printer is John Bauman (1765-1809); Scrivener/decorator unknown. Printed in Ephrata; infilled and decorated possibly in Adams County.
Provenance
Provenance: This piece was given by donors to the Lancaster County Historical Society with the understanding that it would become part of the Heritage Center collection upon the establishment of that institution.
Paper is creased, wrinkled and puckered overall. Paint has flaked off in many places. Treatment proposal presented 1986 by the Conservation Center for Art and Historic Artifacts in Phila. Treatment done 1988-89: Areas of flaking paint were consolidated with adhesive; the support was surface cleaned; paper was washed; tears mended; humidified and flattened; matted and reframed. (See file.)
Object ID
G.77.50.10
Notes
See Klaus Stopp, The Printed B & B Certificates of the German Americans, Vol II, pp. 98, 189 and 202 for info on John Bauman.
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Birth and baptismal certificate imprinted 1788 at Ephrata Cloister printshop; infill and fanciful hand-decorated borders by Arnold Hoevelmann. Watercolor decoration includes various fantastical flowers on arching vines emanating from huge pumpkin-like flower at the top, with vines arching down to each side ending in large tulips. Additional flowers below. Hunter is in colonial dress with large black hat, firing his rifle at a stag on the far left side. Strongly colored with mostly red, blue, purple, and yellow. Hoevelmann consistently used a flower motif decorated with what some believe to be a capital letter "H" (his monogram). This fraktur is a rare example of human figures being depicted.
Ephrata Cloister 1788 imprint; artwork by Arnold Hoevelmann (1749-1804)
Certificate done for Jacob Stuart, born December 29, 1784. son of Jacob Stuart and wife Maria Catharina (no maiden name). It appears he was born in "Mauntschey" (Mt. Joy) Twp. Pastor Wilhelm Hendel baptized the child but no date is included. Hoevelmann wrote "Witnesses" at the end, but no names. Later ink inscription added at lower right appears to be subject's age (69) at time of death, 2nd Jan. 1854." Pencil calculation of age at top, to left of large orange flower.
Provenance
Ex-Unger collection, Pottsville.
In 1974, Richard F. and Joane Smith entrusted this BBC to the Lancaster County Historical Society with the understanding that it would become part of the Heritage Center collection when established.
Fragile, with overall buckling and pronounced wringling across surface. Areas of foxing.
Conserved by the Conservation Center for Art and Historic Artifacts 1988-89: cleaned, removed paper backing, mended and matted for original frame (report in file). Remounted and framed by Carlisle conservator Brian Howard in 1996.
Object ID
G.77.50.9
Notes
Family tradition says Hoevelmann was born in Prussia in 1749, came to America along with LaFayette and served as a surgeon during the American Revolution. It is likely he and his wife Eva Susanna lived in Lancaster Co. since two sons were baptized at Holy Trinity Lutheran Church (1780 and 1793). He worked in many PA counties, including Washington Co. in MD, and is believed to be buried at Frieden's Church near Shiremanstown, Cumberland Co. Based on the many known B&BC's by Hoevelmann, it appears he used printed forms early in his career and completely hand-done certificates later in life.
Allthough born in Lancaster Co., Jacob Stuart appears to have lived in Lebanon County during much of his adult life. He and his family attended Trinity Tulpehocken Reformed Church, Jackson Twp., Lebanon Co. was where he was married, 31 Dec 1805 and appears to have had at least 7 children according to church records of 1800-1856. Jacob "Stewart", his wife Elizabeth and two daughters (Henrietta & Clementine) are buried in Mt. Hope Cemetery, Myerstown, Lebanon Co. The 1850 Census shows Jacob "Stewert", Elizabeth and Clementine living in Marion Twp, Berks Co. (Marion Twp. borders Jackson Twp., Lebanon Co.)
See:
1. Shelley, Donald A., The Fraktur-Writings or Illuminated Manuscripts of the Pa Germans, Pa. German Folklore Society, 1961, plate #84.
2. Earnest Associates, Papers for Birth Dayes, pp. 399-401.
3. Kline and Weiser, "A Fraktur Fest" in Der Regebogge, Sept-Dec., 1970, Vol. 4, pp. 3-5.
4. Stopp, Klaus, The Printed Birth & Baptismal Certificates of the German Americans, Vol. II, pp. 150-151. (This example is numbered 246.3 by Stopp)
5. Photo on p. 120 of Corinne & Russell Earnests' Fraktur: Folk Art & Family, 1999.
Heritage Center slide collection #27-2-5 (now in Photo Collection)
Place of Origin
Ephrata
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Reward of merit, elaborately cut out of laid paper, watercolored. It is one of four found in a family Bible. Bestowed upon a deserving student by a school teacher, this piece portrays a variety of stylized flowers, done in the unique style of Jacob Botz.
This symmetrical papercut was created with one vertical center fold. Overall design is six main flowers; top pair of flowers have human faces. Scherenschnitte is decorated with polychome watercolors.
See NOTES.
Manor Twp. or Mount Joy area
Provenance
This is one of four small Frakturs found in a Family Bible (the Bible was ultimately given to another party). Russ and Corinne Earnest served as brokers for these four frakturs. The owner wished to remain anonymous, but desired that all four remain intact as a group. Total purchase price was $19,800, but reimbursed by Irene N. Walsh.
The Earnests reported that the owner's family has roots in Manor Twp., but it is unknown if the fraktur descended in this family.
Original condition: Small piece broken off stem at right center. Blue-painted petals at center are flaking. Multiple stains around perimeter.
Conserved & mounted in a 4-window mat package by Susan Duhl, Sept. 2001. Then framed by Lancaster Galleries in black frame H: 13 1/8" W: 23".
Object ID
P.01.18.2
Notes
Research in: Papers for Birth Dayes (Russ & Corinne Earnest) and The Pa. German Fraktur of the free Library of Phila., Weiser & Heaney, 1976, #221.
Family genealogy provided by Jim Nissley of Mt. Joy, 1/14/05. Research on Jacob Botz by Irene Walsh.
The Lindemuth family first settled in the Mount Joy-Maytown area. According to Clarke Hess & Jim Nissley, Margaretha (Margaret) Linde(n)muth was born June 26, 1790 and died Dec. 31, 1875, a daughter of George Lindenmuth (1752-1818) and granddaughter of Ludwig Lindenmuth (1716-ca.1777) who immigrated from Germany in 1750.
Later contact with owner/seller, Jim Nissley of Mt.Joy (653-4798), who discovered Lindemuths in his family tree. Margaretha's niece (daughter of her brother Jacob), Sarah Lindemuth (1833-1908) married Daniel B. Nissley (1829-1919). They are Jim's great great grandparents. (See Biog. Annals entry on D.B. Nissley & other records of Jim Nissley in this file.)
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
This is a reward of merit, a fraktur given to a deserving student by a school teacher. This cut-out piece is done on a rectangular piece of laid paper, has a large sunflower-like flower with a face drawn in its center. Extending from the stem is a pair of daisies and a pair of tulips. Has a yellow border edged in red and at bottom is the name of "Margaretha Lindenmuthin" inscribed in the same red. Yellow dominates, followed by red, then lesser use of blue and green. See NOTES.
Manor Twp. or Mount Joy area
Provenance
This is one of four small Frakturs found in a Family Bible (the Bible was ultimately given to another party). Russ and Corinne Earnest served as brokers for these four frakturs. The owner wished to remain anonymous, but desired that all four remain intact as a group. Total purchase price was $19,800, but reimbursed by Irene N. Walsh.
The Earnests reported that the owner's family has roots in Manor Twp., but it is unknown if the fraktur descended in this family.
Original condition: Small broken element still attached, at right of center (stem of tulip). Multiple dark stains around perimeter. Blue-painted petals at center are dessicated with significant losses due to flaking.
Conserved & mounted in a 4-window mat package by Susan Duhl, Sept. 2001. Then framed by Lancaster Galleries in black frame H: 13 1/8" W: 23".
Object ID
P.01.18.4
Notes
Research in: Papers for Birth Dayes (Russ & Corinne Earnest) and The Pa. German Fraktur of the free Library of Phila., Weiser & Heaney, 1976, #221.
Family genealogy provided by Jim Nissley of Mt. Joy, 1/14/05. Research on Jacob Botz by Irene Walsh.
The Lindemuth family first settled in the Mount Joy-Maytown area. According to Clarke Hess & Jim Nissley, Margaretha (Margaret) Linde(n)muth was born June 26, 1790 and died Dec. 31, 1875, a daughter of George Lindenmuth (1752-1818) and granddaughter of Ludwig Lindenmuth (1716-ca.1777) who immigrated from Germany in 1750.
Later contact with owner/seller, Jim Nissley of Mt.Joy (653-4798), who discovered Lindemuths in his family tree. Margaretha's niece (daughter of her brother Jacob), Sarah Lindemuth (1833-1908) married Daniel B. Nissley (1829-1919). They are Jim's great great grandparents. (See Biog. Annals entry on D.B. Nissley & other records of Jim Nissley in this file.)
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
This is a reward of merit, a fraktur given to a deserving student by a school teacher. This piece done on rectangular laid paper, is a watercolored drawing of a large stemmed flower with bird perching on stem. Large red and yellow bloom at top, single beehive-like "berry" at center of stem at bird's beak. Floating striped leaf at center left. Inscribed at bottom is "Margaretha Lindenmuthin", the deserving student. See NOTES.
Manor Twp. or Mount Joy area
Provenance
This is one of four small Frakturs found in a Family Bible (the Bible was ultimately given to another party). Russ and Corinne Earnest served as brokers for these four frakturs. The owner wished to remain anonymous, but desired that all four remain intact as a group. Total purchase price was $19,800, but reimbursed by Irene N. Walsh.
The Earnests reported that the owner's family has roots in Manor Twp., but it is unknown if the fraktur descended in this family.
Original condition: Paper does not lie flat. Multiple dark stains/discolorations, esp. around perimeter. Heavy stain at floating leaf at center. Some paint bleeding.
Conserved & mounted in a 4-window mat package by Susan Duhl, Sept. 2001. Then framed by Lancaster Galleries in black frame H: 13 1/8" W: 23".
Object ID
P.01.18.3
Notes
Research in: Papers for Birth Dayes (Russ & Corinne Earnest) and The Pa. German Fraktur of the free Library of Phila., Weiser & Heaney, 1976, #221.
Family genealogy provided by Jim Nissley of Mt. Joy, 1/14/05. Research on Jacob Botz by Irene Walsh.
The Lindemuth family first settled in the Mount Joy-Maytown area. According to Clarke Hess & Jim Nissley, Margaretha (Margaret) Linde(n)muth was born June 26, 1790 and died Dec. 31, 1875, a daughter of George Lindenmuth (1752-1818) and granddaughter of Ludwig Lindenmuth (1716-ca.1777) who immigrated from Germany in 1750.
Later contact with owner/seller, Jim Nissley of Mt.Joy (653-4798), who discovered Lindemuths in his family tree. Margaretha's niece (daughter of her brother Jacob), Sarah Lindemuth (1833-1908) married Daniel B. Nissley (1829-1919). They are Jim's great great grandparents. (See Biog. Annals entry on D.B. Nissley & other records of Jim Nissley in this file.)
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Small free-blown wine or dram glass, Stiegel type. Conical form. Low profile knop on stem. Round pedestal base with concentric ring created by folded foot. Pontil mark on bottom.
Provenance
Purchased by donor Hampton C. Randolph, Sr., for $65 at the sale of the Henry E. Balmer estate, Lancaster, PA on April 20, 1996, then donated to the Heritage Center of Lancaster County.
Decorated wedding handkerchief, square shaped, of plain weave bleached linen. Three sides arrow hemmed and one is selvage.
Embroidered in multicolored cotton and silk. Along with the normal cross stitch is extensive use of chain stitch. Within a red chain-stitched border is sparse decoration: a tulip variant is embroidered near each corner, and a symbol similar to an infinity symbol is located along the center of each side.
"CATY CASSEL 1808" extends along one side of border. A multicolored alphabet is done in upper-case script along two sides (except for a distant 'z') and 'a b c d' in lower case script is embroidered near one corner.
In 1997 exhibit "Just For Show," Tandy Hersh noted that scholars are puzzled by the presence of decorated handkerchiefs among the Pa. Germans. They are very rare. This is one of only 20 that have been documented. In Europe, handkerchiefs celebrated betrothal or marriage. It is unknown if the tradition continued in America, though one handkerchief made in 1787 in Warwick Twp. is associated with the maker's wedding. Tandy notes the Pa. German women produced handkerchiefs between 1768 and 1830. Motifs were apparently arranged so that they could be viewed from all four sides.
(Written by Wendell Zercher.)
Provenance
The Wedding Handkerchief is one of five items given to the society by Hampton C. Randolph, Sr. of Lansdale, PA, in 1997.
Clarke Hess purchased from dealer, Jean Cook, who states this came out of a home in Montgomery County. Hess then sold to donor. Cassels were living in both Mongomery and Lancaster Counties.
Redware canning jar, ovoid shape with no handle. Pronounced foot ring and rounded flaring lip with recessed interior to receive a fitted lid (missing). Dark brown manganese decoration with some mottling, streaks and dark spatters. Lead glaze overall except for underside.
Very strong wear with losses. Lip has very large chip and one very small chip at outside edge. Strong losses of glaze at lip. Very strong abrasions at salient point of side, with considerable scattered scratches. Foot ring has three large chips and one very large chip. Soil on inside and underside.
Object ID
G.99.22.1
Place of Origin
Pennsylvania
Credit
Gift of Drs. Irwin and M. Susan Richman, Heritage Center Collection
Copper pint measure or mug. Straight sides taper in toward mouth with rolled lip edge. Strap handle anchored with 2 rivets at top; one at base. Keyed seam beneath handle. Some tinning remains on interior.
Handle is stamped "(E)ICHHOLTZ". Letter "E" is partially hidden at top.
Provenance
Purchased by Gunnions at Conestoga Auction circa March 1986.
Heritage Center purchased from Gunnion Antiques Aug. 1986
Tom Ryan, The Worlds of Jacob Eichholtz., pp. 1-3 and 82.
Henry Kauffman, American Copper and Brass, p. 119.
Height (in)
4.5
Width (in)
4.5
Diameter (in)
3.25
Condition
Good
Condition Date
2013-11-18
Condition Notes
Interior worn with some corrosion. Handle split below top left rivet. Small to significantly larger dents on sides and bottom. Some scratches from general wear. Surface has been polished and lacquered. Some polish residue visible at both the rolled lip and rolled base.
First "H" and "T" of "ichholtz" are very worn.
Object ID
P.86.3
Place of Origin
Lancaster
Credit
Heritage Center Collection, Acquired through the generosity of the James Hale Steinman Foundation.
