Watercolor portrait of a woman, facing viewer, looking to viewer's left. Brown hair and brown eyes, wearing metal-rimmed eyeglasses. Below pink garment, artist signed "Bertha Rockwell '78."
Donor Regitz writes that this woman may be a Steinman family member.
Brown overall--dark brown edges on reverse. Liquid stain lower left edge on reverse. Front lower left stain on both sides. Lower left corner (2.5" on side x 2" on bottom edge) broken from the painting.
Watercolor of Front Entrance to Wheatland by Florence Starr Taylor
Description
Framed watercolor of front entrance to Wheatland by Florence Starr Taylor; signed Florence Taylor, lower right corner. Large white mat. Brown Paper backing is partially torn; framed by The Picture Shoppe, Lancaster, Pa. Upper left corner of back - "C.S. Slaymaker" in black ink.
Unframed painting of Buck Henry reportedly done by this third wife, Margaret Grote Elliman Henry. Appears to be acrylic paint w/ thin varnish coat. Subject is seated in a wicker chair, facing viewer's right. He is a white-haired gentleman with moustache, dressed in a black suit, smoking a thin cigar. Left leg crossed over right. His eyes are closed or nearly so. A dark background except for wall at right
Stylized monogram painted at lower left corner.
Provenance
Margaret Grote Elliman Henry (1880-circa 1964-65) to Pamela Henry to grand-niece Louisa Dent (donor).
Chipboard paper somewhat cupped laterally, esp. left side. Painted surface has thin semi-gloss coating of varnish. Remnants of raised narrow paper strips adhered to perimeter of ptg.; bottom strip missing. Reverse has scattered foxing.
Unframed watercolor portrait on paperboard of Louisa Anderson Henry (1848-1886), 2nd wife of Buck Henry. Within a shaded oval, subject is painted from waist up, facing a quarter turn to viewer's left. Long brown hair is contained within a large net tied at top with a bow. Hair net appears to be dark brown gouache. Checked dress has gauzy white collar pinned at front with a brooch.
Inscription: Signed in pencil at left edge near bottom corner with "Brady / N.Y."
Provenance
Passed to Pamela Henry (b. 1923) daughter of Buck's youngest son, Frank Anderson Henry; then to grand-niece Louisa Dent, donor.
Paperboard has age-darkened buff paper covering the front, now brittle and broken/cracked into multiple pieces. Appears to have been repaired with glue. Additional residue from adhesive at each corner, with traces of white paper attached (painting apparently had a cut-out overlay framing oval, since detached). Same adhesive residue w/ white paper at top of reverse.
Object ID
2015.028.2
Notes
Thought to have been painted by artist James Buchanan Henry who was her husband. (Patrick Clark)
Unframed watercolor portrait on paperboard of Louisa Anderson Henry (1848-1886), 2nd wife of Buck Henry. This is a copy of the original, 2015.028.2, by an unknown artist.
Subject is painted from waist up, facing a quarter turn to viewer's left. Long brown hair is contained within a large net tied at top with a bow. Checked dress has gauzy white collar pinned at front with a brooch. Blue-tinted background. Done apparently in watercolor and possibly colored pencil. Painting is rendered on an oval paper pasted onto a paper-covered paperboard. Oval painting is circumscribed by a penciled oval.
Inscription: In right bottom corner is written in pencil: "Copy by." over an illegible signature
Provenance
Descent within Henry family to home of Reginald Buchanan Henry (Buck's second to youngest son) to his grand daughter Louisa Dent (donor).
Pastel of Hazel Dell Brown (1892-1982) by Florence Starr Taylor. Brown was former chief of interior designer for Armstrong for 36 yrs (1921-1956) and lived in Lancaster. Signed in pencil at bottom right corner: "Florence * Taylor".
Inscription on home-made brown paper envelope attached to paper backing is: "To Richard Hopf from Hazel Dell Brown 1975". Envelope is empty. Paper sticker at top of Stack's Art Shop on W. Walnut St., Lancaster.
Eichholtz oil on canvas portrait of Catherine Trissler Eichholtz (Mrs. Jacob Eichholtz 1791-1867). Middle-aged woman faces left, wearing a dark brown dress with wide white "collar" draped over shoulders. Has a wide lace edging. Draped over right shoulder, coveriing entire dress sleeve, is a white scarf with ornately floral-embroidered edge. Wearing a large, fancy cap of gold ribbons and lace. Tie strings are ribbon. Right hand covers left hand. Dark background shows no details. Lighter 4-inch wide section runs vertically from mid-point to top of left side. Small parts of a chair peek out at left side.
Inscriptions: Various numbers on frame sides and top. Taped to lower back of foam board back cover is an encapsulated old, faded printed card with #36 followed by "MR. BLOCH(?) / MRS. CHAS. ----- / BRYN MAWR PA / MRS. JACOB (EICHHOLTZ) / CATHERINE T(RISSLER)." Stamped at top center of frame back & stretcher is "The Warwick Galleries / NW Corner 17tth & Locust Sts. / Philadelphia Pa". Handwritten in pencil along top left of stretcher is "Property of Mrs. Chas. Walker, Mermont Plaza, Bryn Mawr".
Early 20th c. frame, painted bronze. Has bold profile with wide cove and projecting bead at outside edges.
Object Name
Painting
Material
Paint, Canvas, Wood
Medium
Painting, Oil
Height (in)
30.25
Width (in)
25.125
Dimension Details
Canvas dimensions
Frame size: H: 35.5 inches x W: 30.5 inches
Condition
Good
Condition Date
2016-10-11
Condition Notes
Relined canvas has patched areas and many inpainted areas, including lips and both sides of hair. Large section along left side from center to top has been repainted.
Frame is good with several paint chips on bead section at both sides, right center and top left. Back of painting is covered with foam board.
Oil on wood panel. Profile painting, half length, of a young woman facing left front, hands not showing; medium light reddish hair, center part with comb at top of head. Curls in front of ears, grey eyes; high-waisted white gown with double lace ruffle collar around neck, pink rose at collar opening, gold double chain necklace, red shawl around shoulders covering arms; gold colored chair back right, greenish-grey background. (Beal)
Inscriptions: Ink script at top of frame back is "Elizabeth Cecilia Leman / Born 1814 died 1834." This is repeated in script at board back. At top left in script is "Adelia Leman / 1880."
Recent paper label by previous owner William Shand, at frame bottom is: "Young Woman of Leman Family / Possibly Elizabeth Cecilia Leman / (1814-1834), by Jacob Eichholtz / #459 in 'Jacob Eichholtz' by / Rebecca J. Beal / See Ellis & Evans 'History of / Lancaster County', p. 523 / W.S." Smaller paper sticker alongside reads "Young Woman / of the / Leman Family / by Eichholtz".
The number G.80.130.2 is painted at top right of wood panel. This was a Heritage Center number, due to an ownership dispute. See File.
Provenance
Beal writes on page 136, "Collections: Miss Adelia Leman, Lancaster; Mr. and Mrs. William Shand, Lancaster."
Painting is mounted in reproduction gold frame, held in place with four mending plates at sides. Remnant of old paper dust cover on back along frame. Conserved in 2002.
Very large oil on canvas, life-size portrait of Simon Cameron (1799 – 1889) sitting in an armchair in his library, turned partway to the right. Dressed in black coat, trousers and sash around neck. Left arm rests on writing table and paper with writing is hanging over the edge, secured by Cameron's left hand. No. 42, No. 56 stamped on stretcher strip.
NOTE; DOUBLE NUMBERED - 2016.999.7.
The words are difficult to read, but reportedly express Cameron's wish for the creation of a "slave army," as written in his first report to Congress in 1861. Lincoln was angry, since it was his decision to make and not Cameron's. Lincoln expunged the statement from the report and demanded that already printed copies be retrieved. See NOTES
Provenance
For several weeks before the presentation to Cameron, the portrait was in an exhibition in the Academy of Fine Arts.
Although the donors expressed their wish that the portrait be passed to the Cameron children and grandchildren, it somehow ended up with George W. Hicks, apparently a friend and/or neighbor of Cameron. He was a noted educator and long-time justice of the peace of E. Donegal Twp. Hicks died at his Maytown home in May of 1904. At some point, Mrs. Geo. Hicks donated the painting to LCHS. It is obvious that the Hicks admired Cameron since they named their son Charles Cameron Hicks (1883-1961).
H: 72 inches x W: 58 inches. Gilding w/ corners lavishly decorated w/ composition flowers, scrolls and leafage.
Object Name
Painting
Material
Paint, Canvas, Wood
Medium
Painting, Oil
Height (in)
56
Width (in)
42
Dimension Details
Frame is: 72" x 58"
Condition
Good
Condition Date
2016-11-07
Condition Notes
Minor blemishes across surface; canvas is not stretched adequately. Frame has significant losses, particularly at corners.
Object ID
1930.015
Notes
On Wed., July 19th, 1865, Cameron was presented with his portrait at his home on Front St. in Harrisburg by representatives of the Union State Central Committee from Philadelphia. During the ceremony, James N. Kerns "addressed General Cameron in behalf of the committee charged with presentation of the portrait. "He said that the Union men of Philadelphia, having a high appreciation of his worth as a citizen of Pennsylvania , and desiring to bear testimony to his services in assisting to carry the old Keystone State on the side of the Union, in the great political contest at the ballot-box in 1964, had caused this portrait to be painted by one of the best artists in the country, and charged the committee now present to present it to Simon Cameron..."
-- From an article in the Harrisburg Telegraph, July 22, 1865. (copy in file)
Portrait of George Washington by Jacob Eichholtz. Likely copied frm Gilbert Stuart's Vaughn portrait of Washington. Eichholtz travelled to Boston during which time he met Stuart and saw his studio and many of his works.
Painted portrait of John Pearsol by Arthur Armstrong. Seated man faces slightly right. Dark hair parted on his right. Clean shaven except for fringe beard. Grey blue eyes. Black coat, black waistcoat, white shirt, and black bowtie. Reddish chair back visible at left. Dark brown background with blue and pale red at right of arm. Canvas mounted onto masonite. Small envelope pasted to bottom center inscribed "John. H. Pearsol." Paper tape on joint of maosnite and frame.
Cnavs: extensive craquelure Varnish somewhat darkened. Two tiny areas of paint loss at lower left.
Frame streaks of dark brush marks. minor gesso chipping.
Object ID
2013.006.2
Notes
Label:
John H. Pearsol and Cecilia Pearsol
Arthur Armstrong, circa 1847
John H. Pearsol (1818-1887) was a well-known printer for many years in Lancaster County. He was also a reformer. During America's Age of Reform, Pearsol dedicated his life to the Temperance Movement, a widespread, organized campaign aimed at regulating and even prohibiting the consumption of alcohol.
Portrait of Mrs. John Pearsol by Arthur Armstrong. Seated woman facing slightly left. Dark brownhair parted twice, gathered at back of head. Blue grey eyes. Light colored pleated dress with horizontal stripes, lace collar and v neckline. Large rectangluar brooch at neck. long gold chain leads to watch at waist. reddish chair at right side. Dark background. Small empty envelope pasted to bottom of background reads: "cecilia Ober Pearsol/(Mrs. John H.)" Two paper stickers at top right read; " Mister Cochran/ Shand--gen 63 III/Tel. 610651"
Overall condition is fair to good. canvas apparently mounted on masonite. Extensive craquelure. Top third of background overpainted with dark, matte paint; poorly colormatched. Varnish has darkened. possible small patches at lower left.
Frame: fair condition. blotchy gold overpaint. some gesso losses.
Oil on canvas. woman seated facing slightly to right wiht head facing more forward. Left arm draped over chair back. Brown hair parted at center, wearing low crowned cap with elaborate bows and lace coering ears to neck. Gray green eyes. Black pleated dress with stiffening around waist, v-neckline with embroidery or lace collar. Wrapped in soft grey shawl with left hand exposed. Low backed chair is reddish. Background is various browns. Stencil on back: 'A. Armstrong/Artist/ Lancaster, Pa." "1845" painted below stencil. Frame: wooden with multiple stepped profile on molding. Gilded.
Extensive craquelure. Raised stretcher line. Sagging canvas top left and left side. Scattered dark spots across right 2/3. Frame: good overall with worn gilding and inpainting and soil. Minor chips at outside edges. Back uncovered. Mortise and tenon stretcher with keys; some missing or replaced. At left bottom miter joint, a strip of gesso crack filler is loose and pressing against canvas.
Object ID
2009.020.1
Credit
Given in Memory of Marsha Sener Schuyler by Janet Godfrey Alspach and Gretchen Godfrey
Original watercolor painting of Amish scene by Florence Starr Taylor, circa 1960, "Gut lewe", framed. Scene is Amish man, woman, and child in the back of a buggy; man and woman are looking out the back of the buggy; produce loaded onto rear of buggy. "Gut lewe" on top of buggy. Signed by artist, as "Florence Taylor," lower right corner.
Original watercolor painting of Amish scene by Florence Starr Taylor, circa 1960, "Seeser Seider", framed. Various pencil notations on reverse. Scene is Amish man and woman standing behind a table, food and beverages on table; man has drink raised in right hand. Keg between man and woman. Sign above keg reads " Seeser Seider." Signed by artist, as "Florence Taylor," lower right corner.
