Strip quilt, composed of alternating printed and all-white strips, 6 printed and 5 white. Print is an ombre blue ground with tan medallions edged with a scrolling foliate design and red roses within. Back is three joined pieces of white cotton. Back corner is stamped "KH06".
Quilting is done with an undulating feather on the white strips and a diamond pattern on the printed strips. Back wraps around to front to form the binding.
Stamped on the back of one corner is "KH06." Unknown meaning.
Inscription Type
Stamp
Object Name
Quilt
Material
Cotton
Height (in)
89
Width (in)
90
Condition
Good
Condition Date
2015-06-16
Condition Notes
Generally good with little wear. Most pronounced are about 30 dark stain spots sprinkled across front. Two liquid stains on back as well as a small 1/4" hole.
Object ID
G.03.26.02
Place of Origin
Lancaster County
Credit
Gift of Mr. and Mrs. Paul A. Mueller, Jr., Heritage Center Collection
Bars or stripe quilt of cottons, using three different prints of brown-to-beige hues on the front and another on the reverse. Border all four sides, 7.5" wide, is lacy-edge paisley containing a branch of flowers, on a tan ground with pin dots and angular geometric shapes. Alternating bars in centerfield have the same width of 7.5"; of 11 total, 6 have stripes and five are floral. Red stripes alternate with an abstract brown motif. The five floral stripes have a 3-petal flower on a picotage ground. Backing is a Cotton batting. Cotton print on reverse is ovals, each with a flower within. Backing is a floral print on dark background, brought forward to create binding.
Quilting patterns are swag at borders and floral bars. Diamond grid striped bars.
Overall soil with some darkening. Many small to medium size holes, mainly in striped print on flowers(see sketch of condition in this file). Several large liquid stains and several small ones.
Reverse has larger ragged holes and a variety of strong stains. Deteriorated and detached fabric along central fold line; scattered deterioration elsewhere, especially on the dark dyes that used an acidic mordant.
Object ID
G.04.23.38
Credit
Gift of Sarah Muench, Heritage Center Collection, LancasterHistory.org
Nine-block floral applique quilt, white cotton front and back. Front is pieced with 9 large blocks 24" square, each having the same large appliqued branching flowers. Surrounding blocks is an outside border of white, 7" wide. Narrow binding has front wrapped around to back. No apparent batting.
Floral appliques have a large red bloom centered on a 3-branch flower with green leaves and red buds terminating each branch. Central bloom has a cutwork center roughly conforming to shape of bloom with additional embellishment. Blooms are solid red cotton; stems and leaves are a green cotton print having tiny yellow dots on a faint grid pattern.
Densely handquilted in white thread. Intricacy & density make it difficult to identify motifs, but they appear to be circles, large sunflowers and other variously sized flowers, floral vining with feathery leaves lining only one side of vine, filfots, scalloping, etc.
Donor's written note states maker was Elizabeth Kraybill (1812-1894). See Notes
Provenance
Passed from mother to daughter as follows:
Elizabeth Kraybill Nissley to
Katherine Nissley (Engle) to
Martha Engle (Groff) to
(Frances) Ruth Groff (Fox) to
Donor Jean Fox (White).
Donor states quilt was examined by Heritage Center staff many years ago and was told the quilt was made before 1850 as indicated by the dating of the green fabric.
Very good condition overall with only several light stains on front and back.
Object ID
G.08.02.01
Notes
Elizabeth Kraybill married Jacob Kraybill Nissley (1808-1862) and operated a farm just NW of Mt. Joy Boro. They are buried in Kraybill Mennonite Cemetery.
See descent chart in file.
Place of Origin
Mount Joy Twp.
Role
Quiltmaker
Credit
Gift of Jean White in Memory of Martha Engle Groff, Heri
Tulip block quilt of cottons. Blocks are set on point with tulip blocks arranged in 4 columns of 5, alternating with plain white blocks.Tulip design has 3 blooms with 4 petals each. Blooms are a red floral print and stems w/ leaves are a green abstract print.Tulip blocks pieced in 7 patches and stem w/ leaves are applique. White borders are 4.75" wide except for 9.5" bottom. Back is white and wraps edges toward front to form narrow binding. Cotton batting separated.
Cumberland County, likely Shippensburg area
Hand quilted with white thread following still-visible pencil lines. Outer borders have an undulating feather interspersed with an 8-petal flower. The tulip blocks have horizontal parallel lines and the white blocks have a feather wreath. All quilting has double lines.
See Provenance & Notes.
Provenance
Letter of 6/5/1948, in file, from donor's great aunt Nannie (Nancy) Foreman Spangler, states the tulip patches were made by donor's great great great Grandmother Culp, being "at least 150 years old" and that she (Nannie) "had them quilted about sixty years ago" (c.1890?). Trish Herr believes the prints used in the tulip blocks are circa 1840s, confirming the story.
Thus, patches were made by the mother of Mary Culp Atherton (1812-1849), she passed to Mary, then to her daughter Ann Margaret Atherton Foreman (1840-1925) to daughter Nannie Foreman Spangler (1859-1951) who had quilt assembled, to grand niece & donor Margaret Wagner Aungst (1918- 2012).
Generally good with some brown scattered stains and a large stained area at middle of left edge. Apparently rarely washed due to still very visible pencil lines. Many seams in piecing are separating. Backing has acid burn on fold lines and section that was folded and likely touching wood of blanket chest.
Object ID
G.08.03.03
Notes
Nancy Foreman was the maternal aunt of donor's father, Marshall Wagner. Printout of digital photo taken by Trish of the Foreman sisters is in this file. Aunt Nannie Foreman Spangler is positioned at two o'clock. They were raised in Shippensburg where their father James K. Foreman was Sheriff. Nannie married Henry Spangler & lived in Phila. where Henry was a professor at U. of Penn. They had one child, also Henry.
Donor states the Culp gr gr gr grandmother who pieced the quilt patches is unknown at present, altho she believes descent went from a great great great grandmother Culp to an Atherton to the Foreman family. (Correct - wrz). Donor may have records or photos in storage, but unlikely to discover soon. (Deceased 2012)
Place of Origin
Cumberland County, Pennsylvania
Credit
Gift of Margaret C. Aungst, Heritage Center Collection
Pieced quilt of silks, cotton batting, glazed cotton back, cut in 2 halves, made by Quaker Deborah Simmons Coates, wife of Lindley Coates (1794-1856). Has 19 horizontal bands of dress silks (many produced by Harmonist Community) in alternating triangles arranged in Birds in the Air or Flying Geese pattern using the template method. Large triangles of varying patterns alternate with large triangles with 3 smaller appliqued triangles of contrasting patterns. Colors are browns, tans, beiges, electric and royal blue, peach and green. Each quilt half has a green silk binding on the three outside edges, and tan silk on the inner vertical cut edge. Quilting patterns are clamshell, diamond, cross in a square and diagonals.
At quilt center is a cream-colored triangle with an abolitionist stamp depicting a kneeling enslaved Black male in chains over the words: "Deliver me from the oppression/ of man." This stamped triangle was cut in two when quilt was divided; image now hidden by modern binding. According to Cuesta Benberry research, this image of a kneeling enslaved person originated with the English ceramic firm of Wedgwood in the late 1700s. See items 08.242 and 42.76.11 in the collectiosn of Metropolitan Museum of Art for seals with a similar motif. The Wedgwood family were ardent abolitionists, decorating various ceramics with this image, resulting in its rapid adoption by American anti-slavery groups. Used in many forms and media over the years, it remains the logo of the still-existing Pennsylvania Abolition Society and appears on organization's official publications.
Lindley and Deborah Coates, of West Grove, Chester Co., married there on 12/16/1819 but lived near Christiana in Sadsbury Twp., Lancaster Co. They attended Sadsbury Friends Meeting House near Christiana. Ardent abolitionists, their home was what is now designated station #5 on the Underground Railway. Lindley became President of the American Anti-Slavery Society in 1840, before William Lloyd Garrison. Deborah Coates became a Hicksite Quaker minister according to historian Beverly Wilson Palmer. Hicksites were the more radical Quakers, named after leader Elias Hicks.
Provenance
Quilt passed to son Simmons (1821-1862) & wife Emeline Jackson. (Deborah Coates lived w/ widow Emeline on her Chester Co. farm (Evergreen Hall in West Grove) for many years following Simmon's 1862 death. See census records). Descent to their daughter Elizabeth Jackson Coates who married Marriott Brosius, U.S. congressman from Lancaster. The quilt was then divided between their two daughters, donor's maternal grandmother Graceanna Brosius Biddle and her sister Gertrude Coho Reinhartson. The two halves were then reunited when given to donor, Marjorie Ayars Laidman. Deborah S. Coates was donor's great great great grandmother.
Overall good condition. Two halves of quilt (with recent inside binding on cut edges) are "mounted" on cotton muslin, side-by-side. Silks show significant deterioration -- cracking, splitting and abrasion -- with some losses. Binding also has deterioration with some losses. (See 1985-86 condition report by conservator Linnea Davis.)
Documented in Quilt Harvest #448-B (records in Archives).
Object ID
G.86.05
Place of Origin
Sadsbury Twp.
Credit
Gift of Marjorie A. Laidman, Heritage Center Collection
Pieced and appliqued block quilt of cotton with floral pattern on white ground and eagle quilting.
Top is pieced with floral blocks on point alternating with white open blocks (approx. 8.5" sq.). There are 64 stylized/geometric pieced flowers (peonies?) of 6-petals. Flower top is a red floral print; lower part is a green floral print. Stem and leaves are appliqued. Floral blocks arranged in 8 columns of 8.
The 49 open blocks are quilted with a spread eagle with shield; border triangles have a feather. Back of white cotton is wrapped to front to create narrow binding. Cotton batting.
Elizabeth Schneider Mann (10/8/1780 - 3/25/1870) was raised in East Donegal Twp, the daughter of George Schneider/Snyder and wife Anna Margaretha. Her birth is recorded in the records of the Maytown Lutheran Church. She made quilt around 65 yrs. of age, during her marriage to Johannes/John Mann, farmer of Manor Twp., just east of Washington Boro. The Mann family was Lutheran.
Provenance
Descent in family from parent to child:
Maker to George Snyder Mann (1822-1912) to Abram Kauffman Mann (b. 1864), to George Snyder Mann to Richard H. Mann, M.D., husband of donor.
Exhibited 2004 in "Home Sweet Home"
Featured in Dec. 2007 "McCall's Quilting: The Art of Vintage Quilts"
Wear and deterioration with many holes on the white flowers of the red print of more than half the floral blocks. Two grayish liquid stains on green print of two separate peonies. Minor light brown/yellow stains across surface and along edges, especially upper left edge. Needle holes along all four edges, suggesting previous mounting. Reverse has some acid burn at folds and a small stain. See condition report in file.
Object ID
G.96.07.1
Place of Origin
Manor Twp.
Role
Quiltmaker
Credit
Gift of Mary Jane Mann in memory of Richard H. Mann, M.D
Pieced block quilt uses plain white and various printed cottons. Interpreted as either blocks set on point or set straight. Made by a Quaker family.
Top can be viewed as 12 columns of 12 blocks, set straight, yielding 144 blocks. Within each block is a large (7 - 7 1/4") square of either printed fabric or white, set on point. Small triangles in corners match the fabric of the square. A variety of cotton prints are used.
Alternately, top can be viewed as smaller blocks set on point containing either white only or pieced triangles of 2 different prints.
White cotton back; narrow binding of printed cotton with anchors; cotton batting.
Quilting designs are concentric circles, tulip or other flower, asterisk, parallel lines, scallops, hearts, etc. Double-line stitching on the flowers.
Provenance
Donor believes quilt descended from her Quaker ancestors, the Stubbs. Donor's great-grandmother was Verlinda Lily Stubbs(1831-1912) born in the Stubbs Mansion in Fulton Twp. She came from a Quaker family but in 1851 she married Thomas Ross Neel of Drumore Twp., who was Presbyterian Scots-Irish. She was then reportedly disowned by Little Brittain Monthly Meeting for marrying a non-member. Verlinda was the mother of Charles Neel who was in turn the father of Thomas Ross Neel who was the father of donor.
Multiple brown stains scattered over surface; surface soil is pronounced over much of surface and especially evident on white fabric. Back also stained.
Extensive fabric and batting losses due to deterioration.
Object ID
S.20.1
Place of Origin
Lancaster County
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
All cotton friendship papercut quilt. White ground with 49 blocks set on point with alternating blocks of identical appliqued cut-outs in a variety of red-printed cotton fabrics. Papercut motif has four identical arms shaped in a foliate/floral design w/ center cut-out. A name is written within each one, reportedly relatives. All names appear to be written by the same hand. At quilt center, the cut-out has a name with the date "September 11th, 1849."
A variety of quilting patterns are used, not readily visible. Binding is the front turned to back. At lower right of the center quilt block is a white block with an inscription stitched in white thread that reads: "The/ Property of/ Sarah J. Mullen/ When this you see/ Remember mee(sic)/ When I am in Eternity/ October the 19th 1849." Maker was 26 years of age when she made this quilt, using the names of family members and friends. Quilt made before her marriage to John B. Shaffer on 4 Aug 1853, at 30 years of age.
This type of quilt, created by the papercut technique, reached its height of popularity in Baltimore in the 1840s, from where it soon spread to nearby regions such as southern PA townships of Lancaster and Chester County. This is borne out by the 1849 date of quilt.
Documented in Quilt Harvest #67A.
Note: Accompanying prayer book was owned by quilt maker (G99.34.2)
Provenance
Provenance: Sarah Jane Mullen Shaffer willed the quilt to her unmarried daughter Mary Elizabeth Shaffer (1856- ?). Daughter directed quilt to her great-niece, donor Sara Shaffer Bush. Prayer book of Sarah Jane also donated, G.99.34.2.
Sarah Jane Mullen (b.12-9-1823 d. 9-28-1901) was the daughter of James Mullen (1795-1853) and his first wife Sara Mullen. Sarah married John Bowman Shaffer and they had 3 children, Jane Matilda, Mary Elizabeth and John James. The son John James Shaffer married Margaret Patton and had a son William James Shaffer who married Abbie Fulks, who in turn had a daughter, donor Sara Shaffer Bush.
