Stoltzfus family record on wove paper mounted in a thin, molded modern frame of tiger maple. Hand done family record of Lancaster Amish family attributed to David C. Hoke (active c. 1909-1935). Bold and colorful title is "Family Record" done with wide lettering of red and black with metallic gold highlights accompanied by green-leafed scrolling vines. Title continues on 2nd line with "...of Henry U. and Annie M. Stoltzfus." followed by the father's birth date & death date, then birth date of mother. Her death date is added later on same line with pencil. All lettering is black except for large, ornately illuminated upper case letters.
"Children" is the colorful bold heading for the remaining 3//4 of page listing 10 children with birth dates. The death date for 2-yr-old Levi is also recorded. Title has black and white letters, some red as well as metallic gold highlights. Surrounded by the same leafy scrolling vines and three upside down stalks of wheat at each side.
Remaining side borders have a vertical undulating vine with green leaves and blue clusters of grapes. Bottom is filled with a large cluster of three stalks of wheat.
Very minor stain spots, esp. at corners. Strongly creased horizontal fold line across center.
Object ID
P.96.01.1
Notes
Compare with large Esbenshade family record P.99.16.1. Hoke made Bible entries, bookplates and many large family registers in northern Lancaster County and southern Lebanon County. Large, ornate family registers made for the Amish seem to be a specialty of Hoke. He signed and dated much of his work, oftern including his home location of Quentin and later Lititz.
See file for:
1) Stoltzfus genealogy from "Fisher Family History."
2) Information sheet on David C. Hoke by Russ and Corinne Earnest "Papers for Birth Dayes."
Place of Origin
Lancaster County
Credit
Gift of the James Hale Steinman Foundation, Heritage Center Coll
Flat tin 6-pointed star pattern or template with1/2" diameter hole at center. Used for creating raised, sculpted plushwork (see Amish Arts by Patricia Herr, pp. 44-55).
Quilt is white cotton, top and back, with appliques of potted floral design done in solid red and a green with lesser yellow highlights. Pattern is often called "Pot of Flowers." Center is divided into quadrants with an identical large flowering & fruiting potted plant supporting 4 birds in each, creating a symmetrical design.Ornate pot has handles and the branches have leaves of stylized oak, tulip and cucumber. Border has a pair of wide-spreading flowering & fruiting plants on each side and a bird perched on a smaller sprig at each corner.
Blue is used only on the tail of the four corner birds. Red cherries cluster around branches on each plant; yellow ones at branch tips only. Cherries are cotton-stuffed balls stitched to quilt top only. Chain-stitch embroidered stems done in white thread.
Quilting is done in a fine grid (about 1/2") of blue contrasting thread over entire surface. Binding is red and batting is sparse or nonexistent..
Attributed to Sarah Annie Maisey Marker Smith (22 February 1883 - 22 December 1965). Married twice, she had 7 children & made quilts for many if not all. The family called them "cherry quilts." See Notes.
Provenance
Donor reports quilt was acquired by his wife's parents, Lynn and Lois Langdon, who lived in Idaho and were antiques collectors. At an auction in Oregon state (c.1987-88), the quilt was described as a "Pennsylvania wedding quilt." The Langdons purchased it, thinking it would be appropriate for the Lancaster bed & breakfast "The Patchwork Inn" run by donor and his late wife. (Donor's wife, Joanne, died some time ago. He remarried and they continued the B&B for another 10 years.) The Martins had a collection of over 100 quilts in this B&B. Now retired, donor is finding homes for many of the quilts.
Bio. info on maker Sarah Annie was obtained by Trish Herr from Morgan Anderson (see file). Quiltmaker lived on Easterday Rd, north of Myersville, MD.
Red binding and many stuffed cherries heavily worn. Loss of 2 cherries on one of the large quadrant plants. Minor soiling with some liquid stains, mostly around edges. Reverse has light acid burn at some fold lines. Along one quilt edge are spaced eleven minor holes, probably where tacked up for display in B&B.
Object ID
G.02.47.01
Notes
Applique quilts such as this cherry type "Pot of Flowers" design with its color palette of red and green were being made circa 1850s-1870. Red and green applique quilts were popular in the East, then spread westward where they remained popular during this time, then faded. Two more Pot of Flowers are dated 1902 and 1904, but really had a significant resurgence in the1920s and 1930s. See Connie Nordstroms, "One Pot of Flowers Quilt Pattern -- Blossoming through Centuries", Vol. 23 of the Research Papers of the AQSG, 2002 in file.
Place of Origin
Myersville, Frederick County, Maryland
Role
Quiltmaker
Credit
Given by the W. Lee Martin family in memory of Joanne M. Martin, Heritage Center Collection
All-white quilt made with unusual arrangement of pieced cotton panels, both machine and hand stitched.
Quilt top and quilt back are essentially identical; all plain-weave cotton except for two 8" wide side panels of ribbed weave and bottom 4.5" wide panel of ribbed basket weave. Centerfield has variously joined panels: at center is 13.5" wide panel flanked by two 9" wide panels and all surrounded by a 9" wide border. Very unusual piecing throughout: overlapping seams, hemmed seams and corners that do not align in conventional manner.
Quilting designs: center panel has 3 feather wreaths on a grid field, and the remaining plain-weave panels each have an undulating feather design on a field of diagonal lines. Cotton batting is deteriorated into clumps from laundering and cotton seeds scattered throughout.
Provenance
Inherited by donor from unknown Mueller family member.
Moderate wear; minor scattered stains, esp. at periphery. Most notable are two tiny blood stains, now faded. Minor separation at several seams, esp. middle panel.
Object ID
G.03.26.01
Place of Origin
Lancaster County
Credit
Gift of Mr. and Mrs. Paul A. Mueller, Jr., Heritage Center Collection
Lancaster Amish Bars quilt of twill and plain weave wools, machine pieced, hand quilted. Seven bars, 3 dark red and 4 green, all vary in width 4.25" - 5.25". Surrounded by inner border, 3.25" - 3.5" in width, of dark green with corner squares of light green. Outer border is 10.5" wide of the same dark red as the bars. One-inch binding is a tan twill, machine-sewn in black.
Unknown Amish maker
Wool batting. Original red backing is covered over with cotton red check, machine-sewn in black around perimeter and tacked haphazardly throughout quilt with very noticeable heavy black thread extending from top to back. It has some puckering and fabric failure.
Hand quilted in black thread, diagonal grid throughout bars; inner border has pumpkin seed florets within a triple diamond pattern; corner blocks have a 15-petal flower; outer border has two undulating feathers gracefully criss-crossing each other with a horseshoe curve at corners.
Fragile with fading. Heavy fading within red border at head and foot; light streak through center bar. Binding is very thin and has multiple holes, tears and weakened areas. Obvious holes in red fields. Replaced backing with puckering and fabric failure.
Object ID
G.08.17.05
Place of Origin
Lancaster County
Credit
Gift of Joanna S. Rose, Heritage Center Collection
Lancaster Amish quilt, Center Square with Ninepatch, 5"-square blocks set on point. Top and back are all crepe or knitted wools except for outer border and binding which are plain weave.
9-blocks on point are red and green alternating with dark green blocks. Four 9-blocks have remnants of cursive lettering printed in yellow. Inner border is a grayish lavender with purple corner blocks. Outer border is blue with Kelly green corner blocks. Dark purple binding is 1.25" wide. Crepe wool backing is an unusual printed pattern of diagonal striping in mostly browns and greens.
Hand quilted in dark thread. 9-Patch blocks have a grid; alternating blocks of inner field have a multi-petal flower and half-blocks have triple chevrons. Inner border has pumpkin seed florets within triple diamond pattern; corner blocks filled with an 8-point star. Outer borders have an asymmetrical pattern of undulating feather motifs with empty spaces filled with multi-petal flowers.
Maker needed to piece various parts of quilt apparently due to insufficient yardage. Strips are added to ends of all 4 sides of blue outer border, two of the outer corner blocks, two of the inner border, and two half-blocks of inner field. Various components have been done in two different fabrics.
