Chippendale style miniature blanket chest form. Mahogany-stained softwood, dovetail contruction, Lid with brass butt hinges, four ogee bracket feet. Edge molding on lid; chest bottom extends beyond sides to create look of molding. Interior till at left. All surfaces stained and glossy-varnished. Large brass batwing lock escutcheon; silvered key. Top of lid has central relief-carved cartouche incorporating the monogram of Frances Mayer Hershey "FMH" according to Clarke E. Hess. He believes chest was commissioned by Frances' grandparents Henry M. and Frances Mayer. Pencilled in cursive on bottom is "M. Mayer Rohrerstown." Frances' parents were Harry E. Hershey and Dora E. Mayer.
Attributed to Henry Slough, Sr. workshop.
Provenance
Descent from Frances Mayer Hershey to son Henry R. Outin. Purchased by Heritage Center at estate sale of Henry Outin of 2107 Wood St., Rohrerstown, held by Shaub at Willow Street Fire Hall. According to Clarke E. Hess, Outin died just a few months before the Sept.sale. He was the only child of Frances Mayer Hershey and her French husband, (?) Outin. Clarke recalls this couple lived in Algiers and perhaps other places abroad. Frances M. H. Outin left America with her husband in 1928, putting all her belongings in storage until she returned as a widow in 1967, at wich time Hess Builders built a home for her behind the Rohrerstown Mennonite Church. Mrs. Outin died later at age 92.
Lid is strongly abraded, notably a large oblong outline. Minor wear and abrasions overall. Several small cracks at left front at dovetails and a 2 3/4" long crack at midline. Interior abraded and scarred with accretions.
Object ID
P.00.38.1
Place of Origin
Lancaster
Credit
In memory of Anne Bausman Woodcock by Sally Slaymaker & Caroline S. Nunan
Dovetail construction, wire nails used on interior. Inside is a till and a sliding drawer; shoe molding on all bottom inside corners. Below mid-line molding are two thumbnail-molded, side-by-side drawers with nailed joints and fitted with locks, escutcheons and bail-type brasses in batwing style.
Lid is two joined boards with ends tenoned into end boards and pegged, cutting board fashion. Edge molding is intrinsic, not applied, except for light molding attached to underside to create lip. Lid has strap hinges with fishtail terminals and is fitted with a lock and brass batwing-type escutcheon. Medallion is relief-carved into center of lid top with "18 SF 40." The meaning of this 1840 date is a mystery.
Molding at the base of chest; four ogee bracket feet.
Provenance
Provenance: One of twelve pieces of furniture transferred to this museum from the Lancaster County Historical Society. These pieces were part of the estate of Sarah Ann Stauffer (1913-1996) whose property, Lime Kiln Farm, was bequeathed to LCHS upon her death in 1996.
Clarke Hess had suggested the chest may have been made for Sarah Ann Frantz and the 1840 date may be her birth year. Often, he says, pieces of furniture were made for a child or heir at the time of the settling of an estate.
Research: Sarah Ann Frantz (sister of Sarah A. Stauffer's gr-grandfather Henry L. Frantz) was born 1835, Grandfather Samuel O. Frantz was born 1861, so this theory is incorrect. (The East Hempfield Twp. farm of Sarah A. Frantz is located on both the 1875 and 1899 Atlases, SW of Rohrerstown and S.O. Frantz is shown nearby on 1899 Atlas.)
Top has large crack through center and many dents, scratches and score marks. Loss at right end of mid--line molding of front. Multiple cracks in sides. Repairs done to feet. Refinished with heavy stain and varnish on lid and all interior surfaces. Original finish on front is heavily alligatored; finish on sides is crackled. Interior surfaces have had paper and textiles adhere to wet varnish. Sliding drawer has crack in bottom.
Object ID
G.99.41.9
Place of Origin
Lancaster
Credit
Transferred from Lancaster Co. Historical Soc., Heritage Center Collection
Quilt of pieced silk hexagons, creating what is known as a Flower Garden pattern. Made by Jacob F. Trexler, M.D. a surgeon and physician on staff at St. Joseph (and also coroner, according to donor).
Quilt is made of a plethora of multicolored silks, pieced with the English template method. Each small hexagon was stitched over a cardboard template (still present). Plain, patterned and textured fabrics were used, and even some pompoms as "flower centers." Large "T" for Trexler is satin-stitched in gold on a dark blue velvet ground at center. Multiple letters, initials and monograms are embroidered on individual hexagons. These apparently represent family members since many end in "T," such as EMT (wife Ella Moore Trexler?), AFT, ENT, MAT (mother Mary A. Trexler?), MLT, MLW and MWT. Several symbols are also embroidered (sunburst w/ face, wheel, etc.)
Backing is a mustard colored quilted silk fabric.
According to donor, Dr. Trexler had his quilting frame set up on the 3rd floor of his residence at 134 N. Prince St. His office was on first floor. Donor owns three other quilts made by Trexler (he made many after retirement). These are a log cabin (silks with a polished cotton back), a star and an unfinished hexagon.
Provenance: Donor inherited the quilts from the Trexler family. In addition to other quilts, she possesses a 1920 photograph of Dr. Trexler.
Very good condition, minor soiling and fabric deterioration at some fabrics along edges.
See in file, pages from "Uncoverings 2003" Vol. 24 for article with comments on hexagonal quilts done with the "English paper-piecing" construction technique and their resurgence in popularity in the 1920 and 1930.
Tankard, lidded barrel form. Copper body with brass handle, shell thumb piece and four bands encircling body. Interior is tinned. Engraved on opposite side from handle, "COMPLIMENTS/ OF/ JOHN G. SCHAUM/ TO/ FRANK J. RIEKER." One of a pair with P00.42.2.
Believed to be a presentation piece given by Schaum in appreciation for all the work he was given in Rieker's brewery. Schaum did copper, tin and sheet iron work and was the son and one-time partner of plumber/ coppersmith John P. Schaum.
Provenance
Collection of J. Harlan Miller sold at Conestoga Auction Oct. 21, 2000.
Tankard, lidded barrel form. Copper body with brass handle, shell thumb piece and four bands encircling body. Interior is tinned. Engraved on opposite side from handle, "COMPLIMENTS/ OF/ JOHN G. SCHAUM/ TO/ JOSEPH HAEFNER." One of a pair with P00.42.3.
Believed to be a presentation piece given by Schaum in appreciation for all the work he was given in Haefner's brewery. Schaum did copper, tin and sheet iron work and was the son and one-time partner of plumber/ coppersmith John P. Schaum.
Provenance
Collection of J. Harlan Miller sold at Conestoga Auction Oct. 21, 2000. Transferred from Heritage Center Dec. 2012.
Heavy tarnish overall. Moderate scratching. Slightly dented in center of and below engraving. Small nicks on rim of lid. Minor corrosion where handle and thumb piece connect to body and on bottom. Some polish residue in crevices.
Cast-iron toy tri-motor Fokker aquaplane, painted yellow. Made of multiple castings fitted and securred with screws. Three wire spring cables are fitted to pulleys under plane, allowing the 4 rubber wheels to turn the 3 propellers and activate a noisemaker. Raised letters atop wings spell "FRIENDSHIP". "NX4202" is on tail and "Fokker" is on left side of fuselage. All letters painted blue. Inside hollow fuselage is "HUBLEY." Gold seal on left end of wing reads "It's a Hubley Toy". Profile of Earhart is cast into one of the two rear windows on left side.
The Friendship was flown across the Atlantic from Newfoundland to Wales, on June 17, 1928, with Amelia Earhart aboard. She was only a passenger, but this event won her immense fame, including a ticker tape parade in New York City, and started her career as a major celebrity. (see Notes on why this plane was made.)
Provenance
Plane was given to donor by his friend Charlie Reiger (sp?).
Moderate overal loss of paint; rust on exposed metal; cracking rubber on wheels.
Object ID
G.88.9
Notes
Hubley Mfg. Co. was commissioned by Pittsburgh industrialist Arthur E. Braun (1876-1976) to make 22 yellow aquaplanes modeled on Earhart's Friendship. Earhart signed each one and Braun gave the planes out as gifts at a reception in honor of Earhart, held at his own residence in Pittsburgh in June of 1929. This plane is unsigned, suggesting perhaps that this example may have been a factory extra.
In 1932, Earhart flew solo across the Atlantic, again achieving acclaim as the 2nd person and 1st woman to do so. She received the Distinguished Flying Cross from Congress, the gold medal of the National Geographic Society and the Cross of the Legion of Honor from France.
Place of Origin
Lancaster
Credit
Gift of Samuel S. Snyder, Heritage Center Collection
