Organized 1732 by the Synod [of Philadelphia]; divided and dissolved 1765; continued in part by Presbytery of Carlisle. Reconstituted as Donegal in 1766 by the Synod of New York and Philadelphia; dissolved 1786.
Affiliation: 1732-1745, the Synod; 1745-1758, Synod of Philadelphia; 1758-1786, Synod of New York and Philadelphia.
Vol. 3 includes minutes of Carlisle Presbytery, May 23, 1765-Apr. 25, 1766.
Labeled as #837.
Microfilm. Philadelphia : Presbyterian Historical Society, 1966. 1 microfilm reel ; 35 mm.
Includes early minutes under the Synods of Philadelphia, and New York and Philadelphia.
Affiliation: 1716-1745, The Synod; 1745-1758, "Old Side," Synod of Philadelphia; "New Side," Synod of New York; 1758-1789, Synod of New York & Philadelphia; 1789-1814, Presbyterian Church in the U.S.A.
Microfilm. Philadelphia : Presbyterian Historical Society, 1966. 1 microfilm reel ; 35 mm.
La Bible : qui est toute la saincte escriture du Vieil et du Nouueau Testament: autrement l'anciene & la nouuelle alliance, le tout reueu & confere̹ sur les textes Hebrieux & Grecs par les pasteurs & professeurs de l'eglise de Geneue. Augmente̹ d'indices & figures necessaires pour le contentement du lecteur
Bible, qvi est tovte la saincte escritvre dv Vieil & du Novveav Testament
Place of Publication
A Geneve
Publisher
[Iacob ChoueÃŒâ¸t],
Date of Publication
1608.
Physical Description
[8], 456, [1], 99, 133, [90] leaves : music ; 25 cm
Notes
Signatures: ii, iij, iiij, A¹Ìþ-Z¹Ìþ, Aa℗ø-LL℗ø, Aâ„—Ä‘-Nâ„—Ä‘, AA¹Ìþ-XX¹Ìþ, AAa¹Ìþ-IIh¹Ìþ.
Includes indexes.
Title vignette.
Double column text; historiated initials; head- and tail-pieces; printed marginalia.
Preliminary material includes an introductory epistle, preface by Calvin.
"Les sous-nomme̹s marchans libraires & imprimeurs ont par la permission des spectables ministres de l'Eglise de Geneue fait imprimer ceste bible ... Ce premier Iuillet. M. DCVIII. Iean le Preux, Iacob ChoueÃŒâ¸t, & Samuel Boreau", p. [11].
Books of Exodus and I Kings with illustrative figures.
"Les pseaumes de David mis en rime Francoise par Clement Marot, & Theodore de Beze," "La forme des prieres ecclesiastiques ...," "Le cathechisme ..." : l. [21]-[77] at end.
Contains "Les livres apocryphes."
Title page missing; some information written on first leaf.
Conserved in 1997 by the Conservation Center for Art and Historic Artifacts, Philadelphia
Poem, recipe, and song in older French not translated.
Genealogy of Isaac Lefevre and siblings (1660-1680) on back of leaf 104.
Genealogy of the children of Isaac Lefevre and Feree (1706-1719) on front of leaf 456.
Genealogy of Joseph Lefevre and Salome (1785-1826) on back of leaf 134 and continued on the front of leaf [1].
Genealogy of John Lefever and Elizabeth McClung and children (1823-1861) on front of second flyleaf.
Translations of some information on leaf 105 and leaf 456 attached on back of second and third flyleaves.
Letter of transmittal dated 22 April 1935 from Farmers Trust Company of Lancaster to the Lancaster Historical Society of the Lefevre family bible per the wishes of Elizabeth Lefevre.
Viewing bibles contingent on staff availability, an appointment is required.
Lefevre family bible.
Obituary of Mary Lefever, age 45. (newspaper clipping, dated February 25?)
"Full leather over wooden boards, brass clasps with (missing) leather straps trhough the fold onto four raised cords." Note of conservator.
Biblia, das ist: Die ganze göttliche Heilige Schrifft Alten und Neuen Testaments : nach der deutschen Uebersetzung D. Martin Luthers ; mit jedes Capitels kurzen Summarien, auch beygefügten vielen und richtigen Parallelen : nebst einem Anhang des dritten und vierten Buchs Esrä, und des dritten Buchs der Maccabäer
"Das Neue Testament unsers Herrn und Heylandes Jesu Christi, nach der deutschen Uebersetzung Dr. Martin Luthers, mit kurzem Inhalt eines jeden Capitels, und vollständiger Anweisung gleicher Schrift-Stellen. Wie auch aller Sonn- und Fest-tägigen Evangelien und Episteln. Dritte Auflage" has special title page.
This edition was published by the son of the publisher of the 1st edition, and consisted of 3000 copies. This is substantially the same as the 2d ed., 1763, and resembles the 1st ed., but with some slight changes and a new preface. Cf. J. Wright. Early Bibles of America, p. 46-47.
Head- and tail-pieces; initials.
"In 1776 he [i.e. Christoph Saur, the printer] had just completed a third edition (3000 copies) when the outbreak of the American War of Independence interupted the work, and nearly the whole of the unbound sheets were used to make cartridges"; cf. Darlow & Moule.
A catechism and confession of faith, which containeth a true and faithful account of the principles and doctrines of the people called Quakers. To which is added, The ancient testimony of the said people reviv'd, with some of the rules of the discipline established among them. Extracted from the minutes of their yearly meetings
"A catechism and confession of faith" (4 p. ø., 147 [3] p., ) and "The ancient testimony of the people called Quakers" (64 p.at end) have special title-pages.
Chippendale high chest, mahogany, ornately carved, Phila-inspired Rococo style. Top section has scrolled broken arch pediment with central cartouche (attrib. to Phila carver, Martin Jugiez) and fully relief-carved vine tympanum, leading down to large central drawer w/ large carved shell & surrounding vines. Two small drawers flank center drawer, under which are 4 full-length, graduated drawers with original Chinoiserie brasses. Fluted corner columns on upper case; vine & leaf-carved corner columns on lower case.
Lower chest has top full-length drawer over 3 small drawers that mirror the 3 drawers at top. Again, the center drawer is fully carved. Below drawers is a fully vine-carved skirt w/ shaped bottom. Has 4 carved fully articulated cabriole legs w/ acanthus knees and ball and claw feet and original brass casters.
Original owner Matthias Slough was a colonel in the Rev. War, a superintendent of the Philadelphia to Lancaster Turnpike, a county coroner and treasurer, and tavernkeeper of the White Swan. Buried in St. James Episcopal Cemetery.
Made by unknown Lancaster Borough workshop.
Provenance
Original owner believed to be Mathias Slough, based on a 1934 letter from Ethel Torrington Davis to Mr.(James?) McCormick. Ms. Davis states her mother received story from her mother Mrs. Beatty. Mathias Slough married Mary Gibson and had three daughters. The oral tradition is that each daughter was given a high chest. These chests then descended in the family, one of which descended through the mother of Ethel T. Davis to James McCormick (in payment of an outstanding debt). This info researched by John J. Snyder.
From a July 1975 letter, donor George J. Finney recalls the highboy in the home of James McCormick of Hbg, his grandfather. After his death in 1917, it stayed with the house & his son Donald McCormick until his death in 1945. It was then put up for sale at auction of household good but failed to sell due to price not meeting expectations of executors. Donor learned of this, and in 1946 he offered to buy it for $2,500 and the estate accepted. Donor has owned highboy since 1946. Upon the death of the donor, it was bequeathed from his estate.
Multiple repairs (e.g. pieced out around drawers); refinished; some losses, most noticeable in some cartouche elements and leaves of rosettes. Finials missing the ball at mid section. Cosmetic conservation done by Cory Berrett April 1992.
Repairs made 12-2-09 by Winterthur conservator in consultation with curator Wendy Cooper (see conservation report in file). Major changes: broken off rosette leaf tips replaced; missing finial balls and top plates of plinths replaced.
Object ID
G.92.06
Notes
John Snyder states that mahogany is unusual for Lancaster Co. high-style pieces. Secondary woods are poplar and pine.
He notes six or fewer high chests of this Lancaster County Chippendale design are known to exist, and that of these six, "this piece is unquestionably the finest example." (Based on artistic evaluation, condition and provenance. Of these other chests, 2 are in private collections, one is in the State Department collection at Yale University, and the others' whereabouts are currently unknown.
Snyder says this high chest is closely related structurally to the famous Chippendale desk and bookcase acquired by the Winterthur Museum from the Withers family, living near Strasburg, Lancaster Co.
OBITUARY
May 14, 2009 FRANCES DAVIS HASSINGER EVERHART, of Lower Allen Township, Mechanicsburg, PA, passed away Thursday, May 14, 2009, in Bethany Village, Mechanicsburg. Frances was born March 1, 1916, in Harrisburg, PA, the daughter of CARL W. AND ETHEL TORRINGTON DAVIS. She was a 1938 graduate of Vassar Co...
Matthias Slough (1733-1812) was the tavernkeeper of the White Swan. The high chest was made at an unknown Lancaster Boro workshop, except for the carved cartouche of Philadelphia.
Place of Origin
Lancaster
Credit
Heritage Center Collection, bequest of George J. Finney Estate
Dial scribe used originally for engraving circular lines (chapter rings) in brass dials. Converted for use with later white-painted dials (probably held a pen, according to clock expert Ed LaFond). Used by Jacob Gorgas (1728-1798). Maker unknown; most likely Lancaster Borough.
The tool arm is created from a foot-long bar of iron, rectangular in section. One end is enlarged and fitted with a vertical attachment made of cone-shaped iron surmounted by a turned wooden (walnut?) handle. This vertical attachment comes to a blunt point at the bottom. A shaped sleeve fits onto the horizontal iron bar and is fitted with a vertical hexagonal hole at one side. Two iron thumb screws are positioned at each side of sleeve.
Provenance
Owned by two brothers, Samuel K. and William L. Fraser, clockmakers who lived in Lincoln (just west of Ephrata) and grandsons of clockmaker William Fraser (1801-1877), then to early collector Earl T. Strickler (FNAWCC) who had it on display at the Columbia Clock and Watch Museum. Upon Strickler's sudden death circa 1974, it was sold by his widow, Mary Jane Strickler, to Edward F., Jr. and Virginia A. LaFond who owned it for "20 some" years. They then traded it to dealer Jamie Price for some clocks. Price had it on sale at the 2004 Philadelphia Antiques Show in mid-April where, as representative for the von Hess Foundation, Tom Cook, purchased it for this museum's collections.
Ed LaFond believes the Fraser family was related to the Gorgas family, thus they were in a position to inherit tools. Due to this, it was believed at first that both the machine and the scribe were from the Gorgas family. However, LaFond believes the Frasers were also related to the Shreiners.
Iron surface is pitted from corrosion, now stable. Turned wood handle is moderately worn and scarred with a broken off piece creating one flattened side. Wood is also checked (cracked) throughout neck.
Object ID
G.04.19.2
Notes
Stacy Wood researched origins and provenance of these tools and wrote an article in Vol. 96 #4 of LCHS Journal. Conversations with Virginia LaFond ( 5/19/04) and Ed LaFond (7/6/04).
Place of Origin
Lancaster
Usage
Gorgas, Jacob, 1728-1798
Credit
Gift of the Richard C. von Hess Foundation, Heritage Center Collection
Tall case clock w/ 8-day movement housed in a cherry Chippendale style case with scroll pediment, carved floral rosettes and three flame finials. Arched glass door and side lights. Partially engaged, smooth columns at front corners, forming part of the hinged door.
Brass dial has Roman numeral chapter ring, C-scroll and vining foliate engraving at spandrels as well as above and below moon wheel which is painted with a star-spangled sky and moon with face. Engraved "Wilton Atkinson" on lower dial.
Waist has broken arch door and recessed, plain quarter columns. Base has raised, scalloped panel at front with quarter columns that match those in the waist section. Feet are bold ogee bracket style.
Atkinson is believed to have been the son of Matthew Atkinson of Lampeter Twp. Wilton was in the Borough as early as 1763 as a cutler. In tax records, he was listed in 1770 as a watchmaker and in 1772 and 1773 as a clockmaker. He married Anna Maria, daughter of the early Borough clockmaker Abram Laroy. Legend states that Anna Maria also made clocks in Lancaster that were sold bearing her husband's name. The Atkinsons eventually moved to Baltimore where, following his death, Anna Maria conducted business until 1819. (Clockmakers of Lanc. Co.)
Snyder notes on p. 40 of Clockmakers of Lanc. Co, that this case is considered one of the earliest examples of the Chippendale style in Lancaster Co., based on the brief working career of Atkinson (1770-1773).
Provenance
Owned by Dr. George Rohrer, then to son Henry A. Rohrer, then to daughter Mary Louise Webster. Tape adhered to reverse side of dial has the name of the donor's father, "Henry Rohrer/ 9-22-87."
Case has been overcleaned, finished with a glossy varnish then handrubbed with steel wool to remove gloss. Vertical scratch on right side of base; feet marred. Crack at lower right corner of base, below raised panel. There are about nine nail holes over the expanse of the tympanum suggesting missing carving. Heavy dent on dial at left edge, center, and hammer marks at this point on reverse side. Lower left corner distorted.
Object ID
G.01.49.1
Notes
Entry for Wilton Atkinson in "Clockmakers of Lancaster Co. and Their Clocks 1750-1850" notes that: "Atkinson married Anna Maria, a daughter of the early Borough clockmaker Abrum Laroy and legend states that she also made clocks in Lancaster that were sold bearing her husband's name. "
Brochure of the First Reformed Church (UCC) notes that in the 1760s, "the French Laroys" belonged to this church. "One chronicler called the LeRoy sisters (four daughters of a local clockmaker) the 'Belles of the congregation.'... Anna Maria, the youngest of the sisters, learned her father's trade and was said to be 'as good a clockmaker' as he was. She and her husband, Wilton Atkinson, took over the family business." (Note: Abrum Laroy died in 1763).
Above brochure is http://visithistoricalancaster.com/pdf/02LP109 HOW-FR-UCC
Call to church office & conversation with paster Dana Schlegel offered no clues to source of above information (Jan. 2017).
Place of Origin
Lancaster
Credit
In memory of Dr. George Rohrer and Mrs. & Mrs. Henry A. Rohrer by Mary Louise Webster, Heritage Center Collection
Eight-day, tall case clock by John George Hoff, Sr., in a flat-top Chippendale walnut case.
Brass dial has pewter chapter ring with Roman numerals for the hour and Arabic numerals for the seconds. Separate seconds dial below XII. Pewter spandrels. "George Hoff" engraved at bottom of dial, above a calendar window. Painted moon wheel at top has moon on a field of stars.
Bonnet has molded cornice, arched door and arched side windows. Engaged columns at all four corners. Waist has wide chambered corners with lambequins at top and bottom. Door has arched top and molded edges; brass escutcheon (replaced?); door is hung by two brass steeple butt hinges. Base has plain sides and chamfered corners that match those at waist. Molding above four ogee bracket feet.
J.J. Snyder notes that this clock case with wide chamfers relates to other pieces with the same feature, e.g. G.03.1.1 (Jenkins family bookcase on desk) and P.78.76 (Old family bonnet top high chest). The Hoff clock chamfers, however, are not fluted like the large case pieces.
See photo of clock in Wood and Kramer's clock book, p. 37.
Provenance
Professor Kauffman said on 4-23-99 that he purchased this clock from a dealer after Joe Kindig refused it because it was a flat top. A receipt (now in file) was tacked to inside of clock case documenting the purchase from collector/dealer Melvin Hubley of Lancaster City in 1955 (cost $545).
Modest wear, right side light is cracked, molding missing at right side of waist at bottom. Base is scarred, some cracks, especially aroung feet and moldiing. Unfilled nail repair holes at base.
Finish has orange peel surface.
Object ID
G.96.37.1
Place of Origin
Lancaster
Credit
Gift of Henry J. Kauffman, Heritage Center Collection
8-day musical clockworks by Mennonite Christian Eby (c.1768-1803) of Manheim. Housed in a large, inlaid cherry case attributed to Emanuel Dyer. Case is transitional from Chippendale to Federal, although strongly Federal due to inlay of eagle and floral motifs on tympanum, quarter fan inlays and another floral inlay on waist section, and a patera centered on the base within a cartouche of line inlay.
Notes: Weight, key, and various parts located in box on Unit 52, Bottom Shelf.
Hood has side lights, fluted colonettes at sides, swan's neck scrolls terminating in inlaid paterae, three ball and spire finials (spire missing on center finial). Waist and base have fluted quarter columns. French bracket feet.
White-painted iron dial w/ Roman numerals on chapter ring. Seconds use Arabic numerals. Floral spandrels, lunar dial and inscription "C EBY Manheim under XII. Above lunar dial are ten names of tunes played by the musical works. Dial attributed to Reading area due to a dark moon wheel and the 2 hemispheres for the moon phase are identical (per Gary Sullivan). He also notes that brass-clad weights are very unusual, and usually an English practice.
Provenance
Ex Renner (per Gary Sullivan, clock dealer). Later from estate sale of Pauline Heilman of York, PA by Sotheby's July 17, 1982. The buyer, a private client of Citibank, put clock in storage in Florida, then consigned it Christie's where HCLC purchased Jan. 1992.
John and Carol Pyfer paid $800 for Quentin Johnson to repair the clockworks and get it running in 2004. Clock hands have losses (pieces in a box stored in clock bottom), repaired by Johnson. Case refinished (see early photos in file). Scratch on side to left of pendulum door; nicks & scratches at left side vertical member of opening to pendulum. Marred overall. Split at left side of front section of molding under hood. Pieces of string inlay replaced. Proper left back foot loose; proper left front column loose. See Gary Sullivan condition report (loan to Willard House)
Object ID
P.92.02
Notes
Made by Christian Eby (c.1768-1803), working 1792-1803. Case attributed to Emanuel Deyer.
J.J. Snyder notes, "The clock is significant because it is the only known Lancaster Co. eagle-inlaid clock with a musical movement. Musical movements predating 1840 are quite rare, and fewer than eight Lancaster Co. musical clocks prior to 1840 are known to survive. The inlay is unique in the placement of the eagle in the center of the pediment rather than in an oval medallion above the pendulum door and in the use of floral inlay in addition to the eagle. In summary, the Christian Eby clock is a masterpiece of not only regional but also national importance."
Snyder also states "Unquestionably, this is one of the most elegant and sophisticated pieces of Lancaster County Federal furniture now known." He adds "Of all the known Lancaster County eagle-inlaid clock cases, this one alone has floral inlays. In view of the fact that this case must predate Christian Eby's death in 1803, it stands as the earliest known use of the eagle as a patriotic device in Lancaster County furniture."
Snyder also suggests Manheim cabinetmaker Emanuel Dyer (1760-1836) as the probable casemaker. Working for about a half century starting in the early 1780s, Dyer was the leading Manheim cabinetmaker.
Place of Origin
Manheim
Credit
Gift of members and friends of the Heritage Center, Heritage Center Collection
