Publications of the Pennsylvania German Society ; ser. 2, v. 46
Notes
Illustrated lining papers.
Includes bibliographical references (p. 285) and indexes.
Contents
Berks County: the center of it all -- Daniel Schumacher: a Fraktur artist of some note -- Henrich Otto, 1784 -- Friederich Krebs, August 4, 1790 -- Johann Valentin Schuller -- The greatest development of Fraktur writing, 1800-1835 -- Johann Ritter: a century of influence -- Conclusion: The last flickering -- Appendix 1. Fraktur artist who routinely made Taussscheine for Berks County families -- Appendix 2. Scriveners who routinely infilled Taussscheine for Berks County families -- Appendix 3. Berks Couny printers of Taussscheine in order by active dates -- Appendix 4. Translations.
111 p. : chiefly ill. (chiefly col.) , maps ; 23 x 29 cm.
Summary
"226 color photos show Lancaster County, Pennsylvania's, historic covered bridges in every season. The images and text are arranged in five groups, creating five separate regional tours. Providing GPS coordinates for each bridge makes every bridge easy to find using a GPS satellite navigation device. If you prefer you may also use a local tour map of course"--Publisher's description.
Lancaster County, PA connections : evidence of persons residing in other states or countries with a connection to Lancaster County, Pennsylvania : compiled from deeds recorded in Lancaster from 1770 to 1830
pt. 1. Telling the story -- "Drive the heathen out of the land" -- "Some hot headed ill advised persons" -- "The same spirit & frantic rage" -- "Persons of undoubted probity & veracity" -- pt. 2. Retelling the story -- "I never heard one word of it till it was just over" -- "A mighty noise and hubbub" -- "Shot, scalped, hacked, and cut to pieces" -- "One of those youthful ebullitions of wrath" -- "The innocent were destined to share the fate of the guilty" -- "A zone of vicious racial violence" -- pt. 3. Killers and abettors -- "The most respectable of men" -- "They had possession and would keep it" -- "Eternal shame & reproach" -- pt. 4. Death and reconciliation -- "The remains of the victims of a terrible crime" -- "Slaughter'd, kill'd, and cut off a whole tribe" -- "Who was left to mourn for these people?"
xv, 400 p., [8] p. of plates : ill. (some col.) ; 27 cm.
Series
Early American studies
Notes
Includes bibliographical references (p. [335]-377) and index.
Contents
Painters and patrons -- The village enlightenment -- Cosmopolitan communities -- Itinerants and inventors -- A tale of two chairmaking towns -- Provincial portraits -- Daguerreotypes : the industrial image.
Summary
In the middle of the nineteenth century, middle-class Americans embraced a new culture of domestic consumption, one that centered on chairs and clocks as well as family portraits and books. How did that new world of goods, represented by Victorian parlors filled with overstuffed furniture and daguerreotype portraits, come into being? This work highlights the significant role of provincial artisans in four crafts in the northeastern United States, chairmaking, clockmaking, portrait painting, and book publishing, to explain the shift from preindustrial society to an entirely new configuration of work, commodities, and culture. As a whole, the book proposes an innovative analysis of early nineteenth century industrialization and the development of a middle class consumer culture. It relies on many of the objects beloved by decorative arts scholars and collectors to evoke the vitality of village craft production and culture in the decades after the War of Independence. It grounds its broad narrative of cultural change in case studies of artisans, consumers, and specific artifacts. Each chapter opens with an "object lesson" and weaves an object-based analysis together with the richness of individual lives. The path that such craftspeople and consumers took was not inevitable; on the contrary, as the author, a historian demonstrates, it was strewn with alternative outcomes, such as decentralized production with specialized makers. The book offers a collective biography of the post-Revolutionary generation, gathering together the case studies of producers and consumers who embraced these changes, those who opposed them, or, most significantly, those who fashioned the myriad small changes that coalesced into a new Victorian cultural order that none of them had envisioned or entirely appreciated.
