An oyster shell-shaped serving dish. Made from a hard-paste porcelain china manufactured at the Sèvres factory in France. Decorated and sold by Haviland, the decor consists of maroon and gilt boarders on a white background, gilt rings and highlights.
Provenance
Johnston, Harriet Lane
To - cousin, Riddle, Katherine W.
To - sister, Riddle, Anna S.
To - cousins, Coe, Sara W. & Coe, W. Travers To - Murphy, Elsie B. of Charles Town, W. VA. To - Governor's Mansion Virginia by Ms. Murphy's sister, Fletcher, Mrs. Robert.
Easgles Nest completed conservation on the image and frame.
Height (cm)
36.195
Height (ft)
1.1875
Height (in)
14.25
Length (cm)
6.985
Length (ft)
0.2291666667
Length (in)
2.75
Width (cm)
41.275
Width (ft)
1.3541666667
Width (in)
16.25
Dimension Details
Dimensions are for frame
Condition
Good
Condition Date
2022-07-21
Object ID
W.1995.015.001
Notes
Based on the pointed waistline of her bodice, this photograph was likely taken in Washington DC while she was the First Lady and before the year 1860. This style was at the height of fashion in the mid-1850s and quickly disappeared in the year 1860, when the straight waistline came into fashion.
Set of four Renaissance Revival style side chairs. Top rail scroll curved with tight C-scroll at ends. Finger hole is triangular with arrow point inside. Flat finial hangs from bottom of rail. Stretcher is also curved out with scroll work and bell flower. Front legs turned.
Set of four Renaissance Revival style side chairs. Top rail scroll curved with tight C-scroll at ends. Finger hole is triangular with arrow point inside. Flat finial hangs from bottom of rail. Stretcher is also curved out with scroll work and bell flower. Front legs turned.
Set of four Renaissance Revival style side chairs. Top rail scroll curved with tight C-scroll at ends. Finger hole is triangular with arrow point inside. Flat finial hangs from bottom of rail. Stretcher is also curved out with scroll work and bell flower. Front legs turned.
Freestanding, cast-iron stove inserted in firebox. Open at front with baffles at rear of stove. The stove's half-round cast iron hearth is decorated with radiating lines and sits over the fireplace's marble hearth. The cast hearth also features a raised cylindrical bar held in place by three vertical supports; each support has an opening that the cylinder passes through and each features a flat, beaded mushroom finial topped with a ball. The stove's firebox has an outward curved apron that features an ogee curve design. Mounted above the apron is a plain retention bar to hold back coals. This bar had five diamond shaped finials of which only one remains intact. The opening of the firebox is framed by a rounded double bullnose design. The stove has a flat and square backing that covers the fireplace's oblong firebox opening and features a beaded rope decor.
Lithograph of Edward Albert, Prince of Wales. Black ink, oblong background. Prince Edward Albert- body is 1/2 to his right, head is 1/4 to the left, looking forward. Wearing a cap with visor, holding a telescope tucked under his arm and wearing a saber and sheath on waist.
Original photograph by Lake Price. S. Mitchell, Publisher and Bookseller. M & N Hanhart, printer. Lynch, lithographer.
Lithograph signed Print of Queen Victoria from painting by F. Winterhalter. Black ink, oval background. Victoria-body is 1/4 to her left, head front. Wearing crown, drop jewel earring, large stone necklace. Shoulder gown in trimmed with fur. Mounted in a The frame is a gilt decorated wood frame. Signed "Victoria R."
F. Winterhalter painted the original. J. A. Vinter, engraver. Day & Son, lithographer.
Color lithograph of Empress Eugenie. The lithograph was created from an original painting by F. Winterhalter. The Empress is standing on a platform, her body facing left, head turned front, her right hand raised over a jewelled crown that sits atop of a gold trimmed brown pillow on a red and gold trimmed table; a gold embroidered arm chair is behind her. The Empress is wearing a a long pearl necklace over her white double flounced evening gown trimmed in lace and enhanced by a green bustle as well as a blue and white sash. She wears a jeweled bracelet on both arms, a pearl tiara with a small pearl crown atop her chignon veil.
Rectangular top, green baize-covered (thick, felt-like cloth) writing surface. Ogee-molded edge overhangs crotch-grain skirt with sectioned drawer opening on one long side with two wooden turned knobs. Brackets on top of two legs have rounded medallions,
