Spherical pincushion of small pieced woolen patches of solid brown, blue, red and black. Large black triangles alternate with blocks of a 4-patch diamond on a red square. Four-patch is blue and light brown. Decorated with off-white silk ribbon 1/4' wide, encircling the ball several times. A tassel of 0.5" wide ribbon at one side. Soft cotton stuffing.
Old paper note written in small script is stitched to pincushion. It reads: "Presented to / Mary N Hostetter / by her / Grandmother / Nissley in 1872".
Attributed to Elizabeth Kraybill Nissley (1812-1894).
Provenance
Research: Mary N. Hostetter (6 Oct 1864 - 20 Mar 1932) married Joseph H. Habecker and lived in Mount Joy area. Parents were Jonas E. Hostetter and Barbara Nissley of Mt. Joy area. Nissley grandparents were Elizabeth Kraybill Nissley (1812-1894) and Jacob Kraybill Nissley.
Grandmother Elizabeth Kraybill Nissley gave the pincushion to Mary in 1872 when she was 8 yrs. old and grandmother was 60.
Round, flat pincushion with beadwork top and bottom, done on a black felt ground. One side has a 6-petal green flower centered within 2 concentric bands, 1 red and 1 blue, with white edging. Opposite side has a centered 4-petal pink & green flower with repeating conforming lines within two bands, 1 red and 1 blue, with white edging. Pink silk, 0.5" wide, encircles outer sides of pincushion. Stuffed with white wool.
This needlework roll or "Housewife" is a handmade pieced storage case having five pockets of four diffferent cotton prints sewn onto one side of a length of fabric. Outer fabric is a polka dot print on blue. Bound with a 1/4" wide cotton binding of a floral print on white ground.
Several small holes and weak spots, especially in blue print.. Splits in the lower red pocket. Areas of strong soiling, especially on binding and the upper red pocket.
Object ID
2015.999.18
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Large, nearly square, cushion-shaped pincushion of red fabric, top and bottom with a seam around edges. Red fabric of bottom extends only part way underneath where an off-white, fine-woven cotton twill, covers the center of bottom. Red fabric is loosely hand stitched to it.
Realistic floral beadwork design extends across top with clear, green, amber and white beads. Design appears to be mounted on an adhesive paper backing and applied without stitching. Cushion is decorated at edges with a 1" wide beadwork fringe with a pattern of diamonds and edged with loops.
Cane or walking stick of hardwood with engraved gold handle. Shaft is round, tapered, ebonized wood. Handle is 3" long, tapered and 8-sided with a rounded crown. Metal fitted tip is missing.
Engraving on all sides of handle. Crown reads "Presented to Genl. Simon Cameron by the Employees of the LOCHIEL IRON WORKS as a mark of their high Appreciation of his Valuable Services in Favor of PROTECTION to American Industry." One facet of side depicts the U.S. Capitol with the slogan "LIBERTY AND PROTECTION." Opposite facet shows the Lochiel Iron Works building above the words "JUSTICE AND EQUALITY TO ALL MEN."
Lochiel Iron Works was organized in 1864. Cameron was one of the owners of the factory located along S. Cameron St. in Harrisburg. Cameron apparently championed some legislative protection for the iron industry, perhaps during his 2nd tenure as U.S. Senator, 1866-1877.
Provenance
Possession of the portrait by the Slaymaker family is probably due to the intermarriage of the Slaymaker and Cameron families. Cameron's niece (Jane Elizabeth Cameron Redsecker) married Colonel S.C. Slaymaker (1828-1894) on May 28, 1862. Then descent to widow of S.R. Slaymaker II.
Metal handle has multiple small dents, one split where the side meets the crown, and some light corrosion. Wood has moderate wear, esp. around tip. Wood has minor splitting near bottom. Tip is missing, adhesive residue remains.
Object ID
G.98.12.9
Notes
Simon Cameron became a strong advocate for the protection of the U.S. steel and iron industry against foreign imports. In appreciation, the workers at Lochiel Iron Works commissioned this cane as a gift for Cameron. The iron works was named Lochiel by Cameron to honor the Cameron family's ancestral Scottish home.
Credit
Gift of Mrs. S.R. Slaymaker II, Heritage Center Collection
Painting, St. Jerome, European. Oil on canvas on board. Portrait is of bearded, bald, older man with upturned head and rapturous expression, eyes turned heavenward.
Glossy varnish over oil; canvas adhered to oak panel. Mounted in gold-painted, early, molded pine frame, likely older than painting. Wood liner, painted copper, allows painting to fit frame.
Contrived arrangement of strips on reverse mounts and secures board. Split oak panel has two thin walnut strips epoxied across back for support.
Old paper sticker printed "11" pasted to upper left corner of back. Upper right corner has old newsclipping pasted and covered with plastic strip. Article titled "Mifflin Paintings Sold at Sale" notes estate sale of Grace Minich estate in Columbis. Handwritten at top is "8 JULY 1967."
Provenance
Owned by Mifflin and hung in his home. Brought back from Europe by J. H. Mifflin. Apparently inherited by Grace Minich and sold among approx. 35 turn-of-the-century paintings, July 8, 1967."
Gold painted molded pine frame with painted wood liner.
Object Name
Painting
Material
Canvas
Medium
Painting, Oil
Height (in)
14.75
Width (in)
12.5
Dimension Details
Frame size is H: 23 inches x W: 19 inches.
Condition
Good
Condition Date
2015-01-27
Condition Notes
Oil on cavas has bubbles and other raised points; some areas of abrasion. Panel split top to bottom with cupping. Wood strips epoxied to back for support. Board has white in pores. Recent wood strips contrived to hold board.
Gold paint on frame is flaking with multiple losses. Upper corners and lower rail all have gesso losses.
Object ID
2015.017.2
Notes
St. Jerome was one of the scholars of the early church. Born around 347, he later translated much of the Bible into Latin, called the Vulgate.
Sketch by Lloyd Mifflin (and Thomas Moran?), "The Bridge at Wrightsville". Gray flecked paper has pencil sketch of landscape with river and bridge in distance. Mounted with homemade window mat of dark gray with line borders around window.
Kraft paper backing has "Wrightsville Bridge" in ink at top right and pencil inscriptions at center reading "acid free linen mat barrier and backing used herein - another Mifflin sketch on back of existing sketch-"
Provenance
Presumed to be inherited from Lloyd Mifflin by the Minich sisters
Thin, w/ molded plaster? foliate decoration on wood, painted black over original gold
Image Size
5 x 7 inches
Object Name
Drawing
Material
Paper
Medium
Drawing
Height (in)
5
Width (in)
7
Dimension Details
Image size. Frame H: 10.625 inches x W: 13.625 inches.
Condition
Good
Condition Date
2015-01-27
Condition Notes
Bottom right corner of sketch missing. Old glass in a plaster-molded thin wood frame is painted flat black over original gold. Multiple paint chips. Backing paper perforated especially at top and left side.
Hardwood Printing Block of irregular shape with scenes near Norwood, depicted in muted colors. Roughly divided into quarters: two scenes appear to be mountainscapes, one sideways, another appears to be a painting on canvas of a river, and the remaining 1 appears to have been crossed out. Written in pencil on back is "Lloyd Mifflin c. 1865".
An oblong-shaped wall mirror. The gilt frame has both decorative elements to the early Rococo Revival era and Rennaisance Revival. The overall frame has a shape similar to the American 1850 Arched Gilt Frame; however, this frame's crest has elaborate, high-relief foliate carvings surmounting a cove with a pair of bullseye carvings centered between foliate relief carvings. Both stiles feature high relief grape clusters at the top terminating with blossom and foliate scrolls at the base.
