Open scroll work on rectangular music stand; elaborate lyre-shaped pedal support with two pedals. Three massive legs with ten-faceted tapered legs. Sides of keyboard area scrolled with foliate carving. Around bottom is rope-like molding.
Ames, Kenneth L [ed], 'Victorian Furniture: Essays from a Victorian Society Autumn Symposium', Victorian Society in America, 1982.
Height (in)
37.437
Length (in)
98.5
Width (in)
57
Condition
Good
Condition Date
2022-11-17
Condition Notes
adjusted' piano 5/16/1949
Last cleaning & tuning September 2006
Several strings are broken and the sound board no longer holds its tuning.
Object ID
W.1936.001.004
Notes
Jonas Chickering (1798-1853), whose firm made the piano, began his career as a cabinetmaker in Ipswich, New Hampshire. In 1818 at the age of twenty, he went to Boston and apprenticed himself in one of the town's cabinet shops.
Daguerreotype of Harriet Lane. Full bust length view, facing right. Her hair is coiled and pinned back. She is wearing a dark jacket over a white blouse, with a white lace collar. Broach at her neck and long earrings are prominent. Gold matting around image. Image mounted inside of book-type case of black leather and red velvet inner lining. Two hook clasps.
This daguerreotype represents the earliest known image of Harriet Lane, niece of President James Buchanan. This likeness might have been photographed ca. 1845, Harriet Lane would have been about fifteen years old.
Easgles Nest completed conservation on the image and frame.
Height (cm)
36.195
Height (ft)
1.1875
Height (in)
14.25
Length (cm)
6.985
Length (ft)
0.2291666667
Length (in)
2.75
Width (cm)
41.275
Width (ft)
1.3541666667
Width (in)
16.25
Dimension Details
Dimensions are for frame
Condition
Good
Condition Date
2022-07-21
Object ID
W.1995.015.001
Notes
Based on the pointed waistline of her bodice, this photograph was likely taken in Washington DC while she was the First Lady and before the year 1860. This style was at the height of fashion in the mid-1850s and quickly disappeared in the year 1860, when the straight waistline came into fashion.
One of two Louis XVI upholstered armchairs. Both chairs have gilt and bronze beading and foliate ornament décor on their crests, arms, uprights and aprons. All four legs are surmounted by foliate-decorated blocks transitioning to an urn-shape and ring and beaded ball turnings. They transition to reeds in the middle tapering to additional ring and ball turnings that terminate on brass casters.
One of two Louis XVI upholstered armchairs. Both chairs have gilt and bronze beading and foliate ornament décor on their crests, arms, uprights and aprons. All four legs are surmounted by foliate-decorated blocks transitioning to an urn-shape and ring and beaded ball turnings. They transition to reeds in the middle tapering to additional ring and ball turnings that terminate on brass casters.
One of two side chairs that loosely follows the 18th century Louis XVI design. Both chairs have gilt bronze beading and foliate ornament outlines on the back crest and horizontal shaped-splat while highlighting the apron and ring turning of the front legs. The seats are upholstered.
One of two side chairs that loosely follows the 18th century Louis XVI design. Both chairs have gilt bronze beading and foliate ornament outlines on the back crest and horizontal shaped-splat while highlighting the apron and ring turning of the front legs. The seats are upholstered.